Jane Ciabattari

Susan Straight on Chronicling the Impact of COVID-19 in Fiction

Adam Johnson on Writing a Novel of Ancient Polynesia

Quan Barry on Writing a Horror Novel Set in Antarctica

Jonathan Lethem on Revisiting Old Short Stories While Writing New Ones

Angela Flournoy on Writing a Polyphonic Novel of Black Female Friendship

Joan Silber on the Process of Discovery, Fiction About Friendship, and the Meaning of Mercy

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Elaine Hsieh Chou on Literary Community, Identity, and Playing With Form

River Selby on Wildland Firefighting, Processing Trauma, and Writing For Your Younger Self

Jessica Francis Kane on Fictionalizing Penelope Fitzgerald’s Mexican Sojurn

Ivonne Lamazares on Crafting a Story of Family, Identity and Belonging in Cuba

Gary Shteyngart on Channeling a Precocious Child Narrator

Meg Waite Clayton on Fictionalizing Hollywood’s Blacklist Era

Hal Ebbott on Writing a Novel of Male Friendship

Michelle Huneven on Writing a Polyphonic, Decade-Spanning Family Saga

Susan Choi on Writing a Cross-Cultural Story of Mystery and Tragedy

Honor Jones on Exploring the Lasting Effects of Childhood Trauma

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