Rave
Melinda Bargreen,
The Seattle Times
Brave, complicated, occasionally horrifying and frequently very funny.
Positive
Paul Constant,
The Seattle Review of Books
Frankel portrays a family with a trans daughter with dignity and warmth and generosity. In an age where trans bathroom panic leads some Republican men to 'patrol' their local Targets with guns in order to allegedly keep their daughters safe from nonexistent sexual predators, Frankel patiently and calmly tells a story about a very specific experience.
Mixed
Hanna Rosin,
The New York Times Book Review
The result is a novel that feels more like a fictionalized account, in ways that are both deeply satisfying and sometimes limiting.
Positive
Rich Smith,
The Portland Mercury
The story is told in close third person, and since the narrator primarily shadows Rosie, Frankel’s sentences mostly reflect Rosie’s personality. They’re practical, calmly but thoroughly analytical, occasionally gritty, occasionally clever. They mostly tell it to you straight—but in moments of power, they swing into a literary register that lets the language do more of the explaining than the explaining does. This strategy makes for easy reading. I blew through the 323 pages in two days.
Positive
Barbara Lloyd McMichael,
The Seattle Times
There is so very much to enjoy in this domestic drama: a carefully tooled narrative that is expansive, perceptive, and gracious; dialogue that is both witty and deep; characters who are remarkably self-actualized. The construct is so beguiling it can annoy at times — would that we mere mortals could be so appealing as we haphazarded our way through life’s booby traps!.