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Katie Runde on Trusting the Reader Will Extrapolate

Katie Runde on Trusting the Reader Will Extrapolate

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | October 3, 2022

The Cultural Influence of <em>Lady Chatterley’s Lover</em> on Indian Novelist Saikat Majumdar

The Cultural Influence of Lady Chatterley’s Lover on Indian Novelist Saikat Majumdar

From The History of Literature Podcast with Jacke Wilson

By History of Literature | October 3, 2022

Sandra Cisneros on the Private Act of Writing Poetry

Sandra Cisneros on the Private Act of Writing Poetry

“I find writing poetry a most subversive act.”

By Sandra Cisneros | September 30, 2022

How to Love to Your Horrible Little Goblins (and Other Advice from Calvin Kasulke)

How to Love to Your Horrible Little Goblins (and Other Advice from Calvin Kasulke)

Also, Don’t Organize Your Bookshelves!

By Literary Hub | September 30, 2022

George Takei, Philip Kan Gotanda, and Others Discuss <em>Sisters Matsumoto</em>

George Takei, Philip Kan Gotanda, and Others Discuss Sisters Matsumoto

Hear a Moving Post-Play Panel Discussion

By Audiobook Break | September 30, 2022

Thrifted Suits, Gender Anarchy, and the Power of a Writing Uniform

Thrifted Suits, Gender Anarchy, and the Power of a Writing Uniform

Heidi Sopinka on Sartorial Experimentation

By Heidi Sopinka | September 29, 2022

Best Reviewed
Books of the Week

  • The Rest of Our Lives
  • Call Me Ishmaelle
  • This Is Where the Serpent Lives
  • Lost Lambs
  • Winter: The Story of a Season
  • The Score: How to Stop Playing Somebody Else's Game
  • Departure(s)
  • Fly, Wild Swans: My Mother, Myself and China
  • The Flower Bearers
  • Black Dahlia: Murder, Monsters, and Madness in Midcentury Hollywood

WATCH: Saeed Jones on the Apocalypse as a State of Being

By The Virtual Book Channel | September 29, 2022

Jasmine Guillory on Why Rom-Coms Are Exactly What We Need Right Now

By The Maris Review | September 29, 2022

In Praise of TK: Why the Handy Shorthand Has a Surprising Emotional Hold on Me

By Sophie Vershbow | September 29, 2022

Jonathan Escoffery Talks About How Belonging Shifts Across Generations

Jonathan Escoffery Talks About How Belonging Shifts Across Generations

In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | September 29, 2022

Saeed Jones on the Poetic Economy of Language

Saeed Jones on the Poetic Economy of Language

This Week on The Writers Institute Podcast, From the Archives of the New York State Writers Institute

By The Writers Institute | September 29, 2022

WATCH: Emma Ramadan on Translating Marguerite Duras’s <em>Panics</em>

WATCH: Emma Ramadan on Translating Marguerite Duras’s Panics

In Conversation with Kate Zambreno at Greenlight Bookstore

By The Virtual Book Channel | September 28, 2022

How Amnesia Helped Ingrid Rojas Contreras Tell Her Family’s Stories

How Amnesia Helped Ingrid Rojas Contreras Tell Her Family’s Stories

In Conversation with Jordan Kisner on Thresholds

By Thresholds | September 28, 2022

Chelsea Martin on Accepting Her Writing Voice

Chelsea Martin on Accepting Her Writing Voice

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | September 28, 2022

Kamila Shamsie on Finding the Perfect Writing Space

Kamila Shamsie on Finding the Perfect Writing Space

“Perhaps there is no such thing as my writing space except wherever I happen to find myself.”

By Kamila Shamsie | September 27, 2022

Hafizah Augustus Geter on Personhood, Race, and Origin in America Today

Hafizah Augustus Geter on Personhood, Race, and Origin in America Today

In Conversation with Andrew Keen on Keen On

By Keen On | September 27, 2022

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    • The Best Reviewed Books of the Month: January 2026January 30, 2026 by CrimeReads
    • Adrian McKinty's The Chain Gets an HBO Series OrderJanuary 29, 2026 by Olivia Rutigliano
    • 5 Novels with Perfectly Unsympathetic ProtagonistsJanuary 29, 2026 by Sophie Hannah
    • The Rest of Our Lives
    • The Best Reviewed Books of the Month
    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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