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Craft and Criticism
Literary Criticism
Craft and Advice
In Conversation
On Translation
Fiction and Poetry
Short Story
From the Novel
Poem
News and Culture
History
Science
Politics
Biography
Memoir
Food
Technology
Bookstores and Libraries
Film and TV
Travel
Music
Art and Photography
The Hub
Style
Design
Sports
Lit Hub Radio
The Lit Hub Podcast
Awakeners
Fiction/Non/Fiction
The Critic and Her Publics
Windham-Campbell Prizes Podcast
Memoir Nation
Beyond the Page
First Draft: A Dialogue on Writing
Thresholds
The Cosmic Library
Culture Schlock
Reading Lists
The Best of the Decade
Book Marks
Best Reviewed Books
CrimeReads
True Crime
The Daily Thrill
Log In
Literary Criticism
How Wilfred Owen and Siegfried Sassoon Forged a Literary and Romantic Bond
Michael Korda on the Creative and Sentimental Camaraderie Between Two Soldier Poets
By
Michael Korda
| April 16, 2024
Contemporary Literary Novels Are Haunted by the Absence of Money
Naomi Kanakia Wonders Why Nobody Talks About the Thing We All Need
By
Naomi Kanakia
| April 16, 2024
The Sound of C: On Giving a Voice to the Words of Others
Lissa Soep Chronicles the Process of Creating an Emotionally Authentic Audiobook
By
Lissa Soep
| April 16, 2024
The Literary Outsider: How Barbara Comyns Wrote Her Way to
The Juniper Tree
Sarah McClung on the Author’s Lifelong Creative Development
By
Sarah McClung
| April 15, 2024
How To Write Egoless Prose, At Least For a Little While
Steve Almond Offers Some Strategies to Help Make Writer’s Block Work For You
By
Steve Almond
| April 15, 2024
What Should You Read Next? Here Are the Best Reviewed Books of the Week
Featuring New Titles by Leigh Bardugo, Alexandra Fuller, Anne Lamott, and More
By
Book Marks
| April 12, 2024
Best Reviewed
Books of the Week
50 Ways to End a Poem
By
Emily Skaja
| April 12, 2024
Yes, But Can You Really Explain the Difference Between Morals and Ethics?
By
Eli Burnstein
| April 12, 2024
More Than “Friendless” or “Fallen...” Giving Voice to the Women Who Misbehaved in History
By
Kelly E. Hill
| April 12, 2024
Busting Genre, in Style: Geoff Dyer on the Joy of Writing “Unpublishable” Books
George Makari Talks to the Author of “The Last Days of Roger Federer: And Other Endings”
By
George Makari
| April 11, 2024
5 Book Reviews to Read This Weeks
“The collection reads like a juvenile burn book, totally uninterested in the world outside her group chat.”
By
Book Marks
| April 11, 2024
Opa! It’s All Greek to Me! Subverting the Tropes of Greek Culture in Media
Henriette Lazaridis on Rachel Cusk, “My Big Fat Greek Wedding,” and Writing a Novel Where Greeks Speak for Themselves
By
Henriette Lazaridis
| April 11, 2024
Against Journaling: Dennis Tang on the Joys of Not Writing It All Down
“Don’t be afraid of losing touch with the past. After all, you were there, living it.”
By
Dennis Tang
| April 11, 2024
Phil Jones on Why We Read Samuel Johnson
From The History of Literature Podcast with Jacke Wilson
By
History of Literature
| April 11, 2024
S.L. Wisenberg on How We Talk About Cancer
In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction
By
Fiction Non Fiction
| April 11, 2024
Real People, Real Pain: On the Ethics of Telling True Stories of Trauma
Philip Eil Considers the Potentially Sensitive Nature of Book Promotion
By
Philip Eil
| April 10, 2024
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Page 69 of 342
Doubles and Doppelgangers in a World in Crisis
October 15, 2025
by
Nicholas Binge
Teens Turned into Detectives: Six Novels Featuring Young and Amateur Sleuths
October 15, 2025
by
Tom Ryan
Why Romance and Horror Make a Happily Ever After
October 15, 2025
by
Trilina Pucci