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Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
BUY A HAT
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Craft and Advice
Jasmin Iolani Hakes on the Many Languages of Hawai'i (Including Hula)
In Conversation with Brad Listi on
Otherppl
By
Otherppl with Brad Listi
| June 8, 2023
Paul Goldberg on His New Cold War Mystery About Refuseniks in 1976 Moscow
In Conversation with Andrew Keen on
Keen On
By
Keen On
| June 8, 2023
Why Didn’t I Want My Beloved Father to Read My Memoir?
Martha Hodes on Diving Deep into the Trauma of Her Hijacking
By
Martha Hodes
| June 7, 2023
Jim Ruland on How Getting Sober Impacted His Creative Life
In Conversation with Brad Listi on
Otherppl
By
Otherppl with Brad Listi
| June 7, 2023
How the Essay and the Novel Inform and Influence Each Other
Jane Smiley on the Many Stories of California, True and Fictional
By
Jane Smiley
| June 6, 2023
It’s Okay to Have a Love/Hate Relationship With Your Writing
Katie Williams Remembers Reading Anne Lamott’s “Shitty First Drafts” and the Slog of Learning to Be a Writer
By
Katie Williams
| June 6, 2023
Best Reviewed
Books of the Week
Andre Dubus III Beats Writer’s Block By Asking the Right Questions
By
Literary Hub
| June 6, 2023
Nicole Chung on Stories That Must Be Told
By
Memoir Nation
| June 6, 2023
Siena Sterling on Twisted Plots, Twisted People, and Twisted Writers Like Highsmith and Dostoevsky
By
Keen On
| June 6, 2023
Revise, Revise! Anna Badkhen on the Joys of Revision
“This is the process I enjoy the most, because I get to learn anew about my story’s potential.”
By
Anna Badkhen
| June 5, 2023
“I Tried To Be Witness to Him.” Sebastian Barry on Writing Characters That Have Survived Trauma
In Conversation with Mitzi Rapkin on the
First Draft Podcast
By
First Draft: A Dialogue on Writing
| June 5, 2023
Luis Alberto Urrea on Family Stories and the Work of Witnessing
“We carry inside us a theater, a library, a storehouse of quotidian detail that becomes heroic and eternal by the force of our art.”
By
Luis Alberto Urrea
| June 2, 2023
Logan Steiner on Learning Life Lessons From
Anne of Green Gables
“Anne continues to help me see how much more possibility exists in the world for unbridled expression.”
By
Logan Steiner
| June 2, 2023
André Naffis-Sahely on the Power of Time, Temporality, and Memory
Peter Mishler Talks to the Author of
High Desert
By
Peter Mishler
| June 2, 2023
Andrew Krivak on War, Language, Memory, and Why ChatGPT Will Never Understand Beauty
In Conversation with Andrew Keen on
Keen On
By
Keen On
| June 2, 2023
Look, Think, Share with Friends: Bea Setton Breaks Down Her Writing Process
In Conversation with Brad Listi on
Otherppl
By
Otherppl with Brad Listi
| June 2, 2023
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Page 80 of 259
3 Badass Women Who Fought the Nazis During World War II
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Tara Moss
Where Were You When You Saw Oliver Stone’s JFK?
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Chris Hauty
6 Thrillers Featuring Toxic Friendships in Academic Settings
December 2, 2025
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Kit Frick
The Best Reviewed Books of the Week
"The stories in her hypnotic collection em The Pelican Child em are painterly and provocative…"