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Stephanie Land On Allowing Herself To Get Angry

Stephanie Land On Allowing Herself To Get Angry

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | November 9, 2023

Lisa Gornick on Writers Truly Knowing Their Fictional Characters

Lisa Gornick on Writers Truly Knowing Their Fictional Characters

In Conversation with Andrew Keen on Keen On

By Keen On | November 9, 2023

Reese Hogan on Sentience, Humanity, and Robots

Reese Hogan on Sentience, Humanity, and Robots

In Conversation with Brenda Noiseux & Rob Wolf on the New Books Network

By New Books Network | November 9, 2023

Robin Lane Fox on Why We Still Read Homer

Robin Lane Fox on Why We Still Read Homer

From The History of Literature Podcast with Jacke Wilson

By History of Literature | November 8, 2023

Why Naoise Dolan Learned Italian for Her Book Tour

Why Naoise Dolan Learned Italian for Her Book Tour

And Why Reading, Writing, and Speaking a New Language Imperfectly is OK

By Naoise Dolan | November 7, 2023

Stephanie Land on the Routine That Helped Her Write Her New Book in a Month

Stephanie Land on the Routine That Helped Her Write Her New Book in a Month

The Author of Class Takes the Lit Hub Questionnaire

By Stephanie Land | November 7, 2023

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Showing the Human in the Inhumane: Why Lindsay Hunter Loves True Crime

By Lindsay Hunter | November 7, 2023

Literature's Porous Borders: Where Fiction Ends and Reality Begins

By Salar Abdoh | November 7, 2023

Marina Abramović on Her Expansive View of Art-Making

By Talk Easy | November 7, 2023

How Diane Seuss Wrote The Poem That Matters Most to Her

How Diane Seuss Wrote The Poem That Matters Most to Her

The Poet Explains the Creative Process Behind "Still Life with Two Dead Peacocks and a Girl"

By Literary Hub | November 6, 2023

Trying to Find My Voice on the Page: On Self-Doubt and Finding the Confidence it Takes to Write

Trying to Find My Voice on the Page: On Self-Doubt and Finding the Confidence it Takes to Write

"I may not know exactly where I’m going when I start a piece of writing, but I’m sure I can find my way"

By Virginia Pye | November 6, 2023

Allison Gilbert on Taking Writing Inspiration From Elsie Robinson

Allison Gilbert on Taking Writing Inspiration From Elsie Robinson

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | November 6, 2023

Shane McCrae on the Music of the Poetic Line

Shane McCrae on the Music of the Poetic Line

"Good poets take advantage of opportunities to make meter mean."

By Shane McCrae | November 3, 2023

Jesse David Fox On Cheap Laughs

Jesse David Fox On Cheap Laughs

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | November 2, 2023

Dancing with the Goddess and Drawing Down the Moon: A Reading List for Modern Witches

Dancing with the Goddess and Drawing Down the Moon: A Reading List for Modern Witches

Diana Helmuth Recommends Margot Adler, Lorraine Monteagut, Starhawk, and More

By Diana Helmuth | October 31, 2023

“A monster can look like whatever it wants”: On the Allure of Literary Monsters

“A monster can look like whatever it wants”: On the Allure of Literary Monsters

Adrian Van Young on the Monstrous Stories That Shaped Him

By Adrian Van Young | October 31, 2023

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Page 106 of 349
    • Zoje Stage on Writing Genre Fiction in An Era of Extreme Political DivisionSeptember 16, 2026 by Zoje Stage
    • Will Ferguson on the Japanese Backpacking Trek That Inspired His Latest MysterySeptember 16, 2026 by Will Ferguson
    • Jonathan Santlofer: Why the Art World is Tailor-made for Crime FictionSeptember 16, 2026 by Jonathan Santlofer
    • Switzy
    • The Best Reviewed Books of the Week
    • "A bold and arresting departure from Cline s earlier work Though em Switzy em can…"
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