The Annotated Nightstand: What Martin Aitken is Reading Now, and Next

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Writing in the Round

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Jeremy Cooper on Linking Past and Present in Fiction

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Writing the Books We Want to Write

Writing the Books We Want to Write

Virginia Pye on Why She Keeps Writing What Excites Her, Regardless of Genre

By Virginia Pye | February 11, 2026

How Writing My Books Helped Me Understand My Chinese Parents

How Writing My Books Helped Me Understand My Chinese Parents

Janie Chang on Preserving Her Family History Through Historical Fiction

By Janie Chang | February 11, 2026

Adina Hoffman on Georges Perec’s <em>An Attempt at Exhausting a Place in Paris</em>

Adina Hoffman on Georges Perec’s An Attempt at Exhausting a Place in Paris

In Conversation with Michael Kelleher for the Windham-Campbell Prizes Podcast

By Windham-Campbell Prizes Podcast | February 11, 2026

Why Does Contemporary Fascism Fetishize the Classics?

Why Does Contemporary Fascism Fetishize the Classics?

“...martial power, imperial grandeur, regimented hierarchy, stoic obedience...”

By Ed Simon | February 10, 2026

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Karen Russell on the Mystery and Magic of Joy Williams’s The Changeling

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Maggie O’Farrell on Grief, Her History with Shakespeare, and Adapting Her Novel to the Screen

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Sasha Han in Conversation with the Author of Hamnet

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Nancy Reddy on Researching Beyond the Archives

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The Annotated Nightstand: What Bianca Stone is Reading Now, and Next

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Office Culture Follows Us Everywhere: Six Books About Work

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Daniel Poppick Recommends Kathryn Scanlan, Vivian Gornick, Franz Kafka, and More

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Geoff Dyer on Xiaolu Guo's A CONCISE CHINESE-ENGLISH DICTIONARY FOR LOVERS

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Lily Meyer on Philip Roth, Anti-Zionism, and Her Relationship to American Judaism

Lily Meyer on Philip Roth, Anti-Zionism, and Her Relationship to American Judaism

“I take both my Jewishness and my Americanness as honors and responsibilities.”

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