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What Wayne Koestenbaum Learned From <em>Gilligan’s Island</em> (And Why He Will Never Finish Reading Marx’s <em>Capital</em>)

What Wayne Koestenbaum Learned From Gilligan’s Island (And Why He Will Never Finish Reading Marx’s Capital)

The Author of My Lover, the Rabbi Takes the Lit Hub Questionnaire

By Wayne Koestenbaum | March 17, 2026

“Eatonville, Florida.” A Poem by Joshua Bennett

“Eatonville, Florida.” A Poem by Joshua Bennett

From the Collection We (the People of the United States)

By Joshua Bennett | March 17, 2026

Beyond “Women’s Fiction...” On the Quiet Brilliance of Barbara Pym

Beyond “Women’s Fiction...” On the Quiet Brilliance of Barbara Pym

Kerry Clare In Praise of Writing Stories Attuned to the Details of Everyday Life

By Kerry Clare | March 16, 2026

Crying in the Multiverse: On the Potential of Possibility as a Literary Device

Crying in the Multiverse: On the Potential of Possibility as a Literary Device

Genevieve DeGuzman Channels Grief and Loss Into Imagining Other Worlds

By Genevieve DeGuzman | March 16, 2026

Tales From Ground Zero of Europe’s Heroin Epidemic

Tales From Ground Zero of Europe’s Heroin Epidemic

Jonathan Tepper on Growing Up in the Neighborhood of San Blas, Madrid

By Jonathan Tepper | March 16, 2026

Understanding the Complex History of Anti-Asian Racism

Understanding the Complex History of Anti-Asian Racism

Scott Kurashige on the Rise of Asian Hate and Violence

By Scott Kurashige | March 16, 2026

Best Reviewed
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  • Exit Party
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  • Our Noble Selves
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  • Anti-Zionism: A Jewish History
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  • Live Laugh Love: The Secret History of White Christian Women and the World They Made
  • The Rouse

Janine Kovac on Getting Into Writing Residencies and Book Festivals

By Memoir Nation | March 16, 2026

Philip Schultz on Unavoidable Mortality

By First Draft: A Dialogue on Writing | March 16, 2026

Andrew Martin on How to Manage Exposition

By Andrew Martin | March 13, 2026

Swiping and Writing: On Hinge as Muse

Swiping and Writing: On Hinge as Muse

Katherine J. Chen Explores the Creative Upsides of Online Dating

By Katherine J. Chen | March 13, 2026

Am I the Asshole For Trying to Pitch Editors and Agents at Crowded AWP Parties?

Am I the Asshole For Trying to Pitch Editors and Agents at Crowded AWP Parties?

In Which Kristen Arnett Answers Your Awkward Questions About Bad Bookish Behavior

By Kristen Arnett | March 13, 2026

What <em>Night of the Living Dead</em> Taught Me About Filmmaking—and Life

What Night of the Living Dead Taught Me About Filmmaking—and Life

Daniel Kraus on Horror, Improvisation and the Power of Creative Passion

By Daniel Kraus | March 13, 2026

Benjamin Franklin Was One of Many Early Americans Who Spread Genocidal Propaganda About Indigenous Nations

Benjamin Franklin Was One of Many Early Americans Who Spread Genocidal Propaganda About Indigenous Nations

Paul C. Rosier on Racial Conflict in the Early Republic

By Paul C. Rosier | March 13, 2026

Johnette Napolitano on a Companion For Her Beloved Horse, True

Johnette Napolitano on a Companion For Her Beloved Horse, True

“I’ve had true for about 17 years now and she’s still going strong.”

By Cat Willett | March 13, 2026

What I Learned From Making a Documentary About My Grandmother Beryl Bainbridge

What I Learned From Making a Documentary About My Grandmother Beryl Bainbridge

Filmmaker Charlie Russell on Keeping His Grandmother’s Story Alive for a New Generation

By Charlie Russell | March 13, 2026

“Talking Dog.” A Poem by Danniel Schoonebeek

“Talking Dog.” A Poem by Danniel Schoonebeek

“I speak in your voice / says the dog. / FBI hired me / one year & change / out of Quantico.”

By Danniel Schoonebeek | March 13, 2026

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Page 64 of 1613
    • Tom Ryan on Nostalgia, Audiences, and Writing Coming-of-Age Crime CapersOctober 9, 2026 by John B. Valeri
    • The Best True Crime of the Month: October 2026October 9, 2026 by CrimeReads
    • Amy Bloom on the Imperfect Protagonist and the Wabi-Sabi of Us AllOctober 9, 2026 by Amy Bloom
    • Exit Party
    • The Best Reviewed Books of the Week
    • "The plot here like the plots in the previous three Mandel novels I've read is…"
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