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A Visa for a Hobbit: How the Tools of Fantasy and Speculative Fiction Can Help Immigrant Writers

A Visa for a Hobbit: How the Tools of Fantasy and Speculative Fiction Can Help Immigrant Writers

Minsoo Kang on J.R.R. Tolkien and the Surprising Power of Escapism

By Minsoo Kang | July 17, 2024

Jeffrey Eugenides and Yiyun Li on Colm Tóibín

Jeffrey Eugenides and Yiyun Li on Colm Tóibín

On the Occasion of His National Arts Club Medal of Honor for Achievement in Literature

By Literary Hub | July 17, 2024

Jeffrey Eugenides on Colm Tóibín, “The Kindest Person in the World”

Jeffrey Eugenides on Colm Tóibín, “The Kindest Person in the World”

From His Speech at The National Arts Club

By Jeffrey Eugenides | July 17, 2024

Yiyun Li on the Master, Colm Tóibín

Yiyun Li on the Master, Colm Tóibín

From Her Speech at The National Arts Club

By Yiyun Li | July 17, 2024

Empowering Eerieness: How Gothic Romances Helped Alisa Alering Escape the Misery of a Small Town

Empowering Eerieness: How Gothic Romances Helped Alisa Alering Escape the Misery of a Small Town

The Author of “Smothermoss” on Victoria Holt, the Gothic Formula, and Loneliness in Life and Lit

By Alisa Alering | July 17, 2024

Laura Van Den Berg on Merging Autofiction With Speculative Fiction

Laura Van Den Berg on Merging Autofiction With Speculative Fiction

Jane Ciabattari Talks to the Author of “State of Paradise”

By Jane Ciabattari | July 16, 2024

Best Reviewed
Books of the Week

  • On Morrison
  • Leaving Home: A Memoir in Full Colour
  • So Old, So Young
  • Rebel English Academy
  • A Hymn to Life: Shame Has to Change Sides
  • Evil Genius

What Does It Mean to Write Escapist Literature?

By Caroline Carlson | July 16, 2024

Joy Williams on the Wild, Lyrical Stories of Brad Watson

By Joy Williams | July 16, 2024

Barrie Miskin on Plumbing Dark Places

By I'm a Writer But | July 16, 2024

What Nickelodeon’s “Are You Afraid of the Dark” Can Teach Horror Writers

What Nickelodeon’s “Are You Afraid of the Dark” Can Teach Horror Writers

Jordan Kopy Remembers the Literary and Cinematic Techniques of a Cultural Phenomenon

By Jordan Kopy | July 15, 2024

Margaret Juhae Lee on How Secrets Fuel Memoir Writing

Margaret Juhae Lee on How Secrets Fuel Memoir Writing

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | July 15, 2024

Two Authors, One Subject: Zoë Eisenberg and Rhaina Cohen on Writing Intimate Friendships

Two Authors, One Subject: Zoë Eisenberg and Rhaina Cohen on Writing Intimate Friendships

The Author of "Significant Others" and "The Other Significant Others" in Conversation

By Literary Hub | July 12, 2024

“I Refused to Be a War Bride.” Or, Why I Set My Novels in Nova Scotia

“I Refused to Be a War Bride.” Or, Why I Set My Novels in Nova Scotia

American Howard Norman on Finding His Literary Home in the Canadian Maritimes

By Howard Norman | July 12, 2024

Ayeşgül Savaş on Creating Your Story’s Clock

Ayeşgül Savaş on Creating Your Story’s Clock

“My book ran to the meter of many internal measures of time that make up our routines.”

By Aysegül Savas | July 12, 2024

Robert Petkoff on Finding the Narrative Voice

Robert Petkoff on Finding the Narrative Voice

In conversation with Jo Reed on Behind the Mic

By Behind the Mic | July 12, 2024

My Local Indie Won’t Stock My Buzzy Debut and I’m Pissed: Am I the Literary Asshole?

My Local Indie Won’t Stock My Buzzy Debut and I’m Pissed: Am I the Literary Asshole?

Kristen Arnett Answers Your Awkward Questions About Bad Bookish Behavior

By Kristen Arnett | July 11, 2024

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Page 62 of 331
    • On Crime Fiction As a
      Proxy for Real Life Justice
      February 24, 2026 by Christopher Huang
    • Danielle Girard on the Many Faces of Motherhood in Contemporary FictionFebruary 24, 2026 by Danielle Girard
    • The Author of 'How to Get Away with Murder' Was Surprised to Find Pieces of Herself in the StoryFebruary 24, 2026 by Rebecca Philipson
    • On Morrison
    • The Best Reviewed Books of the Week
    • "This is informed accessible literary analysis that demonstrates that Morrison s true genius was as…"
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