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Literary Alchemy: On Fusing Research and Film Techniques to Write a Novel

Literary Alchemy: On Fusing Research and Film Techniques to Write a Novel

How Mo Ogrodnik Depicts Violence Against Women from Multiple Perspectives

By Mo Ogrodnik | May 8, 2025

The Rise of the Submission Industrial Complex

The Rise of the Submission Industrial Complex

Chill Subs’ Benjamin Davis Looks into the Economics of Submission Fees

By Benjamin Davis | May 7, 2025

Save or Shred? On the Allure and Conundrum of Unpublished Novels

Save or Shred? On the Allure and Conundrum of Unpublished Novels

Randee Dawn Explores Approaches to Trunk Fiction

By Randee Dawn | May 7, 2025

Asking Toni’s Questions: Decentering Whiteness in Literary Spaces

Asking Toni’s Questions: Decentering Whiteness in Literary Spaces

“It is the discomfort of asking and of making space for the answers...that will allow us to stay in the room together.”

By Rosa Castellano | May 7, 2025

Sasha Weiss on Mischief in the Pages

Sasha Weiss on Mischief in the Pages

In Conversation with Merve Emre on The Critic and Her Publics

By The Critic and Her Publics | May 6, 2025

The Power of <em>Persuasion</em>: Why Lawyers Love Jane Austen

The Power of Persuasion: Why Lawyers Love Jane Austen

Natalie Jenner Explores the Legal and Judicial Side of One of English Literature’s Most Beloved Writers

By Natalie Jenner | May 6, 2025

Best Reviewed
Books of the Week

I Take No Pleasure in Having Written an “Eerily Prescient” Novel

By Kevin Nguyen | May 6, 2025

Kazuo Ishiguro Reflects on Never Let Me Go, 20 Years Later

By Kazuo Ishiguro | May 5, 2025

More Than a Subplot: Five Novels That Explore and Center Female Friendship

By Disha Bose | May 5, 2025

Astrid López Méndez on the Role of Verse and Resistance to Poetry

Astrid López Méndez on the Role of Verse and Resistance to Poetry

In Translation by Ellen Jones from the Latest Issue of the “New England Review”

By Astrid López Méndez | May 5, 2025

Lynn Steger Strong on Being Porous to the World

Lynn Steger Strong on Being Porous to the World

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | May 5, 2025

Jill Ciment on What It Means to Reconsider a Memoir

Jill Ciment on What It Means to Reconsider a Memoir

From the Memoir Nation Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | May 5, 2025

“I Hope You Don’t Mind That I’ve Shared You.” Arianna Rebolini on Writing About Your Kid

“I Hope You Don’t Mind That I’ve Shared You.” Arianna Rebolini on Writing About Your Kid

On Being a Parent and a Memoirist

By Arianna Rebolini | May 2, 2025

My Mean, Rich, Hot Ex-Friend is a Mediocre Literary Darling and I Hate It

My Mean, Rich, Hot Ex-Friend is a Mediocre Literary Darling and I Hate It

Kristen Arnett Answers Your Awkward Questions About Being a Literary Asshole

By Kristen Arnett | May 1, 2025

In Praise of the Dark and Innovative Genre-Bending of <em>Twin Peaks</em>

In Praise of the Dark and Innovative Genre-Bending of Twin Peaks

Lauren Haddad Shares the Lynchian Influences That Shaped Her Debut Novel

By Lauren Haddad | May 1, 2025

Tracing the Journey of World War II's Stolen and Looted Objects

Tracing the Journey of World War II's Stolen and Looted Objects

Elisabeth Dini on the Decades-Long Legal Battles to Recover Long-Lost Valuables and Heirlooms

By Elisabeth Dini | April 29, 2025

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