The Island of Missing Trees

Elif Shafak

November 5, 2021 
The following is excerpted Elif Shafak's novel, The Island of Missing Trees. Shafak is a British-Turkish novelist, writing in both Turkish and English. Her work has been translated into 55 languages. Her novel 10 Minutes 38 Seconds in this Strange World was shortlisted for the Booker Prize and RSL Ondaatje Prize. She holds a PhD in political science, and currently teaches at Oxford University, where she is an honorary fellow. Shafak has been awarded the medal of Chevalier de l'Ordre des Arts et des Lettres.

Once upon a memory, at the far end of the Mediterranean Sea, there lay an island so beautiful and blue that the many travellers, pilgrims, crusaders and merchants who fell in love with it either wanted never to leave or tried to tow it with hemp ropes all the way back to their own countries.

Legends, perhaps.

But legends are there to tell us what history has forgotten.

It has been many years since I fled that place on board a plane, inside a suitcase made of soft black leather, never to return. I have since adopted another land, England, where I have grown and thrived, but not a single day passes that I do not yearn to be back. Home. Motherland.

It must still be there where I left it, rising and sinking with the waves that break and foam upon its rugged coastline. At the crossroads of three continents– Europe, Africa, Asia—and the Levant, that vast and impenetrable region, vanished entirely from the maps of today.

A map is a two-dimensional representation with arbitrary symbols and incised lines that decide who is to be our enemy and who is to be our friend, who deserves our love and who deserves our hatred and who, our sheer indifference.

Cartography is another name for stories told by winners.

For stories told by those who have lost, there isn’t one.


Here is how I remember it: golden beaches, turquoise waters, lucid skies. Every year sea turtles would come ashore to lay their eggs in the powdery sand. The late-afternoon wind brought along the scent of gardenia, cyclamen, lavender, honeysuckle. Branching ropes of wisteria climbed up whitewashed walls, aspiring to reach the clouds, hopeful in the way only dreamers are. When the night kissed your skin, as it always did, you could smell the jasmine on its breath. The moon, here closer to earth, hung bright and gentle over the rooftops, casting a vivid glow on the narrow alleys and cobblestoned streets. And yet shadows found a way to creep through the light. Whispers of distrust and conspiracy rippled in the dark. For the island was riven into two pieces—the north and the south. A different language, a different script, a different memory prevailed in each, and when they prayed, the islanders, it was seldom to the same god.

The capital was split by a partition which sliced right through it like a slash to the heart. Along the demarcation line—the frontier—were dilapidated houses riddled with bullet holes, empty courtyards scarred with grenade bursts, boarded stores gone to ruin, ornamented gates hanging at angles from broken hinges, luxury cars from another era rusting away under layers of dust…Roads were blocked by coils of barbed wire, piles of sandbags, barrels full of concrete, anti-tank ditches and watchtowers. Streets ended abruptly, like unfinished thoughts, unresolved feelings.

Soldiers stood guard with machine guns, when they were not making the rounds; young, bored, lonesome men from various corners of the world who had known little about the island and its complex history until they found themselves posted to this unfamiliar environment. Walls were plastered with official signs in bold colors and capital letters:




Then, further along the barricade, an illicit addition in chalk scribbled on a barrel by a passerby:


The partition that tore through Cyprus from one end to the other, a buffer zone patrolled by United Nations troops, was about one hundred and ten miles long, and as wide as four miles in places while merely a few yards in others. It traversed all kinds of landscapes—abandoned villages, coastal hinterlands, wetlands, fallow lands, pine forests, fertile plains, copper mines and archaeological sites—meandering in its course like the ghost of some ancient river. But it was here, across and around the capital, that it became more visible, tangible, and thus haunting.

Nicosia, the only divided capital in the world. It sounded almost a positive thing when described that way; something special about it, if not unique, a sense of defying gravity, like the single grain of sand moving skywards in an hourglass just upended. But, in reality, Nicosia was no exception, one more name added to the list of segregated places and separated communities, those consigned to history and those yet to come. At this moment, though, it stood as a peculiarity. The last divided city in Europe.

My home town.


There are many things that a border—even one as clear-cut and well guarded as this—cannot prevent from crossing. The Etesian wind, for instance, the softly named but surprisingly strong meltemi or meltem. The butterflies, grasshoppers and lizards. The snails, too, painfully slow though they are. Occasionally, a birthday balloon that escapes a child’s grip drifts in the sky, strays into the other side—enemy territory.

Then, the birds. Blue herons, black-headed buntings, honey buzzards, yellow wagtails, willow warblers, masked shrikes and, my favorites, golden orioles. All the way from the northern hemisphere, migrating mostly during the night, darkness gathering at the tips of their wings and etching red circles around their eyes, they stop here midway in their long journey, before continuing to Africa. The island for them is a resting place, a lacuna in the tale, an in-between-ness.

There is a hill in Nicosia where birds of all plumages come to forage and feed. It is thick with overgrown brambles, stinging nettles and clumps of heather. In the midst of this dense vegetation is an old well with a pulley that creaks at the slightest tug and a metal bucket tied to a rope, frayed and algae-covered from disuse. Deep inside it is always pitch-black and freezing cold, even in the fierce midday sun beating down directly overhead. The well is a hungry mouth, awaiting its next meal. It eats up every ray of light, every trace of heat, holding each mote in its elongated stone throat.

If you ever find yourself in the area and if, led by curiosity or instinct, you lean over the edge and peer down, waiting for your eyes to adjust, you may catch a glint below, like the fleeting gleam from the scales of a fish before it disappears back into the water. Do not let that deceive you, though. There are no fish down there. No snakes. No scorpions. No spiders dangling from silken threads. The glint does not come from a living being, but from an antique pocket watch—18-carat gold encased with mother of pearl, engraved with lines from a poem:

Arriving there is what you are destined for,

But do not hurry the journey at all… 

And there on the back are two letters, or more precisely, the same letter written twice:

Y & Y

The well is 34 feet deep and four feet wide. It is constructed of gently curved ashlar stone descending in identical horizontal courses all the way down to the mute and musty waters below. Trapped at the bottom are two men. The owners of a popular tavern. Both of slender build and medium height with large, jutting ears which they used to joke about. Both born and bred on this island, and in their forties when they were kidnapped, beaten and murdered. They have been thrown into this shaft after being chained first to each other, then to a three-litre olive oil tin filled with concrete to ensure they will never surface again. The pocket watch that one of them wore on the day of their abduction has stopped at exactly eight minutes to midnight.

Time is a songbird, and just like any other songbird it can be taken captive. It can be held prisoner in a cage and for even longer than you might think possible. But time cannot be kept in check in perpetuity.

No captivity is forever.

Some day the water will rust away the metal and the chains will snap, and the concrete’s rigid heart will soften as even the most rigid hearts tend to do with the passing of the years. Only then will the two corpses, finally free, swim towards the chink of sky overhead, shimmering in the refracted sunlight; they will ascend towards that blissful blue, at first slowly, then fast and frantic, like pearl divers gasping for air.

Sooner or later, this old, dilapidated well on that lonely, beautiful island at the far end of the Mediterranean Sea will collapse in on itself and its secret will rise to the surface, as every secret is bound to do in the end.


Excerpted from The Island of Missing Trees by Elif Shafak. Reprinted with permission of the publisher, Bloomsbury Publishing. Copyright © 2021 by Elif Shafak. 

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