[{"id":276249,"date":"2026-08-27T04:56:17","date_gmt":"2026-08-27T08:56:17","guid":{"rendered":"https:\/\/lithub.com\/?p=276249"},"modified":"2026-08-27T07:49:12","modified_gmt":"2026-08-27T11:49:12","slug":"the-independent-press-top-40-bestsellers-fiction-32","status":"publish","type":"post","link":"https:\/\/lithub.com\/the-independent-press-top-40-bestsellers-fiction-32\/","title":{"rendered":"The Independent Press Top 40 Bestsellers: Fiction"},"content":{"rendered":"<p>Here are this week\u2019s <a href=\"https:\/\/www.indiepubs.org\/top40\">Independent Press Top 40 Bestsellers<\/a> for fiction, based on sales in hundreds of independent bookstores nationwide, generously provided by the <a href=\"https:\/\/www.bookweb.org\/\">American Booksellers Association.<\/a> Compiled, designed, and distributed by <a href=\"https:\/\/www.indiepubs.org\/\">The Independent Publishers Caucus<\/a>.<\/p>\n<p>*<\/p>\n<p>1. <a href=\"https:\/\/bookshop.org\/a\/40\/9781954118812\"><em>The Calamity Club<\/em><\/a> by Kathryn Stockett (Spiegel &amp; Grau)<br \/>\n2. <a href=\"https:\/\/bookshop.org\/a\/132\/9780393356250\"><em>The Odyssey<\/em><\/a> by Homer, Emily Wilson (Transl.) (W.W. Norton)<br \/>\n3. <a href=\"https:\/\/bookshop.org\/a\/132\/9780802167194\"><em>The Poison Daughter<\/em><\/a> by Sheila Masterson (Slowburn)<br \/>\n4. <a href=\"https:\/\/bookshop.org\/a\/132\/9781945492600\"><em>I Who Have Never Known Men<\/em><\/a> by Jacqueline Harpman (Transit Books)<br \/>\n5. <a href=\"https:\/\/bookshop.org\/a\/132\/9780802167194\"><em>John of John<\/em><\/a> by Douglas Stuart (Grove Press)<br \/>\n<span class=\"s1\">6. <a href=\"https:\/\/bookshop.org\/a\/132\/9780802165176\"><em>Heart the Lover<\/em><\/a> by Lily King (Grove Press)<\/span><br \/>\n7. <a href=\"https:\/\/bookshop.org\/a\/40\/9780998063614\" target=\"_blank\" rel=\"noopener\"><em>The Unselected Journals of Emma M. Lion: Vol. 1<\/em><\/a> by Beth Brower (Rhysdon Press)<br \/>\n8. <span class=\"s1\"><a href=\"https:\/\/bookshop.org\/a\/40\/9780998063621\" target=\"_blank\" rel=\"noopener\"><em>The Unselected Journals of Emma M. Lion: Vol. 2<\/em><\/a> by Beth Brower (Rhysdon Press)<br \/>\n<\/span>9. <span class=\"s1\"><a href=\"https:\/\/bookshop.org\/a\/40\/9780811238397\"><em>On the Calculation of Volume (Book I)<\/em><\/a> by Solvej Balle, Barbara J. Haveland (Transl.) (New Directions)<br \/>\n<\/span>10. <a href=\"https:\/\/bookshop.org\/a\/132\/9780802158741\"><em>Small Things Like These<\/em><\/a> by Claire Keegan (Grove Press)<br \/>\n11. <a href=\"https:\/\/bookshop.org\/a\/40\/9781590171998\"><em>Stoner<\/em><\/a> by John Williams (NYRB Classics)<br \/>\n12. <a href=\"https:\/\/bookshop.org\/a\/40\/9781644453155\"><em>Taiwan Travelogue: A Novel<\/em><\/a> by Shuang-zi Yang (Graywolf Press)<br \/>\n13. <span class=\"s1\"><a href=\"https:\/\/bookshop.org\/a\/40\/9780998063621\" target=\"_blank\" rel=\"noopener\"><em>The Unselected Journals of Emma M. Lion: Vol. 3<\/em><\/a> by Beth Brower (Rhysdon Press)<br \/>\n<\/span>14. <span class=\"s1\"><a href=\"https:\/\/bookshop.org\/a\/40\/9798989923014\"><em>I See You&#8217;ve Called in Dead<\/em><\/a> by John Kenney (Zibby Publishing)<br \/>\n15. <a href=\"https:\/\/bookshop.org\/a\/40\/9780998063621\" target=\"_blank\" rel=\"noopener\"><em>The Unselected Journals of Emma M. Lion: Vol. 4<\/em><\/a> by Beth Brower (Rhysdon Press)<br \/>\n<\/span>16. <span class=\"s1\"><a href=\"https:\/\/bookshop.org\/a\/40\/9781638932239\"><em>Lights Out<\/em><\/a> (Into Darkness Series #1) by Navessa Allen (Slowburn)<br \/>\n<\/span>17. <span class=\"s1\"><a href=\"https:\/\/bookshop.org\/a\/40\/9781566897358\"><em>Helen of Nowhere<\/em><\/a> by Makenna Goodman (Coffee House Press)<br \/>\n18. <a href=\"https:\/\/bookshop.org\/a\/40\/9780998063621\" target=\"_blank\" rel=\"noopener\"><em>The Unselected Journals of Emma M. Lion: Vol. 5<\/em><\/a> by Beth Brower (Rhysdon Press)<\/span><br \/>\n19. <a href=\"https:\/\/bookshop.org\/a\/40\/9781638933403\"><em>The Butcher Legacy: A Dr. Wren Muller Novel<\/em><\/a> by Alaina Urquhart (Zando)<br \/>\n20. <span class=\"s1\"><a href=\"https:\/\/bookshop.org\/a\/132\/9780802148544\"><em>Writers &amp; Lovers<\/em><\/a> by Lily King (Grove Press)<\/span><br \/>\n21. <a href=\"https:\/\/bookshop.org\/a\/40\/9798890920461\"><em>Stitched<\/em><\/a> by Eli McCann (Torrey House Press)<br \/>\n22. <a href=\"https:\/\/bookshop.org\/a\/40\/9780807083697\"><em>Kindred<\/em><\/a> by Octavia E. Butler (Beacon Press)<br \/>\n23. <span class=\"s1\"><a href=\"https:\/\/bookshop.org\/a\/40\/9780998063621\" target=\"_blank\" rel=\"noopener\"><em>The Unselected Journals of Emma M. Lion: Vol. 6<\/em><\/a> by Beth Brower (Rhysdon Press)<br \/>\n<\/span>24. <span class=\"s1\"><a href=\"https:\/\/bookshop.org\/a\/40\/9780393356687\"><em>The Overstory<\/em><\/a> by Richard Powers (W.W. Norton)<br \/>\n<\/span>25. <span class=\"s1\"><a href=\"https:\/\/bookshop.org\/a\/40\/9780811234825\" target=\"_blank\" rel=\"noopener\"><em>The Employees<\/em><\/a> by Olga Ravn (New Directions)<br \/>\n<\/span>26. <span class=\"s1\"><a href=\"https:\/\/bookshop.org\/a\/132\/9780802160140\"><em>Foster<\/em><\/a> by Claire Keegan (Grove Press)<br \/>\n<\/span>27. <span class=\"s1\"><a href=\"https:\/\/bookshop.org\/a\/132\/9781646222384\"><em>The Berry Pickers<\/em><\/a> by Amanda Peters (Catapult)<br \/>\n<\/span>28. <span class=\"s1\"><a href=\"https:\/\/bookshop.org\/a\/132\/9781609450786\"><em>My Brilliant Friend<\/em><\/a> by Elena Ferrante (Europa Editions)<\/span><br \/>\n29. <a href=\"https:\/\/bookshop.org\/a\/40\/9798895656259\"><em>The Unstoppables<\/em><\/a> by David Biro (Regalo Press)<br \/>\n30. <span class=\"s1\"><a href=\"https:\/\/bookshop.org\/a\/40\/9798888777794\"><em>Witch Hat Atelier 1<\/em><\/a> by Kamome Shirahama (Kodansha Comics)<br \/>\n<\/span>31. <span class=\"s1\"><a href=\"https:\/\/bookshop.org\/a\/132\/9781954118966\"><em>Culpability<\/em><\/a> by Bruce Holsinger (Spiegel &amp; Grau)<br \/>\n<\/span>32. <a href=\"https:\/\/bookshop.org\/a\/40\/9781324076148\"><em>The Iliad<\/em><\/a> by <span class=\"s1\">Homer, Emily Wilson (Transl.) (W.W. Norton)<br \/>\n<\/span>33. <span class=\"s1\"><a href=\"https:\/\/bookshop.org\/a\/40\/9798893380583\"><em>We Were Forbidden<\/em><\/a> by Jacqueline Harpman (Transit)<br \/>\n<\/span>34. <span class=\"s1\"><a href=\"https:\/\/bookshop.org\/a\/40\/9780998063621\" target=\"_blank\" rel=\"noopener\"><em>The Unselected Journals of Emma M. Lion: Vol. 7<\/em><\/a> by Beth Brower (Rhysdon Press)<\/span><br \/>\n35. <a href=\"https:\/\/bookshop.org\/a\/40\/9780802163622\"><em>Orbital<\/em><\/a> by Samantha Harvey (Grove Press)<br \/>\n36. <span class=\"s1\"><a href=\"https:\/\/bookshop.org\/a\/40\/9780998063621\" target=\"_blank\" rel=\"noopener\"><em>The Unselected Journals of Emma M. Lion: Vol. 8<\/em><\/a> by Beth Brower (Rhysdon Press)<br \/>\n37. <a href=\"https:\/\/bookshop.org\/a\/40\/9781324097785\"><em>Victorian Psycho: A Novel<\/em><\/a> by Virginia Feito (Liveright)<br \/>\n38. <a href=\"https:\/\/bookshop.org\/a\/40\/9781966302230\"><em>Freyja<\/em><\/a> by Margr\u00e9t Ann Thors (Spiegel &amp; Grau)<br \/>\n39. <a href=\"https:\/\/bookshop.org\/a\/40\/9781641296823\"><em>Three Bags Full<\/em><\/a> (A Sheep Detective Story) by Leonie Swann (Soho Crime)<br \/>\n40. <a href=\"https:\/\/bookshop.org\/a\/40\/9781805332121\"><em>Carmilla, Deluxe Edition: The Dark Sapphic Romance that Inspired Dracula<\/em><\/a> by Sheridan Le Fanu (Pushkin Press)<\/span><\/p>\n<p style=\"text-align: center;\">_________________________________________<\/p>\n<p><a href=\"https:\/\/www.indiepubs.org\/top40\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"265820\" data-permalink=\"https:\/\/lithub.com\/the-independent-press-top-40-bestsellers-fiction\/untitled-design-1-468\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/01\/Untitled-design-2-1.jpg\" data-orig-size=\"824,476\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;Jonny Diamond&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;Untitled design - 1&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Untitled design &amp;#8211; 1\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/01\/Untitled-design-2-1.jpg\" class=\"aligncenter wp-image-265820\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/01\/Untitled-design-2-1.jpg\" alt=\"\" width=\"194\" height=\"112\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/01\/Untitled-design-2-1.jpg 824w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/01\/Untitled-design-2-1-300x173.jpg 300w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/01\/Untitled-design-2-1-768x444.jpg 768w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/01\/Untitled-design-2-1-60x35.jpg 60w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/01\/Untitled-design-2-1-50x29.jpg 50w\" sizes=\"auto, (max-width: 194px) 100vw, 194px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Here are this week\u2019s Independent Press Top 40 Bestsellers for fiction, based on sales in hundreds of independent bookstores nationwide, generously provided by the American Booksellers Association. Compiled, designed, and distributed by The Independent Publishers Caucus. * 1. The Calamity<\/p>\n","protected":false},"author":74,"featured_media":269719,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[43069,6,43070,43135],"tags":[108921,53909,111531,108630,112034],"class_list":["post-276249","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-craftandcriticism","category-features","category-literary-criticism","category-readinglists","tag-independent-press","tag-independent-publishers","tag-independent-top-40","tag-top-40-bestsellers","tag-top-publishers"],"jetpack_shortlink":"https:\/\/wp.me\/p5rKFr-19RD","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/lithub.com\/wp-content\/uploads\/2026\/04\/fiction-scaled.jpg","_links":{"self":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/276249","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/users\/74"}],"replies":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/comments?post=276249"}],"version-history":[{"count":0,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/276249\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media\/269719"}],"wp:attachment":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media?parent=276249"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/categories?post=276249"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/tags?post=276249"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":276251,"date":"2026-08-27T04:56:16","date_gmt":"2026-08-27T08:56:16","guid":{"rendered":"https:\/\/lithub.com\/?p=276251"},"modified":"2026-08-27T07:50:28","modified_gmt":"2026-08-27T11:50:28","slug":"the-independent-press-top-40-bestsellers-nonfiction-32","status":"publish","type":"post","link":"https:\/\/lithub.com\/the-independent-press-top-40-bestsellers-nonfiction-32\/","title":{"rendered":"The Independent Press Top 40 Bestsellers: Nonfiction"},"content":{"rendered":"<p>Here are this week\u2019s <a href=\"https:\/\/www.indiepubs.org\/top40\">Independent Press Top 40 Bestsellers<\/a> for nonfiction, based on sales in hundreds of independent bookstores nationwide, generously provided by the <a href=\"https:\/\/www.bookweb.org\/\">American Booksellers Association.<\/a> Compiled, designed, and distributed by <a href=\"https:\/\/www.indiepubs.org\/\">The Independent Publishers Caucus<\/a>.<\/p>\n<p>*<\/p>\n<p>1. <a href=\"https:\/\/bookshop.org\/a\/40\/9781571313560\"><em>Braiding Sweetgrass: Indigenous Wisdom, Scientific Knowledge, and the Teachings of Plants<\/em><\/a> by Robin Wall Kimmerer (Milkweed)<br \/>\n2. <a href=\"https:\/\/bookshop.org\/a\/132\/9781324094647\"><em>The Gales of November: The Untold Story of the Edmund Fitzgerald<\/em><\/a> by John U. Bacon (Liveright)<br \/>\n3. <a href=\"https:\/\/bookshop.org\/a\/40\/9781324006848\"><em>The Book of Birds: A Field Guide to Wonder and Loss<\/em><\/a> by Robert Macfarlane, Jackie Morris (W.W. Norton)<br \/>\n4. <a href=\"https:\/\/bookshop.org\/a\/40\/9780393242133\"><em>Is a River Alive?<\/em><\/a> by Robert Macfarlane (W.W. Norton)<br \/>\n5. <a href=\"https:\/\/bookshop.org\/a\/40\/9781324130482\"><em>No Prophets: The Fight to Save Democracy from Christian Nationalism<\/em><\/a> by Jared Huffman (W. W. Norton)<br \/>\n6. <a href=\"https:\/\/bookshop.org\/a\/40\/9781324131434\"><em>This Is The Plan: How to End America&#8217;s Meltdown and Save Democracy<\/em><\/a> by Ben Wikler (W. W. Norton)<br \/>\n7. <a href=\"https:\/\/bookshop.org\/a\/40\/9781637635186\"><em>The Success Lie: Reframing Your Reality to Thrive Personally and Professionally<\/em><\/a> by Chantell Preston (Resolve Editions)<br \/>\n8. <a href=\"https:\/\/bookshop.org\/a\/40\/9781586424367\"><em>A Resistance History of the United States<\/em><\/a> by Tad Stoermer (Steerforth)<br \/>\n9. <span class=\"s1\"><a href=\"https:\/\/bookshop.org\/a\/40\/9781954118904\"><em>Forest Euphoria: The Abounding Queerness of Nature<\/em><\/a> by Patricia Ononiwu Kaishian (Spiegel &amp; Grau)<br \/>\n<\/span>10. <a href=\"https:\/\/bookshop.org\/a\/40\/9781771642484\"><em>The Hidden Life of Trees: What They Feel, How They Communicate\u2014Discoveries from a Secret World<\/em><\/a> by Peter Wohlleben (Greystone Books)<br \/>\n11. <a href=\"https:\/\/bookshop.org\/a\/40\/9781324096320\"><em>The Wreck of the Mentor: A True Story of Death, Despair, and Deliverance in the Age of Sail<\/em><\/a> by Eric Jay Dolin (Liveright)<br \/>\n12. <a href=\"https:\/\/bookshop.org\/a\/40\/9781644454008\"><em>Triage<\/em><\/a> by Claudia Rankine (Graywolf Press)<br \/>\n13. <span class=\"s1\"><a href=\"https:\/\/bookshop.org\/a\/132\/9780807014271\"><em>Man&#8217;s Search for Meaning<\/em><\/a> by Viktor E. Frankl (Beacon Press)<\/span><br \/>\n14. <a href=\"https:\/\/bookshop.org\/a\/40\/9781571311627\"><em>The Salt Stones: Seasons of a Shepherd&#8217;s Life<\/em><\/a> by Helen Whybrow (Milkweed Editions)<br \/>\n15. <span class=\"s1\"><a href=\"https:\/\/bookshop.org\/a\/40\/9781631492228\"><em>S.P.Q.R.: A History of Ancient Rome<\/em><\/a> by Mary Beard (Liveright)<\/span><br \/>\n16. <span class=\"s1\"><a href=\"https:\/\/bookshop.org\/a\/132\/9781804290446\"><em>A Philosophy of Walking<\/em><\/a> by Fr\u00e9d\u00e9ric Gros, John Howe (Transl.)\u00a0(Verso)<br \/>\n17. <a href=\"https:\/\/bookshop.org\/a\/40\/9781941529089\"><em>How to Relax<\/em><\/a> (Mindfulness Essentials #5) by Thich Nhat Hanh (Parallax Press)<br \/>\n<\/span>18. <span class=\"s1\"><a href=\"https:\/\/bookshop.org\/a\/132\/9781839762123\"><em>Mutual Aid: Building Solidarity During This Crisis (and the Next)<\/em><\/a> by Dean Spade\u00a0(Verso)<br \/>\n19. <a href=\"https:\/\/bookshop.org\/a\/40\/9781836742074\"><em>Hyperpolitics: Extreme Politicization without Political Consequences<\/em><\/a> by Anton J\u00e4ger (Verso)<br \/>\n20. <a href=\"https:\/\/bookshop.org\/a\/40\/9798893310153\"><em>Don&#8217;t Believe Everything You Think: Why Your Thinking Is The Beginning &amp; End Of Suffering<\/em><\/a> by Joseph Nguyen (Authors Equity)<br \/>\n21. <a href=\"https:\/\/bookshop.org\/a\/40\/9798891385443\"><em>The Scenic Route: Following My Inner Compass Across 12 Countries in 12 Months<\/em><\/a> by Sarah Aviram (Amplify Publishing)<br \/>\n22. <a href=\"https:\/\/bookshop.org\/a\/40\/9780802158635\"><em>The Wretched of the Earth<\/em><\/a> by Frantz Fanon (Grove)<br \/>\n23. <a href=\"https:\/\/bookshop.org\/a\/40\/9780226834245\"><em>Talking Classics: The Shock of the Old<\/em><\/a> by Mary Beard (University of Chicago Press)<br \/>\n24. <a href=\"https:\/\/bookshop.org\/a\/40\/9781645475248\"><em>The Wave in the Mind: Imagination and the Art of Writing and Reading<\/em><\/a> by Ursula K. Le Guin (Shambhala)<br \/>\n25. <a href=\"https:\/\/bookshop.org\/a\/40\/9781324078777\"><em>Planet Money: A Guide to the Economic Forces That Shape Your Life<\/em><\/a> by Alex Mayyasi, Hosts of NPR&#8217;s Planet Money (W. W. Norton)<br \/>\n26. <a href=\"https:\/\/bookshop.org\/a\/40\/9781937006884\"><em>How to Love (Mindfulness Essentials #3)<\/em><\/a> by Thich Nhat Hanh, Jason DeAntonis (Illus.) (Parallax Press)<br \/>\n27. <a href=\"https:\/\/bookshop.org\/a\/40\/9781941529089\"><em>How to Relax: Hardcover Gift Edition<\/em><\/a> by Thich Nhat Hanh (Parallax Press)<br \/>\n<\/span>28. <span class=\"s1\"><a href=\"https:\/\/bookshop.org\/a\/40\/9780802165848\" target=\"_blank\" rel=\"noopener\"><em>The Glorians: Visitations from the Holy Ordinary<\/em><\/a> by Terry Tempest Williams (Grove Press)<br \/>\n29. <a href=\"https:\/\/bookshop.org\/a\/40\/9781598538298\"><em>Ursula K. Le Guin&#8217;s Book of Cats<\/em><\/a> by Ursula K. Le Guin (Library of America)<br \/>\n30. <a href=\"https:\/\/bookshop.org\/a\/40\/9798888904510\" target=\"_blank\" rel=\"noopener\"><em>The Beginning Comes After the End: Notes on a World of Change<\/em><\/a> by Rebecca Solnit (Haymarket Books)<br \/>\n31. <a href=\"https:\/\/bookshop.org\/a\/40\/9781324106234\"><em>Here Comes the Sun: A Last Chance for the Climate and a Fresh Chance for Civilization<\/em><\/a> by Bill McKibben (W. W. Norton)<br \/>\n32. <a href=\"https:\/\/bookshop.org\/a\/132\/9780870714993\"><em>Gathering Moss: A Natural and Cultural History of Mosses<\/em><\/a> by Robin Wall Kimmerer (Oregon State University Press)<br \/>\n33. <a href=\"https:\/\/bookshop.org\/a\/40\/9798893030822\"><em>A Brief History of the World in 47 Borders: Surprising Stories Behind the Lines on Our Maps<\/em><\/a> by Jonn Elledge (The Experiment)<br \/>\n34. <a href=\"https:\/\/bookshop.org\/a\/40\/9780393292596\"><em>Tequila Wars: Jos\u00e9 Cuervo and the Bloody Struggle for the Spirit of Mexico<\/em><\/a> by Ted Genoways (W. W. Norton)<br \/>\n35. <a href=\"https:\/\/bookshop.org\/a\/40\/9781955831277\"><em>The Wisdom of the Odyssey: Twenty-Four Life Lessons from Homer&#8217;s Epic<\/em><\/a> by Phil Cousineau (New World Library)<br \/>\n36. <a href=\"https:\/\/bookshop.org\/a\/40\/9781631494536\"><em>The Color of Law: A Forgotten History of How Our Government Segregated America<\/em><\/a> by Richard Rothstein (Liveright)<br \/>\n37. <a href=\"https:\/\/bookshop.org\/a\/40\/9781954118508\"><em>The Comfort of Crows: A Backyard Year<\/em><\/a> by Margaret Renkl (Spiegel &amp; Grau)<br \/>\n38. <a href=\"https:\/\/bookshop.org\/a\/40\/9781938221378\"><em>Three Six Five: Prompts, Acts, Divinations (an Inexhaustible Compendium for Writing)<\/em><\/a> by Lucy Ives, Nick Mauss (Illus.) (Siglio Press)<br \/>\n39. <a href=\"https:\/\/bookshop.org\/a\/40\/9781577314806\"><em>The Power of Now<\/em><\/a> by Eckhart Tolle (New World Library)<br \/>\n40. <a href=\"https:\/\/bookshop.org\/a\/40\/9781503648333\"><em>What Tech Calls Governing<\/em><\/a> by Adrian Daub (Stanford University Press)<\/span><span class=\"s1\"><br \/>\n<\/span><\/p>\n<p style=\"text-align: center;\">_________________________________________<\/p>\n<p><a href=\"https:\/\/www.indiepubs.org\/top40\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"265820\" data-permalink=\"https:\/\/lithub.com\/the-independent-press-top-40-bestsellers-fiction\/untitled-design-1-468\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/01\/Untitled-design-2-1.jpg\" data-orig-size=\"824,476\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;Jonny Diamond&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;Untitled design - 1&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Untitled design &amp;#8211; 1\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/01\/Untitled-design-2-1.jpg\" class=\"aligncenter wp-image-265820\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/01\/Untitled-design-2-1.jpg\" alt=\"\" width=\"194\" height=\"112\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/01\/Untitled-design-2-1.jpg 824w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/01\/Untitled-design-2-1-300x173.jpg 300w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/01\/Untitled-design-2-1-768x444.jpg 768w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/01\/Untitled-design-2-1-60x35.jpg 60w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/01\/Untitled-design-2-1-50x29.jpg 50w\" sizes=\"auto, (max-width: 194px) 100vw, 194px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Here are this week\u2019s Independent Press Top 40 Bestsellers for nonfiction, based on sales in hundreds of independent bookstores nationwide, generously provided by the American Booksellers Association. Compiled, designed, and distributed by The Independent Publishers Caucus. * 1. Braiding Sweetgrass:<\/p>\n","protected":false},"author":74,"featured_media":266893,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[43069,6,43070,43135],"tags":[108921,107978,1460,112035],"class_list":["post-276251","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-craftandcriticism","category-features","category-literary-criticism","category-readinglists","tag-independent-press","tag-independent-press-top-40-bestsellers","tag-nonfiction","tag-top-nonfiction"],"jetpack_shortlink":"https:\/\/wp.me\/p5rKFr-19RF","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/lithub.com\/wp-content\/uploads\/2026\/02\/NONFICTION-BESTSELLER.png","_links":{"self":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/276251","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/users\/74"}],"replies":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/comments?post=276251"}],"version-history":[{"count":0,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/276251\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media\/266893"}],"wp:attachment":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media?parent=276251"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/categories?post=276251"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/tags?post=276251"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":275303,"date":"2026-08-27T04:53:46","date_gmt":"2026-08-27T08:53:46","guid":{"rendered":"https:\/\/lithub.com\/?p=275303"},"modified":"2026-08-24T20:54:38","modified_gmt":"2026-08-25T00:54:38","slug":"the-shadeless-border","status":"publish","type":"post","link":"https:\/\/lithub.com\/the-shadeless-border\/","title":{"rendered":"The Shadeless Border"},"content":{"rendered":"<p>It was twilight. A horse approached, and from its speed it was clear that it intended to cross me. It wanted to leave Khanaqin as quick as possible and cross to Iran. Before it came close, I did my duty, gave myself a little shake and set off a landmine. The explosion hurled the horse into the air and it landed on its side with a loud thud.<\/p>\n<p>It stood up again with great effort, shaking itself. Its body was still warm, but the horse shivered nonetheless. It tried to move, but it staggered and fell. The horse tried to rise several more times, attempting to move, yet it stumbled every time and fell back down again. Looking at itself, it noticed a gaping wound on one of its legs; steam was rising from the torn flesh and exposed bones. Its blood had drawn crooked and contorted lines on the ground, as if a painter had splashed colorful strokes on a canvas to create a postmodern masterpiece.<\/p>\n<p>That night, the horse was thrashing and writhing in agony, suffering from the pain of its wound. Much of its blood had drained from its body, and as time passed, it had lost its strength and was no longer able to move. Despite the pain, it tried to nibble from the grass and plants nearby. It had become near-impossible for the horse to graze, it had no energy left and it also had to be mindful of the pieces of shrapnel and bullet casings scattered on the ground between the plants. Every time it takes a bite, its lips or teeth touched a bullet, a piece of shrapnel or a casing. When the sun finally rose, the horse resembled a weary painter who, after considerable effort, has completed his painting and fallen asleep on top of it, exhausted and barely alive.<\/p>\n<p>For a few days, the horse fed on the same plants and grass and drank from the rainwater collected in a puddle nearby. About a week passed in this fashion, and the wound on its leg was healing.<\/p>\n<p>*<\/p>\n<p>Gradually, the horse was getting accustomed to standing on its remaining three healthy legs and falling less often.<\/p>\n<p>The anti-aircraft guns and rifles of both Iran and Iraq had burst into action. From both sides, the whizzing sound of bullets, the roar of tanks, and the booming sound of artillery fire could be heard. Hence, nobody dared to approach the horse, and its owner wasn\u2019t found. I had acquired such power that nobody dared to come near me. I had grown so tall that even airplanes and helicopters were mindful of me.<\/p>\n<p>We were in the midst of war, and, astonishingly, I had become more prosperous and more powerful. In these recent years, I, too, have gained a status and influence, and with the assistance of mines and weapons of war, I have secured a place so strong that no one can dream of removing me.<\/p>\n<p>Several nights passed. No matter how much I tried to talk with the horse and start a conversation, it didn\u2019t respond and seemed dazed and confused. However, when it realized it was stuck and unable to move due to the ongoing explosions of artillery fire and bomb shells around it, understanding it could die any second, its heart gradually softened. It was no longer as restless as before and didn\u2019t turn away from me as frequently.<\/p>\n<p>Slowly, it spoke a few words. It knew there was no solution and it had to say some things. Even though I was its sworn enemy, who else did it have to speak to and share its heart with? While the horse spoke, its eyes were fixed on the sky, and it never looked downwards.<\/p>\n<p>*<\/p>\n<p>I lived for twenty-one years on the warm plains of Khanaqin. I carried loads and goods towards the Bamoo mountains for the Peshmerga. Now, I want to return to the place where I was born, to die where the early days of my life were spent. I wanted to become a part of that soil. Amidst the war between two governments, I now find myself trapped at the border and amazed that I have managed to survive until today, and that this half-life of mine has not become a target for the soldiers\u2019 bullets. I can neither go upward towards the mountains nor downward towards the plains. Before the war, we used to travel without fear and hesitation, and the borders weren\u2019t so eager to take anyone\u2019s life.<\/p>\n<p>One morning at dawn, the sky still a bit dark, I brought Barzoo and his sister Shirin, and at this very point, perhaps a little further it, we crossed the border and headed towards Khanaqin. Shirin was sitting behind Barzoo on my back, and said, \u201cBrother! I haven\u2019t seen Khanaqin yet. What will you buy for me there?\u201d Barzoo replied, \u201cMy dear sister, I\u2019ll buy you whatever you want: clothes, scarves, shoes . . .\u201d At that time, the border between Qasr and Khanaqin had little security, and most of the time the guards weren\u2019t even at their posts. Whenever they caught someone, they could easily be bribed with a date palm leaf.<\/p>\n<p>It was around noon when we arrived in Khanaqin. Barzoo and Shirin\u2019s relatives came to greet them. A couple of women surrounded Shirin. I still remember the words of Aunt Zmroot, who kissed Shirin\u2019s forehead and said, \u201cMay Dawu take good care of you. You\u2019ve grown up! Four years ago, when we came to your house, you were just a little child. How time flies!\u201d Shirin replied, \u201cThank you, Aunt Zmroot.\u201d<\/p>\n<p>At sunset on the first day, Zmroot and her daughters had spread a big table in the courtyard and prepared soup, meat, and rice. That day, they paid special attention to Shirin and never left her alone.<\/p>\n<p>Shirin later complained and said, \u201cWhen Zmroot and her daughters brought me those clothes and dressed me up, I became suspicious. My brother was supposed to buy clothes for me, not Zmroot\u2019s family! Later, I realized why my mother was crying when we left.\u201d<\/p>\n<p>These are small fragments of Shirin\u2019s life that I have either witnessed or heard from her own mouth. That day was one of the worst days of her life. On his last trip, Barzoo had promised me and Shirin to Sayeh. On his return, instead of Shirin and me, he brought home some provisions, cloth, and clothes. \u201cShirin\u2019s life is in your hands now!\u201d he said, before he returned to the other side of the border, and Shirin and I were tied to Sayeh\u2019s fate.<\/p>\n<p>*<\/p>\n<p>I now understood that the final return of the horse to the land of its birth was meant to reveal a secret that needed to be told.<\/p>\n<p class=\"p1\" style=\"text-align: center;\">__________________________________<\/p>\n<p style=\"text-align: center;\"><em>From <a href=\"https:\/\/bookshop.org\/a\/132\/9781945335709\">The Shadeless Border<\/a><\/em><em> by Jiyar Jahan Fard, translated by Chiya Parvizpur, published by Common Notions. Copyright \u00a9 2026 Jiyar Jahan Fard. All rights reserved.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>It was twilight. A horse approached, and from its speed it was clear that it intended to cross me. It wanted to leave Khanaqin as quick as possible and cross to Iran. Before it came close, I did my duty,<\/p>\n","protected":false},"author":63,"featured_media":275304,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[25508,3,43074,43076,26764],"tags":[111650,111652,111649,111651,1262],"class_list":["post-275303","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-daily-fiction","category-excerpts","category-fictionandpoetry","category-from-the-novel","category-novels","tag-chiya-parvizpur","tag-common-notions","tag-jiyar-jahin-fard","tag-the-shadeless-border","tag-translation","story-type-daily-fiction"],"jetpack_shortlink":"https:\/\/wp.me\/p5rKFr-19Cn","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/9781945335709.jpg","_links":{"self":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/275303","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/users\/63"}],"replies":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/comments?post=275303"}],"version-history":[{"count":0,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/275303\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media\/275304"}],"wp:attachment":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media?parent=275303"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/categories?post=275303"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/tags?post=275303"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":275951,"date":"2026-08-27T04:01:23","date_gmt":"2026-08-27T08:01:23","guid":{"rendered":"https:\/\/lithub.com\/?p=275951"},"modified":"2026-08-26T14:30:10","modified_gmt":"2026-08-26T18:30:10","slug":"aruni-kashyap-on-indias-cockroach-youth-movement","status":"publish","type":"post","link":"https:\/\/lithub.com\/aruni-kashyap-on-indias-cockroach-youth-movement\/","title":{"rendered":"Aruni Kashyap on India\u2019s Cockroach Youth Movement"},"content":{"rendered":"<p>Novelist Aruni Kashyap joins co-hosts V.V. Ganeshananthan and Jennifer Maritza McCauley to talk about the surprising surge of a new youth movement in India. Kashyap, the author of a new novel, <i>How to Date a Fanatic,<\/i> about young queer academics navigating the Indian campus protests of the mid-2010s, explains how the Chief Justice of India likening unemployed youth to \u201ccockroaches and parasites\u201d has prompted the rise of a wildly popular satirical group. He shares the history of the Cockroach Janta Party or Cockroach People\u2019s Party, whose followers now number in the millions and whose political demands have become well known. Kashyap discusses those demands and the historical significance of campus politics in India, considers how a satirical organization is pushing real reform, and recalls his own experiences with campus protests in India, where he grew up and previously taught. Kashyap reflects on writing about political violence, love, and queer life in India. He reads from <i>How to Date a Fanatic.<\/i><\/p>\n<p><iframe style=\"width: 100%; height: 200px; border: 0 none;\" src=\"https:\/\/art19.com\/shows\/9de36b8c-32a9-49c0-9b19-8d98127e539f\/episodes\/190c9cfa-c12c-43e6-a3d2-b1b583963968\/embed\" scrolling=\"no\" sandbox=\"allow-scripts allow-popups allow-popups-to-escape-sandbox\"><\/iframe><\/p>\n<p><em>To hear the full episode, subscribe through iTunes, Google Play, Stitcher, Spotify, or your favorite podcast app (include the forward slashes when searching). You can also listen by streaming from the player below. Check out video versions of our interviews on the <a href=\"https:\/\/www.instagram.com\/fiction.non.fiction.podcast\/\">Fiction\/Non\/Fiction Instagram account<\/a>, the <a href=\"https:\/\/www.youtube.com\/channel\/UC07g9fxim0XbDM_LhlnCL0w\/featured?disable_polymer=1\">Fiction\/Non\/Fiction YouTube Channel<\/a>, and our show website: <a href=\"https:\/\/www.fnfpodcast.net\/\">https:\/\/www.fnfpodcast.net\/<\/a> This podcast is produced by V.V. Ganeshananthan and Christian Barter.<\/em><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.arunikashyap.com\/\"><b>Aruni Kashyap<\/b><\/a><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/moonpalacebooks.com\/item\/1sM1NJwkMQc5hDlyUAONzA\"><i>How to Date a Fanatic<\/i><\/a> \u2022\u00a0<a href=\"https:\/\/lithub.com\/how-to-date-a-fanatic\/\"><i>How to Date a Fanatic<\/i><\/a> excerpt from LitHub \u2022\u00a0<a href=\"https:\/\/moonpalacebooks.com\/item\/VeeLPq9N0yrBeoOgmaAUnQ\"><i>The Way You Want to Be Loved<\/i><\/a> \u2022 <a href=\"https:\/\/moonpalacebooks.com\/item\/tjq_g717_-QHvtDgSsU5bQ\"><i>The House with a Thousand Stories<\/i><\/a> <a href=\"https:\/\/moonpalacebooks.com\/item\/PsEsYLbS78cYO_W45dQ75g\"><i>How to Tell the Story of an Insurgency<\/i><\/a><i>\u00a0<\/i><i><\/i><\/p>\n<p style=\"text-align: center;\"><b>Others<\/b><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/www.thehindu.com\/news\/national\/the-rise-of-the-cockroaches-timeline-cockroach-janta-party\/article71256984.ece\">The rise of the Cockroaches &#8211; The Hindu<\/a><\/p>\n<p style=\"text-align: center;\"><b>EXCERPT FROM A CONVERSATION <\/b><b>WITH ARUNI KASHYAP<\/b><\/p>\n<p><b>Jennifer Maritza McCauley: <\/b>We&#8217;re going to talk about your exciting new novel, but first I want to discuss some recent headlines in India and explain the political lay of the land a bit. In mid-May, India&#8217;s chief justice made some comments comparing unemployed youth to cockroaches and parasites. Subsequently, an Indian student in Boston posted on X, &#8220;What if all the cockroaches came together?&#8221; Why did the judge&#8217;s comments anger so many people, and how did that one post turn into such a large movement?<\/p>\n<p><b>Aruni Kashyap: <\/b>There&#8217;s a lot of underlying factors ever since the Modi government came to power in 2014. The short answer is that unemployment among youth is more than 40 percent at this point, and there are many other reasons among the young people to be frustrated. The people who voted the current government to power in 2014 are in their early 30s right now, or late 20s, and they have seen that everything that they were promised\u2014there were a lot of promises made of India becoming a superpower, India becoming a Vishakuru, as in like the world guru\u2014none of those have come true.<\/p>\n<p>There&#8217;s also rampant economic decline. Foreign direct investments to India have been decreasing a lot, yet there is nothing about that in the media. The media is completely under the control of the Indian government because a lot of them are owned by massive corporate organizations who only serve the government and who only sing praises to the government.<\/p>\n<p>There is a lot of frustration among the young people and, along with this, Modi wanted to start something called the Digital India Movement when he came to power. The primary reasons for this was to spread economic expansion and consumerism, so that people can sell products. What happened was the growth of social media in India. There are people everywhere who are content creators, and because the dollar translates progressively better to India, the Indian currency is declining. There are lots of people who are content creators and they are venting out their frustration.<\/p>\n<p>An internet movement like that spreads like wildfire, but it also became so widely popular because it was satirical. There was fun, it was creative, and we can dwell on that later. This is the political bedrock of that, and people are just tired of the massive Hindu-Muslim-who-is-to-be-hated sentiment. The idea that if you critique the government, you should go to Pakistan directly. People are just absolutely tired of that, and the new generation is not having it, and I&#8217;m so proud of them for doing this.<\/p>\n<p><b>V.V. Ganeshananthan:<\/b> It was huge fun to watch. It reminded me of so many other things like the Arab Spring or the uprisings in Sri Lanka that led to the ouster of the president in 2022. In this case, at first it was sort of like ha ha, but the person in Boston who tweeted this is actually not only a student, but also a former political comms person.<\/p>\n<p>Although the Cockroach People&#8217;s Party is not an officially registered party, it has something like 22 million followers online. People were blowing it off a little bit at the beginning, kind of like, &#8220;Oh, these young people, what are they doing?&#8221; And it has this massive outreach, and the website\u2014for our listeners who haven&#8217;t seen this, if you find a website for the Cockroach People&#8217;s Party, the imagery is very funny\u2014which has been really interesting to see. So, how did they end up attracting so much attention? Also, the education minister actually resigned, which is a major victory for these folks. How did that happen?<\/p>\n<p><b>AK: <\/b>It attracted so much attention because it was fun and satirical at first. The reason why the Cockroach Janta Party movement or the party became so successful was for many reasons. One of the biggest reasons was that when the current government came to power in 2014, they ramped up a communally divisive narrative. Over the years, the communally divisive rhetoric failed in some states, because the number of Muslims are very minimal. The initial pitch was Hindu Muslims are the enemies and they are against India, etc.<\/p>\n<p>When that failed, they also created divisions between Hindu communities, who are the majority caste in that state, and they would fan that rivalry between the two of them. They also fanned ethnic rivalries, tribal rivalries, and even in my state, Assam, there were a lot of conversations about different kinds of Muslim communities within the Muslims. So there was division created between the indigenous Muslim community, and also division created among the immigrant Muslim community. Within the immigrant indigenous Muslim community, there were divisions created between ethnic lines and linguistics lines and many other lines.<\/p>\n<p>This was widely challenged by the Cockroach Janta Party. They literally had an antenna and a cockroach mask. Suddenly everybody was not Muslim, not Hindu, not upper caste, not lower caste, not Dalit, but they were all cockroaches because the Chief Justice of India has said that. It is the most revered place of law, and as a result of that, suddenly everybody could be a cockroach. Everybody said, &#8220;I&#8217;m a cockroach too because I&#8217;m living in the gutters. Isn&#8217;t this the gutters?&#8221;<\/p>\n<p>There&#8217;s also massive infrastructure problems even in a big city like Bombay, the richest city in India. One hour of rain will have so much waterlogging. It is unbelievable. People literally die. There was a huge water crisis in early May in Bombay in the peak of summer, and this is a problem in Indian cities. The government promised about 30 or 40 smart cities, so people would put up photographs of waterlogging and say, &#8220;Hey, we are living in a smart city.&#8221; So this divisive rhetoric was broken down because they could literally wear a mask.<\/p>\n<p>Another reason was that the government was in the business of defining who was a patriot. If you disagree with the government, you are not a patriot. The Cockroach Janta Party people and their supporters challenged this because they broke down the authority that the government had of saying who is a patriot. They said &#8220;We are the patriots because we are asking about jobs, accountability, youth rights, healthcare\u2014basic things that we need to live with dignity.&#8221;<\/p>\n<p>One of the earliest working titles of my novel, and the longest surviving working title was \u201cThe Love Story of an Anti-National.\u201d So many of my drafts are called \u201cLove Story of an Anti-National\u201d because the word anti-national was given currency in early 2014 and 2015, when a lot of student movements were also happening against the current government. If you are a woman, you are anti-national. If you are a journalist who questions, you are an anti-national, you should go to Pakistan. If you are gay, it&#8217;s a Western import. If you are queer, you are anti-national. If you are Dalit, you are anti-national. So that was a big thing, but eventually the title morphed into something like this. So, because of all of these reasons, the movement succeeded. The movement also succeeded because it attracted mass mass mobilization through the use of social media.<\/p>\n<p>For a long time, we thought nothing would happen\u2014no resignation would happen, no accountability would happen. This government is known to not provide accountability. They don&#8217;t care if there&#8217;s a mass movement going on, they will just go on doing their business. But suddenly, a lot of film stars and celebrities started posting on social media praising the young people. This was a huge thing because Indian actors and celebrities are famously known to keep quiet and be very pro-Modi and pro-government, but a lot of them broke grounds. It was fascinating to see some of the veteran actors like Shabana Azmi actually go there and support the protesters.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: right;\"><b><i>Transcribed by Otter.ai. Condensed and edited by Vianna O\u2019Hara. Photograph of Aruni Kashyap by Jason Thrasher.<\/i><\/b><\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Novelist Aruni Kashyap joins co-hosts V.V. Ganeshananthan and Jennifer Maritza McCauley to talk about the surprising surge of a new youth movement in India. Kashyap, the author of a new novel, How to Date a Fanatic, about young queer academics<\/p>\n","protected":false},"author":3671,"featured_media":276259,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[43069,6,43112,43072,43110,43070],"tags":[71941,32311,111263,85181,41410,5089,32310],"class_list":["post-275951","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-craftandcriticism","category-features","category-fiction-non-fiction-lithubradio","category-in-conversation","category-lithubradio","category-literary-criticism","tag-aruni-kashyap","tag-fictionnonfiction","tag-how-to-date-a-fanatic","tag-jennifer-maritza-mccauley","tag-lit-hub-radio","tag-podcasts","tag-v-v-ganeshananthan","story-type-fiction-non-fiction"],"jetpack_shortlink":"https:\/\/wp.me\/p5rKFr-19MP","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/banner-FNF22.png","_links":{"self":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/275951","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/users\/3671"}],"replies":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/comments?post=275951"}],"version-history":[{"count":0,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/275951\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media\/276259"}],"wp:attachment":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media?parent=275951"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/categories?post=275951"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/tags?post=275951"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":276224,"date":"2026-08-26T09:41:02","date_gmt":"2026-08-26T13:41:02","guid":{"rendered":"https:\/\/lithub.com\/?p=276224"},"modified":"2026-08-26T09:41:02","modified_gmt":"2026-08-26T13:41:02","slug":"in-lieu-of-flowers-dolly-partons-imagination-library-is-accepting-donations","status":"publish","type":"post","link":"https:\/\/lithub.com\/in-lieu-of-flowers-dolly-partons-imagination-library-is-accepting-donations\/","title":{"rendered":"In lieu of flowers, Dolly Parton\u2019s Imagination Library is accepting donations."},"content":{"rendered":"<p>The queen is dead, <a href=\"https:\/\/lithub.com\/long-live-dolly-parton-giver-of-books\/\">long live the queen!<\/a><\/p>\n<p>Dolly Parton\u2014perhaps the most universally beloved American\u2014died at 80 yesterday. She went peacefully, surrounded by family.<\/p>\n<p>Known as a formidable singer-songwriter and a tentpole in country\/pop music, Parton was an icon to several seemingly opposed cadres. She was claimed and adored by the queer community, the Christians, the <a href=\"https:\/\/x.com\/DemSocialists\/status\/2092356269688697067?s=20\" target=\"_blank\" rel=\"noopener\">Democratic Socialists of America<\/a>, the unruly femmes, and the gleefully tacky, among other groups.<\/p>\n<p>Why will we always love her? Because Dolly rose out <a href=\"https:\/\/youtu.be\/JTuv8qxfOCM?si=H-KaZvXuOwUXVFZk\" target=\"_blank\" rel=\"noopener\">of poverty<\/a> in Tennessee to become a consistently chart-topping millionaire, and with her riches she did things like <a href=\"https:\/\/www.advocate.com\/news\/people\/dolly-parton-lgbtq-icon\" target=\"_blank\" rel=\"noopener\">speak up for the trans communit<\/a>y, fund research for the early <a href=\"https:\/\/www.bbc.com\/news\/articles\/c24j39jqy2go\" target=\"_blank\" rel=\"noopener\">COVID vaccine<\/a>, and <em>give thousands of free books to children<\/em>.<\/p>\n<p>On FKA Twitter, several have speculated that she did more for the country than many American presidents. The worst of whom has <a href=\"https:\/\/x.com\/TrumpTruthOnX\/status\/2092319694518964364?s=20\" target=\"_blank\" rel=\"noopener\">nonetheless laid flowers<\/a>, because she was <em>that<\/em> likable.<\/p>\n<p>Her <a href=\"https:\/\/lithub.com\/long-live-dolly-parton-giver-of-books\/\" target=\"_blank\" rel=\"noopener\">Imagination Library<\/a>, which recently stretched out of Tennessee to fund book programs <a href=\"https:\/\/lithub.com\/an-indiana-bill-is-threatening-dolly-partons-imagination-library\/\" target=\"_blank\" rel=\"noopener\">in other states and countries<\/a>, has issued a <a href=\"https:\/\/donate.imaginationlibrary.com\/\" target=\"_blank\" rel=\"noopener\">request for donations<\/a> at this time.<\/p>\n<p>The library, created in 1995 in honor of Parton&#8217;s illiterate father, sends free books to preschool-age children every month. 3.2 million kids currently benefit from the program. Though it has come under threat in Missouri.<\/p>\n<p>Because there has been no parade announcement (yet!), supporting free books for young readers seems like a pretty cool way to perpetuate the woman who brought us the best love song.<\/p>\n<p>And the best <a href=\"https:\/\/www.wsj.com\/arts-culture\/film\/dolly-parton-best-movies-9-to-5-a454689b\" target=\"_blank\" rel=\"noopener\">workplace critique<\/a>.<\/p>\n<p>And many of the best <a href=\"https:\/\/www.southernliving.com\/culture\/dolly-parton-quotes\" target=\"_blank\" rel=\"noopener\">quips<\/a>, full stop.<\/p>\n<p>So send a little something to <a href=\"https:\/\/imaginationlibrary.com\/\" target=\"_blank\" rel=\"noopener\">the library<\/a> today, if you can. And say a little thank you to Dolly. Who we&#8217;ll be thinking of, every step of the way.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The queen is dead, long live the queen! Dolly Parton\u2014perhaps the most universally beloved American\u2014died at 80 yesterday. She went peacefully, surrounded by family. Known as a formidable singer-songwriter and a tentpole in country\/pop music, Parton was an icon to<\/p>\n","protected":false},"author":17066,"featured_media":276236,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[43102,43201,43109,43092,43098,43646],"tags":[72793,112010,35544,23386,11202],"class_list":["post-276224","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-biography","category-book-news-newsandculture","category-events","category-newsandculture","category-style","category-the-hub","tag-book-donations","tag-dolly-partons-imagination-library","tag-imagination-library","tag-obituaries","tag-rip"],"jetpack_shortlink":"https:\/\/wp.me\/p5rKFr-19Re","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/The-Dolly-Parton.jpg","_links":{"self":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/276224","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/users\/17066"}],"replies":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/comments?post=276224"}],"version-history":[{"count":0,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/276224\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media\/276236"}],"wp:attachment":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media?parent=276224"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/categories?post=276224"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/tags?post=276224"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":276186,"date":"2026-08-26T06:30:03","date_gmt":"2026-08-26T10:30:03","guid":{"rendered":"https:\/\/lithub.com\/?p=276186"},"modified":"2026-08-26T09:07:20","modified_gmt":"2026-08-26T13:07:20","slug":"lit-hub-daily-august-26-2026","status":"publish","type":"post","link":"https:\/\/lithub.com\/lit-hub-daily-august-26-2026\/","title":{"rendered":"Lit Hub Daily: August 26, 2026"},"content":{"rendered":"<span class=\"caption\"> TODAY: In 1914, Julio Cort\u00e1zar is born. <\/span>\n<ul>\n<li><a href=\"https:\/\/lithub.com\/long-live-dolly-parton-giver-of-books\/\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">Long live Dolly Parton<\/a>, American icon, giver of books. | Lit Hub<\/li>\n<li>Catherine Lacey looks at Montserrat Roig\u2019s <em>Goodbye Ramona,\u00a0<\/em><a href=\"https:\/\/lithub.com\/catherine-lacey-on-an-antifascist-classic-of-catalan-literature\/\">a classic of antifascist <\/a>Catalan literature. | Lit Hub <a href=\"https:\/\/lithub.com\/category\/craftandcriticism\/literary-criticism\/\">Criticism<\/a><\/li>\n<li><a href=\"https:\/\/lithub.com\/self-mythologizing-on-the-radio-a-brief-history-of-audio-patriotism\/\">How America uses audio to mythologize itself<\/a>, from radio to podcasts, in its 250th year. | Lit Hub <a href=\"https:\/\/lithub.com\/category\/newsandculture\/history\/\">History<\/a><\/li>\n<li>\u201cTranslation is a mutation of language, but not direct replication; something happens in the process that shifts the direction of the ideas.\u201d Jessica Sequeira on <a href=\"https:\/\/lithub.com\/translation-as-a-journey-jessica-sequeira-on-vlady-kociancichs-the-eighth-wonder\/\">translating Vlady Kociancich\u2019s <em>The Eighth Wonder<\/em><\/a>. | Lit Hub <a href=\"https:\/\/lithub.com\/category\/craftandcriticism\/on-translation\/\">On Translation<\/a><\/li>\n<li>Drew Buxton recommends<a href=\"https:\/\/lithub.com\/7-novels-about-obsessive-athletes\/\"> novels about obsessive athletes by<\/a> Julie Otskuka, Ashton Politanoff, Quan Barry, and more. | Lit Hub <a href=\"https:\/\/lithub.com\/category\/readinglists\/\">Reading Lists<\/a><\/li>\n<li>&#8220;For nearly that whole time, popular fictions have been trying to make American history more palatable. Girlhood fictions&#8230;perform that flavor-enhancing role in particularly powerful ways.&#8221; <a href=\"https:\/\/lithub.com\/what-anne-of-green-gables-reveals-about-white-girlhood\/\">Examining white girlhood through <em>Anne of Green Gables<\/em><\/a>. | Lit Hub <a href=\"https:\/\/lithub.com\/category\/newsandculture\/history\/\">History<\/a><\/li>\n<li>Why American bureaucracy <a href=\"https:\/\/lithub.com\/how-american-bureaucracy-literally-steals-years-from-your-life\/\">gives time theft a new meaning<\/a>. | Lit Hub <a href=\"https:\/\/lithub.com\/category\/newsandculture\/politics\/\">Politics<\/a><\/li>\n<li>&#8220;The last time I saw my mother, she walked me to the door to say goodbye.&#8221; Read from <a href=\"https:\/\/lithub.com\/the-anniversary\/\">Andrea Bajani&#8217;s novel <em>The Anniversary<\/em><\/a>, translated by Geoffrey Brock. | Lit Hub <a href=\"https:\/\/lithub.com\/category\/fictionandpoetry\/from-the-novel\/\">Fiction<\/a><\/li>\n<li>Dolly Parton (<a href=\"https:\/\/www.nytimes.com\/2026\/08\/25\/arts\/music\/dolly-parton-dead.html\">whose Imagination Library has delivered more than 200 million free books to babies and young children<\/a>) has died at 80. | The New York Times<\/li>\n<li>\u201cArmed with French theory, my adult self transformed this denial of sexual orientation into a progressive rejection of all categories and binaries.\u201d <a href=\"https:\/\/thepointmag.com\/examined-life\/my-lavender-marriage\/\">David Sessions on the decline and fall of his lavender marriage<\/a>. | The Point<\/li>\n<li>Yiyun Li examines history and war <a href=\"https:\/\/www.nybooks.com\/online\/2026\/08\/25\/life-in-the-fortress-qian-zhongshu\/\">through Qian Zhongshu\u2019s novel, <i>Fortress Besieged<\/i><\/a>. | New York Review of Books<\/li>\n<li>Malavika Kannan, Missouri Williams, and other authors with recent campus novels <a href=\"https:\/\/www.culturedmag.com\/article\/2026\/08\/24\/literature-college-campus-novels-unprecedented-times-honey\/\">explore the appeal of setting a story in academia<\/a>. | Cultured<\/li>\n<li>If anyone owns AI, <a href=\"https:\/\/jacobin.com\/2026\/08\/tech-ai-purpose-trusts-public-interest\">maybe it should be the public<\/a>. | Jacobin<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Long live Dolly Parton, American icon, giver of books. | Lit Hub Catherine Lacey looks at Montserrat Roig\u2019s Goodbye Ramona,\u00a0a classic of antifascist Catalan literature. | Lit Hub Criticism How America uses audio to mythologize itself, from radio to podcasts,<\/p>\n","protected":false},"author":61,"featured_media":276198,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[45236],"tags":[],"class_list":["post-276186","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-lit-hub-daily"],"jetpack_shortlink":"https:\/\/wp.me\/p5rKFr-19QC","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/JulioCortazar.jpg","_links":{"self":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/276186","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/users\/61"}],"replies":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/comments?post=276186"}],"version-history":[{"count":0,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/276186\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media\/276198"}],"wp:attachment":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media?parent=276186"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/categories?post=276186"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/tags?post=276186"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":276197,"date":"2026-08-26T05:10:31","date_gmt":"2026-08-26T09:10:31","guid":{"rendered":"https:\/\/lithub.com\/?p=276197"},"modified":"2026-08-26T11:49:59","modified_gmt":"2026-08-26T15:49:59","slug":"long-live-dolly-parton-giver-of-books","status":"publish","type":"post","link":"https:\/\/lithub.com\/long-live-dolly-parton-giver-of-books\/","title":{"rendered":"Long Live Dolly Parton, Giver of Books"},"content":{"rendered":"<p>I signed my first baby up for Dolly Parton\u2019s <a href=\"https:\/\/imaginationlibrary.com\/?utm_id=https%3A%2F%2Fdollyparton.com%2Fimagination-library&amp;utm_source=dollyparton.com&amp;utm_medium=article&amp;utm_campaign=dollyparton.com_2023&amp;utm_content=Dolly%20Parton%27s%20Imagination%20Library\">Imagination Library<\/a> when she was one week old, at the advice of her pediatrician. It was May 2020, and the pandemic was just beginning to close its fist around the world. I was a brand-new, first-time mother in a state of total freefall, sleepless, traumatized from birth, and closed off from all the support promised to me in the form of a village or any institutions. These were buckling under the weight of much bigger crises than the one I was experiencing after having a baby during global shutdown. Hospitals and businesses and schools were all straining under the pressure of what was happening outside, but my pediatrician was going through her usual checklist as though these were all things we could handle. \u201cHave you signed her up for Dolly Parton\u2019s Imagination Library yet?\u201d she asked. \u201cIt\u2019s free, and a book will come to your house every month until your baby turns five.\u201d I wrote it down in my phone&#8217;s notes app, next to advice about feeding and tummy time. Dolly Parton was the one who handed me the lifeline.<\/p>\n<p>And true to the doctor\u2019s\u2014and Dolly\u2019s\u2014word, once a month, for five years, my daughter received a book in the mail, addressed to her. At first, it was so surreal to see her full government name on a piece of mail, but it happened so often that we got used to the idea that one of the world\u2019s biggest superstars was sending my baby a monthly gift. We could request the books in English or Spanish, which seems like such a momentous choice for a country in which <a href=\"https:\/\/www.nationalacademies.org\/read\/24677\/chapter\/8#196\">Spanish speakers take longer<\/a> in reaching standardized English proficiency compared with other immigrant language groups.<\/p>\n<p>Dolly herself was from a hollow in East Tennessee, and understood that any attempt at equity would begin with the alphabet. Dolly\u2019s father never learned to read or write, a fact that always bothered her because she could see how intelligent he was. When she started the Imagination Library in 1995 in Tennessee, it was an act of retroactive love for a man who didn\u2019t get to dream as big as his world-famous daughter was able to. That part really gets me in the solarplexus, that she spent the last thirty one years of her life ensuring that no child grew up the way her father did, without access to books. At the time of her death, the Imagination Library had expanded to mail 270 million books to children in five countries.<\/p>\n<p>The books themselves were carefully curated and calibrated with my child\u2019s age. Some were classics and some were new to me. The children were representative of children in this country, meaning they were white and Black and brown and Asian. The pictures were well illustrated and the stories were inspired. It was always an event in our home when one showed up in our mailbox. And on my daughter\u2019s fifth birthday, waiting for me in my email inbox, was a message from Dolly.<\/p>\n<p class=\"pullquote\">In 2020, when every other institution was cracking under the global crisis that shaped my first years of motherhood, Dolly Parton\u2019s Imagination Library didn\u2019t crack. It chugged along and showed up for us every single month.<\/p>\n<p>\u201cCongrats, Graduate,\u201d it said, addressing my daughter by name and telling her she\u2019d made it all the way to five and to the last book in the Imagination Library, and sending her off into school and new friendships with an original set of verses about the star inside her, about diamonds in the rough, about how nobody should be allowed to block her path or dim the passion in her heart. There was a recorded video message for her too, just like there was for her on every previous birthday, wishing her a wonderful year and reminding her that there were no limits to her dreams. This, from a woman who didn\u2019t know us and never had children of her own, to every child she had sent 60 free books to just because she thought they deserved them.<\/p>\n<p>\u201cI will always love you,\u201d Dolly told my daughter at the end. And I knew, somehow, she really meant it.<\/p>\n<p>Earlier today, when I read the news that Dolly Parton had died, I yelled out \u201cNo!\u201d loud enough that my younger daughter came running to me to give me a hug because she knew I was sad. It\u2019s rare for me to feel the death of someone I don\u2019t know so deeply,\u00a0 but I thought about her music, how she wrote &#8220;Jolene&#8221; and &#8220;I Will Always Love You&#8221; in the same night, and how she sent free books to every child she knew about, and I just felt enormously grateful to have lived at the same time as Dolly Parton.<\/p>\n<p>The day of her death, I\u2019m thinking about how radical the whole enterprise of the Imagination Library really is in a country with declining literacy rates. It\u2019s one thing to donate your money to make sure children have books, but Dolly had the idea to send something that would arrive in our mailbox in California, or in some other mailbox in Tennessee, or a mailbox in Ontario, or a mailbox in County Cork, the same book, the same promise, regardless of what insurance people can afford or what their school districts might be able to provide. In 2020, when every other institution was cracking under the global crisis that shaped my first years of motherhood, Dolly Parton\u2019s Imagination Library didn\u2019t crack. It chugged along and showed up for us every single month. It\u2019s a rare form of generosity, one that shows up reliably, for five years, no questions asked, for free.<\/p>\n<p>Every outlet will call her the Queen of Country, and she was. She was funny and whip-smart and generous. But in my house, she was also the book lady, and our shelves are full of her. I will always love you too, Dolly. Thank you for teaching two more children in a long, unbroken legacy to learn more, read more, dream more, care more, and be more. I hope, wherever you are, someone is reading to you now.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I signed my first baby up for Dolly Parton\u2019s Imagination Library when she was one week old, at the advice of her pediatrician. It was May 2020, and the pandemic was just beginning to close its fist around the world.<\/p>\n","protected":false},"author":1866,"featured_media":276207,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[43102,43201,11,43094,43092],"tags":[35546,29768,112010,30291,78592,6651],"class_list":["post-276197","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-biography","category-book-news-newsandculture","category-fullwidth-slider","category-music","category-newsandculture","tag-childhood-literacy","tag-dolly-parton","tag-dolly-partons-imagination-library","tag-ellen-oconnell-whittet","tag-in-memorium","tag-literacy"],"jetpack_shortlink":"https:\/\/wp.me\/p5rKFr-19QN","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/dolly-parton.jpg","_links":{"self":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/276197","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/users\/1866"}],"replies":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/comments?post=276197"}],"version-history":[{"count":0,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/276197\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media\/276207"}],"wp:attachment":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media?parent=276197"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/categories?post=276197"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/tags?post=276197"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":276106,"date":"2026-08-26T05:10:17","date_gmt":"2026-08-26T09:10:17","guid":{"rendered":"https:\/\/lithub.com\/?p=276106"},"modified":"2026-08-24T21:17:47","modified_gmt":"2026-08-25T01:17:47","slug":"catherine-lacey-on-an-antifascist-classic-of-catalan-literature","status":"publish","type":"post","link":"https:\/\/lithub.com\/catherine-lacey-on-an-antifascist-classic-of-catalan-literature\/","title":{"rendered":"Catherine Lacey on an Antifascist Classic of Catalan Literature"},"content":{"rendered":"<p>Montserrat Roig\u2019s 1972 classic of Catalan literature, <em>Goodbye, Ramona, <\/em>both opens and closes in a vivid scene of the Spanish Civil War, but if you don\u2019t remember the exact contours of that extremely complex conflict, don\u2019t worry. Instead pay attention to the woman being described on the page, a woman we\u2019ll soon come to know as Ramona Ventura, as she searches the streets and eventually a morgue for her husband while bombs fall on Barcelona. The chapter is full of references that might go over your head if you don\u2019t remember every name of every political faction involved in the conflict, but all you really need to pay attention to is the expert and terrifying description of a war-torn city, and a woman urgently trying to make her way through it.<\/p>\n<p>Roig, who was born during the Franco dictatorship in Spain, was a feminist and antifascist activist in her mid-twenties when she published this novel, her first. With it, an important new voice in Catalan literature was announced\u2014a visionary who could write about the most turbulent times in Spanish history, but on a personal scale. The book braids three distinct narratives of three generations of women living in Barcelona, all named Ramona, from the late nineteenth century, through the Spanish Civil War, and into the politically tumultuous 1960s. Though the lead-up, immediate carnage, and violent tail of the civil war is an important backdrop to the novel, that oft-novelized conflict is not her main focus. Instead, Roig is interested in what happens to these women\u2014whom they love or are loved by, what they want or are permitted to want\u2014as men in their homes and men in their government make choices that dictate the overall course of their lives.<\/p>\n<p>As I began reading Megan Berkobien and Mar\u00eda Cristina Hall\u2019s English translation, my curiosity led me to refresh my memory of the events that precipitated and occurred during the Spanish Civil War, all of which, I suspect, will feel strangely familiar to the contemporary reader. The conflict began when a group of far-right nationalists, including a large faction of the military, staged a coup in 1936 in response to election results that they didn\u2019t particularly agree with. The battles fought in the civil war caused, by some estimates, a million deaths, and led to hundreds of thousands of executions in the years afterward. In 1939 the war ended\u2014in part because the leftist\/centrist resistance couldn\u2019t agree with each other enough to cohesively quell the far-right coup\u2014and the Franco dictatorship began, an Italian-style fascistic government that lasted until Francisco Franco\u2019s death in 1975. There may be some current world leaders who openly admire Franco. They might also be the leaders who see nothing wrong with murdering or kidnapping their political enemies, or suspected political enemies, in the streets of their own country.<\/p>\n<p class=\"pullquote\">As I began reading, my curiosity led me to refresh my memory of the events that precipitated and occurred during the Spanish Civil War, all of which, I suspect, will feel strangely familiar to the contemporary reader.<\/p>\n<p>Roig\u2019s opening throws us in the violent center of the Spanish Civil War, but from there we leap backward in time. Suddenly, it\u2019s 1894 and we\u2019re inside the eldest\u2019s Ramona\u2019s diary, just days before she is to marry a man she hardly knows. This is Ramona Jover, a young woman entirely oblivious to what it is her currently unborn daughter will eventually have to live through. Instead, she leads a life of relative calm and luxury, though few would call it a life of freedom or personal liberty.<\/p>\n<p>The privileges of Jover\u2019s life appear entirely superficial, even a bit alien, when contrasted with her granddaughter\u2019s narrative thread. Ramona Claret is a university student in the late 1960s, still living at home with her mother and grandmother (who, of course, are both also named Ramona). The youngest Ramona gets involved in a legitimately dangerous academic resistance against the far-right government and is baffled and disappointed by her own mother who \u201cwent through life constantly disoriented by her husband\u2019s moods, like an awkward little child who doesn\u2019t expect anything from anyone.\u201d<\/p>\n<p>This youngest Ramona has much higher expectations for the world she lives in, and grander ambitions for her place in it, yet she falls into a similar trap of tying her happiness to an emotionally unavailable man. She\u2019s hopelessly in love with one of the student leaders of the resistance; he, in turn, is so consumed with his own political ideas that he can\u2019t see that the manner in which he treats women is inherently opposed to his professed politics. In these three Ramonas we see three possible orientations a woman might take against her own oppression. After an idealistic youth and a subsequent nervous breakdown, our eldest Ramona, Ramona Jover, eventually finds strength in resignation to what a woman born in the 1800s can ever do or be. Ramona Ventura has simply lived through too much war and seen too much death to enjoy the luxury of a real stance or reaction; she seems to accept the brutality and coldness of her husband as the best she can hope for, while admiring her own mother\u2019s strength. The youngest, Ramona Claret, is still in the process of constructing her rebellion against the status quo, but it is a resistance full of real danger\u2014as state-sponsored kidnappings and executions abound. There\u2019s little resolution for Claret, albeit some hesitant hope.<\/p>\n<p>When Montserrat Roig wrote and published this novel in her native Catalan, her government was still trying to suppress the language. Millions of people spoke and continue to speak Catalan, Basque, and Galician in Spain, but Francisco Franco, like all good dictators, insisted on cultural homogeny; the use of any non-Castilian language in virtually any form of public life was banned and made to seem unpatriotic, un-Spanish, foreign, and not to be tolerated. As I write this introduction, various far-right movements, in my home country and around the globe, are similarly attempting to oppress their own citizens. <a href=\"https:\/\/bookshop.org\/a\/132\/9780593978825\"><em>Goodbye, Ramona, <\/em><\/a>such a vivid and sweeping story of Catalan refusal to comply with this oppression, is a testament to how a language, just like the desire to be free or to love or to learn, simply cannot be contained.<\/p>\n<p style=\"text-align: center;\">__________________________<\/p>\n<p><a href=\"https:\/\/bookshop.org\/a\/132\/9780593978825\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"276122\" data-permalink=\"https:\/\/lithub.com\/catherine-lacey-on-an-antifascist-classic-of-catalan-literature\/attachment\/9780593978825\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/9780593978825.jpg\" data-orig-size=\"600,925\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"goodbye ramona\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/9780593978825.jpg\" class=\"aligncenter size-medium wp-image-276122\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/9780593978825-195x300.jpg\" alt=\"goodbye ramona\" width=\"195\" height=\"300\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/9780593978825-195x300.jpg 195w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/9780593978825-39x60.jpg 39w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/9780593978825-32x50.jpg 32w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/9780593978825.jpg 600w\" sizes=\"auto, (max-width: 195px) 100vw, 195px\" \/><\/a><\/p>\n<p style=\"text-align: center;\"><em>Excerpted from the introduction to <\/em><a href=\"https:\/\/bookshop.org\/a\/132\/9780593978825\">Goodbye, Ramona<\/a><em> by Montserrat Roig. Copyright \u00a9 2026 by Catherine Lacey. Published by Modern Library, an imprint of Random House, a division of Penguin Random House LLC<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Montserrat Roig\u2019s 1972 classic of Catalan literature, Goodbye, Ramona, both opens and closes in a vivid scene of the Spanish Civil War, but if you don\u2019t remember the exact contours of that extremely complex conflict, don\u2019t worry. Instead pay attention<\/p>\n","protected":false},"author":691,"featured_media":276141,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[43102,43069,6,43101,43070,43095],"tags":[7814,51,111958,111968,111967,45608,111957,1262],"class_list":["post-276106","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-biography","category-craftandcriticism","category-features","category-history","category-literary-criticism","category-politics","tag-catalan","tag-catherine-lacey","tag-goodbye-ramona","tag-maria-cristina-hall","tag-megan-berkobien","tag-modern-library","tag-montserrat-roig","tag-translation"],"jetpack_shortlink":"https:\/\/wp.me\/p5rKFr-19Pk","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/montserrat-roig.jpg","_links":{"self":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/276106","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/users\/691"}],"replies":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/comments?post=276106"}],"version-history":[{"count":0,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/276106\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media\/276141"}],"wp:attachment":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media?parent=276106"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/categories?post=276106"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/tags?post=276106"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":275937,"date":"2026-08-26T05:10:16","date_gmt":"2026-08-26T09:10:16","guid":{"rendered":"https:\/\/lithub.com\/?p=275937"},"modified":"2026-08-23T21:51:05","modified_gmt":"2026-08-24T01:51:05","slug":"what-anne-of-green-gables-reveals-about-white-girlhood","status":"publish","type":"post","link":"https:\/\/lithub.com\/what-anne-of-green-gables-reveals-about-white-girlhood\/","title":{"rendered":"What <em>Anne of Green Gables<\/em> Reveals About White Girlhood"},"content":{"rendered":"<p>\u201cHow <i>dare you!<\/i>\u201d Anne Shirley seethes. Anne stands in her one-room country schoolhouse wearing a gingham dress. She grips in her girlish hands the pale wooden frame of her writing slate\u2014or rather, what remains of it. The rest of her slate has flown in pieces around the school room. Anne Shirley has smashed her slate over Gilbert Blythe\u2019s head.<\/p>\n<p>Anne Shirley is the heroine of L.M. Montgomery\u2019s 1908 novel, <i>Anne of Green Gables<\/i>. Gilbert Blythe is her enemy. He has taunted her beyond what any eleven-year-old girl should have to endure. He has pulled her long braid\u2014but that\u2019s not all he has done. Gilbert has lifted Anne\u2019s braid, holding its red length up for the students around them to ridicule, and hissed the mocking word: <i>carrots!<\/i><\/p>\n<p><i>Anne of Green Gables<\/i> is one of the most enduringly popular Anglo-American girlhood novels. Never out of print, continually adapted to stage and screen, in the 1980s <i>Anne<\/i> was enjoying a surge in popularity unprecedented even in its own successful history. Across every retelling, every book cover, Anne\u2019s red hair remains central to the story\u2019s drama. The famous \u201cslate-over-the-head episode,\u201d as Margaret Atwood once described it, anchors every adaptation. In it, Anne Shirley displays the full-throttle girlish passion so many of us love her for. She has acted out. But for us readers, for viewers, she has acted rightly.<\/p>\n<p>When Anne brings down her slate, full force, on Gilbert Blythe\u2019s head, the students in the schoolhouse gasp. Her teacher punishes her. Even she feels a little shocked. But she is not sorry. Righteous anger fuels her. \u201cHow dare you call me carrots!\u201d And truly, how dare he? Even if he didn\u2019t really mean it or understand the full scope of what he had done. What worse insult could you hurl at a sensitive, story-loving girl than to say: You have the <i>wrong hair<\/i>.<\/p>\n<p>*<\/p>\n<p>America loves the past. For all our sense of ourselves as forward looking, uniquely modern, and ahead of all the rest, we remain nostalgic for our origins. Our \u201ccity on a hill\u201d sense of our own exceptionalism emerges from \u201cour\u201d national story, one about our foundations in freedom, godliness, liberty and justice for all. We fought a war of revolution. We bravely set out into the wilderness. We fought for freedom again and again.<\/p>\n<p class=\"pullquote\">Girls often want power, the power granted to them by the myths of America\u2019s happy story. Also, they resent that power\u2019s demands.<\/p>\n<p>Our history, it\u2019s implied, inaugurates the best version of our future. We narrate the transition between our American past and our coming American destiny all the time. We tell the story over and over <i>as<\/i> a story. We want to get back to greatness, again. \u201cIn no other country on earth,\u201d said a campaigning Barack Obama, \u201cis my story even possible.\u201d<\/p>\n<p>In my girlhood, I learned to love the past in a very particular way: by devouring classic novels of white, anglophone girlhood. I liked novels about the past, and I especially liked novels and stories <i>from<\/i> the past. I liked how these stories connected my American girlhood to a long history of American girls. The books made my life feel important. Books like <i>Anne<\/i> took part in an overarching cultural project by which, as Toni Morrison would later write about her own novel <em>The Bluest Eye<\/em>, a whole idea of a culture \u201ccould take root inside the most delicate member of society: a child; the most vulnerable member: a female.\u201d These novels told me that, much like the past, I was lovable. In fact, one lesson of these novels seemed to be that American girls were loveable in much the same way that America\u2019s past was\u2014as an ideal. (The problem is that, as the books themselves sometimes seemed to know, ideals are always different from reality.)<\/p>\n<p>Sometimes the historic girl novels I loved traveled outside of the US itself. They took place in British great houses, or other reaches of the British empire, like India. <i>Anne of Green Gables<\/i>, famously, is Canadian, and it may seem strange to include it in a catalog of novels specifically for American girls. But <i>Anne<\/i>, in fact, was published in Boston\u2014its setting is Canadian, but its publication and marketing history are entirely American. No Canadian press published the book until the 1980s. The global scope of this novelistic narrative reach only made my sense of my American girlhood more powerful. The books\u2019 capacious geography felt like a girlish form of manifest destiny. And indeed, girls\u2019 fiction was literally a part of the US imperial project. (In the aftermath of WWII, US State Department libraries in Japan distributed translated girls\u2019 fiction like <i>Anne<\/i> as a part of a cultural reeducation project.) America was the best version of a vast and astonishing project, these books conveyed. American girls, these stories made it seem, were the best of all possible girls.<\/p>\n<p>Here\u2019s the problem with America\u2019s past: Despite how much Americans seem to love it, when you look at it squarely, it\u2019s a mess. Anytime you try to pluck out a heroic act of liberty and justice to admire, you\u2019re likely to find a hydra-headed tangle of cruelty, displacement, selfishness, violence. Much like whiteness itself, America can only admire its virtues by strategically omitting most of its own history. It\u2019s thorny and uncomfortable, and it\u2019s been a problem for white Americans since our founding moment.<\/p>\n<p>For nearly that whole time, popular fictions have been trying to make American history more palatable. Girlhood fictions, for reasons I\u2019ll explain, perform that flavor-enhancing role in particularly powerful ways. Because girls are believed to be delicate and vulnerable, virtuous and admirable \u201csweethearts\u201d even when also strong willed and unruly, stories about girls can, by a kind of narrative moral alchemy, make the places they are from seem as though they have those qualities too. Just like a winning gymnast could amplify a nation\u2019s victories, an impassioned girl character could also smooth over a nation\u2019s violence. Synecdochically connecting girls to country could make a country\u2019s mistakes seem like admirable unruliness too.<\/p>\n<p>American girls\u2014at least, <i>some<\/i> American girls\u2014can find a tremendous kind of power by reflecting back to America a flattering version of itself. But as Mary Lou Retton shows, that power comes at a cost. This flattering version is not true; it\u2019s not real. And to become its emblem, you have to try and make yourself into a less true, less complicated, less honest version of yourself. This, too, feels thorny, uncomfortable, bad. Girls often want power, the power granted to them by the myths of America\u2019s happy story. Also, they resent that power\u2019s demands. They are conflicted. I was conflicted.<\/p>\n<p>And my theory is: This inner conflict finds a symbol in the many girlish fictional heroines who have\u2014who hate having, yet whom we love for having\u2014the wrong hair.<\/p>\n<p>*<\/p>\n<p>\u201cIf I was very beautiful and had nut-brown hair,\u201d asks Anne, \u201cwould you want me?\u201d These are some of Anne\u2019s early words in <i>Anne of Green Gables<\/i>. She has just learned that the people she believed had adopted her\u2014a lonely, aging brother and sister\u2014 do not want her after all. Anne\u2019s arrival at Green Gables is a mistake. Maybe the problem is her lack of beauty. Maybe the problem is her hair.<\/p>\n<p>The aging brother and sister, Matthew and Marilla Cuthbert, quickly dismiss Anne\u2019s sense that the problem involves hair or beauty. They wanted a boy. They need help on the farm. Marilla, especially, feels determined to send Anne back. \u201cI don\u2019t want an orphan girl,\u201d she tells Matthew, \u201cand if I did, she isn\u2019t the style I\u2019d pick out.\u201d Marilla does not specify what \u201cstyle\u201d she would like. Anne, loquacious and emotional, seems not to be it.<\/p>\n<p>Anne\u2019s surprise arrival at Green Gables happens in the novel\u2019s second chapter. You might expect that the question of whether Anne might stay at Green Gables would create an organizing tension for the novel\u2019s plot, give its story a shape. But in fact, the Cuthberts adopt Anne in fairly short order. The remaining story has very little \u201cplot,\u201d if you compare it to other orphan novels like <i>Harry Potter<\/i> or <i>The Wizard of Oz<\/i>. There\u2019s no villain or dramatic conflict driving a conflict forward. There\u2019s just\u2014\u201cjust\u201d\u2014the picaresque pleasures of reading about Anne\u2019s adventures as she adapts to her new home. Another way to put this is that the pleasure of <i>Anne<\/i>\u2014and L. M. Montgomery\u2019s true literary genius, across her oeuvre\u2014comes from finding significant and dramatic the subtle machinations of acceptance and judgment that make up most girls\u2019 lives, every day.<\/p>\n<p>Adapting to her new home, for Anne, is hard. Is it hard because of her hair? Despite the Cuthberts\u2019 eye-rolling, the book itself seems uncertain. \u201cPeople who haven\u2019t red hair don\u2019t know what trouble is,\u201d Anne explains. Anne is sweet-spirited and loving and tries to be good, but she\u2019s also hot-tempered and drama prone. It\u2019s not just the slate. She \u201cflies\u201d in a rage at a neighbor who calls her ugly and redheaded. She accidentally gets her best friend drunk. She buys hair dye from a peddler that turns her hair green (she was aiming for black but got the symbolic color of her envy instead). She also saves a dying child from the croup, falls off a roof, and almost drowns in a pond.<\/p>\n<p>No one in her small town has ever met anyone like her. The question of the novel is: How will living in her new home change her? What will it take for someone as impetuous as Anne to fit in? \u201cHer temper matches her hair I guess,\u201d says the insulted neighbor. The red of her hair is the visible sign of her fiery, unregulated nature. If her hair can\u2019t change, can she?<\/p>\n<p>*<\/p>\n<p>My personal first encounter with <i>Anne of Green Gables<\/i> came in 1983. I had gotten a hardcover copy of the book for Christmas. I have a visceral memory of my Aunt Nancy reading the first pages to me. We were sitting in my parents\u2019 bed, on the white-and-green-leafed sheets my mother I\u2019m sure had picked out. The book was large, with a picture of redheaded Anne holding her flower-bedecked hat onto her head and gazing into the distance. Aunt Nancy\u2019s voice was quiet and even as she read the opening pages about the Green Gables creek and the watchful eye of Mrs. Rachel Lynde. My mother and my aunt were with me as I turned toward the past that, through stories, we felt we all shared.<\/p>\n<p>But my particular hardcover edition, I did not then know, wasn\u2019t one that any other woman in my family could have held. In 1983, the <i>Anne of Green Gables<\/i> copyright had just entered the public domain. Publishers around the world jumped at the chance to reap the benefits of the novel\u2019s long-standing popularity. Editions exploded. Between 1908 and 1983, the original publisher reissued the novel 30 times; between 1983 and 2009, 781 new editions would appear. One of these was my own beloved hardcover, one of the most precious objects I ever owned.<\/p>\n<p class=\"pullquote\">For all the conservative positioning of Anne as a rebuttal to more urban, racially diverse, multicultural programming&#8230;Anne had more significance than this neat divide between contemporary culture and conservative history.<\/p>\n<p>Anne was everywhere, and she wasn\u2019t alone. My edition of <i>Anne of Green Gables<\/i> was part of a renewed and intense 1980s uptick in stories about historic anglophone girls. All of L.M. Montgomery\u2019s novels were reissued: the <i>Emily of New Moon<\/i> series, the <i>Story Girl, Jane of Lantern Hill<\/i>. As publication of girlhood books surged, the books\u2019 stories moved into other media. In the late 1970s and 1980s, mass-media productions of girlhood novels were everywhere. Laura Ingalls Wilder\u2019s <i>Little House<\/i> books were on TV from 1974 to 1983. Francis Hodgson Burnett\u2019s <i>The Secret Garden<\/i> was made into a movie twice (1987, 1993) and also a Broadway musical (1991; my Grammy bought me the CD). In 1990, Disney and the Canadian Broadcasting Company collaborated on a <i>Story Girl<\/i> television show. In 1986, a woman named Pleasant Rowland (her name is really Pleasant Rowland) began her extremely successful efforts to mass-produce the historical novel experience, starting her line of American Girl dolls and their companion books after, as she puts it, \u201can inspirational trip to Colonial Williamsburg.\u201d The 1994 movie of Louisa May Alcott\u2019s <i>Little Women<\/i> starred ur-\u201990s girl emblem Winona Ryder, showing that even the edgy among us harbored an inner love for the pinafore.<\/p>\n<p>I read all these stories, and I watched all these shows. I like to think I would have loved these novels\u2014and I do love them, more than almost any other books I have ever read\u2014even if they had never been adapted for screen. But it\u2019s undeniable that the media spectacle intensified their attraction. Every girl I knew, not only the bookish ones, understood themselves through these stories. Most white women my age will still sort ourselves into types around our favorites. Some (me) love Anne best, some Emily, some Laura, some Jo. Regardless, we were all old-fashioned girls.<\/p>\n<p>But even for girls with other favorites, <i>Anne of Green Gables<\/i> became a 1980s event. In 1985, the director Kevin Sullivan produced, with primary funding from the Canadian Broadcasting Company and support from PBS, a record-shattering <i>Anne<\/i> miniseries. Its enormous success and rave reviews meant that, as a 2013 <em>Vulture<\/em> article would claim, \u201cfor girls growing up in the \u201980s, <i>Anne of Green Gables<\/i> was seminal TV viewing.\u201d<\/p>\n<p>It\u2019s true. Anne was for girls. But importantly, it wasn\u2019t just for girls. It was also for everyone who cared about girls or wanted to think about them. Critics hoping to draw large audiences to the <i>Anne<\/i> television spectacle emphasized its universality. It\u2019s \u201c[o]ne of those rare television efforts,\u201d said the <i>Chicago Tribune<\/i>, that \u201cserves up, for the youngsters, both rebelliousness and silliness, and\u2014for the adults\u2014bite, wit, irony and just plain joy.\u201d Jay Rayvid, director of PBS, made an even more expansive claim in the <i>Montreal Gazette<\/i>: \u201cWhat Kevin has managed is what Lucy Maud Montgomery did with the novel.\u201d \u201cHe has created a universal story based in Canada, in an era that holds a great deal of nostalgia for all the western world.\u201d<\/p>\n<p>Rayvid\u2019s words capture the slippery history I described above: <i>Anne<\/i> is about a girl in Canada, he concedes, but it is really about all girls, and in fact, all of us\u2014all American PBS watchers, and everyone, everywhere. I\u2019m not surprised that Rayvid, facing the threat of tremendous budget cuts to PBS under Reagan\u2019s austerity budget, advocated for his programming under exactly these terms: the \u201cuniversal\u201d appeal of Anne\u2019s \u201cera.\u201d America loves the past! In the 1980s, it loved this sunny Reaganite nostalgia\u2014much like, now, it loves an angrier MAGA version. To a budget-cutting president, Rayvid offered a story that was simultaneously about \u201call the western world\u201d and, specifically, a young, white girl.<\/p>\n<p>I, too, find it extremely pleasurable to consider Anne\u2019s turn-of-the-century era in the way Rayvid described it: as a time full of \u201cjust plain joy.\u201d It\u2019s pleasurable for me even though I know that claim isn\u2019t true.<\/p>\n<p>And I don\u2019t mean a little bit not true: It\u2019s not true <i>at all<\/i>. The 1890s, Anne\u2019s moment, saw, for example, the instantiation of US legal segregation (in the <i>Plessy v. Ferguson<\/i> decision) and the extension of the Chinese Exclusion Act. It was an era of surging extralegal violence against immigrants and racial minorities, amply documented by Ida B. Wells, among others. But PBS didn\u2019t argue for its worth by broadcasting any of Wells\u2019s accounts of <i>Southern Horrors<\/i>\u2014lynchings, mob rule. Instead, it focused on Anne, a novel about a well-meaning orphan. Doing so, PBS could make telling a sanitized history feel pleasurable and virtuous. How could it be wrong to tell a story of an orphan girl\u2019s struggle to find love? Isn\u2019t a child\u2019s struggle to feel accepted a genuinely universal one, even as it\u2019s also protected and niche?<\/p>\n<p>This sanitized history had the added benefit of appealing to many viewers who felt, as critics have throughout American history, that the 1980s present was degraded compared to the idealized past. Take for instance one punchy critic in a Long Island newspaper, who claimed that \u201cthe story of brave little Anne Shirley\u201d is \u201ca splendid antidote\u201d to \u201cthe songs of Madonna and films about getting high in high school.\u201d<\/p>\n<p>The songs of Madonna! Here this critic snaps our focus away from <i>Anne\u2019s<\/i> \u201ctimeless\u201d appeal to its specific appeal in the 1980s\u2014a moment when government resources were on the line, and a debate was raging about women and what role they might play. The famous television version of <i>Anne of Green Gables<\/i> was being produced just as Madonna was on her enormously successful concert tour promoting <i>Like a Virgin.<\/i> Americans in the 1980s loved both these unruly women. What can we say about their overlap? Is there any connection to make between Anne, smashing her slate, and Madonna, \u201ctouched for the very first time\u201d?<\/p>\n<p>One interpretation might be that Anne and Madonna are opposites. It\u2019s not hard to see <i>Anne<\/i> as a part of a conservative backlash to, or rebuttal of, other \u201980s media. Set against cultural products like Madonna\u2019s albums, art that was economically and sexually frank and that openly emerged from New York\u2019s diverse downtown scenes, <i>Anne<\/i> offered a literally whitewashed (there is, in the books, whitewashing) version of a sweet, clean, anglophone historic ideal.<\/p>\n<p>It\u2019s true that Anne was often positioned in just this way: the innocent opposite of more contemporary, complex, urban stories. Sullivan\u2019s <i>Anne<\/i> first aired on PBS the very same night, for instance, that the erotic multicultural dance fable <em>Flashdance<\/em> was first shown on network TV. <i>Anne<\/i> won the 1986 Emmy for children\u2019s programming over another show about an orphan girl with iconic hair: (the more Madonna aligned?) Punky Brewster.<\/p>\n<p>But for all the conservative positioning of Anne as a rebuttal to more urban, racially diverse, multicultural programming\u2014and for all the real danger in Sullivan\u2019s historic erasures\u2014Anne had more significance than this neat divide between contemporary culture and conservative history. Conservative pundits may have wanted Anne to be a model orphan, but that desire just threw her unruliness into sharper relief.<\/p>\n<p>For me, the gap between Anne and Madonna (or Punky) was not so extreme as it may seem from the outside. I loved all three. All of them, in different ways, expressed something confusing that I myself felt: a desire to be admired and desired, alongside a sense that the admiration on offer was rigid, judgmental, and unfair. Anne\u2019s old-fashionedness may have made her seem, to the casual viewer, more conservative than Punky. But Punky, for all her pigtailed, torn-jeans contemporaneity, never did anything so passionate as to smash a slate. She never showed the friction that came from being the emblem of a falsely \u201cjoyful\u201d history. Punky endured difficulties, but she was never anything but adorable. Nobody who mattered ever told her she had the wrong hair.<\/p>\n<p style=\"text-align: center;\">_______________________________<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"275938\" data-permalink=\"https:\/\/lithub.com\/what-anne-of-green-gables-reveals-about-white-girlhood\/tangled\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/tangled.jpg\" data-orig-size=\"300,464\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"tangled\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/tangled.jpg\" class=\"alignnone size-medium wp-image-275938\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/tangled-194x300.jpg\" alt=\"\" width=\"194\" height=\"300\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/tangled-194x300.jpg 194w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/tangled-39x60.jpg 39w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/tangled-32x50.jpg 32w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/tangled.jpg 300w\" sizes=\"auto, (max-width: 194px) 100vw, 194px\" \/><\/p>\n<p style=\"text-align: center;\"><em>From<\/em> <a href=\"https:\/\/bookshop.org\/a\/132\/9780807016343\">Tangled: Seven Iconic Moments in White Women&#8217;s Hair and What They Tell Us About Power, Pleasure, and Complicity<\/a> <em>by Sarah Mesle. Copyright \u00a9 2026. Excerpted with permission by Beacon Press.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cHow dare you!\u201d Anne Shirley seethes. Anne stands in her one-room country schoolhouse wearing a gingham dress. She grips in her girlish hands the pale wooden frame of her writing slate\u2014or rather, what remains of it. The rest of her<\/p>\n","protected":false},"author":25694,"featured_media":275956,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[6,43093,43101,43092,43095],"tags":[21137,17789,12501,21135,4192,105868,111875,10278],"class_list":["post-275937","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-features","category-film-and-tv","category-history","category-newsandculture","category-politics","tag-anne-of-green-gables","tag-beacon-press","tag-cultural-history","tag-girlhood","tag-hair","tag-sarah-mesle","tag-tangled-seven-iconic-moments-in-white-womens-hair-and-what-they-tell-us-about-power-pleasure-and-complicity","tag-whiteness","story-type-girlhood"],"jetpack_shortlink":"https:\/\/wp.me\/p5rKFr-19MB","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/anne-of-green-gables.jpg","_links":{"self":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/275937","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/users\/25694"}],"replies":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/comments?post=275937"}],"version-history":[{"count":0,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/275937\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media\/275956"}],"wp:attachment":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media?parent=275937"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/categories?post=275937"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/tags?post=275937"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":275883,"date":"2026-08-26T05:09:21","date_gmt":"2026-08-26T09:09:21","guid":{"rendered":"https:\/\/lithub.com\/?p=275883"},"modified":"2026-08-23T21:46:00","modified_gmt":"2026-08-24T01:46:00","slug":"how-american-bureaucracy-literally-steals-years-from-your-life","status":"publish","type":"post","link":"https:\/\/lithub.com\/how-american-bureaucracy-literally-steals-years-from-your-life\/","title":{"rendered":"How American Bureaucracy (Literally) Steals Years From Your Life"},"content":{"rendered":"<p>Washington currently estimates that Americans spend 12 billion hours a year filling out government forms, meaning the average person spends six 8-hour workdays filing their taxes, signing up for Medicaid, renewing their driver\u2019s licenses, and applying for government loans. At prevailing wages, this uncompensated labor is worth $430 billion a year. If Washington were to create a Department of Bureaucracy to take on the paperwork it shunts to citizens, the agency would require 5.9 million employees, making it four times the size of the active-duty military. The DOB\u2019s payroll would be larger than that of every other federal department combined.<\/p>\n<p>The nation\u2019s paperwork regime frustrates every resident, and particularly lower-income residents who use more government programs and interact more frequently with public officials. The political scientist Elizabeth Cohen has done seminal work exploring time as a potent, if obscure, form of political currency. \u201cThe devaluation of a person or group\u2019s political time is a structural obstacle to equality,\u201d she writes. Yet we can\u2019t measure time and effort as easily as we measure dollars, and we don\u2019t even try. The 12-billion-hour estimate is an undercount, and an egregious one.<\/p>\n<p>Pamela Herd and Donald Moynihan, two of the foremost scholars of American public administration, have identified three key types of administrative costs the government imposes on citizens. First are learning or research costs. People need to figure out what is out there, from emergency shelters to passport agencies. They need to determine what they qualify for and how to apply. The United States has no measure of\u2014and little appreciation for\u2014the research costs it imposes. The government doesn\u2019t do a lot of outreach. It doesn\u2019t centralize information, create cross-enrollment pathways, or distribute benefits automatically. Politicians focus intently on whether something <i>exists<\/i>, not whether it is accessible.<\/p>\n<p class=\"pullquote\">We can\u2019t measure time and effort as easily as we measure dollars, and we don\u2019t even try.<\/p>\n<p>Policy changes create research costs too. Consider how American families have negotiated the end of <i>Roe v. Wade<\/i>. In a shock decision in 2022, the Supreme Court revoked the Constitutional right to an abortion and allowed states to ban the procedure. Old local statutes enjoined by <i>Roe <\/i>went into sudden effect. (Wisconsin began observing a criminal abortion law passed in 1849.) Red-state legislatures rushed to pass stringent prohibitions.<\/p>\n<p>The country\u2019s jurists and lawmakers did not just make abortion illegal. They brewed up a climate of intense uncertainty, increasing learning costs exponentially. Women needed to figure out whether they lived in a state with a total ban, a ban after a certain number of weeks of pregnancy, or a \u201cheartbeat\u201d ban. Hospitals needed to figure out if their workers could provide an abortion to a minor or to a victim of rape or incest. Physicians needed to decide what to do if a pregnant woman came to the ER suffering from organ failure, or carrying a fetus with a fatal abnormality.<\/p>\n<p>\u201cWhat actually counts as the life of the mother?\u201d Jennifer Jury McIntosh, an obstetrician and spokesperson for the Society for Maternal-Fetal Medicine, asked me. \u201cIs that her life today? Is that her life during this pregnancy? How close to losing her life does she have to be for us to decide to terminate? That feels really weighty, because my interpretation of what I feel is lifesaving\u2014does that align with a particular prosecutor\u2019s interpretation?\u201d She feared situations in which not ending a patient\u2019s pregnancy might constitute medical malpractice, but doing so might open a provider up to criminal prosecution. Her fears were fast borne out. In 2023, an Oklahoma woman with a cancerous molar pregnancy was asked to wait, decompensating, in a hospital parking lot until doctors decided that she was sick enough to receive a termination.<\/p>\n<p>Next there are compliance costs, \u201cthe time and effort spent on the often tedious task of filling out forms, documenting status, or responding to bureaucratic directives,\u201d as Moynihan and Herd put it. These are the most obvious and easiest to understand time taxes. And Uncle Sam keeps but a chimeric tally of them.<\/p>\n<p>The Paperwork Reduction Act of 1980 obligates Washington to measure and reduce regulatory burdens. Rules applying to businesses have to provide a net social good, as proven through rigorous cost-benefit analysis. Uncle Sam weighs the value of clean air against the value of gas to commuters. He scores the hassle of Department of Labor safety-equipment mandates against the hassle of lost limbs. But for regulations to even get a cost-benefit test, they need to have an annual cost estimated at $200 million or more, or \u201cadversely affect in a material way\u201d jobs, productivity, competition, public health, or the government itself. The Office of Information and Regulatory Affairs, or OIRA, doesn\u2019t require that agencies perform cost-benefit analyses of regulations imposed on individuals. Making a company spend $300 million on fire-retardant materials counts. Making someone miserable with a forty-one-page application does not.<\/p>\n<p>OIRA does produce an estimate of how long it takes the average person to finish a given government form: eight hours for the IRS\u2019s Form 1040, for instance. These estimates are often unreliable. \u201cOIRA sometimes does field studies, where they observe actual live humans collecting information, keeping records, that type of thing,\u201d a longtime OIRA staffer told me. \u201cBut sometimes, the numbers just fall out of the sky and you have no idea where they came from.\u201d<\/p>\n<p>Plus, OIRA only counts the time people spend doing federal paperwork, not forms put out by states or municipalities. Imagine being a mother in Louisiana struggling to pay your bills. You decide to apply for SNAP, better known as food stamps. You receive an 8,350-word application. Page one instructs you to distinguish between SNAP and two other programs, the Family Independence Temporary Assistance Program and the Kinship Care Subsidy Program; a schematic lets you know what to fill out, depending on what you think you qualify for and what you want to try to enroll in. Page three instructs you to collect paperwork or data in up to thirteen different categories: pharmacy printouts from the past three months, four pay stubs, baptismal certificates, proof of who lives in your home. Page six includes details on drug court and \u201calternatives to abortion\u201d; page seven outlines the penalties if you spend your benefits on a cruise ship or at a psychic. Page fifteen asks you to recount your income from twenty-four different sources; page sixteen asks about fourteen different housing expenses; page nineteen asks about ten types of assets members of your family might own.<\/p>\n<p>The government does not account for compliance burdens that do not involve forms. Yet these burdens can be extreme. To qualify for disability insurance, a person needs to go to a doctor, explain their health condition, get a diagnosis, have the physician fill out a form, fill out some forms themselves, take the documents to a Social Security office, and apply. Many also need to litigate their disability with a special judge. This time does not count, in a literal sense. Nobody is counting it.<\/p>\n<p>We do have some ways to measure the compliance burdens, however. Some programs keep a count of \u201cprocedural denials\u201d: the number and share of applicants refused a benefit because they did not or could not get the paperwork done right. In Louisiana, one in four SNAP recipients \u201cchurns\u201d on and off the program every year due to bureaucratic troubles. The state closes 15 percent of welfare cases annually for procedural reasons. In 2018, it disenrolled 15,689 children\u2014children!\u2014from its public health insurance program due to \u201cfailure to comply.\u201d<\/p>\n<p>The work of the political scientist Carolyn Barnes explores a third type of cost: redemption costs, or the time and effort it takes to use a benefit or exercise a right. Medicare imposes very light costs. Seniors go to a provider, hand their insurance card over at the front desk, and get the care they need. Other initiatives are impossibly fussy. Women fleeing domestic violence cannot find a landlord who will accept their emergency housing voucher. Hurricane survivors cannot find hotels participating in the Transitional Shelter Assistance program. Parents on WIC, a nutrition program for women, infants, and children, have to sort out which cartons of eggs and types of grapes they can buy at the grocery store. \u201cIf you pick a different grocery store, you can\u2019t find the brand, you get the wrong brand, you get the wrong size, you\u2019ve got to be doing math,\u201d one mother told Barnes.<\/p>\n<p>Finally, there are psychological costs. Difficult interactions with the government intensify the sickness of sickness and the trauma of trauma. They make a person feel worse about themselves and this country. They change a person\u2019s politics and alter their sense of civic responsibility. The government does not track the emotional burden of waiting for your spouse to join you in this country, struggling to get help as a teenage parent, pleading for medical care for a dying family member from an insurer, or waiting in a polling line in a state that used to consider your ancestors property. Thus, it is hard to believe that Uncle Sam really cares. As the political philosopher Martha Nussbaum has written, \u201cWhat cannot be numbered remains vague and unbounded, evading human grasp.\u201d As McKinsey consultants like to put it, you cannot manage what you cannot measure.<\/p>\n<p>*<\/p>\n<p>While Washington bungles its way through the task of public administration, Silicon Valley has devoted hundreds of billions of dollars to making transactions effortless. With a few swipes of my thumb, I can call up any media imaginable in seconds, summon a black car to my doorstep in minutes, have a meal prepared and dropped off within an hour, and buy a closet\u2019s worth of clothes for overnight delivery. In contrast, I have spent hours nursing a migraine while figuring out my taxes. And I have spent countless days as a reporter watching people struggle to navigate Medicaid, the construction-permit system, veteran\u2019s benefits, the farm-loan program, and SNAP.<\/p>\n<p>The situation is not as simple as \u201cbusiness good, government bad\u201d or \u201cbusiness elegant, government clunky.\u201d Companies use fine print to their own ends. They create a frictionless experience for people looking to spend, and a frictional experience for people looking to quit spending. They make purchases easy and instantaneous, and cancellations difficult and slow. They underscore that administrative burdens are a flexible, powerful tool.<\/p>\n<p>Not long ago I tried to get out of a gym membership. The manager asked me to send in a doctor\u2019s note, or rental or mortgage paperwork demonstrating that I had moved. (I objected; she relented.) I noticed that I had signed up for several \u201cfree trials\u201d I had forgotten to cancel, meaning that I was spending $40 a month on apps I did not want. Months earlier, my family had stayed in an Airbnb-type rental without a locking front door. I had to dig up the city\u2019s tenancy code and research acceptable-housing rules to get the owner to give us our money back.<\/p>\n<p>In each case, I was purchasing a service, not a tangible good. I was entering into a contract, instead of taking ownership of an object. Thus, I was encountering a central conduit for the bureaucratization of modern life and an incubator for modern time taxes. We have become a nation of subscribers and sublessees and members, with simple transactions becoming extended, legalized affairs. As of 2018, the country had 826,537,000 consumer-arbitration agreements in force\u2014a significant undercount, the academics who performed the study noted. Another paper found that 99 percent of consumers did not read the contracts they signed, thus handing over \u201ctheir constitutional rights lock, stock, and barrel,\u201d as Shennan Kavanagh of the National Consumer Law Center put it.<\/p>\n<p>We have become a nation of debtors and policyholders, working with intermediaries and guarantors as well as with sellers and the thousands of firms providing homeowner\u2019s insurance, auto insurance, health insurance, title insurance, mortgages, credit scores, and loans. Signature boxes and document portals have become costs of and barriers to transport, shelter, and medical care.<\/p>\n<p>We have become a nation of credentials. The share of jobs requiring a postsecondary education has climbed to 68 percent, up from one quarter half a century ago. The share of jobs demanding an occupational license has climbed to 22 percent, up from 5 percent in the 1950s. In many cases, such certificates are unnecessary. Washington, DC, recently passed a rule requiring that day care teachers obtain a two-year associate\u2019s degree, though there\u2019s no evidence that day care teachers <i>need <\/i>a two-year associate\u2019s degree to do their jobs successfully. \u201cEven though I have a lot of experiential learning, I don\u2019t meet what is now the current standard,\u201d one veteran teacher explained.<\/p>\n<p>We have become a nation of middle managers, with companies and nonprofits adding millions of employees to monitor compliance, track performance, design training modules, and administer benefits. Between 1987 and 2012, colleges and universities added eighty-seven professional staffers every working day, pushing up the ratio of administrators to academics and down the ratio of students to staff members. The trend is the same across nonprofits, for-profits, and public offices. One in six workers exists to push paperwork around for other workers. This kudzu costs the country $3 trillion a year, the business consultants Gary Hamel and Michele Zanini have estimated.<\/p>\n<p class=\"pullquote\">Administrative procedures might be a necessary tool of sound government. But administrative <i>burdens <\/i>are a technology of annoyance, degradation, discrimination, and needless extraction.<\/p>\n<p>We might live in a world of frictionless consumption. Yet we also live in a world of \u201ctotal bureaucratization,\u201d a term coined by the anthropologist David Graeber. We deal with more forms and longer forms, more subscriptions and rebates and reimbursements and applications and enrollment periods. We are tasked with bureaucratic work by institutions public and private. Indeed, our public institutions <i>encourage <\/i>the promulgation of private paperwork. The government \u201cprovides the legal framework,\u201d Graeber argues, as well as \u201call of the elaborate mechanisms of enforcement.\u201d Uncle Sam allows insurers to deny necessary procedures to their beneficiaries. He allows companies to foist forced-arbitration agreements and extortionate contract terms on unsuspecting consumers. The government shuffles citizens into private contracts too. Instead of offering a sufficient number of public housing units, it offers an unlimited number of guaranteed mortgages. Instead of opening community colleges, it expands its student loan portfolio.<\/p>\n<p>Citizens are fed up. Just 36 percent of Americans describe the government\u2019s processes as \u201cintuitive.\u201d Only 41 percent agree that they are \u201cclear\u201d and \u201cunderstandable.\u201d More than half find it frustrating to access or use public services. A large majority believe that the government is incompetent, given the amount of work they do on its behalf. A majority of voters in both parties want Uncle Sam to deliver them from life\u2019s daily, unnecessary annoyances.<\/p>\n<p>*<\/p>\n<p>The German sociologist Max Weber described the ideal bureaucracy as hierarchical, disciplined, rules-driven, professional, impersonal, and meritocratic. It should protect citizens from partisan vengeance. It should apply general rules to specific cases, ensuring that policy outcomes are predictable and just.<\/p>\n<p>The country\u2019s public servants are disciplined, rules-driven, and professional. Yet the outcomes they generate can be wildly unpredictable and at times extremely unfair. Low-income mothers in Vermont are eighteen times more likely to receive welfare than low-income mothers in Mississippi. Austin approves nearly thirty times as many building permits as Providence, adjusting for population size. And, of course, many successful applicants for welfare benefits or building permits spend hours and hours struggling with red tape.<\/p>\n<p>Administrative procedures might be a necessary tool of sound government. But administrative <i>burdens <\/i>are a technology of annoyance, degradation, discrimination, and needless extraction. They are a subtle way that the government achieves certain policy outcomes, including shrinking the size of the safety net, discouraging outgroups from voting, preventing construction, and motivating the sick and the poor to work.<\/p>\n<p>In the past decade, Washington has started to wake up to this ongoing catastrophe. Academic interest in the time tax has exploded, with Moynihan, Herd, Barnes, and other professors examining its cancerous effect on American life. Public servants have become cognizant of the disaster they have wrought too. The Obama official Cass Sunstein begins his book <i>Sludge <\/i>by confessing that he failed as the head of OIRA. He focused on \u201clarge and dramatic issues,\u201d such as healthcare reform, rather than the granular and overlooked issue of enrollment processes and fine print. Thus, he let himself and the country down.<\/p>\n<p>When Donald Trump returned to the White House, he sounded like he wanted to succeed where Sunstein had failed. He vowed to modernize the government, implement agile information-technology systems, axe unnecessary employees, and save taxpayers billions of dollars a year. To do this, he created DOGE, an acronym for the Department of Government Efficiency and a reference to an internet meme about a shiba inu. He tasked the tech titan Elon Musk with leading the effort. He called it the Manhattan Project of our time.<\/p>\n<p>Yet DOGE was not Los Alamos. It wasn\u2019t a best-of-the-best professional effort, for one. The agency was a pseudo-governmental commission with no legal authority, staffed by grossly unqualified appointees, including a teenage programmer known as Big Balls. It was not a novel effort either. In 1912, William Howard Taft performed a root-to-stem evaluation of public agencies to ensure \u201cbusiness of the Government\u201d is conducted in \u201cthe most efficient and economical manner.\u201d In 1993, Bill Clinton signed the Government Performance and Results Act, ordering federal agencies to create strategic plans and weigh their success against predetermined targets. A number of long-standing bodies gauge how the civil service is functioning and how programs are spending taxpayer dollars. The Government Accountability Office provides voluminous reports on inefficiency and waste; inspectors general search for graft and incompetence; congressional committees call in agency heads and interrogate them, ensuring that they are meeting their missions.<\/p>\n<p>DOGE might have been redundant and unnecessary. Nevertheless, it had an explosive impact. Trump eliminated the United States Digital Service, a little-known and highly respected agency with a track record of making government websites work. Musk\u2019s officials infiltrated department after department, canceling contracts, firing employees, viewing sensitive data, and kneecapping programs related to diversity, equity, and inclusion, as well as foreign aid. The agency made the government <i>less <\/i>efficient. DOGE fired the IT staffers keeping important programs up and running. It forced federal workers to send standard contracts and long-approved projects to political appointees for review. It made civil servants justify \u201ceven the most basic purchases\u201d: fastening bolts for National Aeronautics and Space Administration, lab supplies for the Food and Drug Adminstration. Contrary to its stated mission, DOGE swelled the deficit, hampering tax collection and ginning up millions in legal fees.<\/p>\n<p>Worst of all, perhaps, DOGE failed to reduce the time tax, or even to address it. Musk and Trump scarcely mentioned the citizen\u2019s customer-service experience as they blathered about draining the swamp. DOGE could have cut the amount of time it takes to fill out the FAFSA, which students use to access college loans. It could have standardized the application processes for Medicaid, SNAP, and housing aid. It could have gotten rid of ancient interfaces and slashed absurd waiting times. It did not.<\/p>\n<p style=\"text-align: center;\">_______________________________<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"275884\" data-permalink=\"https:\/\/lithub.com\/how-american-bureaucracy-literally-steals-years-from-your-life\/the-time-tax\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/the-time-tax.jpg\" data-orig-size=\"350,529\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"the time tax\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/the-time-tax.jpg\" class=\"alignnone size-medium wp-image-275884\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/the-time-tax-198x300.jpg\" alt=\"\" width=\"198\" height=\"300\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/the-time-tax-198x300.jpg 198w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/the-time-tax-40x60.jpg 40w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/the-time-tax-33x50.jpg 33w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/the-time-tax.jpg 350w\" sizes=\"auto, (max-width: 198px) 100vw, 198px\" \/><\/p>\n<p style=\"text-align: center;\"><em>From<\/em> <a href=\"https:\/\/bookshop.org\/a\/132\/9780063442559\">The Time Tax: How the Government Wastes Our Time\u2014and How to Fix It<\/a> <em>by Annie Lowrey. Copyright \u00a9 2026. Available from Ecco, an imprint of HarperCollins Publishers.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Washington currently estimates that Americans spend 12 billion hours a year filling out government forms, meaning the average person spends six 8-hour workdays filing their taxes, signing up for Medicaid, renewing their driver\u2019s licenses, and applying for government loans. At<\/p>\n","protected":false},"author":31715,"featured_media":275932,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[6,43092,43095],"tags":[111829,20606,2945,9194,56926,111830,990,24887],"class_list":["post-275883","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-features","category-newsandculture","category-politics","tag-annie-lowrey","tag-bureaucracy","tag-ecco","tag-government","tag-harpercollins-publishers","tag-the-time-tax-how-the-government-wastes-our-time-and-how-to-fix-it","tag-time","tag-us-government"],"jetpack_shortlink":"https:\/\/wp.me\/p5rKFr-19LJ","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/paperwork.png","_links":{"self":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/275883","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/users\/31715"}],"replies":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/comments?post=275883"}],"version-history":[{"count":0,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/275883\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media\/275932"}],"wp:attachment":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media?parent=275883"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/categories?post=275883"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/tags?post=275883"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}]