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Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
Lit Hub Radio
The Lit Hub Podcast
The Critic and Her Publics
Awakeners
Fiction/Non/Fiction
I’m a Writer But
Windham-Campbell Prizes Podcast
Memoir Nation
First Draft: A Dialogue on Writing
Tor Presents: Voyage Into Genre
Talk Easy
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Elissa Suh
Highs and Lows from the New York Film Festival's Literary Fare
Elissa Suh Reviews
Poor Things
,
Foe
,
The Beast
, and More
By
Elissa Suh
| October 19, 2023
Literary Highlights from the 2023 Toronto International Film Festival
Elissa Suh Reviews
Wildcat
,
Gonzo Girl
,
American Fiction
, and More
By
Elissa Suh
| September 22, 2023
Can Writers Have Fun?
Afire
is a Character Study of a Self-Absorbed Novelist
Elissa Suh on Christian Petzold’s New Comedy of Manners
By
Elissa Suh
| July 14, 2023
The Eight Mountains
is a Testament to the Directors’ Commitment to the Story
Elissa Suh on the New Film Adaptation of Paolo Cognetti’s Award-Winning Novel
By
Elissa Suh
| May 5, 2023
Literary Dispatches from the New York Film Festival
Or, What’s Worth Seeing in Theaters (and at Home) Over the Next Few Months
By
Elissa Suh
| October 6, 2022
Best Reviewed
Books of the Week
Your guide to transportation horror-cide
October 10, 2025
by
John Hornor Jacobs
Sophie Hannah On How She Writes a Poirot Novel
October 10, 2025
by
Alex Dueben
My First thriller: Megan Abbott
October 9, 2025
by
Rick Pullen
The Best Reviewed Books of the Week
"King captures her guileless sense of awe with just a dusting of parody that never…"