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In Praise of the Liminal Spaces and Uncertain Endings of Folklore

In Praise of the Liminal Spaces and Uncertain Endings of Folklore

Thao Thai on the Forward Momentum and Emotional Resonance of Handed Down Stories

By Thao Thai | June 27, 2023

Anne K. Yoder on Excavating Her Polyvocal Debut Novel

Anne K. Yoder on Excavating Her Polyvocal Debut Novel

In Conversation with Lindsay Hunter on I'm a Writer But  

By I'm a Writer But | June 27, 2023

Beth Raymer on Her Delightfully Delusional Father, Homelessness, and Why Florida is Pure America

Beth Raymer on Her Delightfully Delusional Father, Homelessness, and Why Florida is Pure America

In Conversation with Andrew Keen on Keen On

By Keen On | June 27, 2023

Diana Goetsch on How Elena Ferrante and Milan Kundera Helped Her Write a Memoir

Diana Goetsch on How Elena Ferrante and Milan Kundera Helped Her Write a Memoir

The Author of This Body I Wore on Trans Identity and Making Nonfiction Read Like Fiction

By Diana Goetsch | June 26, 2023

On the Pitfalls of Book Promotion in the Internet Age

On the Pitfalls of Book Promotion in the Internet Age

For Tom Rachman Being a Novelist “Retains a Shimmer of Prestige with Only a Glimmer of the Audience.”

By Tom Rachman | June 26, 2023

What Suitcases Taught Ana Menéndez About Art, Exile, and Poetry

What Suitcases Taught Ana Menéndez About Art, Exile, and Poetry

The Author of The Apartment on Learning to Trust In Our Destinations

By Ana Menéndez | June 26, 2023

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Isabella Hammad: The Idea of Apolitical Art is Very Political

By Olivia Watson | June 26, 2023

Kelcey Ervick on Graphic Novels, Literary Collage, and Poetry Comics

By Memoir Nation | June 26, 2023

Michelle Brafman on Love Addiction as Fuel for Plot

By First Draft: A Dialogue on Writing | June 26, 2023

Jessie Gaynor on Finding the <em>Why</em>

Jessie Gaynor on Finding the Why

“A love of the micro need not preclude attention to the macro.”

By Jessie Gaynor | June 23, 2023

What Vera Mutafchieva’s <em>The Case of Cem</em> Tells Us About Europe’s Past and Present

What Vera Mutafchieva’s The Case of Cem Tells Us About Europe’s Past and Present

Angela Rodel on Translating a 20th-Century Bulgarian Classic

By Angela Rodel | June 23, 2023

Winnie Li on Finding That Elusive Thing: A Perfect Writing Space

Winnie Li on Finding That Elusive Thing: A Perfect Writing Space

The Author of Complicit Reflects on the Cozy Writerly Dream, Motherhood, and Making Peace with a Messier Reality

By Winnie M. Li | June 23, 2023

Jacinda Townsend on Why Democrats Are Skeptical of President Biden—and How He Can Win Them Back

Jacinda Townsend on Why Democrats Are Skeptical of President Biden—and How He Can Win Them Back

Jacinda Townsend in Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | June 22, 2023

Keziah Weir on the Women Behind Great Literary Men and Guessing Other People’s Intentions

Keziah Weir on the Women Behind Great Literary Men and Guessing Other People’s Intentions

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | June 22, 2023

Matt Mitchell on Writing Love Poems for Himself and For Others

Matt Mitchell on Writing Love Poems for Himself and For Others

Hanif Abdurraqib Talks to the Author of Vampire Burrito

By Hanif Abdurraqib | June 22, 2023

How Audrey Clare Farley Rewrote the Story of the Genain Quadruplets

How Audrey Clare Farley Rewrote the Story of the Genain Quadruplets

The Author of Girls and Their Monsters On the Oft-Exploited History of the Morlok Sisters

By Audrey Clare Farley | June 22, 2023

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    • Awake Awake
    • The Best Reviewed Books of the Week
    • "Confident and unsettling I m forced to be coy because there s a mystery at…"
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