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Patricia Lockwood on Drawing From Tolstoy and Avoiding “the Butthole of the Universe”

Patricia Lockwood on Drawing From Tolstoy and Avoiding “the Butthole of the Universe”

Eric Olson Profiles the Author of “Will There Ever Be Another You”

By Eric Olson | September 23, 2025

The Tragedy and Comedy of <em>Don Quixote</em>

The Tragedy and Comedy of Don Quixote

How the Kidnapping of Miguel de Cervantes Shaped His Famous Novel

By Ed Simon | September 22, 2025

What <em>Pride and Prejudice</em> Tells Us About British History, Class, and Women’s Leisure Time

What Pride and Prejudice Tells Us About British History, Class, and Women’s Leisure Time

Patricia A. Matthew Explores the Historical Context of Jane Austen’s Most Famous Novel

By Patricia A. Matthew | September 22, 2025

Elizabeth Crane on Point of View in Memoir

Elizabeth Crane on Point of View in Memoir

From the Memoir Nation Podcast, Hosted by Brooke Warner and Grant Faulkner

By Memoir Nation | September 22, 2025

This Week on <em>The Lit Hub Podcast</em>: On Getting Fired for Posting About Charlie Kirk

This Week on The Lit Hub Podcast: On Getting Fired for Posting About Charlie Kirk

Featuring Gretchen Felker-Martin, Erica Cerulo & Claire Mazur of 831 Stories, Drew Broussard, and a phone call From Chill Subs!

By The Lit Hub Podcast | September 19, 2025

Karen Palmer on Writing in Motion

Karen Palmer on Writing in Motion

“A car is a contained world with ever-shifting vistas.”

By Karen Palmer | September 19, 2025

Best Reviewed
Books of the Week

  • The Rest of Our Lives
  • Call Me Ishmaelle
  • This Is Where the Serpent Lives
  • Lost Lambs
  • Winter: The Story of a Season
  • The Score: How to Stop Playing Somebody Else's Game
  • Departure(s)
  • Fly, Wild Swans: My Mother, Myself and China
  • The Flower Bearers
  • Black Dahlia: Murder, Monsters, and Madness in Midcentury Hollywood

Am I the Asshole For Absolutely Hating Literary Awards Season?

By Kristen Arnett | September 18, 2025

How Writing Poetry Can Freeze Time

By Heidi Seaborn | September 18, 2025

Poet Margot Kahn on Why She Left One Particular Poem Out of Her Collection

By Margot Kahn | September 18, 2025

The Fine Art of Defining a Diva

The Fine Art of Defining a Diva

Jerome Charyn Recommends Joyce Carol Oates, Josephine Baker, Allegra Kent, and More

By Jerome Charyn | September 17, 2025

Miriam Toews Pushes Against Silences

Miriam Toews Pushes Against Silences

In Conversation with Jordan Kisner on Thresholds

By Thresholds | September 17, 2025

Sasha Bonét on Black Motherhood, Fragmented Storytelling, and Untangling History

Sasha Bonét on Black Motherhood, Fragmented Storytelling, and Untangling History

G'Ra Asim Talks to the Author of “The Waterbearers”

By G'ra Asim | September 16, 2025

Why Are There So Few Books About Mothers and Sons?

Why Are There So Few Books About Mothers and Sons?

Sam Sussman on Writing a Book About His Mother

By Sam Sussman | September 16, 2025

Angela Flournoy on Writing a Polyphonic Novel of Black Female Friendship

Angela Flournoy on Writing a Polyphonic Novel of Black Female Friendship

Jane Ciabattari Talks to the Author of “The Wilderness”

By Jane Ciabattari | September 16, 2025

Finding Inspiration (and Joy) While Drafting Among the Fjords

Finding Inspiration (and Joy) While Drafting Among the Fjords

David Greig on His Creative Process Aboard a Nordic Cruise

By David Greig | September 15, 2025

Pain as Progress: On Bodybuilding, Poetry and Transformation

Pain as Progress: On Bodybuilding, Poetry and Transformation

“Rupture is a prerequisite for reparation. Hurting couldn’t be avoided. Hurting was the point.”

By Isabella DeSendi | September 15, 2025

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    • New Series to Watch this WeekendJanuary 30, 2026 by Olivia Rutigliano
    • Ritual, Alternate Histories, and More: 8 Novels About Secret SocietiesJanuary 30, 2026 by Karen Winn
    • The Best Reviewed Books of the Month: January 2026January 30, 2026 by CrimeReads
    • The Rest of Our Lives
    • The Best Reviewed Books of the Month
    • "Poignant Tender The final line of em The Rest of Our Lives em is by…"
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