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Harry Siegel on the Supreme Court, Bribery, and Scofflaws

Harry Siegel on the Supreme Court, Bribery, and Scofflaws

In Conversation with V.V. Ganeshananthan and Matt Gallagher on Fiction/Non/Fiction

By Fiction Non Fiction | July 25, 2024

Jen Hadfield on Annie Dillard’s <em>Pilgrim at Tinker Creek</em>

Jen Hadfield on Annie Dillard’s Pilgrim at Tinker Creek

In Conversation for the Windham-Campbell Prizes Podcast

By Windham-Campbell Prizes Podcast | July 24, 2024

Lev Grossman on Adapting Arthurian Legends For a World in Turmoil

Lev Grossman on Adapting Arthurian Legends For a World in Turmoil

Jane Ciabattari Talks to the Author of “The Bright Sword”

By Jane Ciabattari | July 23, 2024

Joanna Pearson on Writing a Literary Whodunnit

Joanna Pearson on Writing a Literary Whodunnit

In Conversation with Lindsay Hunter on I'm a Writer But  

By I'm a Writer But | July 23, 2024

Amitava Kumar on the Importance of Being an Amateur

Amitava Kumar on the Importance of Being an Amateur

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | July 22, 2024

Sally Franson and Emily Nussbaum on Reality TV

Sally Franson and Emily Nussbaum on Reality TV

In Conversation with V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | July 18, 2024

Best Reviewed
Books of the Week

  • Country People
  • You Won't Get Free of It: Stories of Mothers and Daughters
  • Exit Stalin: The Soviet Union as a Civilization, 1953-1991
  • The Great Wherever
  • A Sudden Flicker of Light: A Revisionist History of Movies
  • The Simp: A Novel Without a Hero

Politics and Grace in Early Modern Literature

By History of Literature | July 18, 2024

Laura Van Den Berg on Merging Autofiction With Speculative Fiction

By Jane Ciabattari | July 16, 2024

Patrick Radden Keefe on His Abiding Preoccupations

By Sun Valley Writers' Conference | July 16, 2024

Barrie Miskin on Plumbing Dark Places

Barrie Miskin on Plumbing Dark Places

In Conversation with Lindsay Hunter on I'm a Writer But  

By I'm a Writer But | July 16, 2024

Two Authors, One Subject: Zoë Eisenberg and Rhaina Cohen on Writing Intimate Friendships

Two Authors, One Subject: Zoë Eisenberg and Rhaina Cohen on Writing Intimate Friendships

The Author of "Significant Others" and "The Other Significant Others" in Conversation

By Literary Hub | July 12, 2024

Robert Petkoff on Finding the Narrative Voice

Robert Petkoff on Finding the Narrative Voice

In conversation with Jo Reed on Behind the Mic

By Behind the Mic | July 12, 2024

Phil Elwood on Doing PR for All the Worst Humans

Phil Elwood on Doing PR for All the Worst Humans

In Conversation with V.V. Ganeshananthan and Matt Gallagher on Fiction/Non/Fiction

By Fiction Non Fiction | July 11, 2024

A Painful, Urgent Reimagining: Emily van Duyne on Writing a New History of Sylvia Plath’s Last Years

A Painful, Urgent Reimagining: Emily van Duyne on Writing a New History of Sylvia Plath’s Last Years

Sarah Viren in Conversation with the Author of “Loving Sylvia Plath: A Reclamation”

By Sarah Viren | July 10, 2024

Christina Sharpe on John Keene’s <em>Counternarratives</em>

Christina Sharpe on John Keene’s Counternarratives

In Conversation for the Windham-Campbell Prizes Podcast

By Windham-Campbell Prizes Podcast | July 10, 2024

Kevin Barry on Reimagining the Novel: “You Can’t Be Afraid to Go Nuts on the Page”

Kevin Barry on Reimagining the Novel: “You Can’t Be Afraid to Go Nuts on the Page”

Dan Sheehan talks to the author of “The Heart in Winter” about doomed romances in the Mountain West

By Dan Sheehan | July 9, 2024

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Page 37 of 277
    • Surfing, Bananas, and Runners: Agatha Christie's Grand Year of International TravelJuly 14, 2026 by Nancy West
    • How Pinellas County, Florida Shaped the Strange Life of Conman Paul SkalnikJuly 14, 2026 by Pamela Colloff
    • Jo Piazza on Writing Convincing Art Heists and Museum MysteriesJuly 14, 2026 by Jo Piazza
    • Country People
    • The Best Reviewed Books of the Week
    • "Wonderfully dry intellectually frisky Mason is a lively fluid writer here he glides smoothly between…"
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