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Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Literary Criticism
Novelist Juliette Fay Explains Why Regret is Such Fertile Territory for Fiction Writers
In Conversation with Andrew Keen on
Keen On
By
Keen On
| April 11, 2023
Baroque, Purple, and Beautiful: In Praise of the Long, Complicated Sentence
Ed Simon Asks Us to Reconsider Our Definitions of Good Style
By
Ed Simon
| April 10, 2023
Joy Harjo on Being a Poet and Witness to History
From Her Acceptance Speech for the Ivan Sandrof Lifetime Achievement Award at The National Book Critics Circle Awards
By
Joy Harjo
| April 10, 2023
Maggie Smith on How She Approached Plot in Her Memoir
In Conversation with Mitzi Rapkin on the
First Draft Podcast
By
First Draft: A Dialogue on Writing
| April 10, 2023
Ling Ling Huang on the Similarities Between Classical Music and Fiction Writing
“Music and writing demand the same things: self-discipline, time, and patience.”
By
Ling Ling Huang
| April 10, 2023
Charif Shanahan on Making the Unseen Seen through Poetry
The Poet on His New Collection
Trace Evidence
By
Literary Hub
| April 10, 2023
Best Reviewed
Books of the Week
The Reader is the Only Place That Matters: On the Metaphysical Space Within Literature
By
Blair Austin
| April 10, 2023
What to Read Before and After Seeing the Adaptation of Haruki Murakami’s
Blind Willow, Sleeping Woman
By
Literary Hub
| April 7, 2023
The Most Mysterious of Arts: On the Science of Reading
By
Adrian Johns
| April 7, 2023
When Cate Blanchett Played Tennessee Williams’s Greatest Character
Nancy Schoenberger on the Power of Blanche duBois in Liv Ullmann's Unique Production of
A Streetcar Named Desire
By
Nancy Schoenberger
| April 7, 2023
Jane Roper on Learning How to Have Fun While Writing Fiction
“Bringing your full self to your work, wielding all of your tools with abandon, is fun at a whole other level.”
By
Jane Roper
| April 7, 2023
What Should You Read Next? Here Are the Best Reviewed Books of the Week
Featuring New Titles by Curtis Sittenfeld, Isabella Hammad, Nicole Chung, Susanna Hoffs, and More
By
Dan Sheehan
| April 7, 2023
Our Father Issues: A Reading List of Spiritual Disillusionment
Christiana Spens Recommends Patti Smith, Lily Dunn, and More
By
Christiana Spens
| April 7, 2023
A Passion for Living in the Present:
A Conversation with Yuko Tsushima and Annie Ernaux
A Piece of Global Literary History Available in English For the First Time
By
Lisa Hofmann-Kuroda
| April 6, 2023
Manufacturing Lies: Dina Nayeri on How Our Cultural and Bureaucratic Norms Often Betray the Truth
In Conversation with Whitney Terrell and V.V. Ganeshananthan on
Fiction/Non/Fiction
By
Fiction Non Fiction
| April 6, 2023
Five Folklorists You’ve Never Heard Of: A Reading List of Overlooked Fairy Tales
Jack Zipes Recommends Édouard Labouylaye, Hermynia Zur Mühlen, and More
By
Jack Zipes
| April 6, 2023
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Page 117 of 343
The Ghosts of Inch Beach
October 29, 2025
by
Carlene O'Connor
Raising the Devil: Parenting, Control, and Horror Fiction’s Obsession with Sinister Children
October 29, 2025
by
Brian Asman
Predators On and Off the Page: Noelle Ilhi on Writing about Assault in Crime Fiction
October 29, 2025
by
Noelle Ihli
The Best Reviewed Books of the Week
"Not much happens In fact there is much in the text that is not made…"