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Moira Quirk on 2024's Best Science Fiction & Fantasy Audiobooks

Moira Quirk on 2024's Best Science Fiction & Fantasy Audiobooks

in conversation with AudioFile's Michele Cobb

By Behind the Mic | December 11, 2024

Jean Brassard on 2024's Best Mystery and Suspense Audiobooks

Jean Brassard on 2024's Best Mystery and Suspense Audiobooks

in conversation with AudioFile's Michele Cobb

By Behind the Mic | December 10, 2024

Lit Hub Asks: 5 Authors, 7 Questions, No Wrong Answers

Lit Hub Asks: 5 Authors, 7 Questions, No Wrong Answers

Featuring Ella Baxter, Christopher Bollen, Eliza Moss, and More

By Teddy Wayne | December 10, 2024

Gabra Zackman on 2024's Best Nonfiction and Culture Audiobooks

Gabra Zackman on 2024's Best Nonfiction and Culture Audiobooks

in conversation with AudioFile's Michele Cobb

By Behind the Mic | December 9, 2024

Anna Noyes on Knowing When to Give Up

Anna Noyes on Knowing When to Give Up

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | December 9, 2024

Faith Adiele on Hybrid Writing for Hybrid Lives

Faith Adiele on Hybrid Writing for Hybrid Lives

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | December 9, 2024

Best Reviewed
Books of the Week

  • Villa Coco
  • Something We Said: Richard Pryor, a Notorious Word, and Me
  • Contrapposto
  • Earth 7
  • The Traveler: One Man's Quest for Humanity from the South Seas to Revolutionary Paris
  • Flyboy in the Buttermilk: Essays on Contemporary America

Pilgrimage: Beowulf Sheehan on Author Photos and the Search for Home

By Beowulf Sheehan | December 6, 2024

Seeing Life Through the Eyes of the Dead: A Short Handbook for Writing Ghosts

By Muriel Leung | December 5, 2024

Julia Whelan and the Best Fiction Audiobooks of 2024

By Behind the Mic | December 5, 2024

I Don’t Want to Read Anymore: Am I the Literary Asshole?

I Don’t Want to Read Anymore: Am I the Literary Asshole?

Kristen Arnett Answers Your Awkward Questions About Bad Bookish Behavior

By Kristen Arnett | December 4, 2024

Tired of Today’s Tech: Writing Historical Fiction in a Technocratic American Present

Tired of Today’s Tech: Writing Historical Fiction in a Technocratic American Present

John Brandon on Coming to Terms with Contemporary Settings, How Technology Shapes Plots, and America’s Current Malaise

By John Brandon | December 4, 2024

The Craft of Surrealism: On Accessing the Unconscious in Our Fiction

The Craft of Surrealism: On Accessing the Unconscious in Our Fiction

Anita Felicelli Offers Some Advice For Writers Looking to Blend the Dreamy and the Mundane

By Anita Felicelli | December 4, 2024

Method Writing: What Novelists Can Learn From Actors About Self-Expression

Method Writing: What Novelists Can Learn From Actors About Self-Expression

Eliza Moss on Channeling the Human Condition on the Page and the Stage

By Eliza Moss | December 4, 2024

Reading With My Past Self: A Year of Revisiting Books

Reading With My Past Self: A Year of Revisiting Books

Angela Baggetta on What She’s Learned From Rereading Old Favorites

By Angela Baggetta | December 3, 2024

Why We Need More Queer Sex in Climate Fiction; Or, on Rereading Rachel Carson

Why We Need More Queer Sex in Climate Fiction; Or, on Rereading Rachel Carson

Gabrielle Korn Explores Bodily Autonomy, Self-Censorship, and How Desire Shapes Our Writing

By Gabrielle Korn | December 3, 2024

Anita Felicelli on Crafting a Collection of Existential Speculative Short Stories

Anita Felicelli on Crafting a Collection of Existential Speculative Short Stories

Jane Ciabattari Talks to the Author of "How We Know Our Time Travelers"

By Jane Ciabattari | December 3, 2024

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Page 60 of 343
    • Hilary Davidson on Learning to Love Unreliable NarratorsJune 16, 2026 by Hilary Davidson
    • Kimberly McCreight on Memoirs, Cheryl Strayed's 'Wild', and Climbing MountainsJune 16, 2026 by Kimberly McCreight
    • Gabbie Hanks on Finding Inspiration in America's Flyover CountryJune 16, 2026 by Gabbie Hanks
    • Villa Coco
    • The Best Reviewed Books of the Week
    • "None of this is particularly suspenseful the novel s chief revelation is telegraphed about halfway…"
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