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Adam Johnson on Writing a Novel of Ancient Polynesia

Adam Johnson on Writing a Novel of Ancient Polynesia

Jane Ciabattari Talks to the Author of “The Wayfinder”

By Jane Ciabattari | October 21, 2025

Quan Barry on Writing a Horror Novel Set in Antarctica

Quan Barry on Writing a Horror Novel Set in Antarctica

Jane Ciabattari Talks to the Author of “The Unveiling”

By Jane Ciabattari | October 14, 2025

Jonathan Lethem on Revisiting Old Short Stories While Writing New Ones

Jonathan Lethem on Revisiting Old Short Stories While Writing New Ones

Jane Ciabattari Talks to the Author of "A Different Kind of Tension"

By Jane Ciabattari | September 25, 2025

Angela Flournoy on Writing a Polyphonic Novel of Black Female Friendship

Angela Flournoy on Writing a Polyphonic Novel of Black Female Friendship

Jane Ciabattari Talks to the Author of “The Wilderness”

By Jane Ciabattari | September 16, 2025

Joan Silber on the Process of Discovery, Fiction About Friendship, and the Meaning of Mercy

Joan Silber on the Process of Discovery, Fiction About Friendship, and the Meaning of Mercy

Jane Ciabattari Talks to the Author of Mercy

By Jane Ciabattari | September 2, 2025

Elaine Hsieh Chou on Literary Community, Identity, and Playing With Form

Elaine Hsieh Chou on Literary Community, Identity, and Playing With Form

Jane Ciabattari Talks to the Author of “Where Are You Really From”

By Jane Ciabattari | August 26, 2025

Best Reviewed
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  • Villa Coco
  • Something We Said: Richard Pryor, a Notorious Word, and Me
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  • The Traveler: One Man's Quest for Humanity from the South Seas to Revolutionary Paris
  • Flyboy in the Buttermilk: Essays on Contemporary America

River Selby on Wildland Firefighting, Processing Trauma, and Writing For Your Younger Self

By Jane Ciabattari | August 19, 2025

Jessica Francis Kane on Fictionalizing Penelope Fitzgerald’s Mexican Sojurn

By Jane Ciabattari | August 12, 2025

Ivonne Lamazares on Crafting a Story of Family, Identity and Belonging in Cuba

By Jane Ciabattari | July 22, 2025

Gary Shteyngart on Channeling a Precocious Child Narrator

Gary Shteyngart on Channeling a Precocious Child Narrator

Jane Ciabattari Talks to the Author of “Vera, or Faith”

By Jane Ciabattari | July 8, 2025

Meg Waite Clayton on Fictionalizing Hollywood’s Blacklist Era

Meg Waite Clayton on Fictionalizing Hollywood’s Blacklist Era

Jane Ciabattari Talks to the Author of “Typewriter Beach”

By Jane Ciabattari | July 1, 2025

Hal Ebbott on Writing a Novel of Male Friendship

Hal Ebbott on Writing a Novel of Male Friendship

Jane Ciabattari Talks to the Author of “Among Friends”

By Jane Ciabattari | June 24, 2025

Michelle Huneven on Writing a Polyphonic, Decade-Spanning Family Saga

Michelle Huneven on Writing a Polyphonic, Decade-Spanning Family Saga

Jane Ciabattari Talks to the Author of “Bug Hollow”

By Jane Ciabattari | June 17, 2025

Susan Choi on Writing a Cross-Cultural Story of Mystery and Tragedy

Susan Choi on Writing a Cross-Cultural Story of Mystery and Tragedy

Jane Ciabattari Talks to the Author of “Flashlight”

By Jane Ciabattari | June 3, 2025

Honor Jones on Exploring the Lasting Effects of Childhood Trauma

Honor Jones on Exploring the Lasting Effects of Childhood Trauma

Jane Ciabattari Talks to the Author of "Sleep"

By Jane Ciabattari | May 27, 2025

Karen E. Bender on Channeling Contemporary Anxieties Through Speculative Fiction

Karen E. Bender on Channeling Contemporary Anxieties Through Speculative Fiction

Jane Ciabattari Talks to the Author of “The Words of Dr. L.and Other Stories”

By Jane Ciabattari | May 13, 2025

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    • Phoebe Atwood Taylor and the Search for the Quintessential Cape Cod MysteryJune 12, 2026 by Dwyer Murphy
    • Villa Coco
    • The Best Reviewed Books of the Week
    • "None of this is particularly suspenseful the novel s chief revelation is telegraphed about halfway…"
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