Generation Franchise: <br>Why Writers Are Forced to Become Brands (and Why That’s Bad)

Generation Franchise:
Why Writers Are Forced to Become Brands (and Why That’s Bad)

Jess Row on the Ubiquity of the Digital Persona, From Child Stars to Disney Adults

By Jess Row | June 26, 2024

How Joni Mitchell Pioneered Her Own Form of Artistic Genius

How Joni Mitchell Pioneered Her Own Form of Artistic Genius

Ann Powers on the Long and Continuing Struggle of Women Artists For Recognition On Their Own Terms

By Ann Powers | June 17, 2024

How Beyoncé’s “Formation” Embodies the Ethos of Black Womanhood

How Beyoncé’s “Formation” Embodies the Ethos of Black Womanhood

Catherine Joy White on Black Women's Long History of Resistance and Collective Struggle

By Catherine Joy White | June 14, 2024

Chasing Storms: Christiana Spens on The Ballad of Sir Patrick Spens

Chasing Storms: Christiana Spens on The Ballad of Sir Patrick Spens

“Eventually the storm is over. Like any passion or disaster, it must always pass.”

By Christiana Spens | June 4, 2024

“Is It All Over My Face?” The Story Behind Arthur Russell’s “Amazingly Explicit” Dancefloor Classic

“Is It All Over My Face?” The Story Behind Arthur Russell’s “Amazingly Explicit” Dancefloor Classic

Lucy Sante, Tom Lee, and More Remember the Song’s Genesis

By Richard King | June 4, 2024

In Honor of Duke Ellington: Here Are 15 Great Books About Jazz

In Honor of Duke Ellington: Here Are 15 Great Books About Jazz

Ed Simon Recommends Langston Hughes, Dorothy Baker, Geoff Dyer, and More

By Ed Simon | May 24, 2024

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A bunch of fake Kathleen Hanna biographies were released on the same day as her new memoir.

By Brittany Allen | May 15, 2024

How Black Female Jazz Performers Confronted a Racist and Misogynistic World

By Larry Tye | May 7, 2024

Did Jane Austen Like Music? And Why Should We Care?

By Gillian Dooley | April 29, 2024

Sad about Pitchfork? Try one of these classic collections of music writing.

Sad about Pitchfork? Try one of these classic collections of music writing.

By Brittany Allen | April 23, 2024

“Pale Fire” (Tavi’s Version): Notes on Taylor Swift and the Literature of Obsessive Fandom

“Pale Fire” (Tavi’s Version): Notes on Taylor Swift and the Literature of Obsessive Fandom

Leigh Stein Considers Tavi Gevinson’s New Zine, “Fan Fiction”

By Leigh Stein | April 19, 2024

How Deregulation Destroyed Indie Rock Across America

How Deregulation Destroyed Indie Rock Across America

Tom Maxwell on the Corporate Capture of Regional Radio Stations

By Tom Maxwell | April 12, 2024

Shock, Awe, and Fun: How David Jones Became David Bowie

Shock, Awe, and Fun: How David Jones Became David Bowie

Suzi Ronson on Witnessing the Rise of a Rock Icon

By Suzi Ronson | April 8, 2024

A Brief Literary History of the Murder Ballad, in Honor of Beyoncé’s <em>Cowboy Carter</em>

A Brief Literary History of the Murder Ballad, in Honor of Beyoncé’s Cowboy Carter

Brittany Allen on the Long, Rich Tradition of Extremely Violent Popular Song

By Brittany Allen | March 29, 2024

Tom Verlaine's library is on sale, and it's wild.

Tom Verlaine's library is on sale, and it's wild.

By Brittany Allen | March 27, 2024

The Icon and the Upstart: On Miles Davis’s Legendary Feud With Wynton Marsalis

The Icon and the Upstart: On Miles Davis’s Legendary Feud With Wynton Marsalis

James Kaplan Remembers One of Jazz’s Great Generational Battles

By James Kaplan | March 6, 2024

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