[{"id":276175,"date":"2026-08-25T12:26:22","date_gmt":"2026-08-25T16:26:22","guid":{"rendered":"https:\/\/lithub.com\/?p=276175"},"modified":"2026-08-25T12:26:22","modified_gmt":"2026-08-25T16:26:22","slug":"everything-we-know-so-far-about-billie-eilishs-bell-jar","status":"publish","type":"post","link":"https:\/\/lithub.com\/everything-we-know-so-far-about-billie-eilishs-bell-jar\/","title":{"rendered":"Everything we know (so far) about Billie Eilish\u2019s <em> Bell Jar. <\/em>"},"content":{"rendered":"<p>Earlier this year, we got wind that Billie Eilish\u2014that reigning maestra of youthful melancholy\u2014will star in <a href=\"https:\/\/lithub.com\/happier-than-ever-billie-eilish-is-set-to-star-in-a-new-adaptation-of-the-bell-jar\/\" target=\"_blank\" rel=\"noopener\">a new film adaptation<\/a> of Sylvia Plath&#8217;s <em><a href=\"https:\/\/bookshop.org\/a\/132\/9780060837020\" target=\"_blank\" rel=\"noopener\">The Bell Jar<\/a>.\u00a0<\/em><\/p>\n<p>Directed by the brilliant Sarah Polley, this project represents Eilish&#8217;s first foray onto the big screen. Plathypuses (TM) are divided about her casting choice, but one thing is certain: we&#8217;re gonna need to talk about this for a while.<\/p>\n<p>Photos have begun to leak off the film set, so some friendly speculation feels in order. Here&#8217;s what we know (so far!) about the brand new <em>Bell Jar.\u00a0<\/em><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"276180\" data-permalink=\"https:\/\/lithub.com\/everything-we-know-so-far-about-billie-eilishs-bell-jar\/billie-toronto\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/billie-toronto.jpg\" data-orig-size=\"800,906\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"billie toronto\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/billie-toronto.jpg\" class=\"wp-image-276180 size-full aligncenter\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/billie-toronto.jpg\" alt=\"Billie Eilish Bell Jar\" width=\"800\" height=\"906\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/billie-toronto.jpg 800w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/billie-toronto-265x300.jpg 265w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/billie-toronto-768x870.jpg 768w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/billie-toronto-53x60.jpg 53w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/billie-toronto-44x50.jpg 44w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/p>\n<p><strong>Eilish is unrecognizable to fans.<br \/>\n<\/strong>Earlier this month, <a href=\"https:\/\/www.vogue.com\/article\/billie-eilish-mid-century-look-the-bell-jar-set\" target=\"_blank\" rel=\"noopener\"><em>Vogue<\/em><\/a> reported on Eilish&#8217;s character transformation. In set photos, the mage known for rocking an androgyne cut and neon hair was seen &#8220;wearing a short-sleeved knit top in scarlet red; a full, A-line skirt in a jaunty check print; and, on the beauty front, a tidy side part and bold red lip.&#8221; <em>Mad <\/em>Wo<em>men<\/em>, anyone?<\/p>\n<p>The mid-century glow-up comes care of Luis Sequeira, a costume designer known for his work on <em>The Shape of Water.<\/em><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"276179\" data-permalink=\"https:\/\/lithub.com\/everything-we-know-so-far-about-billie-eilishs-bell-jar\/6a81b794e9c2f-image\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/6a81b794e9c2f.image_-e1787674308406.jpg\" data-orig-size=\"800,600\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"Mount Mary Immaculate\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/6a81b794e9c2f.image_-1240x930.jpg\" class=\"wp-image-276179 size-full aligncenter\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/6a81b794e9c2f.image_-e1787674308406.jpg\" alt=\"Mount Mary Immaculate\" width=\"800\" height=\"600\" \/><\/p>\n<p><strong>An old Canadian orphanage is playing the hospital.<br \/>\n<\/strong>Polley, who is Canadian, has apparently pulled a classic move and tapped Toronto to play New York.<\/p>\n<p>Parts of Hamilton, including McMaster University and Ancaster\u2019s Tamahaac Club, will also make veiled appearances. The latter was a sanatorium for tuberculosis patients in its heyday, which feels thematically right somehow.<\/p>\n<p>According to this morning&#8217;s <em><a href=\"https:\/\/www.thespec.com\/entertainment\/movies\/billie-eilishs-1st-movie-the-bell-jar-shoots-in-ancaster\/article_5439f156-97bb-5a86-893e-ec23f365c9d2.html\" target=\"_blank\" rel=\"noopener\">Hamilton Spectator<\/a>, <\/em>the production is currently shooting key scenes at a Catholic girls&#8217; school and ex-orphanage. Mount Mary Immaculate will play the infamous Walton Hospital, where Esther Greenwood receives her first doomed rounds of ECT.<\/p>\n<p>This setting is <em>also<\/em> auspiciously eerie. Until recently, Mount Mary was maintained by a Ukrainian Catholic Congregation, and &#8220;once contained an <em>orphanage <\/em>[italics mine], daycare centre and a high school for girls.&#8221; The Diocese of Hamilton bought the site in 2019, but nuns continue to live on the premises. Alongside\u2014this reader presumes\u2014ghosts.<\/p>\n<p>The school, unlike Eilish, has also been in a movie before. A scene from 2017&#8217;s<em> It<\/em> was filmed there.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"276178\" data-permalink=\"https:\/\/lithub.com\/everything-we-know-so-far-about-billie-eilishs-bell-jar\/hndwnqewaaa0ti1\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/HNdWnqeWAAA0ti1.jpg\" data-orig-size=\"960,1200\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"Bell Jar cast\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/HNdWnqeWAAA0ti1-819x1024.jpg\" class=\"aligncenter wp-image-276178 size-large\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/HNdWnqeWAAA0ti1-819x1024.jpg\" alt=\"Billie Eilish Conor Storrie Carey Mulligan Ella Beatty\" width=\"819\" height=\"1024\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/HNdWnqeWAAA0ti1-819x1024.jpg 819w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/HNdWnqeWAAA0ti1-240x300.jpg 240w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/HNdWnqeWAAA0ti1-768x960.jpg 768w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/HNdWnqeWAAA0ti1-48x60.jpg 48w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/HNdWnqeWAAA0ti1-40x50.jpg 40w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/HNdWnqeWAAA0ti1.jpg 960w\" sizes=\"auto, (max-width: 819px) 100vw, 819px\" \/><\/p>\n<p><strong>Additional It-people are filling out the cast.<br \/>\n<\/strong>Carey Mulligan is set to play Mrs. Greenwood, Esther&#8217;s mother. Which should really send a shiver of age paralysis down every Millennial reader&#8217;s spine.<\/p>\n<p>And <em>Deadline<\/em> reported last week that <a href=\"https:\/\/deadline.com\/2026\/07\/the-bell-jar-ella-beatty-circling-billie-eilish-movie-1236997085\/\" target=\"_blank\" rel=\"noopener\">Ella Beatty<\/a>\u2014of Netflix&#8217;s forthcoming <a href=\"https:\/\/www.hollywoodreporter.com\/tv\/tv-news\/netflix-monster-lizzie-borden-story-trailer-charlie-hunnam-1236677512\/\" target=\"_blank\" rel=\"noopener\">Lizzie Borden biopic<\/a>, and the parentage you&#8217;d guess\u2014is in &#8220;final talks&#8221; to join the cast in some mysterious friend capacity. (Betsy?!)<\/p>\n<p>The other big rumor centers Connor Storrie, of <em>Heated Rivalry. <\/em>The recently shorn hockey king\/friend to Canada is also purported to be in the jar.<\/p>\n<p><em>Images <a href=\"https:\/\/www.vogue.com\/article\/billie-eilish-mid-century-look-the-bell-jar-set\" target=\"_blank\" rel=\"noopener\">via<\/a>, <a href=\"https:\/\/x.com\/BillieSpotify_\/status\/2078224996736921848?s=20\" target=\"_blank\" rel=\"noopener\">via<\/a>, <a href=\"https:\/\/www.thespec.com\/entertainment\/movies\/billie-eilishs-1st-movie-the-bell-jar-shoots-in-ancaster\/article_5439f156-97bb-5a86-893e-ec23f365c9d2.html\" target=\"_blank\" rel=\"noopener\">via<\/a><\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Earlier this year, we got wind that Billie Eilish\u2014that reigning maestra of youthful melancholy\u2014will star in a new film adaptation of Sylvia Plath&#8217;s The Bell Jar.\u00a0 Directed by the brilliant Sarah Polley, this project represents Eilish&#8217;s first foray onto the<\/p>\n","protected":false},"author":17066,"featured_media":276181,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[43201,43093,43098,43646],"tags":[67819,112005,107766,29992,63371,5686,10041],"class_list":["post-276175","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-book-news-newsandculture","category-film-and-tv","category-style","category-the-hub","tag-billie-eilish","tag-connor-storrie","tag-heated-rivalry","tag-literary-adaptation","tag-sarah-polley","tag-sylvia-plath","tag-the-bell-jar","book-the-bell-jar"],"jetpack_shortlink":"https:\/\/wp.me\/p5rKFr-19Qr","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/Untitled-design-29.png","_links":{"self":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/276175","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/users\/17066"}],"replies":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/comments?post=276175"}],"version-history":[{"count":0,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/276175\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media\/276181"}],"wp:attachment":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media?parent=276175"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/categories?post=276175"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/tags?post=276175"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":276107,"date":"2026-08-25T10:24:24","date_gmt":"2026-08-25T14:24:24","guid":{"rendered":"https:\/\/lithub.com\/?p=276107"},"modified":"2026-08-25T10:28:08","modified_gmt":"2026-08-25T14:28:08","slug":"explore-a-rare-collection-of-lgbtq-childrens-books-dating-back-to-1969","status":"publish","type":"post","link":"https:\/\/lithub.com\/explore-a-rare-collection-of-lgbtq-childrens-books-dating-back-to-1969\/","title":{"rendered":"Explore a rare collection of LGBTQ+ children\u2019s books dating back to 1969."},"content":{"rendered":"<p>The <a href=\"https:\/\/www.milibrary.org\/\" target=\"_blank\" rel=\"noopener\">Mechanics&#8217; Institute<\/a>, one of the oldest cultural institutions on the West Coast, is now home to a thrilling archive of LGBTQ+ children&#8217;s literature.<\/p>\n<p><span class=\"il\">The Tarpey<\/span>&#8211;<span class=\"il\">Schwed<\/span> LGBT Families Children&#8217;s Book Special Collection features more than 200 queer-friendly kids&#8217; books published between 1969 and 2023. Titles like <a href=\"https:\/\/tarpey-schwed-special-collection.vercel.app\/items\/KB-145\/heather-has-two-mommies\" target=\"_blank\" rel=\"noopener\"><em>Heather Has Two Mommies<\/em><\/a> and <a href=\"https:\/\/tarpey-schwed-special-collection.vercel.app\/items\/KB-002\/lucy-goes-to-the-country-alyson-wonderland\" target=\"_blank\" rel=\"noopener\"><em>Lucy Goes to the Country <\/em><\/a>show the evolution of queer representation in children&#8217;s literature over five decades, offering a rare opportunity for families and researchers alike.<\/p>\n<p>I spoke with Myles Cooper, an archivist and library manager of the Mechanics&#8217; Institute, about the acquisition&#8217;s significance. He told me the collection was donated at the end of 2025 by Randall Tarpey-Schwed, a well-respected collector and something of a tastemaker in the <a href=\"https:\/\/www.ebar.com\/story\/168820\" target=\"_blank\" rel=\"noopener\">world of California letters<\/a>.<\/p>\n<p>A gay parent himself, Tarpey-Schwed started collecting the books to read to his own children.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"276113\" data-permalink=\"https:\/\/lithub.com\/explore-a-rare-collection-of-lgbtq-childrens-books-dating-back-to-1969\/9780316832403-l\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/9780316832403-L.jpg\" data-orig-size=\"500,485\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"9780316832403-L\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/9780316832403-L.jpg\" class=\"aligncenter wp-image-276113 size-full\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/9780316832403-L.jpg\" alt=\"A 1981 English family-diversity picture book by Meredith Tax, illustrated by Marylin Hafner\" width=\"500\" height=\"485\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/9780316832403-L.jpg 500w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/9780316832403-L-300x291.jpg 300w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/9780316832403-L-60x58.jpg 60w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/9780316832403-L-50x50.jpg 50w\" sizes=\"auto, (max-width: 500px) 100vw, 500px\" \/><\/p>\n<p>Once his daughters were grown, Tarpey-Schwed sought a home for the archive. As a member-supported non-profit with deep roots in the state, the Institute felt like a natural fit.<\/p>\n<p>And the feeling was mutual. Noting that San Francisco is home to a number of &#8220;wonderful historical archives and libraries&#8221; centering the queer experience, Cooper said that few resources have <em>this<\/em> focus.<\/p>\n<p>&#8220;What I&#8217;ve found over the years is that\u2014and rightfully so\u2014a lot of the LGBTQ+ history really relates to adults,&#8221; he observed. Political histories centering the neighborhood&#8217;s experience of the HIV\/AIDS crisis are well-represented in the archive. But the Tarpey-Schwed collection is groundbreaking because it expands on an underrepresented story: queer family-making.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"276128\" data-permalink=\"https:\/\/lithub.com\/explore-a-rare-collection-of-lgbtq-childrens-books-dating-back-to-1969\/0010873072-l\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/0010873072-L.jpg\" data-orig-size=\"387,500\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"0010873072-L\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/0010873072-L.jpg\" class=\"aligncenter wp-image-276128 size-full\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/0010873072-L.jpg\" alt=\"Gloria Goes to Gay Pride by Lesl\u00e9a Newman.\" width=\"387\" height=\"500\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/0010873072-L.jpg 387w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/0010873072-L-232x300.jpg 232w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/0010873072-L-46x60.jpg 46w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/0010873072-L-39x50.jpg 39w\" sizes=\"auto, (max-width: 387px) 100vw, 387px\" \/><\/p>\n<p>Children&#8217;s literature featuring out queer characters is also a fairly recent development, as far as American publishing goes. According to Cooper, many of the early entries in the queer family canon were self-published, or published in small feminist presses\u2014which makes them hard to find these days.<\/p>\n<p>Consider a title like Jane Severance&#8217;s <a href=\"https:\/\/tarpey-schwed-special-collection.vercel.app\/items\/KB-143\/lots-of-mommies\" target=\"_blank\" rel=\"noopener\"><em>Lots of Mommies<\/em><\/a>. According to archival description, this 1983 picture book from the feminist<a href=\"https:\/\/www.wunc.org\/arts-culture\/2013-02-14\/remembering-chapel-hills-1970s-and-80s-feminist-childrens-book-press\" target=\"_blank\" rel=\"noopener\"> Lollipop Power press<\/a> &#8220;documents feminist communal-family imagination&#8221; by showing &#8220;care, work, school recognition, and adult authority distributed across several women.&#8221;<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"276124\" data-permalink=\"https:\/\/lithub.com\/explore-a-rare-collection-of-lgbtq-childrens-books-dating-back-to-1969\/lots_of_mommies_1983_cover-1\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/Lots_of_Mommies_1983_cover-1-1.jpg\" data-orig-size=\"283,352\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"Lots_of_Mommies_(1983)_cover-1\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/Lots_of_Mommies_1983_cover-1-1.jpg\" class=\"aligncenter wp-image-276124 size-full\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/Lots_of_Mommies_1983_cover-1-1.jpg\" alt=\"\" width=\"283\" height=\"352\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/Lots_of_Mommies_1983_cover-1-1.jpg 283w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/Lots_of_Mommies_1983_cover-1-1-241x300.jpg 241w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/Lots_of_Mommies_1983_cover-1-1-48x60.jpg 48w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/Lots_of_Mommies_1983_cover-1-1-40x50.jpg 40w\" sizes=\"auto, (max-width: 283px) 100vw, 283px\" \/><\/p>\n<p>In addition to stories like these, the new collection includes books that treat otherwise historically marginalized family structures as ordinary.<\/p>\n<p>Arnold Adoff&#8217;s <a href=\"https:\/\/tarpey-schwed-special-collection.vercel.app\/items\/KB-180\/black-is-brown-is-tan\" target=\"_blank\" rel=\"noopener\"><em>Black is Brown is Tan<\/em><\/a>, for instance, is allegedly one of the first American picture books to depict an interracial family.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"276123\" data-permalink=\"https:\/\/lithub.com\/explore-a-rare-collection-of-lgbtq-childrens-books-dating-back-to-1969\/1065040-l\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/1065040-L.jpg\" data-orig-size=\"342,475\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"1065040-L\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/1065040-L.jpg\" class=\"aligncenter wp-image-276123 size-full\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/1065040-L.jpg\" alt=\"\" width=\"342\" height=\"475\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/1065040-L.jpg 342w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/1065040-L-216x300.jpg 216w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/1065040-L-43x60.jpg 43w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/1065040-L-36x50.jpg 36w\" sizes=\"auto, (max-width: 342px) 100vw, 342px\" \/><\/p>\n<p>Similarly, the ground-breaking title <a href=\"https:\/\/tarpey-schwed-special-collection.vercel.app\/items\/KB-008\/my-dad-has-hiv\" target=\"_blank\" rel=\"noopener\"><em>My Dad Has HIV<\/em><\/a> shows a family navigating marginalized illness. Published in 1996, this book by Earl Alexander, Sheila Rudin, and Pam Sejkora sought to de-stigmatize the HIV\/AIDS experience\u2014with a focus on the child&#8217;s perspective.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"276116\" data-permalink=\"https:\/\/lithub.com\/explore-a-rare-collection-of-lgbtq-childrens-books-dating-back-to-1969\/1672227-l\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/1672227-L.jpg\" data-orig-size=\"376,475\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"1672227-L\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/1672227-L.jpg\" class=\"aligncenter wp-image-276116 size-full\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/1672227-L.jpg\" alt=\"\" width=\"376\" height=\"475\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/1672227-L.jpg 376w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/1672227-L-237x300.jpg 237w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/1672227-L-47x60.jpg 47w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/1672227-L-40x50.jpg 40w\" sizes=\"auto, (max-width: 376px) 100vw, 376px\" \/><\/p>\n<p>According to Cooper, the new archive is especially valuable for showing how depictions of marginalized families have changed in <em>this<\/em> century. &#8220;A lot of the early books deal with parents who are same-sex, mostly lesbian or gay, who have a child,&#8221; he said. But newer titles tend to center &#8220;kids who are exploring their identity.&#8221;<\/p>\n<p>Storylines also tend to reflect organizing conditions. In the 60s and 70s, books were &#8220;not necessarily written by people who studied child development&#8221; so much as activists and real parents. This means conflicts can feel sharper, Cooper noted. And &#8220;some of the stories are not as affirming as they would be now.&#8221;<\/p>\n<p>Though a certain stylized, moody illustration style can make even the older entries feel fresh. As in this title, from the queer imprint <a href=\"https:\/\/www.ebsco.com\/research-starters\/social-sciences-and-humanities\/alyson-begins-publishing-gay-and-lesbian-books\" target=\"_blank\" rel=\"noopener\">Alyson Wonderland<\/a>.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"276127\" data-permalink=\"https:\/\/lithub.com\/explore-a-rare-collection-of-lgbtq-childrens-books-dating-back-to-1969\/0010680654-l\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/0010680654-L.jpg\" data-orig-size=\"329,500\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"0010680654-L\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/0010680654-L.jpg\" class=\"wp-image-276127 size-full aligncenter\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/0010680654-L.jpg\" alt=\"\" width=\"329\" height=\"500\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/0010680654-L.jpg 329w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/0010680654-L-197x300.jpg 197w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/0010680654-L-39x60.jpg 39w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/0010680654-L-33x50.jpg 33w\" sizes=\"auto, (max-width: 329px) 100vw, 329px\" \/><\/p>\n<p>Asked about his own favorite titles in the collection (so far), Cooper cited a modern classic: <em><a href=\"https:\/\/bookshop.org\/a\/132\/9781481446952\" target=\"_blank\" rel=\"noopener\">And Tango Makes Three<\/a>.<\/em> Written by Justin Richardson and Peter Parnell and illustrated by Henry Cole, this heartwarming story depicts two gentleman penguins who hatch an egg together.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"276125\" data-permalink=\"https:\/\/lithub.com\/explore-a-rare-collection-of-lgbtq-childrens-books-dating-back-to-1969\/and-tango-makes-three-school-and-library-edition-9781665960281_hr\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/and-tango-makes-three-school-and-library-edition-9781665960281_hr.jpg\" data-orig-size=\"1830,1400\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"and-tango-makes-three-school-and-library-edition-9781665960281_hr\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/and-tango-makes-three-school-and-library-edition-9781665960281_hr-1240x949.jpg\" class=\"aligncenter wp-image-276125 size-large\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/and-tango-makes-three-school-and-library-edition-9781665960281_hr-1240x949.jpg\" alt=\"And Tango Makes Three\" width=\"1240\" height=\"949\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/and-tango-makes-three-school-and-library-edition-9781665960281_hr-1240x949.jpg 1240w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/and-tango-makes-three-school-and-library-edition-9781665960281_hr-300x230.jpg 300w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/and-tango-makes-three-school-and-library-edition-9781665960281_hr-768x588.jpg 768w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/and-tango-makes-three-school-and-library-edition-9781665960281_hr-60x46.jpg 60w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/and-tango-makes-three-school-and-library-edition-9781665960281_hr-1536x1175.jpg 1536w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/and-tango-makes-three-school-and-library-edition-9781665960281_hr-50x38.jpg 50w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/and-tango-makes-three-school-and-library-edition-9781665960281_hr.jpg 1830w\" sizes=\"auto, (max-width: 1240px) 100vw, 1240px\" \/><\/p>\n<p>Cooper, who used to teach second grade at the <a href=\"https:\/\/www.sfusd.edu\/school\/harvey-milk-civil-rights-academy\" target=\"_blank\" rel=\"noopener\">Harvey Milk Civil Rights Academy<\/a>, recalls how meaningful this title was for his charges\u2014many of whom had parents in the queer community.<\/p>\n<p>&#8220;I remember reading it to the students, and they didn&#8217;t even think twice about it. It was just so understood and natural that these two penguins took care of an egg that hatches,&#8221; he said.<\/p>\n<p>Cooper hopes the Tarpey-Schwed collection sets a tone for future acquisitions. Especially considering how imperiled books like these are today. Thankfully, because the Institute is an independent library, all titles are safe in its stacks for the foreseeable future. &#8220;They won&#8217;t be subject to a challenge from a school board, or an advisory committee,&#8221; he said. &#8220;They&#8217;re in a good place.&#8221;<\/p>\n<p>And thanks to a bespoke new <a href=\"https:\/\/tarpey-schwed-special-collection.vercel.app\/\" target=\"_blank\" rel=\"noopener\">Discovery Lair<\/a>, the books are available now for any researcher, student, scholar, or family to explore online.<\/p>\n<p>But to read the books in person, you need to <a href=\"https:\/\/www.milibrary.org\/research-and-resources\/lgbt-families-collection\/\" target=\"_blank\" rel=\"noopener\">make a good-old-fashioned appointment<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Mechanics&#8217; Institute, one of the oldest cultural institutions on the West Coast, is now home to a thrilling archive of LGBTQ+ children&#8217;s literature. The Tarpey&#8211;Schwed LGBT Families Children&#8217;s Book Special Collection features more than 200 queer-friendly kids&#8217; books published<\/p>\n","protected":false},"author":17066,"featured_media":276177,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[43201,43105,43099,43109,43101,43092,43095,43098,43646],"tags":[111961,89747,62822,22785,2913,111962,38381,44351,22709,111960,4026,69489,111959,3362,4284,15030,14677],"class_list":["post-276107","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-book-news-newsandculture","category-bookstores-and-libraries","category-design-newsandculture","category-events","category-history","category-newsandculture","category-politics","category-style","category-the-hub","tag-alyson-wonderland","tag-and-tango-makes-three","tag-archive","tag-childrens-literature","tag-feminist-press","tag-harvey-milk-civil-rights-academy","tag-kids-books","tag-lgbtq-history","tag-library","tag-lollipop-power","tag-publishing","tag-queer-history","tag-randall-tarpey-schwed","tag-research","tag-san-francisco","tag-small-press","tag-the-mechanics-institute","book-and-tango-makes-three","book-heather-has-two-mommies","book-how-would-you-feel-if-your-dad-was-gay","book-lots-of-mommies","book-my-dad-has-hiv"],"jetpack_shortlink":"https:\/\/wp.me\/p5rKFr-19Pl","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/queer-kids-books.jpg","_links":{"self":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/276107","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/users\/17066"}],"replies":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/comments?post=276107"}],"version-history":[{"count":0,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/276107\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media\/276177"}],"wp:attachment":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media?parent=276107"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/categories?post=276107"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/tags?post=276107"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":276173,"date":"2026-08-25T10:15:32","date_gmt":"2026-08-25T14:15:32","guid":{"rendered":"https:\/\/lithub.com\/?p=276173"},"modified":"2026-08-25T10:15:32","modified_gmt":"2026-08-25T14:15:32","slug":"here-are-the-finalists-for-the-2026-kirkus-prize","status":"publish","type":"post","link":"https:\/\/lithub.com\/here-are-the-finalists-for-the-2026-kirkus-prize\/","title":{"rendered":"Here are the finalists for the 2026 Kirkus Prize."},"content":{"rendered":"<p>This morning, <em>Kirkus Reviews<\/em> announced the 18 finalists for the 2026 <a class=\"external\" href=\"https:\/\/www.kirkusreviews.com\/prize\/\" target=\"_blank\" rel=\"noopener\">Kirkus Prize<\/a>, which recognizes excellence in the categories of Fiction, Nonfiction, and Young Readers\u2019 Literature.\u00a0Books are selected by a panel of peers, editors, and other industry professionals.<\/p>\n<p>Winners in all three categories will receive $50,000 each, making the Kirkus Prize one of the richest annual literary awards in the world. Previous winners of the coveted award include Lily King&#8217;s <a href=\"https:\/\/bookshop.org\/a\/132\/9780802123701\" target=\"_blank\" rel=\"noopener\"><em>Euphoria<\/em><\/a>, H\u00e9ctor Tobar&#8217;s <a href=\"https:\/\/bookshop.org\/a\/132\/9781250335814\" target=\"_blank\" rel=\"noopener\"><em>Our Migrant Souls<\/em><\/a>, and Percival Everett&#8217;s <a href=\"https:\/\/bookshop.org\/a\/132\/9780593686867\" target=\"_blank\" rel=\"noopener\"><em>James<\/em><\/a>.<\/p>\n<p>This year\u2019s finalists were chosen from a whopping total of 8,280 eligible titles. Of the bumper crop, <em>Kirkus Reviews<\/em> editor-in-chief Tom Beer said, \u201cThis year\u2019s slate of prize finalists takes readers around the globe while exploring the deepest, most private recesses of the human mind, offering profound windows onto human experience. Each book is beautifully written and\/or illustrated, brilliantly conceived, and compulsively readable.\u201d<\/p>\n<p>Here are the finalists:<\/p>\n<p style=\"text-align: center;\"><strong>FICTION:<\/strong><\/p>\n<p style=\"text-align: center;\">Tayari Jones, <a href=\"https:\/\/bookshop.org\/a\/132\/9780525659181\" target=\"_blank\" rel=\"noopener\"><strong><em>Kin<\/em><\/strong><\/a>\u00a0(Knopf)<br \/>\nDaniyal Mueenuddin, <a href=\"https:\/\/bookshop.org\/a\/132\/9780525655152\" target=\"_blank\" rel=\"noopener\"><strong><em>This Is Where the Serpent Lives<\/em><\/strong><\/a> (Knopf)<br \/>\nBrenda Navarro, trans. by Megan McDowell, <a href=\"https:\/\/bookshop.org\/a\/132\/9781324096085\" target=\"_blank\" rel=\"noopener\"><strong><em>Eating Ashes<\/em><\/strong><\/a> (Liveright\/Norton)<br \/>\nJulie Orringer, <a href=\"https:\/\/bookshop.org\/a\/132\/9798217207886\" target=\"_blank\" rel=\"noopener\"><strong><em>Luna, Phoenix, Queen<\/em><\/strong><\/a>\u00a0(Knopf)<br \/>\nDouglas Stuart, <a href=\"https:\/\/bookshop.org\/a\/132\/9780802167194\" target=\"_blank\" rel=\"noopener\"><strong><em>John of John<\/em><\/strong><\/a> (Grove)<br \/>\nColson Whitehead, <a href=\"https:\/\/bookshop.org\/a\/132\/9780385550505\" target=\"_blank\" rel=\"noopener\"><strong><em>Cool Machine<\/em><\/strong><\/a>\u00a0(Doubleday)<\/p>\n<p style=\"text-align: center;\">*<\/p>\n<p style=\"text-align: center;\"><strong>NONFICTION:<\/strong><\/p>\n<p style=\"text-align: center;\">Pamela Colloff , <a href=\"https:\/\/bookshop.org\/a\/132\/9780593230862\" target=\"_blank\" rel=\"noopener\"><strong><em>Catch the Devil: A True Story of Murder, Deception, and Injustice on the Gulf Coast<\/em><\/strong><\/a> (Knopf)<br \/>\nAda Ferrer, <a href=\"https:\/\/bookshop.org\/a\/132\/9781668025659\" target=\"_blank\" rel=\"noopener\"><strong><em>Keeper of My Kin: Memoir of an Immigrant Daughter<\/em><\/strong><\/a> (Scribner)<br \/>\nPatrick Radden Keefe, <a href=\"https:\/\/bookshop.org\/a\/132\/9780385548533\" target=\"_blank\" rel=\"noopener\"><strong><em>London Falling: A Mysterious Death in a Gilded City and a Family\u2019s Search for Truth<\/em><\/strong><\/a> (Doubleday)<br \/>\nLoubna Mrie, <a href=\"https:\/\/bookshop.org\/a\/132\/9781984880000\" target=\"_blank\" rel=\"noopener\"><strong><em>Defiance: A Memoir of Awakening, Rebellion, and Survival in Syria<\/em><\/strong><\/a> (Viking)<br \/>\nGis\u00e8le Pelicot with Judith Perrignon, trans. by Natasha Lehrer &amp; Ruth Diver, <a href=\"https:\/\/bookshop.org\/a\/132\/9781984880000\" target=\"_blank\" rel=\"noopener\"><strong><em>A Hymn to Life: Shame Has To Change Sides<\/em><\/strong><\/a> (Penguin Press)<br \/>\nMichael Pollan, <a href=\"https:\/\/bookshop.org\/a\/132\/9781984881991\" target=\"_blank\" rel=\"noopener\"><strong><em>A World Appears: A Journey Into Consciousness<\/em><\/strong><\/a> (Penguin Press)<\/p>\n<p style=\"text-align: center;\">*<\/p>\n<p style=\"text-align: center;\"><strong>YOUNG READERS\u2019 LITERATURE:<\/strong><\/p>\n<p style=\"text-align: center;\"><em><strong>Picture Books<\/strong><\/em><\/p>\n<p style=\"text-align: center;\">Julie Leung, illus. by Angie Kang, <a href=\"https:\/\/bookshop.org\/a\/132\/9780593897690\" target=\"_blank\" rel=\"noopener\"><strong><em>Navigating Night<\/em><\/strong><\/a> (Anne Schwartz\/Random)<br \/>\nKarthika Na\u00efr, illus. by Jo\u00eblle Jolivet, <a href=\"https:\/\/bookshop.org\/a\/132\/9781849769150\" target=\"_blank\" rel=\"noopener\"><strong><em>Electric Birds of Pothakudi<\/em><\/strong><\/a> (Tate Publishing)<\/p>\n<p style=\"text-align: center;\"><em><strong>Middle Grade<\/strong><\/em><\/p>\n<p style=\"text-align: center;\">Matthew Fox, <a href=\"https:\/\/bookshop.org\/a\/132\/9781454965022\" target=\"_blank\" rel=\"noopener\"><strong><em>The Lovely Dark<\/em><\/strong>\u00a0<\/a>(Union Square Kids)<br \/>\nDaniel Nayeri, <a href=\"https:\/\/bookshop.org\/a\/132\/9781464246029\" target=\"_blank\" rel=\"noopener\"><strong><em>This Is a Door<\/em><\/strong><\/a> (Stonefruit Studio\/Sourcebooks)<\/p>\n<p style=\"text-align: center;\"><em><strong>Young Adult<\/strong><\/em><\/p>\n<p style=\"text-align: center;\">Elizabeth Acevedo, <a href=\"https:\/\/bookshop.org\/a\/132\/9780062882790\" target=\"_blank\" rel=\"noopener\"><strong><em>Anger Is Only a Shadow<\/em><\/strong><\/a> (Quill Tree Books\/HarperCollins)<br \/>\nBlessing Musariri, <a href=\"https:\/\/bookshop.org\/a\/132\/9798765689134\" target=\"_blank\" rel=\"noopener\"><strong><em>When It\u2019s Your Turn for Midnight<\/em><\/strong><\/a> (Carolrhoda Lab)<\/p>\n<p style=\"text-align: center;\">*<\/p>\n<p>The three winners will be announced at a ceremony on October 7, 2026. The announcement will also be livestreamed on <a href=\"https:\/\/books.kirkusreviews.com\/e3t\/Ctc\/WX+113\/cbywH04\/VWCn7p8d0K3bW2W-s_585p4mNW5q0Twr5T7321McSJRP3lYM-W7lCdLW6lZ3l1W1bKJ5w91wVFLW2s00xS5YqN6BN6DM2g6yvJBdW6WBSsx1rkf_RW4zFQzd6GjH2xW4MJyGM3ZFmB8W1Mfl9J6BxnWKW1jplV347H8byW1Fzk9X12-9LWW90mX1S6nH4F_W4Mdzmn8H73hnW4vGfbk49rKJdW43fsbB6NCY0xW4SQXFz523pCRW4kd4qb7r3gS_W1DR73y1_2gRhW3nmq5R2fBG_DW2D52ZW8-s_yvW1pcT5f8G0wDkVGkfCf75QynZW7zrLtz7FxVk0W2yQ9mn92V0sjW1kRLrl7pbhmXW2Xfl4B535Z-sf7v0gnj04\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/books.kirkusreviews.com\/e3t\/Ctc\/WX%2B113\/cbywH04\/VWCn7p8d0K3bW2W-s_585p4mNW5q0Twr5T7321McSJRP3lYM-W7lCdLW6lZ3l1W1bKJ5w91wVFLW2s00xS5YqN6BN6DM2g6yvJBdW6WBSsx1rkf_RW4zFQzd6GjH2xW4MJyGM3ZFmB8W1Mfl9J6BxnWKW1jplV347H8byW1Fzk9X12-9LWW90mX1S6nH4F_W4Mdzmn8H73hnW4vGfbk49rKJdW43fsbB6NCY0xW4SQXFz523pCRW4kd4qb7r3gS_W1DR73y1_2gRhW3nmq5R2fBG_DW2D52ZW8-s_yvW1pcT5f8G0wDkVGkfCf75QynZW7zrLtz7FxVk0W2yQ9mn92V0sjW1kRLrl7pbhmXW2Xfl4B535Z-sf7v0gnj04&amp;source=gmail&amp;ust=1787750965994000&amp;usg=AOvVaw2TiQlFyb58e6CWwMgS5QVJ\">Kirkus\u2019 YouTube channel<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This morning, Kirkus Reviews announced the 18 finalists for the 2026 Kirkus Prize, which recognizes excellence in the categories of Fiction, Nonfiction, and Young Readers\u2019 Literature.\u00a0Books are selected by a panel of peers, editors, and other industry professionals. Winners in<\/p>\n","protected":false},"author":17066,"featured_media":276174,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[43201,43092,43646],"tags":[22785,1280,31454,53371,35122,5483,1300,110031,28452,8517,665],"class_list":["post-276173","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-book-news-newsandculture","category-newsandculture","category-the-hub","tag-childrens-literature","tag-colson-whitehead","tag-daniyal-mueenuddin","tag-douglas-stuart","tag-julie-orringer","tag-kirkus-book-prizes","tag-kirkus-reviews","tag-literary-announcements","tag-middle-grade","tag-picture-books","tag-tayari-jones","book-a-hymn-to-life-shame-has-to-change-sides","book-a-world-appears-a-journey-into-consciousness","book-and-injustice-on-the-gulf-coast","book-and-survival-in-syria","book-anger-is-only-a-shadow","book-catch-the-devil-a-true-story-of-murder","book-cool-machine","book-deception","book-defiance-a-memoir-of-awakening","book-eating-ashes","book-electric-birds-of-pothakudi","book-euphoria","book-james","book-john-of-john","book-keeper-of-my-kin-memoir-of-an-immigrant-daughter","book-kin","book-london-falling-a-mysterious-death-in-a-gilded-city-and-a-familys-search-for-truth","book-luna-phoenix-queen","book-navigating-night","book-our-migrant-souls","book-rebellion","book-the-lovely-dark","book-this-is-a-door","book-this-is-where-the-serpent-lives","book-when-its-your-turn-for-midnight"],"jetpack_shortlink":"https:\/\/wp.me\/p5rKFr-19Qp","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/Untitled-design-28.png","_links":{"self":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/276173","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/users\/17066"}],"replies":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/comments?post=276173"}],"version-history":[{"count":0,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/276173\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media\/276174"}],"wp:attachment":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media?parent=276173"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/categories?post=276173"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/tags?post=276173"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":276126,"date":"2026-08-25T06:30:23","date_gmt":"2026-08-25T10:30:23","guid":{"rendered":"https:\/\/lithub.com\/?p=276126"},"modified":"2026-08-24T17:09:45","modified_gmt":"2026-08-24T21:09:45","slug":"lit-hub-daily-august-25-2026","status":"publish","type":"post","link":"https:\/\/lithub.com\/lit-hub-daily-august-25-2026\/","title":{"rendered":"Lit Hub Daily: August 25, 2026"},"content":{"rendered":"<span class=\"caption\"> TODAY: In 1900, Friedrich Nietzsche dies. <\/span>\n<ul>\n<li>New data centers <a href=\"https:\/\/lithub.com\/data-centers-the-latest-thing-to-destroy-beautiful-west-virginia\/\">are threatening to destroy the\u00a0natural beauty<\/a> of West Virginia&#8217;s Canaan Valley. | Lit Hub <a href=\"https:\/\/lithub.com\/category\/newsandculture\/technology\/\">Technology<\/a><\/li>\n<li><a href=\"https:\/\/lithub.com\/on-the-rise-of-white-christian-nationalism-in-the-us\/\">How Christian nationalism rose<\/a> in the United States: &#8220;Those of us who saw the moral arc of the universe bending toward justice missed the fact that millions of our fellow Americans saw it differently: They saw a Christian nation under siege from within.&#8221; | Lit Hub <a href=\"https:\/\/lithub.com\/category\/newsandculture\/politics\/\">Politics<\/a><\/li>\n<li>Titles by Rachel Cusk, Liane Moriarty, Jill Lepore, and more are among <a href=\"https:\/\/lithub.com\/rachel-cusk-liane-moriarty-jill-lepore-and-more-20-new-books-out-today\/\">the 20 new books out today<\/a>. | Lit Hub <a href=\"https:\/\/lithub.com\/category\/readinglists\/\">Reading Lists<\/a><\/li>\n<li>Why <a href=\"https:\/\/lithub.com\/what-hieronymus-boschs-fantastical-tryptiches-reveal-about-the-artists-worldview\/\">Hieronymus Bosch&#8217;s otherworldly paintings reveal<\/a> the artist&#8217;s &#8220;particularly pessimistic&#8221; way of thinking. | Lit Hub <a href=\"https:\/\/lithub.com\/category\/newsandculture\/art-and-photography\/\">Art<\/a><\/li>\n<li>What nightscapes reveal about our dependence on artificial light <a href=\"https:\/\/lithub.com\/what-the-worlds-nightscapes-reveal-about-our-dependence-on-artificial-light\/\">and our &#8220;implicit daylight bias.&#8221;<\/a> | Lit Hub <a href=\"https:\/\/lithub.com\/category\/newsandculture\/history\/\">History<\/a><\/li>\n<li>&#8220;Not defensive, not quiet \/ not the voices of human beings \/ but the plant moved in front of the balcony and windows open to the rain.&#8221; <a href=\"https:\/\/lithub.com\/a-poem-by-antonella-anedda\/\">Read a poem by Antonella Anedda<\/a> from the collection, <em>Emerging from the Winter Sea<\/em>. | Lit Hub <a href=\"https:\/\/lithub.com\/category\/fictionandpoetry\/poem\/\">Poetry<\/a><\/li>\n<li>&#8220;Here\u2019s what happens: She sees the boy the first day the house goes on the market, while cleaning the kitchen between visits from two potential buyers.&#8221; <a href=\"https:\/\/lithub.com\/last-day-of-a-prior-life\/\">Read from Andr\u00e9s Barba&#8217;s novel <em>Last Day of a Prior Life<\/em><\/a>, translated by Lisa Dillman. | Lit Hub <a href=\"https:\/\/lithub.com\/category\/fictionandpoetry\/from-the-novel\/\">Fiction<\/a><\/li>\n<li><a href=\"https:\/\/www.thenation.com\/article\/society\/oxford-and-cambridge-have-always-been-racist-arday\/\">Gazelle Mba recalls \u201dthe poisonous exceptionalism that followed Black students and staff at Cambridge,\u201d<\/a> and the undermining of Black suffering that contributed to Jason Arday\u2019s demise. | The Nation<\/li>\n<li><a href=\"https:\/\/lareviewofbooks.org\/article\/femme-feminism-lori-marso-sophie-lewis-eileen-gsell\/\">On new books by Eileen G\u2019Sell and Sophie Lewis<\/a>, which ask \u201cwho gets to be femme and what the performance of femme can accomplish politically.\u201d | Los Angeles Review of Books<\/li>\n<li><a href=\"https:\/\/www.wired.com\/story\/teachers-deepfake-ai-students-content\/\">How deepfakes haunt educators<\/a> in their own classrooms. | Wired<\/li>\n<li>The rise, fall, and rebirth of humanity in <a href=\"https:\/\/thereader.mitpress.mit.edu\/the-man-who-saw-humanity-from-two-billion-years-away\/\">Olaf Stapledon\u2019s 1930 speculative novel <i>Last and First Men: A Story of the Near and Far Future<\/i><\/a>. | The MIT Press Reader<\/li>\n<li>What will happen when there are no books left to feed LLMs? <a href=\"https:\/\/www.nytimes.com\/2026\/08\/24\/opinion\/claude-pirated-books-ai.html\">They might need to eat themselves.<\/a> | The New York Times<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>New data centers are threatening to destroy the\u00a0natural beauty of West Virginia&#8217;s Canaan Valley. | Lit Hub Technology How Christian nationalism rose in the United States: &#8220;Those of us who saw the moral arc of the universe bending toward justice<\/p>\n","protected":false},"author":61,"featured_media":276131,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[45236],"tags":[],"class_list":["post-276126","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-lit-hub-daily"],"jetpack_shortlink":"https:\/\/wp.me\/p5rKFr-19PE","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/Nietzsche1.jpg","_links":{"self":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/276126","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/users\/61"}],"replies":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/comments?post=276126"}],"version-history":[{"count":0,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/276126\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media\/276131"}],"wp:attachment":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media?parent=276126"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/categories?post=276126"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/tags?post=276126"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":275890,"date":"2026-08-25T05:41:45","date_gmt":"2026-08-25T09:41:45","guid":{"rendered":"https:\/\/lithub.com\/?p=275890"},"modified":"2026-08-23T21:42:07","modified_gmt":"2026-08-24T01:42:07","slug":"rachel-cusk-liane-moriarty-jill-lepore-and-more-20-new-books-out-today","status":"publish","type":"post","link":"https:\/\/lithub.com\/rachel-cusk-liane-moriarty-jill-lepore-and-more-20-new-books-out-today\/","title":{"rendered":"Rachel Cusk, Liane Moriarty, Jill Lepore, and more: 20 new books out today!"},"content":{"rendered":"<p style=\"text-align: left;\">We&#8217;ve all been reading about it for months, and now finally it&#8217;s time to read the thing itself: <em>Life of M<\/em> by Rachel Cusk is available today! And that&#8217;s not all: a long awaited sequel to <em>Big Little Lies<\/em> hits the shelves, as well as another knockout work of nonfiction and the state of politics today by Jill Lepore. Read on for the full list below; enjoy the bounty.<\/p>\n<p style=\"text-align: center;\">*<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"273186\" data-permalink=\"https:\/\/lithub.com\/lit-hubs-most-anticipated-books-of-2026-part-two\/attachment\/9780374618384\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/06\/9780374618384-scaled.avif\" data-orig-size=\"1668,2560\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Rachel Cusk, Life of M\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/06\/9780374618384-667x1024.jpg\" class=\"alignnone size-medium wp-image-273186\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/06\/9780374618384-196x300.jpg\" alt=\"Rachel Cusk, Life of M\" width=\"196\" height=\"300\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/06\/9780374618384-196x300.jpg 196w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/06\/9780374618384-667x1024.jpg 667w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/06\/9780374618384-768x1178.jpg 768w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/06\/9780374618384-39x60.jpg 39w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/06\/9780374618384-1001x1536.jpg 1001w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/06\/9780374618384-1335x2048.jpg 1335w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/06\/9780374618384-33x50.jpg 33w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/06\/9780374618384-scaled.avif 1668w\" sizes=\"auto, (max-width: 196px) 100vw, 196px\" \/><\/p>\n<p style=\"text-align: center;\"><strong>Rachel Cusk, <a href=\"https:\/\/bookshop.org\/a\/40\/9780374618384\" target=\"_blank\" rel=\"noopener\"><em>Life of M<\/em><\/a><\/strong><br \/>\n<strong>(FSG)<\/strong><\/p>\n<p style=\"text-align: center;\">\u201cA terse, singular meditation on time, fame, innocence and self-creation.\u201d<br \/>\n<em>\u2013The New York Times<\/em><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"275905\" data-permalink=\"https:\/\/lithub.com\/rachel-cusk-liane-moriarty-jill-lepore-and-more-20-new-books-out-today\/attachment\/9780593798638\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/9780593798638.jpeg\" data-orig-size=\"298,450\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"Big Little Truths, Liane Moriarty\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/9780593798638.jpeg\" class=\"alignnone size-medium wp-image-275905\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/9780593798638-199x300.jpeg\" alt=\"Big Little Truths, Liane Moriarty\" width=\"199\" height=\"300\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/9780593798638-199x300.jpeg 199w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/9780593798638-40x60.jpeg 40w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/9780593798638-33x50.jpeg 33w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/9780593798638.jpeg 298w\" sizes=\"auto, (max-width: 199px) 100vw, 199px\" \/><\/p>\n<p style=\"text-align: center;\"><strong>Liane Moriarty, <a href=\"https:\/\/bookshop.org\/a\/40\/9780593798638\" target=\"_blank\" rel=\"noopener\"><em>Big Little Truths<\/em><\/a><\/strong><br \/>\n<strong>(Crown)<\/strong><\/p>\n<p style=\"text-align: center;\">&#8220;A deliciously addictive drama that is equal parts juicy, gripping, and impossible to put down.&#8221;<br \/>\n<em>\u2013<\/em>Freida McFadden<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"273184\" data-permalink=\"https:\/\/lithub.com\/lit-hubs-most-anticipated-books-of-2026-part-two\/71gotqavxml-_ac_uf10001000_ql80_\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/06\/71gotQAvXmL._AC_UF10001000_QL80_.jpg\" data-orig-size=\"659,1000\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Jill Lepore, The Rise and Fall of the Artificial State\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/06\/71gotQAvXmL._AC_UF10001000_QL80_.jpg\" class=\"alignnone size-medium wp-image-273184\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/06\/71gotQAvXmL._AC_UF10001000_QL80_-198x300.jpg\" alt=\"Jill Lepore, The Rise and Fall of the Artificial State\" width=\"198\" height=\"300\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/06\/71gotQAvXmL._AC_UF10001000_QL80_-198x300.jpg 198w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/06\/71gotQAvXmL._AC_UF10001000_QL80_-40x60.jpg 40w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/06\/71gotQAvXmL._AC_UF10001000_QL80_-33x50.jpg 33w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/06\/71gotQAvXmL._AC_UF10001000_QL80_.jpg 659w\" sizes=\"auto, (max-width: 198px) 100vw, 198px\" \/><\/p>\n<p style=\"text-align: center;\"><strong>Jill Lepore, <a href=\"https:\/\/bookshop.org\/a\/40\/9781324098423\" target=\"_blank\" rel=\"noopener\"><em>The Rise and Fall of the Artificial State<\/em><\/a><\/strong><br \/>\n<strong>(Liveright)<\/strong><\/p>\n<p style=\"text-align: center;\">\u201cAn amazing book\u2014entertaining, revelatory, utterly original, exquisitely researched. It made me rethink everything I thought I knew about our country and this moment.&#8221;<br \/>\n<em>\u2013<\/em>George Saunders<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"275695\" data-permalink=\"https:\/\/lithub.com\/edwidge-danticat-wishes-her-former-english-teachers-would-read-her-work\/dey\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/dey.jpeg\" data-orig-size=\"298,450\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"dey\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/dey.jpeg\" class=\"alignnone size-medium wp-image-275695\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/dey-199x300.jpeg\" alt=\"\" width=\"199\" height=\"300\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/dey-199x300.jpeg 199w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/dey-40x60.jpeg 40w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/dey-33x50.jpeg 33w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/dey.jpeg 298w\" sizes=\"auto, (max-width: 199px) 100vw, 199px\" \/><\/p>\n<p style=\"text-align: center;\"><strong>Edwidge Danticat, <a href=\"https:\/\/bookshop.org\/a\/40\/9780593803523\" target=\"_blank\" rel=\"noopener\"><em>D\u00e8y<\/em><\/a><\/strong><br \/>\n<strong>(Knopf)<\/strong><\/p>\n<p style=\"text-align: center;\">&#8220;Danticat is an author whose work truly captures the Haitian American immigrant experience with prose that is so languid and all-consuming that one never wants to be released from its grasp.&#8221;<br \/>\n<em>\u2013NPR<\/em><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"275908\" data-permalink=\"https:\/\/lithub.com\/rachel-cusk-liane-moriarty-jill-lepore-and-more-20-new-books-out-today\/attachment\/9780593239544\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/9780593239544.jpeg\" data-orig-size=\"296,450\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"Seasons of Fury, Rozina Ali\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/9780593239544.jpeg\" class=\"alignnone size-medium wp-image-275908\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/9780593239544-197x300.jpeg\" alt=\"Seasons of Fury, Rozina Ali\" width=\"197\" height=\"300\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/9780593239544-197x300.jpeg 197w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/9780593239544-39x60.jpeg 39w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/9780593239544-33x50.jpeg 33w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/9780593239544.jpeg 296w\" sizes=\"auto, (max-width: 197px) 100vw, 197px\" \/><\/p>\n<p style=\"text-align: center;\"><strong>Rozina Ali, <a href=\"https:\/\/bookshop.org\/a\/40\/9780593239544\" target=\"_blank\" rel=\"noopener\"><em>Seasons of Fury: Four Families and the Rise of Islamophobia in America<\/em><\/a><\/strong><br \/>\n<strong>(Crown)<\/strong><\/p>\n<p style=\"text-align: center;\">&#8220;This a deeply reported tale of hysteria, bigotry, surveillance and persecution, one that is suffused with quiet outrage but observed with a clear eye.&#8221;<br \/>\n<em>\u2013<\/em>Patrick Radden Keefe<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"273188\" data-permalink=\"https:\/\/lithub.com\/lit-hubs-most-anticipated-books-of-2026-part-two\/71rjboz9kel-_ac_uf10001000_ql80_\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/06\/71rjBoZ9keL._AC_UF10001000_QL80_.jpg\" data-orig-size=\"654,1000\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Joan Barfoot, Gaining Ground\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/06\/71rjBoZ9keL._AC_UF10001000_QL80_.jpg\" class=\"alignnone size-medium wp-image-273188\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/06\/71rjBoZ9keL._AC_UF10001000_QL80_-196x300.jpg\" alt=\"Joan Barfoot, Gaining Ground\" width=\"196\" height=\"300\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/06\/71rjBoZ9keL._AC_UF10001000_QL80_-196x300.jpg 196w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/06\/71rjBoZ9keL._AC_UF10001000_QL80_-39x60.jpg 39w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/06\/71rjBoZ9keL._AC_UF10001000_QL80_-33x50.jpg 33w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/06\/71rjBoZ9keL._AC_UF10001000_QL80_.jpg 654w\" sizes=\"auto, (max-width: 196px) 100vw, 196px\" \/><\/p>\n<p style=\"text-align: center;\"><strong>Joan Barfoot, <a href=\"https:\/\/bookshop.org\/a\/40\/9780571399888\" target=\"_blank\" rel=\"noopener\"><em>Gaining Ground<\/em><\/a><\/strong><br \/>\n<strong>(Faber &amp; Faber)<\/strong><\/p>\n<p style=\"text-align: center;\">&#8220;A formidable frontispiece for second-wave feminism and a wildly original novel.&#8221;<br \/>\n<em>\u2013<\/em>Sarah Hall<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"275906\" data-permalink=\"https:\/\/lithub.com\/rachel-cusk-liane-moriarty-jill-lepore-and-more-20-new-books-out-today\/screenshot-2026-08-18-at-4-52-57-pm\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/Screenshot-2026-08-18-at-4.52.57-PM.png\" data-orig-size=\"1036,1566\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"Wilbert Cooper, The Black Shield\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/Screenshot-2026-08-18-at-4.52.57-PM-677x1024.png\" class=\"alignnone size-medium wp-image-275906\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/Screenshot-2026-08-18-at-4.52.57-PM-198x300.png\" alt=\"Wilbert Cooper, The Black Shield\" width=\"198\" height=\"300\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/Screenshot-2026-08-18-at-4.52.57-PM-198x300.png 198w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/Screenshot-2026-08-18-at-4.52.57-PM-677x1024.png 677w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/Screenshot-2026-08-18-at-4.52.57-PM-768x1161.png 768w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/Screenshot-2026-08-18-at-4.52.57-PM-40x60.png 40w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/Screenshot-2026-08-18-at-4.52.57-PM-1016x1536.png 1016w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/Screenshot-2026-08-18-at-4.52.57-PM-33x50.png 33w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/Screenshot-2026-08-18-at-4.52.57-PM.png 1036w\" sizes=\"auto, (max-width: 198px) 100vw, 198px\" \/><\/p>\n<p style=\"text-align: center;\"><strong>Wilbert L. Cooper, <a href=\"https:\/\/bookshop.org\/a\/40\/9780374613525\" target=\"_blank\" rel=\"noopener\"><em>The Black Shield: An American Memoir of Family and Power<\/em><\/a><\/strong><br \/>\n<strong>(FSG)<\/strong><\/p>\n<p style=\"text-align: center;\">&#8220;A revealing, closely observed account of police culture and its discontents.&#8221;<br \/>\n<em>\u2013Kirkus<\/em><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"273185\" data-permalink=\"https:\/\/lithub.com\/lit-hubs-most-anticipated-books-of-2026-part-two\/attachment\/9781639738441\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/06\/9781639738441.jpg\" data-orig-size=\"1316,2000\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"John Manuel Arias, Crocodilopolis\" data-image-description=\"\" data-image-caption=\"&lt;p&gt;John Manuel Arias, &lt;a class=&quot;external&quot; href=&quot;https:\/\/bookshop.org\/a\/132\/9781639738434&quot; target=&quot;_blank&quot; rel=&quot;noopener&quot;&gt;&lt;em&gt;Crocodilopolis&lt;\/em&gt;&lt;\/a&gt;; cover illustration by Rafael Nobre (Bloomsbury, August 25)&lt;\/p&gt;\n\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/06\/9781639738441-674x1024.jpg\" class=\"alignnone size-medium wp-image-273185\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/06\/9781639738441-197x300.jpg\" alt=\"John Manuel Arias, Crocodilopolis\" width=\"197\" height=\"300\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/06\/9781639738441-197x300.jpg 197w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/06\/9781639738441-674x1024.jpg 674w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/06\/9781639738441-768x1167.jpg 768w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/06\/9781639738441-39x60.jpg 39w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/06\/9781639738441-1011x1536.jpg 1011w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/06\/9781639738441-33x50.jpg 33w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/06\/9781639738441.jpg 1316w\" sizes=\"auto, (max-width: 197px) 100vw, 197px\" \/><\/p>\n<p style=\"text-align: center;\"><strong>John Manuel Arias, <a href=\"https:\/\/bookshop.org\/a\/40\/9781639738434\" target=\"_blank\" rel=\"noopener\"><em>Crocodilopolis<\/em><\/a><\/strong><br \/>\n<strong>(Bloomsbury)<\/strong><\/p>\n<p style=\"text-align: center;\">&#8220;A darkly intoxicating novel, at once mythic and wickedly contemporary.&#8221;<br \/>\n<em>\u2013<\/em>Ocean Vuong<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"275907\" data-permalink=\"https:\/\/lithub.com\/rachel-cusk-liane-moriarty-jill-lepore-and-more-20-new-books-out-today\/screenshot-2026-08-18-at-4-54-39-pm\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/Screenshot-2026-08-18-at-4.54.39-PM.png\" data-orig-size=\"1034,1572\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"A Moment in the Sun, Shane White\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/Screenshot-2026-08-18-at-4.54.39-PM-674x1024.png\" class=\"alignnone size-medium wp-image-275907\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/Screenshot-2026-08-18-at-4.54.39-PM-197x300.png\" alt=\"A Moment in the Sun, Shane White\" width=\"197\" height=\"300\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/Screenshot-2026-08-18-at-4.54.39-PM-197x300.png 197w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/Screenshot-2026-08-18-at-4.54.39-PM-674x1024.png 674w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/Screenshot-2026-08-18-at-4.54.39-PM-768x1168.png 768w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/Screenshot-2026-08-18-at-4.54.39-PM-39x60.png 39w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/Screenshot-2026-08-18-at-4.54.39-PM-1010x1536.png 1010w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/Screenshot-2026-08-18-at-4.54.39-PM-33x50.png 33w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/Screenshot-2026-08-18-at-4.54.39-PM.png 1034w\" sizes=\"auto, (max-width: 197px) 100vw, 197px\" \/><\/p>\n<p style=\"text-align: center;\"><strong>Shane White, <a href=\"https:\/\/bookshop.org\/a\/40\/9781324095088\" target=\"_blank\" rel=\"noopener\"><em>A Moment in the Sun: Black Manhattan Before the Civil War<\/em><\/a><\/strong><br \/>\n<strong>(Liveright)<\/strong><\/p>\n<p style=\"text-align: center;\">&#8220;A book that bustles with a fascinating cast of characters who made the city come alive with art, commerce, music, and literature.&#8221;<br \/>\n<em>\u2013<\/em>Greg Grandin<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"275296\" data-permalink=\"https:\/\/lithub.com\/the-anniversary\/attachment\/9781635426182\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/9781635426182.jpg\" data-orig-size=\"600,914\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"the anniversary\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/9781635426182.jpg\" class=\"alignnone size-medium wp-image-275296\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/9781635426182-197x300.jpg\" alt=\"the anniversary\" width=\"197\" height=\"300\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/9781635426182-197x300.jpg 197w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/9781635426182-39x60.jpg 39w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/9781635426182-33x50.jpg 33w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/9781635426182.jpg 600w\" sizes=\"auto, (max-width: 197px) 100vw, 197px\" \/><\/p>\n<p style=\"text-align: center;\"><strong>Andrea Bajani, trans. by Geoffrey Brock, <a href=\"https:\/\/bookshop.org\/a\/40\/9781635426182\" target=\"_blank\" rel=\"noopener\"><em>The Anniversary<\/em><\/a><\/strong><br \/>\n<strong>(Other Press)<\/strong><\/p>\n<p style=\"text-align: center;\">\u201cA book that confronts the purity of fact, the tyranny of memory, and the totalitarianism of family like no other.\u201d<br \/>\n<em>\u2013<\/em>Jhumpa Lahiri<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"275909\" data-permalink=\"https:\/\/lithub.com\/rachel-cusk-liane-moriarty-jill-lepore-and-more-20-new-books-out-today\/images-5-7\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/images-5.jpeg\" data-orig-size=\"331,500\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"The Ghost of the Mountains\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/images-5.jpeg\" class=\"alignnone size-medium wp-image-275909\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/images-5-199x300.jpeg\" alt=\"The Ghost of the Mountains\" width=\"199\" height=\"300\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/images-5-199x300.jpeg 199w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/images-5-40x60.jpeg 40w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/images-5-33x50.jpeg 33w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/images-5.jpeg 331w\" sizes=\"auto, (max-width: 199px) 100vw, 199px\" \/><\/p>\n<p style=\"text-align: center;\"><strong>Kulbhushansingh Suryawanshi, <a href=\"https:\/\/bookshop.org\/a\/40\/9798217043736\" target=\"_blank\" rel=\"noopener\"><em>The Ghost of the Mountains<\/em><\/a><\/strong><br \/>\n<strong>(Riverhead)<\/strong><\/p>\n<p style=\"text-align: center;\">\u201cSuryawanshi makes these leopards real, in all their glory, subtle skill and extreme vulnerability, in a book that reads like a classic of conservation.&#8221;<br \/>\n<em>\u2013Financial Times<\/em><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"275910\" data-permalink=\"https:\/\/lithub.com\/rachel-cusk-liane-moriarty-jill-lepore-and-more-20-new-books-out-today\/attachment\/242253162\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/242253162.jpg\" data-orig-size=\"331,500\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"Gael Faye, Jacaranda\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/242253162.jpg\" class=\"alignnone size-medium wp-image-275910\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/242253162-199x300.jpg\" alt=\"Gael Faye, Jacaranda\" width=\"199\" height=\"300\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/242253162-199x300.jpg 199w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/242253162-40x60.jpg 40w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/242253162-33x50.jpg 33w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/242253162.jpg 331w\" sizes=\"auto, (max-width: 199px) 100vw, 199px\" \/><\/p>\n<p class=\"flex text-sm text-purple lg:text-base\" style=\"text-align: center;\"><strong>Ga\u00ebl Faye, trans. by Sarah Ardizzone, <a href=\"https:\/\/bookshop.org\/a\/40\/9780593979617\" target=\"_blank\" rel=\"noopener\"><em>Jacaranda<\/em><\/a><\/strong><br \/>\n<strong>(Hogarth)<\/strong><\/p>\n<p style=\"text-align: center;\">&#8220;Through the beauty of his style, he speaks humanely and compassionately about the worst atrocities. This book is unforgettable.\u201d<br \/>\n<em>\u2013<\/em>Le\u00efla Slimani<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"275884\" data-permalink=\"https:\/\/lithub.com\/how-american-bureaucracy-literally-steals-years-from-your-life\/the-time-tax\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/the-time-tax.jpg\" data-orig-size=\"350,529\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"the time tax\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/the-time-tax.jpg\" class=\"alignnone size-medium wp-image-275884\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/the-time-tax-198x300.jpg\" alt=\"\" width=\"198\" height=\"300\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/the-time-tax-198x300.jpg 198w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/the-time-tax-40x60.jpg 40w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/the-time-tax-33x50.jpg 33w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/the-time-tax.jpg 350w\" sizes=\"auto, (max-width: 198px) 100vw, 198px\" \/><\/p>\n<p style=\"text-align: center;\"><strong>Annie Lowrey, <a href=\"https:\/\/bookshop.org\/a\/40\/9780063442559\" target=\"_blank\" rel=\"noopener\"><em>The Time Tax: How the Government Wastes Our Time\u2014and How to Fix It<\/em><\/a><\/strong><br \/>\n<strong>(Ecco)<\/strong><\/p>\n<p style=\"text-align: center;\">&#8220;Excellent.&#8221;<br \/>\n<em>\u2013The New Yorker<\/em><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"275913\" data-permalink=\"https:\/\/lithub.com\/rachel-cusk-liane-moriarty-jill-lepore-and-more-20-new-books-out-today\/images-7-5\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/images-7.jpeg\" data-orig-size=\"329,500\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"Ghost Cities\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/images-7.jpeg\" class=\"alignnone size-medium wp-image-275913\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/images-7-197x300.jpeg\" alt=\"\" width=\"197\" height=\"300\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/images-7-197x300.jpeg 197w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/images-7-39x60.jpeg 39w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/images-7-33x50.jpeg 33w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/images-7.jpeg 329w\" sizes=\"auto, (max-width: 197px) 100vw, 197px\" \/><\/p>\n<p style=\"text-align: center;\"><strong>Siang Lu, <a href=\"https:\/\/bookshop.org\/a\/40\/9781668241813\" target=\"_blank\" rel=\"noopener\"><em>Ghost Cities<\/em><\/a><\/strong><br \/>\n<strong>(Summit)<\/strong><\/p>\n<p style=\"text-align: center;\"><em>&#8220;Ghost Cities<\/em> offers everything readers could ask for\u2014historical drama, modern romance, satire-infused dystopia, a reckoning with one&#8217;s identity.&#8221;<br \/>\n<em>\u2013Booklist<\/em><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"264666\" data-permalink=\"https:\/\/lithub.com\/lit-hubs-most-anticipated-books-of-2026\/susan-stryker-changing-gender\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2025\/12\/Susan-Stryker-Changing-Gender.jpg\" data-orig-size=\"1000,1500\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Susan Stryker, Changing Gender\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2025\/12\/Susan-Stryker-Changing-Gender-683x1024.jpg\" class=\"alignnone size-medium wp-image-264666\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2025\/12\/Susan-Stryker-Changing-Gender-200x300.jpg\" alt=\"Susan Stryker, Changing Gender\" width=\"200\" height=\"300\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2025\/12\/Susan-Stryker-Changing-Gender-200x300.jpg 200w, https:\/\/lithub.com\/wp-content\/uploads\/2025\/12\/Susan-Stryker-Changing-Gender-683x1024.jpg 683w, https:\/\/lithub.com\/wp-content\/uploads\/2025\/12\/Susan-Stryker-Changing-Gender-768x1152.jpg 768w, https:\/\/lithub.com\/wp-content\/uploads\/2025\/12\/Susan-Stryker-Changing-Gender-40x60.jpg 40w, https:\/\/lithub.com\/wp-content\/uploads\/2025\/12\/Susan-Stryker-Changing-Gender-33x50.jpg 33w, https:\/\/lithub.com\/wp-content\/uploads\/2025\/12\/Susan-Stryker-Changing-Gender.jpg 1000w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/p>\n<p style=\"text-align: center;\"><strong>Susan Stryker, <a href=\"https:\/\/bookshop.org\/a\/40\/9780374123505\" target=\"_blank\" rel=\"noopener\"><em>Changing Gender<\/em><\/a><\/strong><br \/>\n<strong>(FSG)<\/strong><\/p>\n<p style=\"text-align: center;\">&#8220;This is a brave book, written during a moment when such bravery matters more than ever.&#8221;<br \/>\n<em>\u2013Library Journal<\/em><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"275915\" data-permalink=\"https:\/\/lithub.com\/rachel-cusk-liane-moriarty-jill-lepore-and-more-20-new-books-out-today\/images-8-6\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/images-8.jpeg\" data-orig-size=\"183,275\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"Last Day of a Prior LIfe\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/images-8.jpeg\" class=\"alignnone size-full wp-image-275915\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/images-8.jpeg\" alt=\"Last Day of a Prior LIfe\" width=\"183\" height=\"275\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/images-8.jpeg 183w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/images-8-40x60.jpeg 40w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/images-8-33x50.jpeg 33w\" sizes=\"auto, (max-width: 183px) 100vw, 183px\" \/><\/p>\n<p class=\"flex text-sm text-purple lg:text-base\" style=\"text-align: center;\"><strong>Andr\u00e9s Barba, trans. by Lisa Dillman, <a href=\"https:\/\/bookshop.org\/a\/40\/9780063352056\" target=\"_blank\" rel=\"noopener\"><em>Last Day of a Prior Life<\/em><\/a><\/strong><br \/>\n<strong>(HarperVia)<\/strong><\/p>\n<p style=\"text-align: center;\">\u201cA terrifying masterpiece &#8230; Andr\u00e9s is a write of extraordinary talent.\u201d<br \/>\n<em>\u2013<\/em>Omar El Akkad<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"275911\" data-permalink=\"https:\/\/lithub.com\/rachel-cusk-liane-moriarty-jill-lepore-and-more-20-new-books-out-today\/images-6-5\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/images-6.jpeg\" data-orig-size=\"432,648\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"Kazim Ali, The Man in 119\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/images-6.jpeg\" class=\"alignnone size-medium wp-image-275911\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/images-6-200x300.jpeg\" alt=\"Kazim Ali, The Man in 119\" width=\"200\" height=\"300\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/images-6-200x300.jpeg 200w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/images-6-40x60.jpeg 40w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/images-6-33x50.jpeg 33w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/images-6.jpeg 432w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/p>\n<p style=\"text-align: center;\"><strong>Kazim Ali, <a href=\"https:\/\/bookshop.org\/a\/40\/9781556597299\" target=\"_blank\" rel=\"noopener\"><em>The Man in 119<\/em><\/a><\/strong><br \/>\n<strong>(Copper Canyon)<\/strong><\/p>\n<p style=\"text-align: center;\">&#8220;A perfectly fitting introduction to anyone new to Ali&#8217;s expansive oeuvre and a must-read for his fans.&#8221;<br \/>\n<em>\u2013Booklist<\/em><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"275912\" data-permalink=\"https:\/\/lithub.com\/rachel-cusk-liane-moriarty-jill-lepore-and-more-20-new-books-out-today\/91jgmh3j59l-_ac_uf10001000_ql80_\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/91JGMh3J59L._AC_UF10001000_QL80_.jpg\" data-orig-size=\"662,1000\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"Makeshift, Peter Rock\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/91JGMh3J59L._AC_UF10001000_QL80_.jpg\" class=\"alignnone size-medium wp-image-275912\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/91JGMh3J59L._AC_UF10001000_QL80_-199x300.jpg\" alt=\"Makeshift, Peter Rock\" width=\"199\" height=\"300\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/91JGMh3J59L._AC_UF10001000_QL80_-199x300.jpg 199w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/91JGMh3J59L._AC_UF10001000_QL80_-40x60.jpg 40w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/91JGMh3J59L._AC_UF10001000_QL80_-33x50.jpg 33w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/91JGMh3J59L._AC_UF10001000_QL80_.jpg 662w\" sizes=\"auto, (max-width: 199px) 100vw, 199px\" \/><\/p>\n<p style=\"text-align: center;\"><strong>Peter Rock, <a href=\"https:\/\/bookshop.org\/a\/40\/9781593768171\" target=\"_blank\" rel=\"noopener\"><em>Makeshift<\/em><\/a><\/strong><br \/>\n<strong>(Soft Skull)<\/strong><\/p>\n<p style=\"text-align: center;\">&#8220;From spirits to foraging to shipwrecks, Rock creates a compelling world waiting to be explored.&#8221;<br \/>\n<em>\u2013Alta<\/em><\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"273182\" data-permalink=\"https:\/\/lithub.com\/lit-hubs-most-anticipated-books-of-2026-part-two\/attachment\/9781662603723\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/06\/9781662603723.jpg\" data-orig-size=\"300,450\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"Anja Meulenbelt, tr. Ann Oosthuizen, The Shame is Over\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/06\/9781662603723.jpg\" class=\"alignnone size-medium wp-image-273182\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/06\/9781662603723-200x300.jpg\" alt=\"Anja Meulenbelt, tr. Ann Oosthuizen, The Shame is Over\" width=\"200\" height=\"300\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/06\/9781662603723-200x300.jpg 200w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/06\/9781662603723-40x60.jpg 40w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/06\/9781662603723-33x50.jpg 33w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/06\/9781662603723.jpg 300w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/p>\n<p style=\"text-align: center;\"><strong>Anja Meulenbelt, tr. Ann Oosthuizen, <a href=\"https:\/\/bookshop.org\/a\/40\/9781662603723\" target=\"_blank\" rel=\"noopener\"><em>The Shame is Over<\/em><\/a><\/strong><br \/>\n<strong>(Astra)<\/strong><\/p>\n<p style=\"text-align: center;\">&#8220;An electrifying reminder\u2014raw, vivid, alive to the touch\u2014of the earliest days of Second Wave feminism. As an historical document, it stands with the best.\u201d<br \/>\n<em>\u2013<\/em>Vivian Gornick<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"275914\" data-permalink=\"https:\/\/lithub.com\/rachel-cusk-liane-moriarty-jill-lepore-and-more-20-new-books-out-today\/image002-11\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/image002-1.jpg\" data-orig-size=\"266,378\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"The Camino\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/image002-1.jpg\" class=\"alignnone size-medium wp-image-275914\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/image002-1-211x300.jpg\" alt=\"The Camino\" width=\"211\" height=\"300\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/image002-1-211x300.jpg 211w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/image002-1-42x60.jpg 42w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/image002-1-35x50.jpg 35w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/image002-1.jpg 266w\" sizes=\"auto, (max-width: 211px) 100vw, 211px\" \/><\/p>\n<p style=\"text-align: center;\"><strong>Anya Niewierra, trans. by Eileen Stevens, <a href=\"https:\/\/bookshop.org\/a\/40\/9781668085363\" target=\"_blank\" rel=\"noopener\"><em>The Camino<\/em><\/a><\/strong><br \/>\n<strong>(Simon and Schuster)<\/strong><\/p>\n<p style=\"text-align: center;\">&#8220;Niewierra\u2019s heady blend of suspense and a soup\u00e7on of romance should win her plenty of fans this side of the Atlantic.&#8221;<br \/>\n<em>\u2013Publishers Weekly<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>We&#8217;ve all been reading about it for months, and now finally it&#8217;s time to read the thing itself: Life of M by Rachel Cusk is available today! And that&#8217;s not all: a long awaited sequel to Big Little Lies hits<\/p>\n","protected":false},"author":5494,"featured_media":275654,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[43069,43070,43135,43646],"tags":[111853,66454,26156,111863,111829,111866,111846,111859,111851,111742,265,38949,111643,105673,111858,13302,111642,90369,19116,111855,111644,17758,111505,111862,42753,6698,30378,111848,111852,105672,78788,88957,111850,111868,111856,111861,111847,111865,111830,111864,111867,111854,111860,111857,111849],"class_list":["post-275890","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-craftandcriticism","category-literary-criticism","category-readinglists","category-the-hub","tag-a-moment-in-the-sun-black-manhattan-before-the-civil-war","tag-andrea-bajani","tag-andres-barba","tag-anja-meulenbelt","tag-annie-lowrey","tag-anya-niewierra","tag-big-little-truths","tag-changing-gender","tag-crocodilopolis","tag-dey","tag-edwidge-danticat","tag-gael-faye","tag-gaining-ground","tag-ghost-cities","tag-jacaranda","tag-jill-lepore","tag-joan-barfoot","tag-john-manuel-arias","tag-kazim-ali","tag-kulbhushansingh-suryawanshi","tag-last-day-of-a-prior-life","tag-liane-moriarty","tag-life-of-m","tag-makeshift","tag-peter-rock","tag-rachel-cusk","tag-rozina-ali","tag-seasons-of-fury-four-families-and-the-rise-of-islamophobia-in-america","tag-shane-white","tag-siang-lu","tag-susan-stryker","tag-the-anniversary","tag-the-black-shield-an-american-memoir-of-family-and-power","tag-the-camino","tag-the-ghost-of-the-mountains","tag-the-man-in-119","tag-the-rise-and-fall-of-the-artificial-state","tag-the-shame-is-over","tag-the-time-tax-how-the-government-wastes-our-time-and-how-to-fix-it","tag-tr-ann-oosthuizen","tag-trans-by-eileen-stevens","tag-trans-by-geoffrey-brock","tag-trans-by-lisa-dillman","tag-trans-by-sarah-ardizzone","tag-wilbert-l-cooper"],"jetpack_shortlink":"https:\/\/wp.me\/p5rKFr-19LQ","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/Life-of-M.jpg","_links":{"self":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/275890","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/users\/5494"}],"replies":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/comments?post=275890"}],"version-history":[{"count":0,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/275890\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media\/275654"}],"wp:attachment":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media?parent=275890"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/categories?post=275890"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/tags?post=275890"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":275963,"date":"2026-08-25T05:10:54","date_gmt":"2026-08-25T09:10:54","guid":{"rendered":"https:\/\/lithub.com\/?p=275963"},"modified":"2026-08-25T07:36:18","modified_gmt":"2026-08-25T11:36:18","slug":"data-centers-the-latest-thing-to-destroy-beautiful-west-virginia","status":"publish","type":"post","link":"https:\/\/lithub.com\/data-centers-the-latest-thing-to-destroy-beautiful-west-virginia\/","title":{"rendered":"Data Centers: The Latest Thing to Destroy Beautiful West Virginia"},"content":{"rendered":"<p>The data centers have been speaking to me lately, in the form of ChatGPT slop.<\/p>\n<p>The spam offers to market my new novel for a fee, perverting the language I\u2019ve written about a place the data centers promise to destroy:<\/p>\n<p>You\u2019re not just telling a story about a dam. You\u2019re telling a story about erasure. And about what survives despite it.<\/p>\n<p>That line from the epigraph or from the souls in the water \u201cI\u2019m with you. All us, we\u2019re with you&#8221; has been living in my head for days. It\u2019s a promise. A reminder that the drowned are not gone. That the past is not past. That the waters remember.<\/p>\n<p>\u201cWhen you wrote this novel set in the 1960s but speaking so directly to our present were you thinking about it as a work of historical recovery? A way of bearing witness to the communities and landscapes that were erased by progress? Or were you doing something more urgent: using the past to illuminate the present, to show us that the same forces corporate\u00a0greed, environmental destruction, political persecution are still at work, still drowning people and places that can&#8217;t fight back?\u201d<\/p>\n<p>Because if it\u2019s the latter and I suspect it\u2019s both then this novel isn\u2019t just historical fiction.<\/p>\n<p>It&#8217;s a warning.<\/p>\n<p>And a testament.<\/p>\n<p>A warning that we keep making the same mistakes, and a testament to the people who refuse to look away, who refuse to be silenced, who keep fighting even when the water is rising.<\/p>\n<p>[<i>sic<\/i>]<\/p>\n<p style=\"text-align: center;\">*<\/p>\n<p>Growing up in West Virginia, you are resolutely assured by popular culture of how unfortunate you are to have been born there\u2014backward, isolated, living on scraps\u2014while real American life flourishes elsewhere, vaguely in Hollywood, Silicon Valley, NYC, dream coasts. In some ways that\u2019s true. But even as a deluded child, I knew we were rich, because we had over a million acres of public mountain land <i>to do whatever we wanted, without asking or begging for it. You could walk on it as if your name was on the deed.<\/i> The Monongahela National Forest slouched gloriously, messily down ten counties. Its great jewel was and is the complex of Dolly Sods Wilderness (that high rugged plateau of flagged spruce and snowshoe hares) and Canaan Valley National Wildlife Refuge (that low, creeping, tannin-stained, red-water wetland). I hope you\u2019ll go there before you die.<\/p>\n<p>Canaan, \u05db\u05b0\u05bc\u05e0\u05b7\u05e2\u05b7\u05df \u2013 the colonists named it right. That\u2019s where you\u2019ll find me on New Year\u2019s Day, following bird dogs, starting the year off with hope in my heart and pain in my bad knee.<\/p>\n<p>The land offered up its secrets in each harsh season. Come springtime, for five generations so far, we fished the Blackwater River. My great-grandfather would drive his Model A from the foothills, camp for two weeks, and return with barrels lashed to the car and stuffed with a layer of salt, a layer of trout, layer of salt, etc. When I was a teenager, we\u2019d wait until the water dropped, wriggle down sheer mountainside into the Canyon, fish the foam-lines with crickets and grasshoppers, and take the entire day to work 3.5 miles upstream to the Falls then drag ourselves up with handfuls of laurel onto the overlook stairs somehow. I remember windchimes hanging from trees to mark where kayakers had drowned.<\/p>\n<p class=\"pullquote\">You could spend a life there, happily.<\/p>\n<p>In summer, up on Dolly Sods, you fill buckets with wild huckleberries and see the flaming azaleas that nearly glow.<\/p>\n<p>Come fall, the feathery English setters lead you in search of spooky grouse you rarely shoot. Long looping walks of twelve and fifteen miles up on the Sods and Cabin Mountain, with the dogs doing twice that, then going down into Canaan when the woodcock migrate through as October dies into November\u2014they hold tight for the dogs there off A-Frame Road.<\/p>\n<p>In bitter months, skiers travel from D.C. and Baltimore, and that\u2019s what I like most about the place, that it\u2019s big enough for lots of people to love it. After the <i>Post <\/i>ran a feature, the hikers and the craft beer crowd discovered Dolly Sods, which they share with Tucker County rednecks running bear-hounds all over creation\u2014even if the different groups have a way of baffling one another, they can find their own space. The mountain bikers have Loop Road, the cross-country hippies have White Grass. The towns of Davis and Thomas, born out of timber boom, were half-empty when I was young, but they\u2019re alive again with people who have come from without. In the last twenty years, people have worked hard to build new trail systems, record the county\u2019s immigrant histories, reopen shuttered storefronts downtown, and repair a watershed damaged by mine acid runoff. You could spend a life there, happily.<\/p>\n<p>Enter Governor Patrick Morrissey. MAGA Republican, a white-shoe lawyer and lifelong political lobbyist from New Jersey, who moved here to insinuate himself into elected office. I am not surprised that he is disassembling everything that made West Virginia a good place to live\u2014after eighty years of one-party Democratic rule and powerful labor unions to back that up, the state once had the most progressive labor laws in the nation. But Morrissey\u2019s administration has steered the state to the right\u2014school vouchers, abortion bans, \u201cright-to-work\u201d (right to starve), Christian nationalism, etc.\u2014 cheered on by residents who should know better.<\/p>\n<p class=\"pullquote\">And now the data center has come to Canaan. <\/p>\n<p>However, I am surprised how he\u2019s positioned himself as <a href=\"https:\/\/youtu.be\/oG_R151o8L0?si=PGEMZZKbru4hhXfn\">the most pro-data center governor in the country<\/a>. His Republican supermajority pushed through House Bill 2014 to lure microgrid facilities to the state, even though it will raise electric rates for an already struggling, aging population.<\/p>\n<p>Local opposition to data centers has been resolute, but Morrissey\u2019s administration has used its legislation to bypass local zoning rules and public opposition; it recently pushed through a $4 billion data center in Berkeley County on 548 acres. When residents pressed for information on the project, even on basic matters of impacts to water, air quality, job creation, and revenue sharing, members of the Berkeley County Development Authority said they had signed <a href=\"https:\/\/wvmetronews.com\/2026\/03\/26\/berkeley-county-commission-president-reflects-on-data-center-town-hall-meeting\/\">NDAs<\/a> and could not share details.<\/p>\n<p>My apologies for quoting myself, but all my fiction has been concerned with \u201cthe resource curse\u201d and life in the internal colony. Billions of dollars have been made here from coal, oil, timbering, and fracking\u2014but the profits have fled, and it consistently remains one of the poorest states, with crumbling infrastructure and a <a href=\"https:\/\/pulitzercenter.org\/stories\/west-virginia-has-worst-us-health-based-drinking-water-violation-rate-and-crisis-likely\">drinking water crisis<\/a>. How can such a resource-rich place leave its residents so poor? Where\u2019d the money go?<\/p>\n<p>In my latest novel, <i>Floodgate, <\/i>I wanted to take on what I regard as the last frontier for extraction: our water. <i>Floodgate<\/i> follows the construction of the massive Summersville Dam in 1964, for the purposes of flood control and industrialization, which totally shaped my birthplace of Nicholas County, burying the villages of Gad and Sparks and inundating a particularly beautiful stretch of the Gauley River under the lake. <i>A shadowy authority appeared one day and told the people that they had to leave, that the land must change.<\/i> As the planet warmed, I expected West Virginia to be pillaged for its water, but I thought the pillaging would come from rich, thirsty humans, rather than vast, AI-driven data centers <a href=\"https:\/\/www.lincolninst.edu\/publications\/land-lines-magazine\/articles\/land-water-impacts-data-centers\/\">which can drink up to 5 million gallons of water a day<\/a>.<\/p>\n<p>And now the data center has come to Canaan. With its water-rich, delicate wetland complex. The largest wetland in southern Appalachia.<\/p>\n<p>Quietly, a legal notice was posted by \u201cFundamental Data LLC\u201d about permitting a new gas-powered plant between Davis and Thomas. <a href=\"https:\/\/mountainstatespotlight.org\/2025\/08\/03\/lawmakers-strip-local-authority-data-centers\/\">Sharp-eyed locals took notice<\/a>. County officials were blindsided. Opposition is severe. Some sources say the data center will encompass three hundred acres. Others say \u201cthousands of acres.\u201d Now Fundamental Data LLC promises it will span 10,000 acres across two counties, explaining to the <i>Wall Street Journal<\/i> it will be <a href=\"https:\/\/westvirginiawatch.com\/2025\/05\/28\/it-will-destroy-this-place-tucker-county-residents-fight-for-future-against-proposed-data-center\/\">\u201camong the largest data center campuses in the world.\u201d<\/a> (Only Silicon County would call it a campus with a straight face.) But its impact on the water table will be vast, polluting, lasting.<\/p>\n<p>Say goodbye to the place the woodcock have visited since the beginning of time.<\/p>\n<p>When I was ten years old, my father said to me of West Virginia, \u201cEnjoy it while it\u2019s there, because it\u2019s not going to last.\u201d Alas, he\u2019s been proven right. We fished Grassy Creek until the mine opened on it. We fished Dry Fork until the No Trespassing signs went up. My elementary school and high school no longer exist, consolidated due to population decline. Ormet Steel where my classmates\u2019 parents worked good union jobs declared bankruptcy after NAFTA and everyone was laid off. My grandparents\u2019 house was condemned and bulldozed by FEMA after a flood in 2017. What gives a regular person joy is tenuous here. I must admit that when I read news of the Canaan data center, I reckoned it would be more of the same. According to West Virginia Watch,<\/p>\n<p style=\"padding-left: 40px;\">Per the\u00a0<a href=\"https:\/\/westvirginiawatch.com\/wp-content\/uploads\/2025\/05\/FD-air-permit-app.pdf\">permit application<\/a>, the Ridgeline facility\u2014in its currently proposed form\u2014would use gas-fueled turbines with heat recovery steam generators. Diesel would be kept on site in three 10-million-gallon storage tanks as a backup power source in case of gas line interruptions. Those tanks would be 66 feet tall and 180 feet in diameter. Leaks from pumps and valves, among other pieces of equipment, are to be expected per the application. Operations for the facility should begin by 2028.<\/p>\n<p>The dollar is America\u2019s god, and it\u2019s hard to fight god.<\/p>\n<p>But Canaan is the promised land, above money. It is too precious to lose. I hope you\u2019ll go see it before you die, before it\u2019s taken away. I hope your children can see it too. But I\u2019m not sure they\u2019ll be able. The local people\u2014I proudly include transplants here\u2014are fighting hard. They have coalesced into <a href=\"https:\/\/www.tuckerunited.com\/\">Tucker United<\/a>. They know the data center revenue won\u2019t stay in the county, no matter what the bright-eyed, dead-souled lobbyists say; it will buy, what?, yachts, Dubai apartments, and bottle-service nights for the men of Silicon Valley, men who do not know the beauty of the woodcock\u2019s wild, spiraling, trilling flight as it puts on its mating display, in hope of a future, over the alders of Canaan.<\/p>\n<p class=\"p1\" style=\"text-align: center;\">__________________________________<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"275964\" data-permalink=\"https:\/\/lithub.com\/data-centers-the-latest-thing-to-destroy-beautiful-west-virginia\/floodgate\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/floodgate.jpeg\" data-orig-size=\"600,928\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"floodgate\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/floodgate.jpeg\" class=\"alignnone size-medium wp-image-275964 aligncenter\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/floodgate-194x300.jpeg\" alt=\"\" width=\"194\" height=\"300\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/floodgate-194x300.jpeg 194w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/floodgate-39x60.jpeg 39w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/floodgate-32x50.jpeg 32w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/floodgate.jpeg 600w\" sizes=\"auto, (max-width: 194px) 100vw, 194px\" \/><\/p>\n<p class=\"p1\" style=\"text-align: center;\"><i>From <\/i><a href=\"https:\/\/bookshop.org\/p\/books\/floodgate-matthew-neill-null\/34b5d4fe85aae8c6?ean=9781958888766&amp;bkshp-astro=t\">Floodgate<\/a><i>. Used with the permission of the publisher, Blair Publishing. Copyright \u00a9 2026 by Matthew Neill Null<\/i><\/p>\n","protected":false},"excerpt":{"rendered":"<p>The data centers have been speaking to me lately, in the form of ChatGPT slop. The spam offers to market my new novel for a fee, perverting the language I\u2019ve written about a place the data centers promise to destroy:<\/p>\n","protected":false},"author":438,"featured_media":275966,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[43108,6,43231,43092,43095,43445],"tags":[20922,8603,111882,111884,111883,111881,4120,8111],"class_list":["post-275963","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-climate-change","category-features","category-nature","category-newsandculture","category-politics","category-technology","tag-ai","tag-appalachia","tag-blair-publishing","tag-canaan","tag-data-centers","tag-floodgate","tag-matthew-neill-null","tag-west-virginia"],"jetpack_shortlink":"https:\/\/wp.me\/p5rKFr-19N1","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/right-sidebar-banner-images-2026-08-19T150412.737.png","_links":{"self":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/275963","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/users\/438"}],"replies":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/comments?post=275963"}],"version-history":[{"count":0,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/275963\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media\/275966"}],"wp:attachment":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media?parent=275963"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/categories?post=275963"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/tags?post=275963"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":275845,"date":"2026-08-25T05:09:46","date_gmt":"2026-08-25T09:09:46","guid":{"rendered":"https:\/\/lithub.com\/?p=275845"},"modified":"2026-08-23T21:01:47","modified_gmt":"2026-08-24T01:01:47","slug":"what-the-worlds-nightscapes-reveal-about-our-dependence-on-artificial-light","status":"publish","type":"post","link":"https:\/\/lithub.com\/what-the-worlds-nightscapes-reveal-about-our-dependence-on-artificial-light\/","title":{"rendered":"What the World\u2019s Nightscapes Reveal About Our Dependence on Artificial Light"},"content":{"rendered":"<p>An image of Earth at night as seen from space appeared on my laptop screen during an internet search. The captivating image with a vague title\u2014\u201cGlobal Map\u201d\u2014drew me in like an insect mesmerized by the warm glow of a streetlamp at night.<\/p>\n<p>Initially, the map reminded me of flying at night under clear skies, with illuminated cities, suburbs, and roads below, often reaching toward the horizon, but it was obviously at a much bigger scale. Yet, despite the vast distance, it was still possible to identify many locales by their artificial lightprint. The bright nodes of major metropoles: Paris, Delhi, Johannesburg, Mexico City, and the dazzling sprawl of Cairo and illuminated \u201csnake\u201d of the Nile River. I was struck by the map\u2019s simple yet arresting aesthetic: shades of dark blue and yellow, both contrasting and complementary.<\/p>\n<p>What does it mean, I wondered, to observe and visualize Earth only by day, given that daytime is half of the planet\u2019s time and place? This map showed there is another half to the story: night, frequently forgotten or ignored because of what I now call an implicit daytime bias.<\/p>\n<p>Night is defined by the absence of sunlight, yet the map revealed a nocturnal world that was not entirely dark. Sure, large swaths of terrestrial Earth were still the deepest shades of navy blue, indicating some illumination by the moon but little artificial light. But part of what made the map so remarkable, even stunning, was the extent and intensity of illumination\u2014so much artificial light that it was visible from space.<\/p>\n<p class=\"pullquote\">This map showed there is another half to the story: night, frequently forgotten or ignored because of what I now call an implicit daytime bias.<\/p>\n<p>Some scientists have characterized such illumination as <i>light pollution<\/i>. One prominent scientist has defined light pollution simply as adverse artificial light at night, due to its detrimental scientific, ecological, human health, aesthetic, and other effects. However, not all scientists studying nocturnal artificial light agree on what exactly \u201cadverse\u201d means.<\/p>\n<p>Other scientists offer a technical definition of light pollution: \u201can increased volume concentration of photons in the nocturnal environment above naturally expected values.\u201d This useful but dry explanation fails to capture the affective power of the map\u2014its illustration of human presence on the planet and the resulting proliferation of artificial light. Part of the map\u2019s power is that we often think of night as obscuring what is readily visible by day. The hypervisibility of nocturnal illumination made by people undermines this assumption. As the map shows, night is particularly effective at illuminating artificial light.<\/p>\n<p>This global map captured a snapshot of nocturnal Earth in 2012, but, as a historian, I started pondering what the map would have looked like if it had been made in, say, 1912 or 1812. In short, I realized that night has a history.<\/p>\n<p>*<\/p>\n<p>Several years after unexpectedly glimpsing the nocturnal map, I decided to write a book about the history of artificial light at night and how scientists came to be concerned about it.<\/p>\n<p>In <a href=\"https:\/\/bookshop.org\/a\/132\/9780295755205\"><i>Transforming Night<\/i><\/a>, my journey begins with the first scientists who raised questions about nocturnal artificial light: astronomers. Many observatories had been built in or near city centers before extensive nighttime illumination. But as artificial light as well as air pollution and vibrations from new transit systems, like streetcars, increased in urban areas, many of these observatories closed, the buildings repurposed for non-observational work, and new scientific facilities constructed in more distant locales in an attempt to escape the problematic new qualities of urban nightscapes. Such was the pattern at Mexico\u2019s Observatorio Astron\u00f3mico Nacional, which was founded in Mexico City and then moved four times between 1867 and 1969.<\/p>\n<p>The history of Mexico\u2019s observatory suggests how night and associated darkness have changed. It illustrates three of the ways artificial light has transformed night. Human-made illumination has gotten both bigger and brighter, accelerating since the nineteenth century and especially since the early twenty-first century.<\/p>\n<p>Scientists have identified a fourth way human-made illumination is altering night. Different lighting technologies produce differently colored light. The recent adoption of light-emitting diodes (LEDs) has made many cities\u2019 lightprint whiter.<\/p>\n<span class=\"caption\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"275848\" data-permalink=\"https:\/\/lithub.com\/what-the-worlds-nightscapes-reveal-about-our-dependence-on-artificial-light\/fig-01\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/fig-01-scaled.jpg\" data-orig-size=\"2560,1280\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"fig-01\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/fig-01-1240x620.jpg\" class=\"wp-image-275848 size-large\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/fig-01-1240x620.jpg\" alt=\"\" width=\"1240\" height=\"620\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/fig-01-1240x620.jpg 1240w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/fig-01-300x150.jpg 300w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/fig-01-768x384.jpg 768w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/fig-01-60x30.jpg 60w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/fig-01-1536x768.jpg 1536w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/fig-01-2048x1024.jpg 2048w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/fig-01-50x25.jpg 50w\" sizes=\"auto, (max-width: 1240px) 100vw, 1240px\" \/> Data for this map was acquired over 9 days in April 2012 and 13 days in October 2012. It took satellite 312 orbits and 2.5 terabytes of data to get a clear shot of every parcel of Earth\u2019s land surface and islands. (Download Map Views\u2014NASA Earth Observatory and NOAA National Geophysical Data Center).<\/span>\n<p>Some scientists and activists concerned about nocturnal artificial light have argued that modern nightscapes have become inverted: from point sources of illumination scattered across the sky amid an otherwise dark nightscape to bright lights dotting the Earth\u2019s surface with luminous haze from those lights rising above. They have suggested that earthly lights have become terrestrial stars blocking celestial illumination, including actual stars.<\/p>\n<p>In many parts of the world, the daily experiences of night are becoming less night-like. In dense, highly illuminated cities like Hong Kong, inhabitants spend their nights in what scientists call perpetual \u201cartificial twilight\u201d: a luminous hinterland where daylight is never entirely replaced by nocturnal darkness. This phenomenon raises the question, Is night without natural darkness still night?<\/p>\n<p>*<\/p>\n<p>When I began research for my book, I wasn\u2019t sure where the story would end. That changed with SpaceX.<\/p>\n<p>On May 23, 2019, the now-public spaceflight, telecommunications, and AI company launched by Elon Musk deployed sixty Starlink test satellites into low-Earth orbit to provide low-cost internet to rural and remote communities. The next day, Marco Langbroek, a Dutch amateur astronomer, was one of the first people to publish a video showing the satellites traversing the night sky mere hours after launch. He described a \u201cspectacular view\u201d over northwestern Europe: \u201ca \u2018train\u2019 of bright satellites, all moving close together in a line, moved across the sky.\u201d<\/p>\n<p class=\"pullquote\">\u201cGlobal Map\u201d also demonstrates that we need to consider not only the history of nocturnal artificial illumination but also its future.<\/p>\n<p>\u201cIt started with two faint flashing objects,\u201d Langbroek explained. \u201cThen, a few tens of seconds later, my jaw dropped as the \u2018train\u2019 entered the field of view.\u201d By naked eye, the satellites appear as moving \u201cstars\u201d from the Earth\u2019s surface, but in astronomical images, they appear as parallel streaks interfering with the observation of celestial phenomena. Given what he was seeing, \u201cI could not help shouting \u2018oaaaaah!\u2019\u201d\u2014followed by a few expletives, Langbroek added.<\/p>\n<p>At the time, I happened to be in Colorado doing fieldwork. I watched astronomy and light-pollution Twitter (now X) blow up online, as these two overlapping communities suddenly realized what was happening before their eyes, cameras, and telescopes.<\/p>\n<p>They didn\u2019t anticipate what has occurred since. More satellites were deployed between 2019 and mid-2024 than in the previous sixty years combined. As of June 15, 2026, over 16,000 active satellites are currently orbiting Earth (of those, 10,634 are Starlink satellites), but this figure includes only operational spacecraft. It doesn\u2019t include any space debris, also called \u201cspace junk\u201d\u2014or the one million additional satellites SpaceX alone hopes to deploy.<\/p>\n<p>Ground-based artificial illumination since the late nineteenth century had already altered nightscapes. Space-based light is now extending the geography of nocturnal artificial illumination into extraterrestrial territory, rapidly and dramatically expanding the spatial reach of where human-made light is located and ultimately its impacts on night across almost the entire planet, unless it is addressed\u2014and quickly. Transformations of night due to both ground- and space-based light are momentous in the context of human history, given all cultures\u2019 connections with nightscapes.<\/p>\n<p>*<\/p>\n<p>Ultimately, I decided to end my book where it began\u2014with the map that started it all, although I don\u2019t look at it the same way anymore. \u201cGlobal Map\u201d is at once an image of artificial light at night, light pollution, and light poverty. Composed from data collected in 2011, it is a historical artifact, already out of date.<\/p>\n<p>\u201cGlobal Map\u201d also demonstrates that we need to consider not only the history of nocturnal artificial illumination but also its future. That future includes which environmentalism best addresses coming challenges. Since 2020, the new movement around light justice, rooted in principles of environmental justice, offers the most compelling moral and political framework for addressing the benefits and costs of both artificial light and darkness, for both humans and nonhumans alike. The next step is a fight for more equitable, just access to light\u2014and night.<\/p>\n<p style=\"text-align: center;\">_______________________________<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"275846\" data-permalink=\"https:\/\/lithub.com\/what-the-worlds-nightscapes-reveal-about-our-dependence-on-artificial-light\/transforming-night\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/transforming-night.jpg\" data-orig-size=\"630,945\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"transforming night\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/transforming-night.jpg\" class=\"alignnone size-medium wp-image-275846\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/transforming-night-200x300.jpg\" alt=\"\" width=\"200\" height=\"300\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/transforming-night-200x300.jpg 200w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/transforming-night-40x60.jpg 40w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/transforming-night-33x50.jpg 33w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/transforming-night.jpg 630w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/p>\n<p style=\"text-align: center;\"><em>From<\/em> <a href=\"https:\/\/bookshop.org\/a\/132\/9780295755205\">Transforming Night: The History and Science of Light Pollution<\/a> <em>by Sara B. Pritchard. Copyright \u00a9 2026. Available from University of Washington Press.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>An image of Earth at night as seen from space appeared on my laptop screen during an internet search. The captivating image with a vague title\u2014\u201cGlobal Map\u201d\u2014drew me in like an insect mesmerized by the warm glow of a streetlamp<\/p>\n","protected":false},"author":31700,"featured_media":275851,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[6,43101,43092,43444],"tags":[21638,43912,7590,47879,17937,22232,111811,111812,45161],"class_list":["post-275845","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-features","category-history","category-newsandculture","category-science","tag-darkness","tag-daytime","tag-light","tag-light-pollution","tag-maps","tag-night","tag-sara-b-pritchard","tag-transforming-night-the-history-and-science-of-light-pollution","tag-university-of-washington-press"],"jetpack_shortlink":"https:\/\/wp.me\/p5rKFr-19L7","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/fig-01-1.jpg","_links":{"self":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/275845","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/users\/31700"}],"replies":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/comments?post=275845"}],"version-history":[{"count":0,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/275845\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media\/275851"}],"wp:attachment":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media?parent=275845"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/categories?post=275845"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/tags?post=275845"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":275832,"date":"2026-08-25T05:09:32","date_gmt":"2026-08-25T09:09:32","guid":{"rendered":"https:\/\/lithub.com\/?p=275832"},"modified":"2026-08-23T21:40:48","modified_gmt":"2026-08-24T01:40:48","slug":"on-the-rise-of-white-christian-nationalism-in-the-us","status":"publish","type":"post","link":"https:\/\/lithub.com\/on-the-rise-of-white-christian-nationalism-in-the-us\/","title":{"rendered":"On the Rise of White Christian Nationalism in the US"},"content":{"rendered":"<p>UC Santa Barbara in the 1980s felt like the counterculture\u2019s afterparty: sun-\u00addrenched, restless, and still echoing defiance. Palm trees swayed over a serene campus where students surfed at Campus Point between (or in lieu of) classes. On the surface, it was idyllic. But beneath the serenity, you could still feel the cultural quakes of the 1960s and \u201970s. A decade earlier, UCSB had been a frontline campus in what some called America\u2019s great unraveling. Students marched against the Vietnam War, demanded racial and gender justice, challenged puritanical norms, and torched symbols of establishment power. In 1970, antiwar activists clashed with police and set fire to the local Bank of America at the edge of campus\u2014\u00ada dramatic act of rebellion seared into campus lore. By the time I arrived as a freshman in the fall of 1982, the flames were long gone, but you could still smell the smoke in the carpet.<\/p>\n<p>I stepped off the bus in Santa Barbara as a devoutly religious eighteen-\u00adyear-\u00adold from Independence, Missouri, thinking mainly about the postcard-\u00adperfect campus and the scholarship that had landed me a spot on UCSB\u2019s top-\u00adranked Gaucho volleyball team. I wasn\u2019t yet aware that I\u2019d also stepped into one of the more volatile intersections in American cultural and political life, a fault line where Reagan-\u00adera conservatism was clashing with the counterculture idealism of the California coast.<\/p>\n<p>The UCSB campus community, including a teaching assistant in my first political science class who casually told us she\u2019d thrown the first brick through the BofA window, didn\u2019t want to admit that America was lurching rightward. But just a few miles east in the Santa Ynez Mountains sat Ronald Reagan\u2019s western White House. Two years before I arrived on campus, the Gipper had galloped into Washington with a posse of fundamentalist Christians calling themselves the Moral Majority. They filled a void in America\u2019s soul that Vietnam had bled dry. Assassinations, race riots, and Watergate had scorched the nation\u2019s conscience. There was no trust in government, and then came inflation, malaise, and a stalled Cold War under Jimmy Carter. By 1980, the left was exhausted, and the right was furious\u2014\u00adperfect conditions for a conservative counterrevolution.<\/p>\n<p>Of course, much of this was lost on me as a wide-\u00adeyed freshman adjusting to my new surroundings. But by the winter of my junior year, the culture shock of UCSB had worn off. I was soaking up the political and cultural complexity around me and for the first time, I found myself caring almost as much about school as I did about volleyball. That shift had a lot to do with a religious studies professor named Walter Capps.<\/p>\n<p class=\"pullquote\">The Christian nationalism of that era didn\u2019t totally disappear. In the 1990s, vestiges of the fallen New Religious Right began evolving to meet the moment.<\/p>\n<p>Professor Capps didn\u2019t just teach about religion and politics; he made the collision compelling. A seminarian and Yale-\u00adtrained scholar, he was soft-\u00adspoken, probing, and profoundly humane. He taught us to dissect ideologies, to challenge their champions and critics, and he welcomed all sides into the lecture hall. His courses were also legendary for the constellation of high-\u00adprofile guest speakers he attracted.<\/p>\n<p>Capp\u2019s flagship class on the Vietnam War\u2019s impact on American religion and culture became a national sensation, drawing praise from members of Congress, television news anchors, and public intellectuals. I took the Vietnam course as a sophomore, and by junior year I was eager to enroll in another of his signature offerings: Religious Studies 153, Religion and Politics in America Today. The course generated buzz when it debuted two years earlier, cotaught by Capps and former presidential candidate George McGovern, and featuring guest appearances from ideologically diverse luminaries like Eugene McCarthy, Jerry Brown, Paul Weyrich, Cal Thomas, and Robert Billings.<\/p>\n<p>In the 1985 iteration of the course, Capps and his guests dove deep into what he called \u201cthe New Religious Right,\u201d a movement that was rapidly reshaping American politics. Our reading list spanned the spectrum from GOP strategist Richard Viguerie and evangelical firebrand Francis Schaeffer to academic analysts like Erling Jorstad and George Marsden.<\/p>\n<p>No figure cast a longer shadow over this movement than Rev. Jerry Falwell Sr., the charismatic televangelist who founded the Moral Majority, a political organization that became synonymous with the New Religious Right. Falwell was a virtuoso communicator and, although we didn\u2019t use the term back then, a full-\u00adthrottle Christian nationalist.<\/p>\n<p>He began preaching in the 1950\u2019s as a segregationist and opponent of civil rights. By 1976, when he launched the Moral Majority with a fifty-\u00adstate \u201cI Love America Tour,\u201d Falwell had rebranded his message into a more genial form of bigotry. Racially segregated religious schools, for example, were defended in the name of \u201creligious liberty\u201d instead of overt racism. His preaching distilled the Moral Majority\u2019s war on America\u2019s alleged sins: court rulings that curtailed school prayer and condoned abortion, the rise of feminism, sexual permissiveness, homosexuality, liberal media, and foreign policy that coddled godless communists. Falwell championed a vision of America rooted in obedience to biblical authority and conformity with traditional values, placing him in tension with Enlightenment principles like individual rights, rational inquiry, and free thought. Indeed, he railed against modernity and \u201csecular Humanism\u201d as threats to the Bible that were corrupting the nation\u2019s soul.<\/p>\n<p>While Falwell seethed at liberal politicians and journalists, he was equally scathing toward fellow Christians in the ecumenical movement\u2014\u00adthose who wanted to bridge historic schisms between denominations and promote \u201cbig tent\u201d Christianity. To Falwell, ecumenicalism was a Trojan horse for doctrinal compromise, cultural decay, and political surrender. He demanded purity, especially on abortion, feminism, and family values. These weren\u2019t just theological positions; they were strategies to advance the one ecumenical goal Falwell embraced. He sought to forge a powerful coalition between conservative evangelicals and Catholics, a \u201cmoral majority\u201d capable of reshaping American politics and culture from the ground up.<\/p>\n<p>I found Jerry Falwell\u2019s politicized preaching appalling. As a twenty-\u00adone-\u00adyear-\u00adold, I had spent most of my life in and around churches where politics were kept out of the sanctuary. In the faith community where I grew up, subjects like abortion, school prayer, and Supreme Court rulings were simply never discussed, not from the pulpit, and not even among congregants in my experience. It would have been unthinkable. Which is why Falwell\u2019s brash fusion of Christian theology and public policy felt so jarring.<\/p>\n<p>I also recoiled at Falwell\u2019s hellfire absolutism and his condemnation of anyone outside his belief system. The recent death of my father had shaken my faith in the supernatural tenets of Christianity; I ultimately abandoned those beliefs. But the ethical teachings of Jesus Christ as I understood them\u2014\u00adthe values of love, humility, compassion, forgiveness, nonjudgment, and grace\u2014\u00adstill drove my moral compass. Falwell\u2019s preaching struck me as the antithesis of those values.<\/p>\n<p>My main takeaway from Capps\u2019s course was that the New Religious Right was not a spiritual revival but a political machine, one that cloaked its ambitions in scripture and wielded faith for partisan ends. Falwell, with his booming voice and southern charm, was persuasive to many. But to me, especially at that time, newly estranged from faith, skeptical of religious dogma, but still steeped in the values and sensibilities of my Christian upbringing, the entire performance felt deeply offensive.<\/p>\n<p>Professor Capps, ever the dispassionate intellectual, let the material speak for itself. He showed Falwell\u2019s sermons and speeches, posed probing questions, and urged us to grapple with the societal implications of the New Religious Right. But reviewing the UCSB archives of Capps\u2019s writing from that era makes clear that his restraint in the classroom masked a deeper concern about the movement and its corrosive influence on public life.<\/p>\n<p>In a 1982 essay, Capps wrote about his visit to Lynchburg, Virginia, where he interviewed Falwell and other Moral Majority leaders and attended a sermon at Liberty University. True to form, Capps presented Falwell\u2019s remarks with minimal editorializing. But every so often, he exercised the writer\u2019s prerogative by offering a quiet rebuttal, a pointed observation, or a subtle critique. For example, Capps wrote critically of Falwell\u2019s fixation on abortion and sexual norms as a defense of \u201cmale dominion and the supremacy of patriarchal order.\u201d<\/p>\n<p>One of the most compelling critiques to emerge from Capps\u2019s writings on Falwell centers on their opposing narratives about the Vietnam War. For Falwell, America\u2019s defeat was divine punishment: a consequence of secularism, moral decay, and the abandonment of our covenant with God. His prescription was clear. We needed to reset the nation\u2019s moral compass, restore the covenant, and rebuild our military might to ensure we never again lose to \u201cdemonic\u201d communists.<\/p>\n<p>Capps saw something else entirely. He viewed Falwell as a product of Vietnam, a figure born from the national disillusionment and existential drift that followed. He argued that the academic and religious establishments had underestimated Falwell, dismissing him as a fringe figure rather than reckoning with the real moral anxieties his movement tapped into. Falwell\u2019s theology may have been simplistic and flawed, Capps argued, but he had keen instincts. Falwell correctly sensed vulnerability in the uneasy alliance between rationalism and Christianity that had prevailed since the eighteenth-\u00adcentury Enlightenment. That truce, born from the scars of Europe\u2019s bloody religious wars and America\u2019s own colonial theocracies, was deemed unbreakable, but Falwell was making inroads toward prying it apart.<\/p>\n<p>Perhaps most viscerally, given the ever-\u00adpresent specter of nuclear annihilation during the Cold War, Capps was appalled by Falwell\u2019s apocalyptic rhetoric and cavalier posture toward global destruction. That, along with Falwell\u2019s other moral and theological shortcomings, led Capps to conclude that the Moral Majority was doomed to fail because it would simply scare too many Americans. He believed that Falwell and the New Religious Right were deeply troubling but ultimately transitory\u2014\u00adtoo antithetical to America\u2019s founding principles to endure, too dismissive of individual rights and intellectual freedom to thrive. By demeaning and alienating most people, Capps predicted, the Christian right wing was planting the seeds of its own demise.<\/p>\n<p>That era of Christian nationalism was clearly different than what we\u2019re living through today. While some of the Moral Majority\u2019s rhetoric resembles MAGA Christian nationalism, it never seemed to Capps or to me that they were trying to overthrow democracy. Capps hated their warmongering, but he believed that it was the policy, not the movement itself, that threatened national security.<\/p>\n<p>Indeed, Falwell and other Moral Majority stalwarts framed their efforts as a mirror image of the left\u2019s own playbook from the 1960s and \u201970s. They used the same tools of grassroots mobilization, legal advocacy, and cultural persuasion to further their conservative Christian vision. Falwell disclaimed any interest in theocracy, insisting he simply wanted to steer a wayward culture back toward moral clarity, using the levers of political influence. He touted his friendship with Senator Ted Kennedy, seemingly an affirmation that, for all their extreme positions, Falwell and his allies were intent on working within the system of democracy.<\/p>\n<p>Falwell even invited Kennedy to address the students and faculty of Liberty University. Kennedy\u2019s October 3, 1983, speech\u2014\u00addelivered after dining with the Falwell family in their home\u2014\u00adwas one of the most impactful course materials from Capps\u2019s class. Standing before a staunchly conservative evangelical audience, the liberal Catholic fearlessly defended church-\u00adstate separation, condemned book burning, and reminded the crowd of the fragile nature of religious liberty: \u201cToday\u2019s Moral Majority could become tomorrow\u2019s persecuted minority.\u201d On abortion, he didn\u2019t flinch, telling the pro-\u00adlife audience, \u201cThe proper role of religion is to appeal to the conscience of the individual, not the coercive power of the state.\u201d His thunderous conclusion: \u201cIn short, I hope for an America where neither \u2018fundamentalist\u2019 nor \u2018humanist\u2019 will be a dirty word, but a fair description of the different ways in which people of goodwill look at life and into their own souls. I hope for an America where no president, no public official, no individual will ever be deemed a greater or lesser American because of religious doubt\u2014\u00ador religious belief.\u201d<\/p>\n<p>The Liberty University audience warmly applauded, and Falwell praised Kennedy for his sincerity and courage. That kind of grace across ideological lines feels like a relic of a more democratic era.<\/p>\n<p>The New Religious Right of the 1980s was many things, none of them good in my view. Falwell and the Moral Majority were brash, combative, and wrong. Their agenda was backward-\u00adlooking, morally coercive, and steeped in righteous absolutism. But they were trying to win within the system, not burn it down. At least in the 1980s.<\/p>\n<p>Capps\u2019s seminal work, <em>The New Religious Right: Piety, Patriotism, and Politics<\/em>, was published in 1990. Seven years later, after an unexpected win in the 1996 midterm election, he found himself serving in Congress, but only for a few months. Capps died suddenly of a heart attack at Dulles International Airport. I never had the chance to reconnect with my former professor. But I did have the privilege of serving in Congress alongside his widow, Lois, who carried forward his legacy with grace and conviction. For that, I\u2019m deeply grateful.<\/p>\n<p>Capps\u2019s prediction about the New Religious Right was correct. The Moral Majority was disbanded just before his book was published. The movement fragmented, and by the early 1990s, it had collapsed. But it wasn\u2019t because they were too extreme, as Capps had imagined. It was the sudden implosion of the Soviet Union and the end of the Cold War that brought them down. Up to that point, America\u2019s external enemy\u2014\u00adthe godless Soviets\u2014\u00adgave the movement coherence and urgency. When the Cold War ended, that ideological scaffolding vanished.<\/p>\n<p>Republican presidential candidate Pat Buchanan tried desperately to revive the old magic at the GOP convention in August 1992, with his fiery \u201cculture war\u201d speech, but the moment had passed. The speech failed to register in the new political terrain. That fall, Bill Clinton won the presidency, ending twelve years of Republican rule and signaling that the country was ready to move on from both the Cold War and the culture war it had fueled. Right-\u00adwing Christians were no longer in power; their political movement had crumbled. But the Christian nationalism of that era didn\u2019t totally disappear. In the 1990s, vestiges of the fallen New Religious Right began evolving to meet the moment.<\/p>\n<p>*<\/p>\n<p>By 1993, church attendance was plummeting. The staunchest pro-\u00adchoice president since Roe v. Wade was in the White House and his wife, a career-\u00adminded Ivy League lawyer, was unapologetically redefining the role of First Lady. Americans were warming to gender equity, LGBTQ rights, and multiculturalism as a surge of immigration from Latin America, Asia, and the Caribbean brought demographic and cultural shifts. Throughout the long Cold War, America\u2019s monolithic white Christian identity had held steady: The nation was 76 percent white and 90 percent Christian. By the end of the 1990s, however, the percentage of Christians had dropped 10 points, religiously unaffiliated \u201cnones\u201d were rising fast, and suddenly Hawaii was no longer the only state where whites were not the majority: California joined the list. Texas and New Mexico would follow just four years later.<\/p>\n<p>In the face of these changes, the fractured Christian right scrambled for new strategies. Their rules-\u00adbound culture war began morphing into an aggrieved insurgency. With the Soviet Union gone, their moral panic turned inward toward domestic enemies. Government, portrayed as demonic and evil, joined liberal culture as the new foil. Guns became sacred, and violence was increasingly justified, if not sanctified.<\/p>\n<p>Critical milestones in this transitional phase of the movement were the deadly confrontations between white Christian extremists and federal agents at Ruby Ridge, Idaho (1992), and Waco, Texas (1993). Ruby Ridge is where white separatist Randy Weaver barricaded himself, his family, and a friend in a remote Idaho cabin after refusing to appear in court on federal weapons charges. Weaver embraced a theology known as Christian Identity that was spreading among militia groups at the time. It exalts racial purity, apocalyptic readiness, and a conspiratorial belief that the federal government is satanic. His standoff with US marshals resulted in the death of a deputy marshal along with Weaver\u2019s wife and fourteen-\u00adyear-\u00adold son before Weaver and his friend, both seriously wounded, ultimately surrendered.<\/p>\n<p>Waco was even more deadly. It involved a Christian sect known as the Branch Davidians at their heavily armed compound. The group\u2019s leader, self-\u00addeclared prophet David Koresh, founded the communal sect based on his belief that God had chosen him to usher in the Bible\u2019s end-\u00adtimes. When federal agents attempted to serve a warrant for illegal weapons, Koresh and his followers saw it as the beginning of an apocalyptic showdown foretold by scripture. A gunfight erupted, killing four agents and six Branch Davidians. The ensuing fifty-\u00adone-\u00adday standoff ended in a catastrophic fire, killing seventy-\u00adsix Davidians including Koresh, twenty-\u00adfive children, and many who had been shot or trapped inside.<\/p>\n<p>These tragic flashpoints were mythologized into persecution stories, recast by right-\u00adwing Christian leaders not as tragic consequences of radical defiance but as proof of an evil secular government at war with faith and freedom. Ruby Ridge and Waco became battle cries that catalyzed the Patriot Movement, a white supremacist militia movement that fused conspiracism and antigovernment narratives with Christian nationalism. At its peak in the mid-\u00ad1990s, the Patriot Movement swelled to hundreds of militias with tens of thousands of members. In 1995, after one of these militiamen, Timothy McVeigh, bombed a federal building in Oklahoma City, killing 168 people, including nineteen children, the \u201cPatriot\u201d name was tainted with domestic terrorism and fell out of favor. But the militias and their ideology endured, metastasizing into groups\u2014\u00adincluding Oath Keepers, Three Percenters, and Proud Boys\u2014\u00adthat would become woven into the fabric of today\u2019s MAGA Christian nationalism.<\/p>\n<p class=\"pullquote\">Those of us who saw the moral arc of the universe bending toward justice missed the fact that millions of our fellow Americans saw it differently: They saw a Christian nation under siege from within.<\/p>\n<p>The political work of the New Religious Right continued under the auspices of various GOP groups, including new political and legal organizations that focused less on popular persuasion and more on litigation, novel legal theories, and long-\u00adgame constitutional battles premised on securing a conservative religious majority on the Supreme Court. Mobilizing Christian voters became the work of decentralized faith networks rather than the top-\u00addown structure of the 1980s.<\/p>\n<p>This decentralization mirrored a broader transformation within evangelical Christianity itself: a shift from denominational authority to a sprawling, entrepreneurial religious landscape. Across American Christianity, traditional denominations were shrinking, and churches were closing. But independent charismatic ministries, led by innovative and enterprising pastors, were finding ways to grow.<\/p>\n<p>This trend caught the attention of an evangelical scholar, C. Peter Wagner, the Professor of Church Growth at the Fuller Theological Seminary in southern California. In 1996, he launched a network of churches and ministries called the New Apostolic Reformation (NAR), which quickly began to transform evangelical Christianity. NAR combined a decentralized, nondenominational growth model with militant, charismatic theology rooted in the imperative of Christian dominion over all parts of society, including government. NAR preached that political adversaries are demons who must be vanquished through mass mobilization and \u201cspiritual warfare\u201d: targeted prayer and worship campaigns. The list of NAR\u2019s demonic enemies was familiar: abortionists, the LGBTQ community, public education, secularists, liberals: essentially the same groups targeted by Falwell\u2019s Moral Majority. But NAR brought an ethos of conquest, not persuasion, and it explicitly advocated theocratic takeover.<\/p>\n<p>Thanks in significant part to the growth of NAR-\u00adaligned churches and online ministries, the militant antidemocracy ethos of the emerging Christian nationalist movement began to intensify during the 2000s, especially after Barack Obama\u2019s 2008 election. For many, the Obama presidency felt like a time when America\u2019s founding principles of equality and liberty for all were finally being realized. But those of us who saw the moral arc of the universe bending toward justice missed the fact that millions of our fellow Americans saw it differently: They saw a Christian nation under siege from within.<\/p>\n<p>We also failed to notice that the atomized remains of the New Religious Right were radicalizing into what would soon be called the Christian nationalist movement. Beginning in the 1990s and increasingly in the 2000s, growing numbers of right-\u00adwing Christians rejected pluralism and church-\u00adstate separation outright, breaking with democracy and increasingly embracing political violence as an option. The explosive growth of NAR, with its theology of demonization, conquest, and theocratic ambition, was a catalyst. Throughout these years, the seeds of extremism that would forcefully erupt on January 6, 2021, were germinating. Most of us just didn\u2019t see it.<\/p>\n<p>One of the senior henchmen of right-\u00adwing Christian politics saw this dangerous transformation unfolding from the inside. Colonel V. Doner helped propel the New Religious Right to its peak of power in the 1980s and remained a key GOP strategist for the next two decades. Doner was more than just a campaign guru: He was a true evangelical believer who worked at the highest levels, from Falwell and Ronald Reagan to Pat Robertson and Sarah Palin, constructing and guiding the right-\u00adwing Christian political machine.<\/p>\n<p>But as his movement edged toward what would become today\u2019s MAGA Christian nationalism, Doner\u2019s conscience began to stir. He grew increasingly unsettled by the movement\u2019s fixation on dehumanizing enemies and its neglect of core Christian teachings, including love, mercy, and compassion. He saw how volatile theology fused with militant rhetoric was starting to ignite real-\u00adworld violence, including murders of abortion providers.<\/p>\n<p>Then came September 11, 2001. When Islamic jihadists carried out their deadly attacks on the United States, Doner saw something hauntingly familiar: religious absolutism, the demonization of enemies, and a righteous lust for violence. It was, to his horror, a mirror image of the Christian political movement he had helped construct. Yet instead of reckoning with the parallels, right-\u00adwing pastors were urging Christians to emulate the intensity and all-\u00adin dedication of the jihadists. Doner recounts a chilling example of a prominent youth pastor urging peers to indoctrinate an army of \u201cspiritual suicide bombers\u201d for Christ to make young Christians just as violently fanatical as Islamic jihadists.<\/p>\n<p>He traces his moral reckoning in his book <em>Christian Jihad<\/em>, which chronicles the escalating radicalization and warns\u2014\u00adnearly a decade before the January 6th insurrection\u2014\u00adof a movement that had traded democracy for dominion and was sanctifying violence to that end.<\/p>\n<p>I didn\u2019t know about Doner and his story until 2024, but reading <em>Christian Jihad<\/em> carried me back to the New Religious Right I had studied at UCSB. I realized that even though we didn\u2019t use the term then, Prof. Capps\u2019s course was all about the 1980s variant of Christian nationalism. He predicted that movement would collapse, and it did, albeit for reasons he hadn\u2019t anticipated. But he surely would have been dismayed to see it metastasize over the next two decades into something much more virulent.<\/p>\n<p>Imagine what Capps\u2019s course, Religion and Politics in America Today, would be like if he were still alive and teaching. Without a doubt, it would focus on MAGA Christian nationalism, tracing how this extreme antidemocracy insurgency evolved from the ruins of a movement that seemed radical in the 1980s but now looks almost quaint. Capps would leave the contrasts and contradictions for us to grapple with. With scholarly detachment, he would present the evidence, including material from the experts and faith leaders we\u2019ll meet later in this book, and maybe he\u2019d bring some of them in as guest speakers. Capps\u2019s gift was the discipline of inquiry, not certainty, so he would ask probative questions and leave the answers to us.<\/p>\n<p>He would likely pose the same final exam question he asked my class in 1985. That deceptively simple question outlived the professor and his course, and now it belongs to all of us: \u201cIs the involvement of religious groups in politics a good or a bad thing? Discuss.\u201d<\/p>\n<p>I don\u2019t remember how I answered it in 1985, but I know my answer today: It depends.<\/p>\n<p>If religious groups engage in politics while respecting democratic norms\u2014\u00adfollowing the law, peacefully bringing their values into the public square, and accepting that in a democracy you don\u2019t always get what you want\u2014\u00adthat\u2019s a healthy democracy, whether I agree with their views or not. But if they reject the democratic order and seek to impose their religion on others through the coercive power of government, then it\u2019s not just bad, it\u2019s dangerous and anti-\u00adAmerican.<\/p>\n<p>I\u2019ll stake my grade on that. But this exam is still in progress, and history is doing the grading.<\/p>\n<p style=\"text-align: center;\">_______________________________<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"275833\" data-permalink=\"https:\/\/lithub.com\/on-the-rise-of-white-christian-nationalism-in-the-us\/attachment\/9781324130482\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/9781324130482-scaled.jpg\" data-orig-size=\"1686,2560\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"9781324130482\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/9781324130482-675x1024.jpg\" class=\"alignnone size-medium wp-image-275833\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/9781324130482-198x300.jpg\" alt=\"\" width=\"198\" height=\"300\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/9781324130482-198x300.jpg 198w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/9781324130482-675x1024.jpg 675w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/9781324130482-768x1166.jpg 768w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/9781324130482-40x60.jpg 40w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/9781324130482-1012x1536.jpg 1012w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/9781324130482-1349x2048.jpg 1349w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/9781324130482-33x50.jpg 33w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/9781324130482-scaled.jpg 1686w\" sizes=\"auto, (max-width: 198px) 100vw, 198px\" \/><\/p>\n<p style=\"text-align: center;\"><em>From<\/em> <a href=\"https:\/\/bookshop.org\/a\/132\/9781324130482\">No Prophets: The Fight to Save Democracy from Christian Nationalism<\/a><em> by Jared Huffman. Copyright \u00a9 2026. Available from W.W. Norton &amp; Company.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>UC Santa Barbara in the 1980s felt like the counterculture\u2019s afterparty: sun-\u00addrenched, restless, and still echoing defiance. Palm trees swayed over a serene campus where students surfed at Campus Point between (or in lieu of) classes. On the surface, it<\/p>\n","protected":false},"author":31696,"featured_media":275867,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[6,43092,43095,43360],"tags":[22444,17542,7350,8354,111808,111807,86030,12598],"class_list":["post-275832","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-features","category-newsandculture","category-politics","category-religion","tag-american-politics","tag-christian-nationalism","tag-christianity","tag-democracy","tag-jared-huffman","tag-no-prophets-the-fight-to-save-democracy-from-christian-nationalism","tag-religious-right","tag-w-w-norton-and-company","story-type-american-politics"],"jetpack_shortlink":"https:\/\/wp.me\/p5rKFr-19KU","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/05_9781324130482_Trump-1.jpg","_links":{"self":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/275832","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/users\/31696"}],"replies":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/comments?post=275832"}],"version-history":[{"count":0,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/275832\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media\/275867"}],"wp:attachment":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media?parent=275832"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/categories?post=275832"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/tags?post=275832"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":275806,"date":"2026-08-25T05:07:12","date_gmt":"2026-08-25T09:07:12","guid":{"rendered":"https:\/\/lithub.com\/?p=275806"},"modified":"2026-08-23T21:03:22","modified_gmt":"2026-08-24T01:03:22","slug":"a-poem-by-antonella-anedda","status":"publish","type":"post","link":"https:\/\/lithub.com\/a-poem-by-antonella-anedda\/","title":{"rendered":"A Poem by Antonella Anedda"},"content":{"rendered":"<p>Storditi dalla nostalgia, confusi dai sogni, con i teli da bagno pieni di vento, con la rapida incompleta visione di una casa al mattino. Laggi\u00fa nell\u2019aria il ronzio dell\u2019aspirapolvere sui tappeti e i tonfi dei tappeti contro i muri. Nelle lunghe ore di un temporale di aprile prima che vengano a voltarci di fianco e che spalanchino le vetrate alle visite. Allora cambiano luci e rumori: restano il muro sbiancato dall\u2019acqua, l\u2019alto soffitto sopra le teste, i passi cauti nei corridoi.<\/p>\n<p>Non difesa, non quiete<br \/>\nnon la voce degli esseri umani<br \/>\nma la pianta spostata davanti al balcone e vetri aperti alla pioggia.<br \/>\nOltre l\u2019albero e il tetto<br \/>\nalte case sprangate e lampade accanto a tavoli (ora tondi, ora quadrati)<br \/>\npiccoli tavoli<br \/>\nsu cui si squadernano carte. L\u2019acqua scorreva, non la grandine; nessuna furia nel rombo del tuono l\u2019albero si piegava bianco<br \/>\nil tetto scuro e perfetto<br \/>\nasse di una incarnale geometria la citt\u00e0 divisa dall\u2019aria.<\/p>\n<p>*<\/p>\n<p>Dazed by nostalgia, confused by dreams, bath towels full of wind, the quick incomplete picture of a house in the morning. Down there in the air the buzz of the vacuum cleaner on carpets and the thumping of carpets against the walls. In the long hours of an April storm before they come to turn us over on our sides and the glass doors are thrown open to visitors. Then the light and the sounds change: the walls remain whitened by the rain, the ceiling high above our heads, the steps cautious in the halls.<\/p>\n<p>Not defensive, not quiet<br \/>\nnot the voices of human beings<br \/>\nbut the plant moved in front of the balcony and windows open to the rain.<br \/>\nBeyond the tree and the roof<br \/>\ntall houses with doors shut and lamps near tables (some round, some square)<br \/>\nsmall tables<br \/>\non which cards are played.<br \/>\nThe water flowed, unlike the hail; no fury in the rumble of thunder the tree bent into whiteness<br \/>\nthe roof dark and perfect<br \/>\naxis of an incarnate geometry the city separated from the air.<\/p>\n<p style=\"text-align: center;\">_______________________________<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"275807\" data-permalink=\"https:\/\/lithub.com\/a-poem-by-antonella-anedda\/emerging-from-the-winter-sea\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/emerging-from-the-winter-sea-scaled.jpg\" data-orig-size=\"1668,2560\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"emerging from the winter sea\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/emerging-from-the-winter-sea-667x1024.jpg\" class=\"alignnone size-medium wp-image-275807\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/emerging-from-the-winter-sea-196x300.jpg\" alt=\"\" width=\"196\" height=\"300\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/emerging-from-the-winter-sea-196x300.jpg 196w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/emerging-from-the-winter-sea-667x1024.jpg 667w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/emerging-from-the-winter-sea-768x1178.jpg 768w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/emerging-from-the-winter-sea-39x60.jpg 39w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/emerging-from-the-winter-sea-1001x1536.jpg 1001w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/emerging-from-the-winter-sea-1335x2048.jpg 1335w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/emerging-from-the-winter-sea-33x50.jpg 33w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/emerging-from-the-winter-sea-scaled.jpg 1668w\" sizes=\"auto, (max-width: 196px) 100vw, 196px\" \/><\/p>\n<p style=\"text-align: center;\"><em>Excerpted from<\/em> <a href=\"https:\/\/bookshop.org\/a\/132\/9780374618520\">Emerging from the Winter Sea<\/a> <em>by Antonella Anedda; translated from the Italian by Wallis Wilde-Menozzi. Published by Farrar, Straus and Giroux. Copyright \u00a9 2026 by Donzelli editore and Antonella Anedda. Translation copyright Wallis Wilde-Menozzi. All rights reserved.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Storditi dalla nostalgia, confusi dai sogni, con i teli da bagno pieni di vento, con la rapida incompleta visione di una casa al mattino. Laggi\u00fa nell\u2019aria il ronzio dell\u2019aspirapolvere sui tappeti e i tonfi dei tappeti contro i muri. Nelle<\/p>\n","protected":false},"author":31680,"featured_media":275835,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[6,43074,43077],"tags":[111659,111658,6547,31902,17544,212,55088],"class_list":["post-275806","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-features","category-fictionandpoetry","category-poem","tag-antonella-anedda","tag-emerging-from-the-winter-sea","tag-farrar-straus-and-giroux","tag-macmillan","tag-poem","tag-poetry","tag-wallis-wilde-menozzi","story-type-poem"],"jetpack_shortlink":"https:\/\/wp.me\/p5rKFr-19Ku","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/rain-window.jpg","_links":{"self":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/275806","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/users\/31680"}],"replies":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/comments?post=275806"}],"version-history":[{"count":0,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/275806\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media\/275835"}],"wp:attachment":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media?parent=275806"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/categories?post=275806"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/tags?post=275806"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":275809,"date":"2026-08-25T05:05:22","date_gmt":"2026-08-25T09:05:22","guid":{"rendered":"https:\/\/lithub.com\/?p=275809"},"modified":"2026-08-25T07:37:31","modified_gmt":"2026-08-25T11:37:31","slug":"what-hieronymus-boschs-fantastical-tryptiches-reveal-about-the-artists-worldview","status":"publish","type":"post","link":"https:\/\/lithub.com\/what-hieronymus-boschs-fantastical-tryptiches-reveal-about-the-artists-worldview\/","title":{"rendered":"What Hieronymus Bosch\u2019s Fantastical Triptychs Reveal About the Artist\u2019s Worldview"},"content":{"rendered":"<p>While Giotto sought to communicate the Christian messages that he had been commissioned to depict by encouraging his viewers to empathize with the characters in his realistic scenes, Hieronymus Bosch (c. 1450-1516) took a different tack. In his paintings, the Netherlandish artist used humor and fantasy to draw his viewers into a bizarre and tempting, yet dangerous, world, before admonishing them for viewing his scenes of pleasure and revelry with anything other than condemnation. But this approach to his art and his audience is not immediately clear to viewers today and can only be appreciated with some understanding of Bosch\u2019s worldview. Even compared to other art of his time, Bosch\u2019s images were idiosyncratic and unconventional, and his way of thinking particularly pessimistic.<\/p>\n<p>Bosch\u2019s best-known surviving work, for example, <i>The Garden of Earthly Delights<\/i>, is one of the strangest and most difficult to read paintings in European art history. Now in the Prado Museum in Madrid\u2014where the shop is full of jaunty merchandise bearing brightly colored details from the piece\u2014the painting was relatively unusual for its time as a triptych that was probably made for a secular setting rather than as an altarpiece for a church. And as such, rather than being limited to Biblical subject matter, it includes images of everyday humans on Earth\u2014although the Earth that Bosch presents on the huge central panel could not be further from the real world. In a cheerfully vivid palette of reds, greens, blues and pinks, the central scene depicts hundreds of naked people frolicking, cavorting, reveling, merry-making and pleasure-seeking in all manner of ways in a fantastical landscape with ponds and rivers, lush vegetation and giant fruit. It is a kind of paradise on Earth in which all humans, uninhibited, have succumbed to all of their desires. Some ride on giant birds or other beasts, some take bites from luscious berries or pluck apples from the trees. There is an orgiastic feel to the whole composition as bodies mix and mingle, tumble and twist, intertwine and embrace.<\/p>\n<p class=\"pullquote\">Even compared to other art of his time, Bosch\u2019s images were idiosyncratic and unconventional, and his way of thinking particularly pessimistic.<\/p>\n<p>Indications for how to process this central scene can be found on the side panels, which follow the same visual language but are more overtly religious in their subject matter. On the left, we see God presenting Eve to Adam in the Garden of Eden. She is yet to unleash evil into the world by eating a forbidden apple, but there are signs of what is to come among the creatures around them, which include a cat with a mouse in its mouth and a lion eating a deer. On the right-hand panel, Bosch presents us with a terrible vision of hell where, among the demons and the damned, we are shown, among other oddities, a set of giant human ears with the blade of a knife protruding from between them, a man with a musical instrument up his backside and a pig dressed as a nun. The two outer panels are designed to close, covering the central panel, and on the outside, in grey monochrome, Bosch has painted an image of the newly created world inside a giant bubble, with God looking on.<\/p>\n<p><i>The Garden of Earthly Delights <\/i>was probably commissioned by the aristocratic Engelbert II, Count of Nassau (1451-1504) for his palace of Coudenberg in Brussels between about 1495 and 1504. As early as July 1517, it was seen there by a visitor, who described it as &#8220;bizarre&#8221; and clearly didn\u2019t quite know what to make of it. The painting, and Bosch\u2019s art in general, has been delighting, troubling, amusing and puzzling viewers ever since. But Bosch\u2019s own intentions were clear and were much more serious than his art might today suggest.<\/p>\n<p>Hieronymus Bosch grew up as Jeroen van Aken, surrounded by artists. His father Antonius was a painter, as were four of his paternal uncles, and it is likely that young Jeroen (the Dutch version of Jerome) trained in the family workshop. Painting was a paternal family tradition. Both Bosch\u2019s grandfather, Jan, and his great-grandfather, Thomas van Aken, had also made their living in this way. In 1404, Thomas had moved from the German city of Aachen to Nijmegen in the Duchy of Guelders in the Low Countries (a geographical region that included modern-day Netherlands, Belgium and Luxembourg). By about 1426, Thomas\u2019s son Jan was living in \u2019s-Hertogenbosch, a town in the Duchy of Brabant, now part of the Netherlands and often shortened to \u2018Den Bosch.&#8217; Jeroen van Aken was born there in about 1450.<\/p>\n<p>From 1462, the family owned a house off the town\u2019s main square, the Markt, which included a workshop. It is not surprising, therefore, that Bosch and two of his brothers joined the family business. As an artist, he styled himself \u2018Hieronymus Bosch,&#8217; probably to appeal to an educated elite by using the Latin version of his first name and emphasizing his identification with \u2019s-Hertogenbosch rather than Aachen. Although a relatively lively commercial town, \u2019s-Hertogenbosch was not a leading cultural center and, unlike nearby Antwerp or Brussels, did not have a thriving artistic community, but Bosch nevertheless remained there for his whole life. This relative isolation almost certainly contributed to the highly idiosyncratic style for which he is known.<\/p>\n<p>Remaining in his hometown, Bosch soon became a big fish in a small pond. In around 1486, he joined the Brotherhood of Our Lady, a local religious association that had thousands of members in the town and beyond, and through which Bosch obtained his earliest commissions, sometimes working alongside his father and other members of the family. Socially, however, his big break came in 1487 or 1488 when he was elevated to a \u2018sworn\u2019 rather than a \u2018common\u2019 member of the Brotherhood, an elite tier comprising members of the clergy, wealthy landowners and businessmen, magistrates, aristocrats and, as seems to have been the case with Bosch, those with exceptional skills.<\/p>\n<p>By this time, he was married to Aleid van de Meervenne, a woman from a relatively wealthy local family who owned several properties. The couple were living in a house on the north side of the Markt that Aleid had inherited from her grandfather and which was fancy enough for Bosch to host a dinner for the sworn members of the Brotherhood in 1488. There is no doubt that his position in the organization opened doors for Bosch and as such, it is likely that he waived his payment for much of the work that he undertook for them. This work included wings for an altarpiece featuring St. John the Evangelist and St. John the Baptist for their chapel in St. John\u2019s Church, the main church in \u2019s-Hertogenbosch. Painted between 1490 and 1495 and now held in the Gem\u00e4ldegalerie, Berlin (<i>St. John on Patmos<\/i>) and the L\u00e1zaro Galdiano Museum, Madrid (<i>Saint John the Baptist)<\/i>, these paintings abound with allegorical details and contain elements of Bosch\u2019s strange visual world, including a bizarre spectacle-wearing lizard-bird-human-demon.<\/p>\n<p>Compared to his later work, however, the scenes are relatively conventional. Bosch also made other paintings for St. John\u2019s Church, including an altarpiece depicting the <i>Creation of the World <\/i>for the high altar, probably commissioned by the church itself, and panels for other chapels depicting various Biblical scenes. Commissions also came from other patrons in the town, helped by the connections that he made through the fraternity.<\/p>\n<p>Bosch\u2019s reputation grew throughout the 1490s, enabling him to make an impact beyond the small pond of \u2019s-Hertogenbosch, despite remaining in the town. His fame was probably enhanced by the handful of engravings based on his paintings made by Alart du Hameel, a printmaker, goldsmith and architect who worked on the Brotherhood\u2019s chapel in St. John\u2019s. Connections among the other sworn members are also likely to have spread the word about his skills and unique style, leading to the sale of his work to some high-profile patrons.<\/p>\n<p>In around 1494, for example, he painted a triptych on the theme of the Epiphany for the Antwerp civic leader Peeter Scheyve and his wife, Agnes Gramme (Prado, Madrid). Around this time, he also made work for various international clients, including several Spanish patrons living in Brabant as well as clients in Brussels and possibly Italy, and received his commission from the Count of Nassau. At some point, paintings by him also found their way into the possession of Margaret of Austria, Duchess of Savoy (1480-1530) and, by the 1520s, the prominent Grimani family in Venice, among other elite collectors. His most prestigious commission, however, came from Philip the Fair, Duke of Burgundy (1478-1506), who visited \u2019s-Hertogenbosch in 1504-1505 and, while there, ordered from Bosch a large altarpiece depicting the <i>Last Judgement<\/i>. He followed this with a commission for the <i>Temptation of St. Anthony <\/i>the following year, which he presented to his father Maximilian, the future Holy Roman Emperor.<\/p>\n<p>Like most painters of this period, Bosch took on a wide range of paid work, from painting altarpieces and other works on wooden panels, to adding color to decorative objects and furniture, and designing stained-glass windows, metalwork and textiles. But the works for which he is best remembered are his panel paintings and specifically his triptychs. Bosch is known to have produced at least sixteen, eight of which survive intact. The earliest are relatively conventional in depicting subjects such as the <i>Adoration of the Magi <\/i>(about 1475, Metropolitan Museum of Art, New York) and <i>Ecce Homo<\/i>, the presentation of Christ to the crowd before his Crucifixion (same period, St\u00e4del Museum, Frankfurt).<\/p>\n<p>These early examples show the influence of Netherlandish painters of the preceding generations such as Jan van Eyck (died 1441) and Rogier van der Weyden (died 1464), as well as some of Bosch\u2019s contemporaries, such as the painter and printmaker Martin Schongauer (1448-91) from whom he borrowed some ideas. By the 1490s, however, Bosch\u2019s paintings had become notably unconventional in their subject matter and were populated by the kind of weird and fantastical creatures and imagery that filled the inner panels of <i>The Garden of Earthly Delights<\/i>. The central image of the <i>Haywain<\/i>, for example, a triptych from about 1512-15 (also now in the Prado), depicts a large haystack on a wagon being pulled by demons with the heads of various animals. Merrymakers sit on its top, including a canoodling couple and a trio enjoying some music. Beneath, members of the lower social classes pluck at the hay, jostling and tumbling as they try to get close, while a group of aristocrats follow on horses behind. Violence has broken out at various points amid the chaos, which is surveyed from the sky by a pitying Jesus. On the panel to the left, we again find ourselves in the Garden of Eden, where we follow Adam and Eve from their moment of creation to Eve\u2019s acceptance of the apple from the serpent and the couple\u2019s banishment from Paradise. In the background, rebel angels are cast down from heaven. On the right wing, we are presented with scenes of torture and destruction in hell.<\/p>\n<p>Unusually for the time, the painting on the back of the wings, which forms a full image when the wings are closed, is a secular scene: a traveling Everyman walking along the path of his life with his worldly belongings in a basket on his back. Portentous vignettes mark the route behind him, including an executioner\u2019s scaffold, a fellow traveler being robbed and a man playing some pipes. The image carries a moralizing message, warning against the various temptations that might lead to a less-than-virtuous life. Bosch was innovative in painting triptychs in which the exterior image was intended to be read alongside the images inside, and in his integration of religious imagery with scenes of life on Earth.<\/p>\n<p class=\"pullquote\">It is tempting today to look at Bosch and to read his work as light and playful&#8230;.But to do so is to fundamentally misunderstand his intentions.<\/p>\n<p>It is tempting today to look at Bosch and to read his work as light and playful. There is certainly humor in his depictions of naked figures performing handstands, oversized strawberries, fish-headed demons and objects protruding from human orifices. It is also tempting to view Bosch as a kind of proto-Surrealist, or a trippy eccentric on a wild ride. But to do so is to fundamentally misunderstand his intentions. Bosch\u2019s paintings were, in fact, deeply moralizing and pessimistic about human nature. He had a particularly dim view of the lower classes, depicting the poor and those on the margins of society, including sex workers and unskilled people, as being those most likely to succumb to sins such as gluttony, drunkenness, idleness and lewdness.<\/p>\n<p>These views were not uncommon for the time, however, and his emphasis on the individual to take responsibility for their actions was in keeping with contemporary Christian and humanist thought. In Bosch\u2019s view, the pleasure-seeking figures in the central panel of <i>The Garden of Earthly Delights <\/i>are behaving on Earth in a way that will condemn them to hell, showing no self-restraint or moderation and giving in to their base desires and urges. Bosch tells us this by first showing us the creation of the world on the exterior, then the introduction of human beings in the Garden of Eden, where sin will first be introduced, and finally, the terrible punishments of hell. In the <i>Haywain<\/i>, the hay is a symbol for earthly goods, which are all essentially transient (hay will soon wither away) but which humans nevertheless clamor to grab, leading to all manner of bad behavior. A similar message is delivered on the outer panel, where we see the Everyman besieged by danger as he navigates his path through life, determined to hold on to his material possessions.<\/p>\n<p>Bosch created his weird and wonderful visual language to hold a mirror up to society and to warn against folly and sin. In doing so, he employed the tools of satire, a genre practiced by ancient writers such as Horace and Juvenal and contemporary writers such as Sebastian Brant and Erasmus, in which aspects of society could be criticized through metaphor in a light-hearted way. In addition to the weirder elements, Bosch\u2019s metaphoric language included recognizable imagery that could be more readily understood by his viewers, including references to folk customs, festivals and proverbs. In his world, it seems almost inevitable that humans will disappoint and give in to temptation. The many owls that appear in his works, including <i>The Garden of Earthly Delights<\/i>, are to remind his viewers that they are always being watched and should behave accordingly.<\/p>\n<p>Hieronymus Bosch died aged about 65 during the summer of 1516, from an infectious illness (possibly the plague) that had already claimed the lives of many others in the town. He was given a requiem mass at St. John\u2019s Church in \u2019s-Hertogenbosch, in the chapel of the Brotherhood of Our Lady. His work was collected enthusiastically in the sixteenth century by King Philip II of Spain, but it seems that within decades of his death, if not earlier, it was already being misunderstood and misinterpreted. For the last five centuries, people have seen what they have wanted to see in Bosch\u2019s art, perhaps unwilling to accept the pessimism and judgement in his messages.<\/p>\n<p style=\"text-align: center;\">_______________________________<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"275810\" data-permalink=\"https:\/\/lithub.com\/what-hieronymus-boschs-fantastical-tryptiches-reveal-about-the-artists-worldview\/how-to-think-like-an-artist-2\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/how-to-think-like-an-artist.jpg\" data-orig-size=\"540,869\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"how to think like an artist\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/how-to-think-like-an-artist.jpg\" class=\"alignnone size-medium wp-image-275810\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/how-to-think-like-an-artist-186x300.jpg\" alt=\"\" width=\"186\" height=\"300\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/how-to-think-like-an-artist-186x300.jpg 186w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/how-to-think-like-an-artist-37x60.jpg 37w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/how-to-think-like-an-artist-31x50.jpg 31w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/how-to-think-like-an-artist.jpg 540w\" sizes=\"auto, (max-width: 186px) 100vw, 186px\" \/><\/p>\n<p style=\"text-align: center;\"><em>Excerpted from<\/em> <a href=\"https:\/\/bookshop.org\/a\/132\/9781399422925\">How To Think Like an Artist: Painters and Sculptors Who Have Changed The Way We See The World<\/a><em> by Catherine Daunt. Run with permission of the author, courtesy of Bloomsbury Continuum, an imprint of Bloomsbury Publishing Plc. Copyright \u00a9 Catherine Daunt, 2026.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>While Giotto sought to communicate the Christian messages that he had been commissioned to depict by encouraging his viewers to empathize with the characters in his realistic scenes, Hieronymus Bosch (c. 1450-1516) took a different tack. In his paintings, the<\/p>\n","protected":false},"author":31687,"featured_media":276097,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[43096,6,43101,43092],"tags":[6930,6602,22018,29362,111678,12167,111802,111801],"class_list":["post-275809","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-art-and-photography","category-features","category-history","category-newsandculture","tag-art-history","tag-artists","tag-bloomsbury-continuum","tag-bloomsbury-publishing","tag-catherine-daunt","tag-europe","tag-hieronymus-bosch","tag-how-to-think-like-an-artist-painters-and-sculptors-who-have-changed-the-way-we-see-the-world","story-type-art-history"],"jetpack_shortlink":"https:\/\/wp.me\/p5rKFr-19Kx","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/lithub.com\/wp-content\/uploads\/2026\/08\/The_Garden_of_Earthly_Delights_by_Bosch_High_Resolution-scaled.jpg","_links":{"self":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/275809","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/users\/31687"}],"replies":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/comments?post=275809"}],"version-history":[{"count":0,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/275809\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media\/276097"}],"wp:attachment":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media?parent=275809"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/categories?post=275809"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/tags?post=275809"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}]