You’ve gone to bed with the baby again, as I step
gingerly through the house, searching for quiet projects
I can take to completion and leave for you like origami.
Each room for you to wake in as you wander,
brewing a gift like morning coffee, the raw ends
of your several lists now seared and cooling.

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It’s much nicer when we can sit here
as a family a few moments longer, while our girl
begins to improvise tomorrow aloud, ticking off
her list of necessaries, countermanding the plot
with reasonable justifications which she has collected
from the pond like pretty rocks. To sit here,
with large glasses of water in front of us,
and a bowl of dressed cabbage now resting.
To age and grow together this way, to keep
unfeigned the family hug she often calls for;
the marriage and the patterns of work and rising,
not to let them go to seed; to allow ourselves
to achieve our own narrative, to board the right train,
see there are still seats for us, to watch the rifling
landscape harmonize, on this one route, headed
towards the very spot on the map we had agreed on.

How right it would feel to maintain the memory of being
at the dinner table at night, and, before bath and bedtime,
to have thrown a last jacket back on—it being a clear night,
after all—and to step out onto the driveway, caps on our heads,
holding hands or not, but together, and just look up.

__________________________________

From The Red Goose by Allen Guy Wilcox, available from Doubly Mad.

Allen Guy Wilcox

Allen Guy Wilcox

Allen Guy Wilcox was born in Cooperstown, NY, and raised on his family’s dairy farm in the Mohawk Valley. He was educated at Middlebury College, and lived in New York City for 15 years, before settling back on the farm with his wife, Olga, and their children, Fiona and Abraham. Since 2016 he has served as the founding artistic director of The Theater at Woodshill, a 501(c)3 non-profit theater company, dedicated to classical theater performance and education.  On stage he has performed the Shakespearean roles of Paris, Benedick, Orlando, Hamlet, Oberon, Escalus, Macbeth, and Caliban. His poetry has been published in Nine Mile, Doubly Mad, Pulsebeat, and The Lyric, and elsewhere. As a film actor he appears most recently in Michael Walker’s The Legend of Juan Jose Mundo, David Arrow’s The Drive, and in Stephen Billick’s Intermission. His debut poetry collection, The Red Goose, was published by Doubly Mad books in July 2026. Wilcox is currently on a reading tour of all twenty-three library systems in New York State. For fun and connection: @allenguywilcox.