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George Saunders: Why the Revision Process is Critical for Building Fictional Worlds

George Saunders: Why the Revision Process is Critical for Building Fictional Worlds

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | October 19, 2022

George Saunders on Reading Chaotically and the Power of Generous Teachers

George Saunders on Reading Chaotically and the Power of Generous Teachers

The Author of Liberation Day Takes the Lit Hub Questionnaire

By Literary Hub | October 18, 2022

Tressie McMillan Cottom: Why Black People Are the Most Future People She Knows

Tressie McMillan Cottom: Why Black People Are the Most Future People She Knows

This Week on Twitterverse, a Show About Tweets and the Writers Who Send Them

By Twitterverse | October 18, 2022

Brendan Slocumb on the Validation of Recording Racism and Discrimination in His Novel

Brendan Slocumb on the Validation of Recording Racism and Discrimination in His Novel

From Micro, a Podcast for Short But Powerful Writing

By Micro Podcast | October 18, 2022

Deborah Shapiro on Writing About Grief and the Decision to Self-Publish

Deborah Shapiro on Writing About Grief and the Decision to Self-Publish

In Conversation with Alex Higley and Lindsay Hunter on I'm a Writer But  

By I'm a Writer But | October 18, 2022

Prince Shakur on Reflection as a Way to Make Meaning in Memoir

Prince Shakur on Reflection as a Way to Make Meaning in Memoir

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | October 17, 2022

Best Reviewed
Books of the Week

  • The Rest of Our Lives
  • Call Me Ishmaelle
  • This Is Where the Serpent Lives
  • Lost Lambs
  • Winter: The Story of a Season
  • The Score: How to Stop Playing Somebody Else's Game
  • Departure(s)
  • Fly, Wild Swans: My Mother, Myself and China
  • The Flower Bearers
  • Black Dahlia: Murder, Monsters, and Madness in Midcentury Hollywood

Andrea Barrett on Needing Stories to Weave Together the “Jumble of Perceptions”

By First Draft: A Dialogue on Writing | October 17, 2022

Ling Ma: Why Every Story Comes From an Entry Point of Wish Fulfillment

By The Maris Review | October 13, 2022

A.M. Homes on Being—For Better or Worse—“a Very American Writer”

By Literary Hub | October 13, 2022

WATCH: Lynn Melnick and Hafizah Augustus Geter Talk All Things Dolly Parton

WATCH: Lynn Melnick and Hafizah Augustus Geter Talk All Things Dolly Parton

Hosted by Greenlight Bookstore

By The Virtual Book Channel | October 13, 2022

Forty-Nine Days of Mourning: On Culture and Ritual at My Father’s Funeral

Forty-Nine Days of Mourning: On Culture and Ritual at My Father’s Funeral

E.M. Tran Considers Disappearance and Preservation in Grief and Writing

By E.M. Tran | October 12, 2022

Life in a Distant Land: A Conversation with Poet Kathleen Rooney

Life in a Distant Land: A Conversation with Poet Kathleen Rooney

Robert Puccinelli Talks to the Author of Where Are the Snows

By Robert Puccinelli | October 12, 2022

Vanessa A. Bee on How Writers Can Make Rejection Work For Them

Vanessa A. Bee on How Writers Can Make Rejection Work For Them

“Let them channel that spiteful energy into their work, if spiteful energy is the fuel they need to unlock their full potential.”

By Vanessa A. Bee | October 12, 2022

Marie-Claire Amuah Reads from <em>One For Sorrow, Two For Joy</em>

Marie-Claire Amuah Reads from One For Sorrow, Two For Joy

From Damian Barr’s Literary Salon Podcast

By Damian Barr's Literary Salon | October 12, 2022

“There’s No Such Thing as Failure.” Morgan Talty on Writerly Persistence

“There’s No Such Thing as Failure.” Morgan Talty on Writerly Persistence

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | October 12, 2022

Lydia Millet on Long Extinct Creatures and Boundaries Real and Imaginary

Lydia Millet on Long Extinct Creatures and Boundaries Real and Imaginary

Jane Ciabattari Talks to the Author of Dinosaurs

By Jane Ciabattari | October 11, 2022

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    • The Rest of Our Lives
    • The Best Reviewed Books of the Month
    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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