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Appropriating Their Way Into Existence: How Black Writers Upended Autofiction

Appropriating Their Way Into Existence: How Black Writers Upended Autofiction

DK Nnuro on the Power of Mimicry and Subversion in the Black Literary Tradition

By DK Nnuro | March 15, 2023

Sarah Thankam Mathews on Her Brush with Mortality and the “Sourdough Starter of Ego Death”

Sarah Thankam Mathews on Her Brush with Mortality and the “Sourdough Starter of Ego Death”

In Conversation with Guest Host Mira Jacob on Thresholds

By Thresholds | March 15, 2023

Kathy Fagan on the Poetic Power of “Misusing” Language

Kathy Fagan on the Poetic Power of “Misusing” Language

Peter Mishler Talks With the Author of Bad Hobby and Sycamore

By Peter Mishler | March 15, 2023

What Lies Beneath: The Deep Geology of Prose

What Lies Beneath: The Deep Geology of Prose

Elizabeth McKenzie on Writing About Her Geologist Mother

By Elizabeth McKenzie | March 14, 2023

How To Find a Charming Narrator in a Self-Conscious Age

How To Find a Charming Narrator in a Self-Conscious Age

Cathleen Schine on Framing Narratives and Trusting the Reader

By Cathleen Schine | March 14, 2023

Lit Hub Asks: 5 Writers, 7 Questions, No Wrong Answers

Lit Hub Asks: 5 Writers, 7 Questions, No Wrong Answers

In Conversation With Victor LaValle, Szilvia Molnar, Cecile Pin, and More

By Teddy Wayne | March 14, 2023

Best Reviewed
Books of the Week

  • The Beginning Comes After the End: Notes on a World of Change
  • Repetition
  • Night Night Fawn
  • El Paso: Five Families and One Hundred Years of Blood, Migration, Race, and Memory
  • Gunk
  • The Glorians: Visitations from the Holy Ordinary

“The Unknown Became the Central Part.” Matthew Vollmer on His New Memoir

By I'm a Writer But | March 14, 2023

“I’m in Communion with Emily Dickinson.” Jennifer Michael Hecht on How to Navigate Our World Through Poetry

By Otherppl with Brad Listi | March 14, 2023

“Everything is Riding on Your Author Photo.” Mary Childs on What to Expect When You’re Expecting a Book

By Mary Childs | March 13, 2023

Talking to Joyce Carol Oates on the Way to the Airport About Fiction’s Blurry Borders

Talking to Joyce Carol Oates on the Way to the Airport About Fiction’s Blurry Borders

Jesse Lee Kercheval Tries to Figure Out Where Life Ends and Fiction Begins

By Jesse Lee Kercheval | March 13, 2023

Our Family Secret Was Embedded in My Writing Before I Knew the Truth

Our Family Secret Was Embedded in My Writing Before I Knew the Truth

Dani Shapiro on Revisiting Her Book on Craft a Decade On

By Dani Shapiro | March 13, 2023

Gish Jen on Mining Tension in Fiction

Gish Jen on Mining Tension in Fiction

From the Write-minded Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | March 13, 2023

Field Notes for Surviving a Family Cult: Michelle Dowd Revisits Her Childhood in <em>Forager</em>

Field Notes for Surviving a Family Cult: Michelle Dowd Revisits Her Childhood in Forager

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | March 13, 2023

The Transcendence of the Clock: On Finding Clarity in Fiction and in Life

The Transcendence of the Clock: On Finding Clarity in Fiction and in Life

Samuel Ligon Explores the Function of Time in Worlds Real and Imagined

By Samuel Ligon | March 13, 2023

Jean Hanff Korelitz on Philip Roth, <em>The Human Stain</em>, and a Novelist’s Right to Tell Other People’s Stories

Jean Hanff Korelitz on Philip Roth, The Human Stain, and a Novelist’s Right to Tell Other People’s Stories

In Conversation with Andrew Keen on Keen On

By Keen On | March 13, 2023

Xiaolu Guo on Translating<br> the Self

Xiaolu Guo on Translating
the Self

“I want to talk about the possibilities of translation.”

By Xiaolu Guo | March 10, 2023

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    • Olivia Waite on Writing Novellas, P. G. Wodehouse, and RetrofuturismMarch 9, 2026 by Alex Dueben
    • The Beginning Comes After the End: Notes on a World of Change
    • The Best Reviewed Books of the Week
    • "Slim but powerful Solnit writes with moral clarity and philosophical vigor in a voice that…"
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