Literary Hub
Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
Become A Member
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
Reading Challenge
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Craft and Criticism
Fiction and Poetry
News and Culture
Lit Hub Radio
Reading Lists
Reading Challenge
Book Marks
CrimeReads
Log In
Jess Row
To Write As If No One Will See What You’ve Written: Why the Short Story Won’t Go Away
Jess Row In Praise of the Enduring Subversive Power of the Short Form
By
Jess Row
| August 11, 2026
Generation Franchise:
Why Writers Are Forced to Become Brands (and Why That’s Bad)
Jess Row on the Ubiquity of the Digital Persona, From Child Stars to Disney Adults
By
Jess Row
| June 26, 2024
A Novel is Like a Camp: What Fiction Can Teach Us About Surviving the Slow Apocalypse
Jess Row on How We Tell Stories in a Time of Catastrophe
By
Jess Row
| March 28, 2023
The Quintessential American Hymn of Redemption Was Written by a Slave Trader
Jess Row on the Uncomfortable Contradictions of "Amazing Grace"
By
Jess Row
| July 23, 2019
Best Reviewed
Books of the Week
This Year's Emmy Awards was All About Crime
September 16, 2026
by
Olivia Rutigliano
Emily Zinnikas on Befriending Our Monsters
September 16, 2026
by
Emily Zinnikas
Zoje Stage on Writing Genre Fiction in An Era of Extreme Political Division
September 16, 2026
by
Zoje Stage
The Best Reviewed Books of the Week
"A bold and arresting departure from Cline s earlier work Though em Switzy em can…"