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Tayari Jones Still Needs To Read <em>Anna Karenina</em>

Tayari Jones Still Needs To Read Anna Karenina

The Author of Kin Takes the Lit Hub Questionnaire

By Literary Hub | February 24, 2026

What <em>The Real Housewives of Beverly Hills</em> Taught Me About Writing Conflict

What The Real Housewives of Beverly Hills Taught Me About Writing Conflict

Saleem Haddad on the Craft Lessons He’s Learned From Reality TV

By Saleem Haddad | February 24, 2026

On the So-Called Reading Crisis as Class Warfare

On the So-Called Reading Crisis as Class Warfare

Eunsong Kim Considers the Relationship Between Art and Capitalism

By Eunsong Kim | February 23, 2026

“You Just Do Language.” Lauren Groff on Craft, Reading, and Her New Collection

“You Just Do Language.” Lauren Groff on Craft, Reading, and Her New Collection

Eric Olson Profiles the Author of Brawler

By Eric Olson | February 23, 2026

Nine Memorable Depictions of AI in Fiction

Nine Memorable Depictions of AI in Fiction

Justin C. Key Recommends Martha Wells, Michael Crichton, S.B. Divya, and More

By Justin C Key | February 23, 2026

R.L. Maizes on Changing Drafts and Selves

R.L. Maizes on Changing Drafts and Selves

In Conversation with Mitzi Rapkin on the First Draft Podcast

By First Draft: A Dialogue on Writing | February 23, 2026

Best Reviewed
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  • Exit Party
  • Fallow
  • Our Noble Selves
  • Redwood: The Untold Story of the Cold War's Most Extraordinary Spy
  • The Newer World
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  • Anti-Zionism: A Jewish History
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  • Live Laugh Love: The Secret History of White Christian Women and the World They Made
  • The Rouse

Jordan Carlos on Memoir as a Portal to Self-Betterment

By Memoir Nation | February 23, 2026

Namwali Serpell on Toni Morrison and the Power of Ambiguity

By Namwali Serpell | February 20, 2026

How Finding My Narrator Brought My Entire Book Together

By Burnside Soleil | February 20, 2026

On What It Really Means to Live the Writing Life: The Good AND the Bad

On What It Really Means to Live the Writing Life: The Good AND the Bad

Nick Ripatrazone Tracks Down His First Literary Correspondent, Jack Garrett

By Nick Ripatrazone | February 19, 2026

On the Unlikely Origin of <em>The Curious Incident of the Dog in the Night-Time</em>

On the Unlikely Origin of The Curious Incident of the Dog in the Night-Time

Mark Haddon Recalls the Creative Process Behind His Stylistically Innovative Novel

By Mark Haddon | February 19, 2026

The Annotated Nightstand: What Anne Fadiman is Reading Now, and Next

The Annotated Nightstand: What Anne Fadiman is Reading Now, and Next

Featuring Tony Tulathimutte, George Eliot, C Pam Zhang, and More

By Diana Arterian | February 19, 2026

Imagination is Not Enough: Why Fiction Needs Fieldwork

Imagination is Not Enough: Why Fiction Needs Fieldwork

Amara Lakhous on the Necessity of Combining Personal Experience With Research to Create Compelling Stories

By Amara Lakhous | February 18, 2026

Why I Wrote a Middle Grade Book About Religion

Why I Wrote a Middle Grade Book About Religion

Huda Al-Marashi on Going to Catholic School and the Value of Having Conversations About Religion Early in Life

By Huda Al-Marashi | February 18, 2026

On Dancing As Rebellion and The Problem of Embodiment

On Dancing As Rebellion and The Problem of Embodiment

Sarah Domet: “I wanted to learn to be free on land. Dance seemed to be an answer.”

By Sarah Domet | February 18, 2026

Michael R. Jackson on Sam Greenlee's THE SPOOK WHO SAT BY THE DOOR

Michael R. Jackson on Sam Greenlee's THE SPOOK WHO SAT BY THE DOOR

In Conversation with Michael Kelleher for the Windham-Campbell Prizes Podcast

By Windham-Campbell Prizes Podcast | February 18, 2026

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Page 20 of 350
    • Crime and Horror are Siblings, And Humor is Their Drunk Uncle (or That One Inappropriate Aunt)September 28, 2026 by Theodore C. Van Alst, Jr.
    • Trent Dalton on Australian Noir, Journalism, and Writing Against a Country's StereotypesSeptember 26, 2026 by Alex Dueben
    • If You Loved Watching This Show, Read This Thriller!September 26, 2026 by Gigi Waldorf
    • Exit Party
    • The Best Reviewed Books of the Week
    • "The plot here like the plots in the previous three Mandel novels I've read is…"
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