Poet Sasha Debevec-McKenney on Writing Rituals, Maximalism, and How to Surprise an Audience
Peter Mishler Talks to the Author of “Joy Is My Middle Name”
Sahar Mustafah on the ADL’s Quiet Indoctrination of American Schools
“It has rigorously weaponized Jewish victimhood in order to foment fear.”
Shame and English Translation on The Critic and Her Publics
a week-long season on translation continues
Rana Dasgupta on Giuseppe di Lampedusa’s The Leopard
In Conversation with Michael Kelleher for the Windham-Campbell Prizes Podcast
How to Think About the Future, With a Little Help From Science Fiction
Nick Foster Explores the Relationship Between Sci-Fi and Our Conception of the Future
Writing Someone Else’s Autofiction… When They’re a Pop Star Turned Wedding Singer
On the Unlikely Collaboration Between Novelist David Levithan and Musician Jens Lekman
Nature is Not Going to Cure You: On Raynor Winn’s Fabricated Memoir
Polly Atkin Consider the Danger of Publishers Endorsing Quackery
On Bringing the Novels of Mizuki Tsujimura to English Readers
Yuki Tejima: “For fifteen years, the novel has been passed from reader to reader in Japan.”
How Ancient Receipts Ushered in the Dawn of the Written Word
Moudhy Al-Rashid on the Earliest Forms of Writing
Elaine Hsieh Chou on Literary Community, Identity, and Playing With Form
Jane Ciabattari Talks to the Author of “Where Are You Really From”
Tajja Isen and Nicole Chung on Becoming Colleagues and Friends
In Conversation with Lena Crown on Awakeners
First Sentences and Translating Proust on The Critic and Her Publics
a week-long season on translation begins
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