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Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Elissa Suh
Highs and Lows from the New York Film Festival's Literary Fare
Elissa Suh Reviews
Poor Things
,
Foe
,
The Beast
, and More
By
Elissa Suh
| October 19, 2023
Literary Highlights from the 2023 Toronto International Film Festival
Elissa Suh Reviews
Wildcat
,
Gonzo Girl
,
American Fiction
, and More
By
Elissa Suh
| September 22, 2023
Can Writers Have Fun?
Afire
is a Character Study of a Self-Absorbed Novelist
Elissa Suh on Christian Petzold’s New Comedy of Manners
By
Elissa Suh
| July 14, 2023
The Eight Mountains
is a Testament to the Directors’ Commitment to the Story
Elissa Suh on the New Film Adaptation of Paolo Cognetti’s Award-Winning Novel
By
Elissa Suh
| May 5, 2023
Literary Dispatches from the New York Film Festival
Or, What’s Worth Seeing in Theaters (and at Home) Over the Next Few Months
By
Elissa Suh
| October 6, 2022
Best Reviewed
Books of the Week
All the Other times the Louvre was Robbed
October 21, 2025
by
Olivia Rutigliano
Sapphic Sleuths, Magicians, Lesbian Nuns, and More: Eight Queer Mysteries for Every Mood
October 21, 2025
by
CrimeReads
Love Thy Neighbor, and Watch Thy Back: Why Neighbors Kill Each Other in Literature (and Life)
October 21, 2025
by
Chuck Storla