What Money Really Means in Jane Austen’s Work

What Money Really Means in Jane Austen’s Work

“Talk of money in Austen is always dramatic, never just informative.”

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Spells, Skepticism, and Surrender: What Happens When the Agent Becomes the Author

Spells, Skepticism, and Surrender: What Happens When the Agent Becomes the Author

Samantha Browning Shea on Breaking Her Own Rules

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Connecting the Dots: On Creating Fiction from Facts

Connecting the Dots: On Creating Fiction from Facts

Beth Kephart Considers the Craft of Bringing a Fiction Writer’s Eye to Real Lives

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Anne Enright on J.G. Farrell's <em>Troubles</em>

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Rachel Kushner on the 10th Anniversary of Kim Gordon’s <em>Girl in a Band</em>

Rachel Kushner on the 10th Anniversary of Kim Gordon’s Girl in a Band

“Distance is key to the power of her performance. But it’s key to her offstage life as well.”

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Lit Hub Asks: 5 Authors, 7 Questions, No Wrong Answers

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The Case for Polyamory: Alejandro Varela on Writing a Novel That Questions Everything

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“Never Had a Dirty Book Done So Badly.” On Some Unlikely Books First Published with Viking

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Paul Slovak Digs Into Titles by Leonard Cohen, John Williams, Alfred Doblin, and More

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Laughing in Hell: How We Tell the Stories of Other Peoples’ Suicides

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Sarah Adler on Reading Blake Butler in the Wake of Loss

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Returning to the World of <em>Chocolat</em>, 25 Years Later

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Joanne Harris on Writing a Sequel to Her Most Celebrated Novel

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Breadcrumbs: Searching for Synchronicity, in Life and Literature

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Tara Yazdan Panah on Eve Babitz, Carl Jung, and Divinely Oriented Surprise

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Jeannie Vanasco on the Mother-Daughter Relationship in Memoir

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Caleb Gayle on Reorienting the Reader

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