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  • Craft and Criticism
    • Literary Criticism
    • Craft and Advice
    • In Conversation
    • On Translation
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    • Memoir Nation
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    • First Draft: A Dialogue on Writing
    • Thresholds
    • The Cosmic Library
    • Culture Schlock
  • Reading Lists
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John Manuel Arias on Decolonial Storytelling and the Multi-Generational Family Novel

John Manuel Arias on Decolonial Storytelling and the Multi-Generational Family Novel

The Author of Where There Was Fire in Conversation with Christine Kandic Torres

By Christine Kandic Torres | November 3, 2023

John Grisham on Writing Page-Turning Fiction About Big Issues

John Grisham on Writing Page-Turning Fiction About Big Issues

This Week on The Literary Life with Mitchell Kaplan

By The Literary Life | November 3, 2023

Jesse David Fox On Cheap Laughs

Jesse David Fox On Cheap Laughs

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | November 2, 2023

Shir Alon and Joseph Farag on Palestinian Literature

Shir Alon and Joseph Farag on Palestinian Literature

In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | November 2, 2023

Michael Lewis on Watching Sam Bankman-Fried

Michael Lewis on Watching Sam Bankman-Fried

This Week on the Talk Easy Podcast with Sam Fragoso

By Talk Easy | October 31, 2023

Tim O'Brien on Letting the World Decide What He'll Read Next

Tim O'Brien on Letting the World Decide What He'll Read Next

The Author of America Fantastica Takes the Lit Hub Questionnaire

By Literary Hub | October 30, 2023

Best Reviewed
Books of the Week

  • Big Kiss, Bye-Bye
  • Bad Bad Girl
  • The Ten Year Affair
  • Nobody's Girl: A Memoir of Surviving Abuse and Fighting for Justice
  • Motherland: A Feminist History of Modern Russia, from Revolution to Autocracy
  • Pride and Pleasure: The Schuyler Sisters in an Age of Revolution

Dory Fantasmagory author Abby Hanlon has the real Tubtown toy.

By Janet Manley | October 26, 2023

Molly McGhee on the Importance of Acknowledgments

By The Maris Review | October 26, 2023

Jonathan Lethem on the Depths of Gentrification

By Fiction Non Fiction | October 26, 2023

Christopher Kennedy on Defining Prose Poetry and Working-Class Stories

Christopher Kennedy on Defining Prose Poetry and Working-Class Stories

Peter Mishler Talks to the Author of The Strange God Who Makes Us

By Peter Mishler | October 25, 2023

Marie Ndiaye on a Novel's Many Twists and Turns

Marie Ndiaye on a Novel's Many Twists and Turns

Jane Ciabattari Talks to the Author of Vengeance Is Mine

By Jane Ciabattari | October 24, 2023

Jhumpa Lahiri on the Freedom of Writing

Jhumpa Lahiri on the Freedom of Writing

This Week on the Talk Easy Podcast with Sam Fragoso

By Talk Easy | October 24, 2023

Nobel Laureate Wole Soyinka on a Lifetime of Art and Activism

Nobel Laureate Wole Soyinka on a Lifetime of Art and Activism

Aysegül Sert Talks to the Nigerian Writer in Paris

By Aysegul Sert | October 19, 2023

Masha Gessen and Nathan Thrall on The Whole Story of Israel and Palestine

Masha Gessen and Nathan Thrall on The Whole Story of Israel and Palestine

In Conversation on Thrall’s Book, A Day in the Life of Abed Salama

By Literary Hub | October 19, 2023

John Freeman and Omar El Akkad on a Literary Magazine’s Final Issue

John Freeman and Omar El Akkad on a Literary Magazine’s Final Issue

In Conversation with Whitney Terrell and V.V. Ganeshananthan on Fiction/Non/Fiction

By Fiction Non Fiction | October 19, 2023

Justin Torres on the Tricky Line Between Fiction and Non-Fiction

Justin Torres on the Tricky Line Between Fiction and Non-Fiction

In Conversation with Maris Kreizman on The Maris Review Podcast

By The Maris Review | October 19, 2023

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Page 36 of 214
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    • The Best Psychological Thrillers of November 2025November 7, 2025 by Molly Odintz
    • From Spies and Matrons to Miami Vice: A Short History of Women in Law EnforcementNovember 7, 2025 by Alie Dumas Heidt
    • Big Kiss, Bye-Bye
    • The Best Reviewed Books of the Week
    • "Not much happens In fact there is much in the text that is not made…"
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