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Quan Barry on Writing a Horror Novel Set in Antarctica

Quan Barry on Writing a Horror Novel Set in Antarctica

Jane Ciabattari Talks to the Author of “The Unveiling”

By Jane Ciabattari | October 14, 2025

Jonathan Lethem on Revisiting Old Short Stories While Writing New Ones

Jonathan Lethem on Revisiting Old Short Stories While Writing New Ones

Jane Ciabattari Talks to the Author of "A Different Kind of Tension"

By Jane Ciabattari | September 25, 2025

Angela Flournoy on Writing a Polyphonic Novel of Black Female Friendship

Angela Flournoy on Writing a Polyphonic Novel of Black Female Friendship

Jane Ciabattari Talks to the Author of “The Wilderness”

By Jane Ciabattari | September 16, 2025

Joan Silber on the Process of Discovery, Fiction About Friendship, and the Meaning of Mercy

Joan Silber on the Process of Discovery, Fiction About Friendship, and the Meaning of Mercy

Jane Ciabattari Talks to the Author of Mercy

By Jane Ciabattari | September 2, 2025

Elaine Hsieh Chou on Literary Community, Identity, and Playing With Form

Elaine Hsieh Chou on Literary Community, Identity, and Playing With Form

Jane Ciabattari Talks to the Author of “Where Are You Really From”

By Jane Ciabattari | August 26, 2025

River Selby on Wildland Firefighting, Processing Trauma, and Writing For Your Younger Self

River Selby on Wildland Firefighting, Processing Trauma, and Writing For Your Younger Self

Jane Ciabattari Talks to the Author of “Hotshot”

By Jane Ciabattari | August 19, 2025

Best Reviewed
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  • The Things We Never Say
  • John of John
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Jessica Francis Kane on Fictionalizing Penelope Fitzgerald’s Mexican Sojurn

By Jane Ciabattari | August 12, 2025

Ivonne Lamazares on Crafting a Story of Family, Identity and Belonging in Cuba

By Jane Ciabattari | July 22, 2025

Gary Shteyngart on Channeling a Precocious Child Narrator

By Jane Ciabattari | July 8, 2025

Meg Waite Clayton on Fictionalizing Hollywood’s Blacklist Era

Meg Waite Clayton on Fictionalizing Hollywood’s Blacklist Era

Jane Ciabattari Talks to the Author of “Typewriter Beach”

By Jane Ciabattari | July 1, 2025

Hal Ebbott on Writing a Novel of Male Friendship

Hal Ebbott on Writing a Novel of Male Friendship

Jane Ciabattari Talks to the Author of “Among Friends”

By Jane Ciabattari | June 24, 2025

Michelle Huneven on Writing a Polyphonic, Decade-Spanning Family Saga

Michelle Huneven on Writing a Polyphonic, Decade-Spanning Family Saga

Jane Ciabattari Talks to the Author of “Bug Hollow”

By Jane Ciabattari | June 17, 2025

Susan Choi on Writing a Cross-Cultural Story of Mystery and Tragedy

Susan Choi on Writing a Cross-Cultural Story of Mystery and Tragedy

Jane Ciabattari Talks to the Author of “Flashlight”

By Jane Ciabattari | June 3, 2025

Honor Jones on Exploring the Lasting Effects of Childhood Trauma

Honor Jones on Exploring the Lasting Effects of Childhood Trauma

Jane Ciabattari Talks to the Author of "Sleep"

By Jane Ciabattari | May 27, 2025

Karen E. Bender on Channeling Contemporary Anxieties Through Speculative Fiction

Karen E. Bender on Channeling Contemporary Anxieties Through Speculative Fiction

Jane Ciabattari Talks to the Author of “The Words of Dr. L.and Other Stories”

By Jane Ciabattari | May 13, 2025

Jemimah Wei on Crafting a Story of Family, Sisterhood, and Singapore

Jemimah Wei on Crafting a Story of Family, Sisterhood, and Singapore

Jane Ciabattari Talks to the Author of “The Original Daughter”

By Jane Ciabattari | May 6, 2025

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    • How Would Ian Fleming Write James Bond Today?May 29, 2026 by Kim Sherwood
    • The Top 10 Classic Detective Novels, According to Jeffrey ArcherMay 29, 2026 by Jeffrey Archer
    • The Things We Never Say
    • The Best Reviewed Books of the Month
    • "As usual Strout manages to create scenes of intense intimacy in prose that feels as…"
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