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Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Craft and Advice
The Annotated Nightstand: What Pádraig Ó Tuama is Reading Now, and Next
Featuring Margaret Atwood, Feargal Ó Béarra, Vona Groarke, and Others
By
Diana Arterian
| January 30, 2025
What If Instead of Making Paperclips We Asked an AI Super-Intelligence to Make Us All Happy?
Deni Ellis Béchard Considers the Role of Artificial Intelligence in Worlds Fictional and Real
By
Deni Ellis Béchard
| January 29, 2025
André Alexis on Martha Baillie's
There Is No Blue
In Conversation with Michael Kelleher for the Windham-Campbell Prizes Podcast
By
Windham-Campbell Prizes Podcast
| January 29, 2025
Emily Greenhouse on the Whole Self
In Conversation with Merve Emre on The Critic and Her Publics
By
The Critic and Her Publics
| January 28, 2025
Why Absolute Truth is Still Worth Pursuing In a Narrative-Driven World
Jay Nicorvo on Separating Fact From Perception While Writing a True Crime Memoir
By
Jay Nicorvo
| January 27, 2025
Jack Torrance and Me: On Writing and Self-Loathing in
The Shining
Maggie Su: "Just as part of Jack will always remain at the Overlook, my shadow is still part of me."
By
Maggie Su
| January 27, 2025
Best Reviewed
Books of the Week
Alan Shapiro on Inspiration
By
First Draft: A Dialogue on Writing
| January 27, 2025
Connie Hale and Ellen Sussman on Writing Retreats
By
Memoir Nation
| January 27, 2025
Gemma Tizzard on Researching for Historical Fiction
By
Gemma Tizzard
| January 24, 2025
Ugh, I’m in My Friend’s Autofiction and I Hate It: Am I the Literary Asshole?
Kristen Arnett Answers Your Awkward Questions About Bad Bookish Behavior
By
Kristen Arnett
| January 23, 2025
The Shape of a Story: On Losing (and Finding) the Plot of Your Novel
Emma Knight: “As the character in this story, I’ve evolved at least to this extent: it’s no longer plot I’m afraid of.”
By
Emma Knight
| January 23, 2025
Betty Shamieh on the Next Generation of Palestinian Fiction
The Author of “Too Soon” Considers Her Novel in Relation to Etaf Rum, Hala Alyan, and the Politics of Influence
By
Betty Samieh
| January 22, 2025
“When I Quit Drinking I Quit Writing.” Matthew Nienow on Stumbling Back Into Poetic Vulnerability
“I wrote into that darkness because that kind of honesty was the only thing that felt right.”
By
Matthew Nienow
| January 22, 2025
Adrian Matejka and Austin Araujo Are “Whole-Neighborhood” Poets
In Conversation with Lena Crown on Awakeners
By
awakeners
| January 22, 2025
Trump 2.0: What the Book World Should Do Now
An Essay Series by Josh Cook on How We Should Respond to the New Administration
By
Josh Cook
| January 21, 2025
Sara Sligar on Modernizing an 18th-Century Literary Cult Classic
Jane Ciabattari Talks to the Author of “Vantage Point”
By
Jane Ciabattari
| January 21, 2025
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Page 28 of 257
7 Novels That Explore Motherhood's Complexities
November 4, 2025
by
Donna Freitas
To Break Up with Friends, or to Murder Them: 5 Novels Featuring Fatal Friendship Failings
November 4, 2025
by
Jenna Satterthwaite
The Trauma Behind the "Good Old Days": Christina Henry on the Dark Trap of Nostalgia in Fiction
November 4, 2025
by
Christina Henry
The Best Reviewed Books of the Week
"Not much happens In fact there is much in the text that is not made…"