Sarah Aziza on Memoir as a Work of Art

Sarah Aziza on Memoir as a Work of Art

From the Memoir Nation Podcast, Hosted by Brooke Warner and Grant Faulkner

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David Guterson on Changing His Style

David Guterson on Changing His Style

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | February 16, 2026

An Archive of Associations: When My Father Bought Foucault’s Old Car

An Archive of Associations: When My Father Bought Foucault’s Old Car

Anna Nygren on Writing Between Intertextuality, Obsession and Categorization

By Anna Nygren | February 13, 2026

Katie da Cunha Lewin on the Joys of Quiet, Communal Writing

Katie da Cunha Lewin on the Joys of Quiet, Communal Writing

Or: A Room of (Every)one’s Own

By Katie da Cunha Lewin | February 13, 2026

Am I the Literary Asshole For Being Tired of My Self-Congratulatory Liberal Book Group?

Am I the Literary Asshole For Being Tired of My Self-Congratulatory Liberal Book Group?

Kristen Arnett Answers Your Awkward Questions About Bad Bookish Behavior

By Kristen Arnett | February 12, 2026

The Limits of Pain: On Writing Against Chronic Illness

The Limits of Pain: On Writing Against Chronic Illness

Ysabelle Cheung Considers How Her Experience With Endometriosis Has Shaped Her Short Fiction

By Ysabelle Cheung | February 12, 2026

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Adina Hoffman on Georges Perec’s <em>An Attempt at Exhausting a Place in Paris</em>

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Why Does Contemporary Fascism Fetishize the Classics?

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Karen Russell on the Mystery and Magic of Joy Williams’s <em>The Changeling</em>

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The “Real” Self, Psychoanalysis, and Autobiography: A Conversation with Naomi Washer

The “Real” Self, Psychoanalysis, and Autobiography: A Conversation with Naomi Washer

Sophie Newman in Conversation With the Author of Marginalia

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Karen Palmer on Catalyst Moments

Karen Palmer on Catalyst Moments

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Ann Packer on a Quick Draft

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