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“This Will Be Fun.” On the Life and Times of a Comics Master, Jules Feiffer

“This Will Be Fun.” On the Life and Times of a Comics Master, Jules Feiffer

Paul Morton Considers the Artist Who Took “Aim at the Radical Middle”

By Paul Morton | February 7, 2025

How Long Will <em>Schindler’s List</em> Endure as a Public Memorial to The Holocaust?

How Long Will Schindler’s List Endure as a Public Memorial to The Holocaust?

Paul Morton Revisits Spielberg’s Controversial Film, 30 Years Later

By Paul Morton | December 20, 2023

How the Publicity Campaign for <em>Killers of the Flower Moon</em> Recalls Rosebud Yellow Robe’s 1950 Hollywood Tour

How the Publicity Campaign for Killers of the Flower Moon Recalls Rosebud Yellow Robe’s 1950 Hollywood Tour

Paul Morton on the Performance of Authenticity and the Native Stories Left to Tell

By Paul Morton | November 20, 2023

We Almost Got a Superhero Movie from <em>The Exorcist</em> Director William Friedkin

We Almost Got a Superhero Movie from The Exorcist Director William Friedkin

When a New Hollywood Auteur and a Journalist Teamed Up to Adapt Will Eisner

By Paul Morton | November 3, 2023

On the Men Who Lent Their Bodies (and Voices) to the Earliest Iterations of Superman

On the Men Who Lent Their Bodies (and Voices) to the Earliest Iterations of Superman

A Wrestler, a Sunday School Teacher, and a Mystery Man Walk into a Studio

By Paul Morton | August 10, 2023

<em>Parting Glances</em>: Mourning the Work We Didn’t Get from Queer Director Bill Sherwood

Parting Glances: Mourning the Work We Didn’t Get from Queer Director Bill Sherwood

His Debut Was One of the Best Independent Films of the 1980s. He Died Four Years Later.

By Paul Morton | June 8, 2023

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    • Love Thy Neighbor, and Watch Thy Back: Why Neighbors Kill Each Other in Literature (and Life)October 21, 2025 by Chuck Storla
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