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Edan Lepucki on How Editing Changed <em>Time's Mouth</em>

Edan Lepucki on How Editing Changed Time's Mouth

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | September 25, 2023

James McBride on Going on Faith

James McBride on Going on Faith

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | September 18, 2023

Rachel Eliza Griffiths on Feeling Something at the End of a Book

Rachel Eliza Griffiths on Feeling Something at the End of a Book

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | September 11, 2023

David van den Berg on Seeing the Darkness

David van den Berg on Seeing the Darkness

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | September 5, 2023

Roger Reeves on Sensory Essays

Roger Reeves on Sensory Essays

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | August 28, 2023

Jenny Qi on Paying Attention

Jenny Qi on Paying Attention

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | August 21, 2023

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  • Anti-Zionism: A Jewish History
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Jennifer Grotz on Changing Poetic Ambitions

By First Draft: A Dialogue on Writing | August 14, 2023

Luis Alberto Urrea on How 'Team Urrea' Help Him Craft His Novels

By First Draft: A Dialogue on Writing | August 7, 2023

Hernan Diaz Has No Draft Two

By First Draft: A Dialogue on Writing | July 31, 2023

Alice Elliott Dark on the Moral Argument of Fiction

Alice Elliott Dark on the Moral Argument of Fiction

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | July 24, 2023

Stephen Buoro on How <em>A Clockwork Orange</em> Shook His World

Stephen Buoro on How A Clockwork Orange Shook His World

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | July 17, 2023

Elizabeth Graver on Making a Novel Out of Life

Elizabeth Graver on Making a Novel Out of Life

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | July 10, 2023

Adrienne Brodeur on Using Summer 2016 as a Setting for <em>Little Monsters</em>

Adrienne Brodeur on Using Summer 2016 as a Setting for Little Monsters

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | July 5, 2023

Michelle Brafman on Love Addiction as Fuel for Plot

Michelle Brafman on Love Addiction as Fuel for Plot

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | June 26, 2023

TC Boyle on Writing About What You Want to Discover

TC Boyle on Writing About What You Want to Discover

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | June 20, 2023

T.J. Newman on Why Writing in Secret Led to a Seven Figure Book Deal

T.J. Newman on Why Writing in Secret Led to a Seven Figure Book Deal

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | June 12, 2023

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Page 9 of 22
    • Tom Ryan on Nostalgia, Audiences, and Writing Coming-of-Age Crime CapersOctober 9, 2026 by John B. Valeri
    • The Best True Crime of the Month: October 2026October 9, 2026 by CrimeReads
    • Amy Bloom on the Imperfect Protagonist and the Wabi-Sabi of Us AllOctober 9, 2026 by Amy Bloom
    • Exit Party
    • The Best Reviewed Books of the Week
    • "The plot here like the plots in the previous three Mandel novels I've read is…"
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