Feminine Appetites in Todd Haynes’s <em>May December</em>

Feminine Appetites in Todd Haynes’s May December

Hannah Bonner on the Aesthetics of Tabloid Culture

By Hannah Bonner | December 1, 2023

Sweet Nothings: On the Emptiness of Sofia Coppola’s <em>Priscilla</em>

Sweet Nothings: On the Emptiness of Sofia Coppola’s Priscilla

Hannah Bonner on the Director’s Latest “Waiting Woman”

By Hannah Bonner | November 10, 2023

How Iowa City, Hub of Literature, Became a Landmark for Cinephiles

How Iowa City, Hub of Literature, Became a Landmark for Cinephiles

Hannah Bonner Formally Introduces the Refocus Film Festival

By Hannah Bonner | September 29, 2023

Becoming Others: Enacting the Transness of Virginia Woolf’s <em>Orlando</em>

Becoming Others: Enacting the Transness of Virginia Woolf’s Orlando

Hannah Bonner on the Utopian Future of Paul B. Preciado’s Orlando, My Political Biography

By Hannah Bonner | August 3, 2023

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