Stories About Myself: The Narratives and Realities of my Childhood in an Urban Commune

Stories About Myself: The Narratives and Realities of my Childhood in an Urban Commune

Pamela Newton Reflects on Alexander Stille's The Sullivanians: Sex, Psychotherapy, and the Wild Life of an American Commune

By Pamela Newton | October 16, 2023

On Safiya Sinclair, Noreen Masud and Exposing the Sins of Our Fathers

On Safiya Sinclair, Noreen Masud and Exposing the Sins of Our Fathers

Lily Dunn on the Aftermath of Writing a Memoir About Fathers

By Lily Dunn | October 16, 2023

Celia Brayfield on How Anna Sewell Changed Animal Rights

Celia Brayfield on How Anna Sewell Changed Animal Rights

From The History of Literature Podcast with Jacke Wilson

By History of Literature | October 16, 2023

What Should You Read Next? Here Are the Best Reviewed Books of the Week

What Should You Read Next? Here Are the Best Reviewed Books of the Week

Featuring Bryan Washington, Madonna, Jhumpa Lahiri, Werner Herzog, and More

By Book Marks | October 13, 2023

Dorothea Lasky on the Power of Horror

Dorothea Lasky on the Power of Horror

The Poet Considers Kubrick's The Shining and Sylvia Plath's “Tulips”

By Dorothea Lasky | October 13, 2023

In Praise of Pulp Fiction

In Praise of Pulp Fiction

Isa Arsén on Carving Out a Home in a Bygone Genre

By Isa Arsén | October 12, 2023

Best Reviewed
Books of the Week

  • House of Day, House of Night
  • The Award
  • Daring to Be Free: Rebellion and Resistance of the Enslaved in the Atlantic World
  • Casanova 20: Or, Hot World
  • Frostlines: A Journey Through Entangled Lives and Landscapes in a Warming Arctic
  • The Six Loves of James I

Safiya Sinclair on Growing Up Rastafari

By The Maris Review | October 12, 2023

Rebecca Makkai on Progress, Misogyny, and #MeToo

By Fiction Non Fiction | October 12, 2023

5 Book Reviews You Need to Read This Week

By Book Marks | October 12, 2023

The Pleasures of a Pessimistic Literary Escape: Jessie Gaynor on Edith Wharton’s <em>The Glimpses of the Moon</em>

The Pleasures of a Pessimistic Literary Escape: Jessie Gaynor on Edith Wharton’s The Glimpses of the Moon

"Even when writing an escapist romance, Wharton is inescapably herself"

By Jessie Gaynor | October 11, 2023

Adam Thirlwell on Witold Gombrowicz's <em> The Possessed</em>

Adam Thirlwell on Witold Gombrowicz's The Possessed

Revisiting a Polish Modernist Classic

By Adam Thirlwell | October 11, 2023

How Horror Helps Us Confront and Understand Grief and Loss

How Horror Helps Us Confront and Understand Grief and Loss

Alexandra Dos Santos on Shirley Jackson's The Haunting of Hill House

By Alexandra Dos Santos | October 11, 2023

Domestic Yet Universal: Rumaan Alam on Helen Garner's <em>The Children's Bach</em>

Domestic Yet Universal: Rumaan Alam on Helen Garner's The Children's Bach

"This is a story about how life happens to all of us."

By Rumaan Alam | October 10, 2023

Writing as Transformation: Who Paul Yoon Needed to Become to Finish His Book

Writing as Transformation: Who Paul Yoon Needed to Become to Finish His Book

Laura van den Berg Speaks with the Author of The Hive and the Honey

By Laura van den Berg | October 10, 2023

No One Ever Said It: On the Long History of

No One Ever Said It: On the Long History of "Ye Olde" in English

Hana Videen on Chaucer, Hamlet, and the Evolution of Middle and Old English

By Hana Videen | October 10, 2023

Why the Russian Protest Poems of Sergey Gandlevsky Still Matter Today

Why the Russian Protest Poems of Sergey Gandlevsky Still Matter Today

Phillip Metres on Political Literature, Classical Forms, and What Outsiders Get Wrong About Russian Poetry

By Philip Metres | October 10, 2023

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