The Maris Review

Why Elif Batuman’s Been Thinking About “Compulsive Heterosexuality”

In Conversation with Maris Kreizman on The Maris Review Podcast

 
By The Maris Review  May 19, 2022
The Maris Review

Michelle Hart on Why You Shouldn’t Ignore Shame in Storytelling

By The Maris Review  May 12, 2022
The Maris Review

Vauhini Vara on Grounding Fiction with Cultural Touchstones

By The Maris Review  May 5, 2022
The Maris Review

“Hypocrisy is Us.” Chantal V. Johnson on Feminism and Misogynoir

By The Maris Review  April 28, 2022
The Maris Review

Maeve Higgins Wants Us to Take Levity (and Language) More Seriously

By The Maris Review  April 21, 2022
The Maris Review

Emily St. John Mandel on Finding a Sense of Creative Recklessness

By The Maris Review  April 14, 2022
The Maris Review

Chloé Cooper Jones on Self-Erasure, Vulnerability, and Writing About Tennis as a Dodge

By The Maris Review  April 7, 2022
The Maris Review

Maud Newton on the Relief of Knowing That Genes Aren’t Fate

By The Maris Review  March 31, 2022
Lit Hub Radio

Alex Segura on the Truths of Noir Literature

By The Maris Review  March 24, 2022
The Maris Review

Liz Scheier on Comedy as a Survival Skill

By The Maris Review  March 17, 2022
The Maris Review

Alejandro Zambra on Writing Two Books in One

By The Maris Review  March 10, 2022
The Maris Review

Sarah Manguso on the Coldness and Quietness of New England Girlhood

By The Maris Review  March 3, 2022
The Maris Review

Bethany C. Morrow on the Self-Delusion of Privilege

By The Maris Review  February 24, 2022
The Maris Review

Why Julia May Jonas Didn’t Name Her Main Character

By The Maris Review  February 17, 2022
The Maris Review

“A Tricky, Electric Topic.” Tessa Hadley on Writing Ambivalent Motherhood

By The Maris Review  February 10, 2022
The Maris Review

Isaac Butler on Why No One Actually Understands Method Acting

By The Maris Review  February 3, 2022
The Maris Review

John Darnielle on the Crisis of Conscience in True Crime

By The Maris Review  January 27, 2022
The Maris Review

Glory Edim on Expanding the Canon of Black Girl Coming-of-Age Stories

By The Maris Review  January 20, 2022
The Maris Review

“I’m Gonna Die if I Have to Write Another One of These.” Why Jami Attenberg Switched to Memoir

By The Maris Review  January 13, 2022
The Maris Review

Xochitl Gonzalez on the Emotional Toll of Success

By The Maris Review  January 6, 2022
The Maris Review

Vendela Vida on the Vocabulary of Stranger Danger

By The Maris Review  December 30, 2021
The Maris Review

Jen Spyra on the Art of Comedic Escalation

By The Maris Review  December 23, 2021
The Maris Review

How to Make a Better World Without Centering Yourself: A Conversation with Alex McElroy

By The Maris Review  December 16, 2021
The Maris Review

Stephen Graham Jones on the Archetypes of a Slasher Narrative

By The Maris Review  December 9, 2021
The Maris Review

Rebecca Donner on Writing History in the Present Tense

By The Maris Review  December 2, 2021
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