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  • Craft and Criticism
    • Literary Criticism
    • Craft and Advice
    • In Conversation
    • On Translation
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    • From the Novel
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  • News and Culture
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    • First Draft: A Dialogue on Writing
    • Thresholds
    • The Cosmic Library
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How Wilfred Owen and Siegfried Sassoon Forged a Literary and Romantic Bond

How Wilfred Owen and Siegfried Sassoon Forged a Literary and Romantic Bond

Michael Korda on the Creative and Sentimental Camaraderie Between Two Soldier Poets

By Michael Korda | April 16, 2024

Contemporary Literary Novels Are Haunted by the Absence of Money

Contemporary Literary Novels Are Haunted by the Absence of Money

Naomi Kanakia Wonders Why Nobody Talks About the Thing We All Need

By Naomi Kanakia | April 16, 2024

The Sound of C: On Giving a Voice to the Words of Others

The Sound of C: On Giving a Voice to the Words of Others

Lissa Soep Chronicles the Process of Creating an Emotionally Authentic Audiobook

By Lissa Soep | April 16, 2024

The Literary Outsider: How Barbara Comyns Wrote Her Way to <em>The Juniper Tree</em>

The Literary Outsider: How Barbara Comyns Wrote Her Way to The Juniper Tree

Sarah McClung on the Author’s Lifelong Creative Development

By Sarah McClung | April 15, 2024

How To Write Egoless Prose, At Least For a Little While

How To Write Egoless Prose, At Least For a Little While

Steve Almond Offers Some Strategies to Help Make Writer’s Block Work For You

By Steve Almond | April 15, 2024

What Should You Read Next? Here Are the Best Reviewed Books of the Week

What Should You Read Next? Here Are the Best Reviewed Books of the Week

Featuring New Titles by Leigh Bardugo, Alexandra Fuller, Anne Lamott, and More

By Book Marks | April 12, 2024

Best Reviewed
Books of the Week

50 Ways to End a Poem

By Emily Skaja | April 12, 2024

Yes, But Can You Really Explain the Difference Between Morals and Ethics?

By Eli Burnstein | April 12, 2024

More Than “Friendless” or “Fallen...” Giving Voice to the Women Who Misbehaved in History

By Kelly E. Hill | April 12, 2024

Busting Genre, in Style: Geoff Dyer on the Joy of Writing “Unpublishable” Books

Busting Genre, in Style: Geoff Dyer on the Joy of Writing “Unpublishable” Books

George Makari Talks to the Author of “The Last Days of Roger Federer: And Other Endings”

By George Makari | April 11, 2024

5 Book Reviews to Read This Weeks

5 Book Reviews to Read This Weeks

“The collection reads like a juvenile burn book, totally uninterested in the world outside her group chat.”

By Book Marks | April 11, 2024

Opa! It’s All Greek to Me! Subverting the Tropes of Greek Culture in Media

Opa! It’s All Greek to Me! Subverting the Tropes of Greek Culture in Media

Henriette Lazaridis on Rachel Cusk, “My Big Fat Greek Wedding,” and Writing a Novel Where Greeks Speak for Themselves

By Henriette Lazaridis | April 11, 2024

Against Journaling: Dennis Tang on the Joys of Not Writing It All Down

Against Journaling: Dennis Tang on the Joys of Not Writing It All Down

“Don’t be afraid of losing touch with the past. After all, you were there, living it.”

By Dennis Tang | April 11, 2024

Phil Jones on Why We Read Samuel Johnson

Phil Jones on Why We Read Samuel Johnson

From The History of Literature Podcast with Jacke Wilson

By History of Literature | April 11, 2024

S.L. Wisenberg on How We Talk About Cancer

S.L. Wisenberg on How We Talk About Cancer

In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | April 11, 2024

Real People, Real Pain: On the Ethics of Telling True Stories of Trauma

Real People, Real Pain: On the Ethics of Telling True Stories of Trauma

Philip Eil Considers the Potentially Sensitive Nature of Book Promotion

By Philip Eil | April 10, 2024

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Page 69 of 342
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    • Teens Turned into Detectives: Six Novels Featuring Young and Amateur SleuthsOctober 15, 2025 by Tom Ryan
    • Why Romance and Horror Make a Happily Ever AfterOctober 15, 2025 by Trilina Pucci
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