What to Watch

Becoming Others: Enacting the Transness of Virginia Woolf’s Orlando

Hannah Bonner on the Utopian Future of Paul B. Preciado’s Orlando, My Political Biography

 
By Hannah Bonner  July 21, 2023
What to Watch

How to Adapt Stephen King: A Conversation with the Duo Behind The Boogeyman

By Jonathan Russell Clark  July 21, 2023
What to Watch

Time Out of Mind: On the Ahistorical Cinematic Adaptation

By Tobias Carroll  July 21, 2023
What to Watch

The Race to Make Hollywood’s First Atomic Bomb Movie

By Greg Mitchell  July 17, 2023
What to Watch

Can Writers Have Fun? Afire is a Character Study of a Self-Absorbed Novelist

By Elissa Suh  July 14, 2023
What to Watch

A Woman Satisfied: Alyssa Songsiridej on the Refreshing Lack of Regret in Past Lives

By Alyssa Songsiridej  July 7, 2023
What to Watch

Indiana Jones: Here We Go Again

By Olivia Rutigliano  June 30, 2023
What to Watch

Big Songs, Big Emotions: On Glee, Santana’s Coming Out Scene, and Naya Rivera

By Thea Glassman  June 29, 2023
What to Watch

Against the Cynicism Cycle: Why TV Could Do with Less Moral Grayness

By Noah Ciubotaru  June 23, 2023
What to Watch

Beyond the Road Not Taken: Past Lives is a Love Story of Thoughtful Restraint

By Olivia Rutigliano  June 23, 2023
What to Watch

Umberto Eco’s Favorite Books Give New Meaning to the Phrase “Deep Cut”

By Literary Hub  June 22, 2023
What to Watch

Indulging in the Lightness of American Born Chinese is Like Escaping Into a World We Haven’t Built Yet

By Yao Xiao  June 15, 2023
What to Watch

You Hurt My Feelings is a Sincere, Satisfying Relationship Comedy

By Olivia Rutigliano  June 9, 2023
What to Watch

Parting Glances: Mourning the Work We Didn’t Get from Queer Director Bill Sherwood

By Paul Morton  June 8, 2023
What to Watch

On the Literary Roots of Die Hard

By Nick de Semlyen  June 7, 2023
What to Watch

My Mother Was Also a First Mermaid of Color

By Anri Wheeler  June 6, 2023
What to Watch

A Guide to the 2023 Cannes Film Festival’s Literary Offerings

By Jihane Bousfiha  June 2, 2023
What to Watch

Part of Our World: On the Mermaids of Walt Disney, Hans Christian Andersen, and W.B. Yeats

By Gabrielle Bellot  May 31, 2023
What to Watch

Paul Schrader’s Master Gardener Doesn’t See the Forest for the Trees

By Olivia Rutigliano  May 26, 2023
What to Watch

Finding the Humor in Watergate: Co-Author Matthew Krogh on the White House Plumbers Adaptation

By Matthew Krogh  May 25, 2023
What to Watch

Murakami Bingo: Is Animation the Ideal Form for Adapting the “Undadaptable” Author?

By Ryan Bedsaul  May 18, 2023
What to Watch

Why Does Hollywood Keep Returning to Peter Pan?

By Jonathan Russell Clark  May 12, 2023
What to Watch

The Five Devils is a Cinematic Gothic Novel for the Contemporary Age

By Laura Valenza  May 12, 2023
What to Watch

Garth Risk Hallberg Goes Behind the Scenes of the City on Fire Adaptation

By Garth Risk Hallberg  May 11, 2023
What to Watch

The Eight Mountains is a Testament to the Directors’ Commitment to the Story

By Elissa Suh  May 5, 2023
Page 4 of 10

We Need Your Help:

Become a Lit Hub Supporting Member

Lit Hub has always brought you the best of the book world for free—no paywall. But our future relies on you. In return for your contribution, you'll get an ad-free site experience, editors' picks, and our Joan Didion tote bag. Most importantly, you'll keep independent book coverage alive and thriving.