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Kirstin Chen on Shattering the Model Minority Myth

Kirstin Chen on Shattering the Model Minority Myth

The Author of Counterfeit Talks to Jane Ciabattari

By Jane Ciabattari | June 14, 2022

Marie Myung-Ok Lee on the Challenge of Writing Satire in Present-Day America

Marie Myung-Ok Lee on the Challenge of Writing Satire in Present-Day America

The Author of The Evening Hero in Conversation with Jane Ciabattari

By Jane Ciabattari | June 1, 2022

The 2022 Bay Area Book Festival in Six Acts

The 2022 Bay Area Book Festival in Six Acts

Jane Ciabattari Documents Conversation, Community, and Celebration at the Best Fest in the West

By Jane Ciabattari | May 25, 2022

Vanessa Hua on Writing About the Forgotten Women in Mao’s Inner Circle

Vanessa Hua on Writing About the Forgotten Women in Mao’s Inner Circle

The Author of Forbidden City Talks to Jane Ciabattari

By Jane Ciabattari | May 17, 2022

Hernan Diaz: “I Wouldn’t Be the Person I am Without Borges.”

Hernan Diaz: “I Wouldn’t Be the Person I am Without Borges.”

The Author of Trust Talks to Jane Ciabattari

By Jane Ciabattari | May 3, 2022

Emily St. John Mandel on the Narrative Possibilities of Time Travel

Emily St. John Mandel on the Narrative Possibilities of Time Travel

The Author of Sea of Tranquility Talks to Jane Ciabattari

By Jane Ciabattari | April 19, 2022

Best Reviewed
Books of the Week

  • Villa Coco
  • Something We Said: Richard Pryor, a Notorious Word, and Me
  • Contrapposto
  • Earth 7
  • The Traveler: One Man's Quest for Humanity from the South Seas to Revolutionary Paris
  • Flyboy in the Buttermilk: Essays on Contemporary America

Jennifer Egan on Digital Technology and Creative Consciousness

By Jane Ciabattari | April 5, 2022

Karen Joy Fowler on Decentering John Wilkes Booth in a Novel About His Family

By Jane Ciabattari | March 22, 2022

Lee Kravetz on Sylvia Plath, 1950s Psychiatry, and Confessional Poets

By Jane Ciabattari | March 8, 2022

Julie Otsuka on Writing Memory Loss and the Power of the First-Person Plural

Julie Otsuka on Writing Memory Loss and the Power of the First-Person Plural

The Author of The Swimmers Talks to Jane Ciabattari

By Jane Ciabattari | February 22, 2022

Brendan Slocumb on Mentorship, Antiquities Theft, and Being the Only Black Violin Player Around

Brendan Slocumb on Mentorship, Antiquities Theft, and Being the Only Black Violin Player Around

The Author of The Violin Conspiracy Talks to Jane Ciabattari

By Jane Ciabattari | February 9, 2022

Sequoia Nagamatsu on Writing the Grief and Connections of an Enduring Pandemic

Sequoia Nagamatsu on Writing the Grief and Connections of an Enduring Pandemic

The Author of How High We Go in the Dark Speaks With Jane Ciabattari

By Jane Ciabattari | January 25, 2022

Jabari Asim on Decolonized Souls, Black Love, and Writing the Past

Jabari Asim on Decolonized Souls, Black Love, and Writing the Past

The Author of Yonder Speaks With Jane Ciabattari

By Jane Ciabattari | January 12, 2022

“A Story That Wouldn’t Let Me Go.” Nadifa Mohamed on the 1952 Case at the Heart of Her Novel

“A Story That Wouldn’t Let Me Go.” Nadifa Mohamed on the 1952 Case at the Heart of Her Novel

The Author of The Fortune Men Speaks With Jane Ciabattari

By Jane Ciabattari | December 21, 2021

Tom Bissell Talks Hollywood, Adaptation, and Feeling Like an “Actual Writer”

Tom Bissell Talks Hollywood, Adaptation, and Feeling Like an “Actual Writer”

The Author of Creative Types Speaks With Jane Ciabattari

By Jane Ciabattari | December 14, 2021

Meg Waite Clayton on Finding New Ways to Tell Old Stories

Meg Waite Clayton on Finding New Ways to Tell Old Stories

The Author of The Postmistress of Paris Talks to Jane Ciabattari

By Jane Ciabattari | December 1, 2021

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Page 8 of 18
    • (A.C.A.G.) All Cops Are Grotesque: Writing the Southern Gothic Police OfficerJune 16, 2026 by T.J. Martinson
    • Hilary Davidson on Learning to Love Unreliable NarratorsJune 16, 2026 by Hilary Davidson
    • Kimberly McCreight on Memoirs, Cheryl Strayed's 'Wild', and Climbing MountainsJune 16, 2026 by Kimberly McCreight
    • Villa Coco
    • The Best Reviewed Books of the Week
    • "None of this is particularly suspenseful the novel s chief revelation is telegraphed about halfway…"
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