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Peter Cole on Making the Poetic Abstract Concrete

Peter Cole on Making the Poetic Abstract Concrete

The Poet on His New Collection Draw Me After

By Literary Hub | January 9, 2023

“The Best Story I’ve Ever Written is the One I’m Going to Write Next.” Jack Driscoll on His Stylistic Expansion

“The Best Story I’ve Ever Written is the One I’m Going to Write Next.” Jack Driscoll on His Stylistic Expansion

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | January 9, 2023

Nothing is Real: Craig Brown on the Slippery Art of Biography

Nothing is Real: Craig Brown on the Slippery Art of Biography

“Biography as a form is necessarily artificial. In the end, all biography is a form of fiction.”

By Craig Brown | January 8, 2023

The Sanctity of a Journal: On Private Writing in the Age of Public Content

The Sanctity of a Journal: On Private Writing in the Age of Public Content

“What stories do we owe each other—ourselves?”

By Rachel Schwartzmann | January 6, 2023

We <em>Can’t</em> Do It: How Women’s Contributions to Fighting Fascism Were Forgotten

We Can’t Do It: How Women’s Contributions to Fighting Fascism Were Forgotten

Natasha Lester on the Collective Amnesia Around Women’s Accomplishments After World War II

By Natasha Lester | January 6, 2023

Gerald Stern on the Accidental Beginnings of Poems

Gerald Stern on the Accidental Beginnings of Poems

“Every poem worth its salt was unpredicted and has its genesis at a low point in the poet’s journey.”

By Gerald Stern | January 6, 2023

Best Reviewed
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Annalee Newitz on Writing Stories That Reveal a Pathway Out of Dark Times

By New Books Network | January 6, 2023

Kashana Cauley on How the Black Panthers Inspired Our Modern Gun Control Movement

By The Maris Review | January 5, 2023

Brotherless Night & Friends: V.V. Ganeshananthan with Curtis Sittenfeld and Whitney Terrell on Editing A Work in Progress

By Fiction Non Fiction | January 5, 2023

On Translation and the (Temporary) Inheritance of Trauma

On Translation and the (Temporary) Inheritance of Trauma

Yardenne Greenspan Considers What It Means to Truly Inhabit an Author’s Work

By Yardenne Greenspan | January 4, 2023

Bill McKibben on the Joys of Writing a Serialized Novel

Bill McKibben on the Joys of Writing a Serialized Novel

Why Weekly Installments Can Make For the Best Kind of Storytelling

By Bill McKibben | January 4, 2023

Why I Had to Get Older to Write About Youth

Why I Had to Get Older to Write About Youth

Allegra Goodman on Finding the Necessary Distance to Write up Close

By Allegra Goodman | January 4, 2023

On Transforming Oral History Into Historical Fiction

On Transforming Oral History Into Historical Fiction

Aanchal Malhotra Tells the Story of Indian Partition

By Aanchal Malhotra | January 4, 2023

On Authenticity, Research, and Writing From the Diaspora

On Authenticity, Research, and Writing From the Diaspora

V.V. Ganeshananthan on Writing About Sri Lanka

By V.V. Ganeshananthan | January 4, 2023

Chris Belcher on Blurring the Lines Between Sex Work and Academia

Chris Belcher on Blurring the Lines Between Sex Work and Academia

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | January 4, 2023

“It Was Like Jumping from a Cliff.” Dorthe Nors on Taking Quantum Leaps and Buying a House

“It Was Like Jumping from a Cliff.” Dorthe Nors on Taking Quantum Leaps and Buying a House

In Conversation with Brad Listi on Otherppl

By Otherppl with Brad Listi | January 4, 2023

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Page 136 of 334
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    • Californian Darkness: The Events Leading Up to Lucille Miller's Infamous Murder TrialMarch 26, 2026 by Debra Miller
    • Rebecca Lehmann on Anne Boleyn and the Fatal Power of Unmanageable WomenMarch 26, 2026 by Rebecca Lehmann
    • Stay Alive: Berlin, 1939-1945
    • The Best Reviewed Books of the Week
    • "Mr Buruma s book while triggered by old photos and letters from Leo s time…"
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