Diane Seuss on Discovering Objectivity Through Aging

Diane Seuss on Discovering Objectivity Through Aging

In Conversation with Mitzi Rapkin on the First Draft Podcast

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What Writers Can Learn From Adapting Their Own Work for the Screen

What Writers Can Learn From Adapting Their Own Work for the Screen

Sarah Tomlinson on the Slow Yet Satisfying Process of Getting a Book on Film

By Sarah Tomlinson | March 11, 2024

Armen Davoudian on Immigration, Enjambments, and How Poems Can Make Loss Tangible

Armen Davoudian on Immigration, Enjambments, and How Poems Can Make Loss Tangible

The Author of “The Palace of Forty Pillars” in Conversation with Poets.org

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Neely Tubati-Alexander on Light-Hearted Writing

Neely Tubati-Alexander on Light-Hearted Writing

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | March 11, 2024

Jennifer Croft on Photography as an Unexpected Writing Tool

Jennifer Croft on Photography as an Unexpected Writing Tool

“It allows me to reframe the central questions of my work.”

By Jennifer Croft | March 8, 2024

Caught Between Zodiacs: A Capricorn Daughter Remembers Her Translator Father

Caught Between Zodiacs: A Capricorn Daughter Remembers Her Translator Father

Grace Loh Prasad Looks For Meaning in the Space Between Western and Chinese Astrology

By Grace Loh Prasad | March 8, 2024

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Jacke Wilson on Samuel Taylor Coleridge

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I Would Be Lost As a Writer If It Weren’t For Notebooks

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Sloane Crosley on Staying on the Side of the Living

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Javier Zamora on Strategies for Writing About Childhood Trauma

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Imagining a World Where Anti-Colonial Fantasy Lit Is the Norm, Not the Exception

Imagining a World Where Anti-Colonial Fantasy Lit Is the Norm, Not the Exception

Melissa Blair on Writing the Indigenous-Centered Book She Wanted as a Schoolchild

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The Art of the Mini Sales Pitch: How to Subtitle Your Book So People Will Read It

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Tessa Hadley on Ivan Turgenev’s <em>First Love</em>

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