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Caribbean Fiction Doesn’t Need to Be Altered for American Audiences

Caribbean Fiction Doesn’t Need to Be Altered for American Audiences

Breanne Mc Ivor Challenges Narrow Visions of Trinidad and Finds Liberation in Saying No to Simplifying Her Books for US Readers

By Breanne Mc Ivor | May 17, 2023

Abraham Verghese on Marrying Medicine With Literature

Abraham Verghese on Marrying Medicine With Literature

Jane Ciabattari Talks to the Author of The Covenant of Water

By Jane Ciabattari | May 16, 2023

Alexis Pauline Gumbs on Audre Lorde’s <em>The Black Unicorn</em>

Alexis Pauline Gumbs on Audre Lorde’s The Black Unicorn

In Conversation for the Windham-Campbell Prizes Podcast

By Windham-Campbell Prizes Podcast | May 16, 2023

Emma Cline: No One Captures Memory Like Mary Gaitskill

Emma Cline: No One Captures Memory Like Mary Gaitskill

The Author of The Guest Takes the Lit Hub Questionnaire

By Literary Hub | May 16, 2023

The Character-Revealing Power of Having a Play Within a Novel

The Character-Revealing Power of Having a Play Within a Novel

Olivia Wolfgang-Smith Explores Metadrama, Defying Genre, and the Performances We Do On and Off the Page

By Olivia Wolfgang-Smith | May 16, 2023

Samantha Irby Shares Two Secrets About How She Does What She Does

Samantha Irby Shares Two Secrets About How She Does What She Does

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | May 16, 2023

Best Reviewed
Books of the Week

  • The Rest of Our Lives
  • Call Me Ishmaelle
  • Homeschooled: A Memoir
  • The Spy in the Archive: How One Man Tried to Kill the KGB
  • Watching Over Her
  • American Reich: A Murder in Orange County, Neo-Nazis, and a New Age of Hate

“I Didn’t Want to Hear the Word Poetry.” Rupi Kaur on Life After milk & honey

By Talk Easy | May 16, 2023

Matthew Binder on Making Sense of an Absurd World

By D. Foy | May 16, 2023

Charif Shanahan: The Mystery Is the Clarity

By Memoir Nation | May 16, 2023

Abraham Verghese on Medicine’s Innate Connection to Storytelling

Abraham Verghese on Medicine’s Innate Connection to Storytelling

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | May 15, 2023

Don’t Boss It Around: Abigail Thomas on Writer's Block, Confronting Fear, and the Joys of Aging

Don’t Boss It Around: Abigail Thomas on Writer's Block, Confronting Fear, and the Joys of Aging

The Author of Still Life at Eighty in Conversation with Mira Ptacin

By Mira Ptacin | May 15, 2023

Like a Magic Trick: Tim Mohr on Being the Translator and Being Translated

Like a Magic Trick: Tim Mohr on Being the Translator and Being Translated

On the intersection of German translation, East Bloc punk rock, and Hunter S. Thompson

By Tim Mohr | May 15, 2023

Telling the Same Story Differently: Terry McDonell on Writing About His Mother, Irma

Telling the Same Story Differently: Terry McDonell on Writing About His Mother, Irma

In Conversation with Andrew Keen on Keen On

By Keen On | May 15, 2023

How To Write About Your Mother

How To Write About Your Mother

Terry McDonell: “I did not set out to write about Irma.”

By Terry McDonell | May 12, 2023

John Wray on the One Book That Has Helped Him Become a Better Writer

John Wray on the One Book That Has Helped Him Become a Better Writer

“I’m talking about an unassuming trade paperback, published a few decades back, with a deceptively un-sexy title.”

By John Wray | May 12, 2023

Garth Risk Hallberg Goes Behind the Scenes of the <em>City on Fire</em> Adaptation

Garth Risk Hallberg Goes Behind the Scenes of the City on Fire Adaptation

”The interior was so fully realized and so maximized for pothead goofing off that I didn’t want to leave.”

By Garth Risk Hallberg | May 11, 2023

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    • The Clarity of Darkness: Margot Douaihy on Why Noir Feels So Relevant TodayJanuary 12, 2026 by Margot Douaihy
    • The Deadly Art of Falling in Love: Blending Romance and Crime in LiteratureJanuary 12, 2026 by Letizia Lorini
    • The Rest of Our Lives
    • The Best Reviewed Books of the Week
    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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