Jane Ciabattari

Lee Kravetz on Sylvia Plath, 1950s Psychiatry, and Confessional Poets

Julie Otsuka on Writing Memory Loss and the Power of the First-Person Plural

Brendan Slocumb on Mentorship, Antiquities Theft, and Being the Only Black Violin Player Around

Sequoia Nagamatsu on Writing the Grief and Connections of an Enduring Pandemic

Jabari Asim on Decolonized Souls, Black Love, and Writing the Past

“A Story That Wouldn’t Let Me Go.” Nadifa Mohamed on the 1952 Case at the Heart of Her Novel

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Tom Bissell Talks Hollywood, Adaptation, and Feeling Like an “Actual Writer”

Meg Waite Clayton on Finding New Ways to Tell Old Stories

Perspective, Art, and Humanism: Understanding Resilience with Sarah Hall

Elizabeth Strout on Inhabiting Her Characters and Writing Directly

Tiphanie Yanique on Moving Beyond Traditional Hero Narratives

Myriam J.A. Chancy on Writing Haiti and Honoring Its Local Realities

Lauren Groff on Blending Research and Imagination in Historical Fiction

Hilma Wolitzer on the Catharsis of Writing Through Grief

Honorée Fanonne Jeffers on Writing Place and Juggling Projects

Sabina Murray on the Limits of Journalism and the Wondrous Possibilities of Fiction

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