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Craft and Advice
Neither Villain Nor Victim: Stacey D’Erasmo on Embracing Discomfort in Telling the Story of a Complicit Woman
What It Means to Write in the Direction of Darkness
By
Stacey D'Erasmo
| September 26, 2022
Qian Julie Wang on Commuting, People-Watching, and Letting the Story Marinate
“I delete and demolish with zeal.”
By
Literary Hub
| September 26, 2022
Jonathan Escoffery on Playing Out Some of His Worst Fears on the Page
In Conversation with Mitzi Rapkin on the
First Draft Podcast
By
First Draft: A Dialogue on Writing
| September 26, 2022
Stacey D’Erasmo on the Fun of Writing Cryptic Characters
“The world itself is an ambiguous, complicated place.”
By
Stacey D'Erasmo
| September 23, 2022
Not Just Lyrics and Melodies: How Producers Conceive of Music
Susan Rogers and Ogi Ogas on the Intersections of Musical Form and Functionality
By
Susan Rogers and Ogi Ogas
| September 22, 2022
Yiyun Li on Complicated Friendships Real and Imagined
In Conversation with Whitney Terrell and V.V. Ganeshananthan on
Fiction/Non/Fiction
By
Fiction Non Fiction
| September 22, 2022
Best Reviewed
Books of the Week
Why Jazz? Laura Warrell on Devotion to a “Dying” Art Form
By
Laura Warrell
| September 20, 2022
How the Trapper Keeper Shaped a Generation of Writers
By
Jess deCourcy Hinds
| September 19, 2022
Break Everything and Begin Again: On Fragmentation as a Form
By
Sarah Haas
| September 19, 2022
A.M. Homes on How to Write Characters that Stick with Your Readers
In Conversation with Brooke Warner and Grant Faulkner on the
Write-minded
Podcast
By
Memoir Nation
| September 19, 2022
Thomas C. Foster on the Seven Deadly Sins of Writing
"You cannot let worry win."
By
Thomas C. Foster
| September 16, 2022
Ellen Meeropol on Writing Into the Gaps Left by Untold Family Stories
“When more isn’t there, or the story is hidden, my imagination fills in the blanks left by small snippets of family history.”
By
Ellen Meeropol
| September 16, 2022
When Your OCD Therapy is Also a Treatment for Writers’ Block
Elissa Bassist on Learning to Lean in to the Fear of Writing Like an Idiot
By
Elissa Bassist
| September 16, 2022
On the Myth of the Made Writer and the Madness of Emerging
Or: Encounters with Michael Ondaatje’s Dog
By
Kailyn McCord
| September 15, 2022
Rachel Aviv: Why It’s Difficult to Trust Your Own Experiences of Mental Illness
In Conversation with Maris Kreizman on
The Maris Review
Podcast
By
The Maris Review
| September 15, 2022
On Meaning and Time: Andrea Barrett on What the Past Tells Us About Today
In Conversation with Whitney Terrell and V.V. Ganeshananthan on
Fiction/Non/Fiction
By
Fiction Non Fiction
| September 15, 2022
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6 Thrillers That Reveal the Dark Sides of Fame
January 21, 2026
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Jessie Garcia
Ellie Levenson on the Beautiful Realism of Ambiguous Endings in Narratives
January 21, 2026
by
Ellie Levenson
Crime on the High Seas: 8 Historical Mysteries with Pirates and Smugglers
January 21, 2026
by
Linda Wilgus
The Best Reviewed Books of the Week
"Sensitive and powerful The women in em This Is Where the Serpent Lives em are…"