David James Duncan on Choosing Between Art and Activism

David James Duncan on Choosing Between Art and Activism

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | December 22, 2023

Paul Harding on Receiving Gifts from the Universe

Paul Harding on Receiving Gifts from the Universe

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | December 18, 2023

Michael Cunningham on Treating Stories Like Living Things

Michael Cunningham on Treating Stories Like Living Things

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By First Draft: A Dialogue on Writing | December 11, 2023

Salar Abdoh on Working Against the Masculine Default

Salar Abdoh on Working Against the Masculine Default

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | December 4, 2023

Alice McDermott on Memory as a Mode of Storytelling

Alice McDermott on Memory as a Mode of Storytelling

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | November 27, 2023

Ayana Mathis on Prioritizing the People on the Page

Ayana Mathis on Prioritizing the People on the Page

In Conversation with Mitzi Rapkin on the First Draft Podcast

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Edgar Kunz on Knowing When a Poem is Finished

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Tan Twan Eng on Making Readers Angry About History

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Richard Deming on Boy George, Bowie, and Not Feeling Alone

By First Draft: A Dialogue on Writing | October 30, 2023

Jenn Shapland on Learning Radical Acceptance

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By First Draft: A Dialogue on Writing | October 23, 2023

Ben Fountain on the Complexities of His New Novel

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Daniel Magariel on the Trouble with Titles

Daniel Magariel on the Trouble with Titles

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Etaf Rum on Exploring Herself Through Her Characters

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Edan Lepucki on How Editing Changed <em>Time's Mouth</em>

Edan Lepucki on How Editing Changed Time's Mouth

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By First Draft: A Dialogue on Writing | September 25, 2023

James McBride on Going on Faith

James McBride on Going on Faith

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Rachel Eliza Griffiths on Feeling Something at the End of a Book

Rachel Eliza Griffiths on Feeling Something at the End of a Book

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