[{"id":276842,"date":"2026-09-10T10:22:06","date_gmt":"2026-09-10T14:22:06","guid":{"rendered":"https:\/\/lithub.com\/?p=276842"},"modified":"2026-09-10T10:22:06","modified_gmt":"2026-09-10T14:22:06","slug":"on-ed-parks-personal-days-one-of-the-best-comic-novels-of-all-time","status":"publish","type":"post","link":"https:\/\/lithub.com\/on-ed-parks-personal-days-one-of-the-best-comic-novels-of-all-time\/","title":{"rendered":"On Ed Park\u2019s <em>Personal Days<\/em>, one of the best comic novels of all time."},"content":{"rendered":"<p style=\"padding-left: 40px;\"><em>This is the first installment of an ongoing series recommending books from what I&#8217;ll call the Funny Novel Canon. Think of it as a working syllabus for literary humorists. If there&#8217;s a funny novel you love and think should be included in future installments, email me\u2014nicely please!<\/em><\/p>\n<p>Ed Park is a great writer, and his work is always smart and ambitiously challenging in form and structure\u2014see <a href=\"https:\/\/thedizzies.substack.com\/p\/how-hs-keeler-wrote-certain-of-his\" target=\"_blank\" rel=\"noopener\">his love of H.S. Keeler\u2019s \u201cweb-work\u201d<\/a>. His latest book, <em><a href=\"https:\/\/bookshop.org\/a\/132\/9798217154944\" target=\"_blank\" rel=\"noopener\">Three Tenses<\/a><\/em>, a well as his Pulitzer Prize finalist <a href=\"https:\/\/bookshop.org\/a\/132\/9780812988321\" target=\"_blank\" rel=\"noopener\"><em>Same Bed Different Dreams<\/em><\/a>, are complex without resorting to gimmicks or cheap obfuscation that implies depth. Park is a genuinely creative writer, who continues to challenge himself to try something new.<\/p>\n<p>But Park\u2019s writing is also tremendously funny. (Full disclosure, we wrote <a href=\"https:\/\/www.mcsweeneys.net\/articles\/im-starting-to-realize-im-watching-the-bear-1988-not-the-bear-2022\" target=\"_blank\" rel=\"noopener\">a McSweeney\u2019s piece together<\/a> so I\u2019m not exactly unbiased.) Some of Park\u2019s funniest writing is in his collection of short pieces, <a href=\"https:\/\/bookshop.org\/a\/132\/9780812998993\" target=\"_blank\" rel=\"noopener\"><em>An Oral History of Atlantis<\/em><\/a><em>,<\/em> but his first novel, <a href=\"https:\/\/bookshop.org\/a\/132\/9780812978575\" target=\"_blank\" rel=\"noopener\"><em>Personal Days<\/em><\/a>, is one of my favorite comic novels of all time.<\/p>\n<p><em>Personal Days<\/em> follows a group of office workers who spend their days in the Manhattan offices of a mysterious company with murky goals. Nobody seems to work much, though, the employees are consumed by gossip, crushes, and confusion about their coworkers, superiors, and others who lurk in their building.<\/p>\n<p>The plot roughly follows a central mystery about the company, but this book is memorable for being extremely funny\u2014Park is going for jokes. <em>Personal Days<\/em> is full of wordplay, dry observations, and weird specifics, and none of it feels tacked on or forced. Coworkers spin up absurd theories about each other, and this setting\u2014the office as the most fertile breeding ground for speculation\u2014allows Park\u2019s absurdities to bend plausibility without breaking it.<\/p>\n<p>The wordplay is especially well done, which will come as no surprise if you\u2019ve read Park\u2019s work before. His funny turns of phrase and memorable names get a lot of laughs, but they\u2019re working at a deeper level too. The homonyms and mishearing are folded into the plot, which turns at a few instances on wordplay and puns.<\/p>\n<p>Like all funny writers, Park is attentive to form, and uses headers and other formal shifts to get in little jokes and control his pacing. I won\u2019t spoil it, but the book also takes a big turn in the last section using a really fun, formal constraint. It&#8217;s a wonderful combination of sitcom and Oulipo.<\/p>\n<p>What I love most about this novel is that it&#8217;s funny in ways that only writing can be. Too often, humorous novels find comedy by mimicking the things that film and TV do, relying on writing that often feels like transcriptions from the screen. Park takes a different route, relying on jokes and situations that can only happen on the page, which makes <i>Personal Days<\/i> a very special novel.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>This is the first installment of an ongoing series recommending books from what I&#8217;ll call the Funny Novel Canon. Think of it as a working syllabus for literary humorists. If there&#8217;s a funny novel you love and think should be<\/p>\n","protected":false},"author":17056,"featured_media":276848,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[43201,43092,43646],"tags":[7693,112240,4820,105400],"class_list":["post-276842","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-book-news-newsandculture","category-newsandculture","category-the-hub","tag-ed-park","tag-funny-novel-canon","tag-humor","tag-personal-days"],"jetpack_shortlink":"https:\/\/wp.me\/p5rKFr-1a1c","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/personal-days-computer.jpg","_links":{"self":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/276842","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/users\/17056"}],"replies":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/comments?post=276842"}],"version-history":[{"count":0,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/276842\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media\/276848"}],"wp:attachment":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media?parent=276842"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/categories?post=276842"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/tags?post=276842"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":276835,"date":"2026-09-10T06:30:37","date_gmt":"2026-09-10T10:30:37","guid":{"rendered":"https:\/\/lithub.com\/?p=276835"},"modified":"2026-09-10T09:17:12","modified_gmt":"2026-09-10T13:17:12","slug":"lit-hub-daily-september-10-2026","status":"publish","type":"post","link":"https:\/\/lithub.com\/lit-hub-daily-september-10-2026\/","title":{"rendered":"Lit Hub Daily: September 10, 2026"},"content":{"rendered":"<span class=\"caption\"> TODAY: In 1886, H.D. is born. <\/span>\n<ul>\n<li>Stef Ferrari <a href=\"https:\/\/lithub.com\/nine-novels-that-make-an-art-of-earnestness\/\">recommends incredibly earnest novels<\/a> by Tayari Jones, Rufi Thorpe, Becky Chambers, and more! | Lit Hub <a href=\"https:\/\/lithub.com\/category\/readinglists\/\">Reading Lists<\/a><\/li>\n<li>\u201cThe collection asks readers to consider what happens when the machinery of occupation turns inward, and what forms of resistance become possible&#8230;\u201d <a href=\"https:\/\/lithub.com\/heres-the-cover-for-american-occupation-a-powerful-document-of-minnesotas-resistance-to-ice\/\" target=\"_blank\" rel=\"noopener noreferrer nofollow\">Check out the cover for <em>American Occupation<\/em><\/a>, a forthcoming document of Minnesota\u2019s resistance to ICE. | Lit Hub<\/li>\n<li><a href=\"https:\/\/lithub.com\/my-partner-refuses-to-read-or-even-talk-about-books-should-we-break-up\/\">If your partner hates reading, should you dump them?<\/a> Kristen Arnett dishes out some literary hot takes. | Lit Hub <a href=\"https:\/\/lithub.com\/category\/craftandcriticism\/craft-and-advice\/\">Advice<\/a><\/li>\n<li>Jill Lepore explores <a href=\"https:\/\/lithub.com\/neither-bone-nor-stone-why-the-us-constitution-was-meant-to-be-amended\/\">why the US constitution was designed to be amended<\/a>, from her Cundill Prize-shortlisted book, <em>We the People<\/em>. | Lit Hub <a href=\"https:\/\/lithub.com\/category\/newsandculture\/history\/\">History<\/a><\/li>\n<li>&#8220;He writes in a sort of thespian-bro argot, spiking locker-room jokes with rococo word choices like a frat-house Faulkner.&#8221; <a href=\"https:\/\/bookmarks.reviews\/5-reviews-you-need-to-read-this-week-9-10-2026\/\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/bookmarks.reviews\/5-reviews-you-need-to-read-this-week-9-10-2026\/&amp;source=gmail&amp;ust=1789067859081000&amp;usg=AOvVaw1PO5u4TuIac32R92Wk7UA1\">5 book reviews you need to read this week<\/a>. | <a href=\"http:\/\/bookmarks.reviews\" target=\"_blank\" rel=\"noopener\" data-saferedirecturl=\"https:\/\/www.google.com\/url?q=http:\/\/bookmarks.reviews&amp;source=gmail&amp;ust=1789067859081000&amp;usg=AOvVaw2wAEwNPBrCI1t2GhHFyGJG\">Book Marks<\/a><\/li>\n<li>Here are this week\u2019s Independent Press Top 40 Bestsellers for <a href=\"https:\/\/lithub.com\/the-independent-press-top-40-bestsellers-fiction-34\">fiction<\/a> and <a href=\"https:\/\/lithub.com\/the-independent-press-top-40-bestsellers-nonfiction-34\">nonfiction<\/a>. | Lit Hub <a href=\"https:\/\/lithub.com\/category\/newsandculture\/bookstores-and-libraries\/\">Bookstores<\/a><\/li>\n<li>How observation deepened the relationship <a href=\"https:\/\/lithub.com\/how-i-learned-to-love-my-dog-by-observing-his-behavior\/\">between Anna Heyward and her dog<\/a>. | Lit Hub <a href=\"https:\/\/lithub.com\/category\/newsandculture\/memoir\/\">Memoir<\/a><\/li>\n<li><a href=\"https:\/\/lithub.com\/beauty-in-ambiguity-on-marian-andersons-lifelong-love-for-schubert\/\">Why Marian Anderson loved Schubert<\/a>: &#8220;Was hearing Roland Hayes and, in time, other inspiring artists sing Schubert, Brahms, and Schumann songs like being beckoned by a musical brook to trust her instincts and follow its unlikely path?&#8221; | Lit Hub <a href=\"https:\/\/lithub.com\/category\/newsandculture\/music\/\">Music<\/a><\/li>\n<li>&#8220;They say we\u2019re a town full of losers. They say we\u2019re eccentric, eclectic\u2014marginal. Maybe I\u2019m exaggerating.&#8221; Read from <a href=\"https:\/\/lithub.com\/we-never-called-it-frisco\/\">Jed Perl&#8217;s new novel, <em>We Never Called It Frisco<\/em><\/a>. | Lit Hub <a href=\"https:\/\/lithub.com\/category\/fictionandpoetry\/from-the-novel\/\">Fiction<\/a><\/li>\n<li>\u201cGenocide is not just the destruction of a people, it is also the obliteration of that people\u2019s store of memories and, with it, the destruction of their ability to see themselves historically.\u201d <a href=\"https:\/\/www.equator.org\/articles\/dusklands-coetzee\">J.M. Coetzee and F.M. Siccardi reflect on growing up in the shadow of colonial genocide, in South Africa and Argentina, respectively<\/a>. | Equator<\/li>\n<li><a href=\"https:\/\/yalereview.org\/article\/lucy-sante-famous-writers-school\">Lucy Sante\u2019s encounters with famous writers<\/a>, from the \u201chighly esteemed but not famous in the usual way\u201d to the reclusive, in large headphones. | The Yale Review<\/li>\n<li>\u201cHow distressing \u2014 even traumatic \u2014 should war reportage be?\u201d <a href=\"https:\/\/www.thedial.world\/articles\/news\/war-correspondent-memoirs\">Nick Holdstock on Ukraine and reporting on war<\/a>. | The Dial<\/li>\n<li>Joe Sacco discusses <a href=\"https:\/\/jacobin.com\/2026\/09\/sacco-hedges-comics-journalism-gaza-genocide\">Gaza, comics journalism, and hanging out with ordinary people<\/a>. | Jacobin<\/li>\n<li>Warren Bernard, executive director of the Small Press Expo, talks to Jason Bergman about <a href=\"https:\/\/www.tcj.com\/ive-got-three-divisions-at-the-library-of-congress-that-cant-wait-for-me-to-die-a-journey-into-warren-bernards-comics-wonderland\/\">small press publishing, future contributions to the Library of Congress, and collecting basically everything<\/a>. | The Comics Journal<\/li>\n<li><a href=\"https:\/\/www.smithsonianmag.com\/history\/how-did-the-nation-get-its-name-other-suggestions-included-the-united-colonies-columbia-and-the-united-states-of-alleghania-180989435\/\">What if America was called the \u201cUnited States of the Earth\u201d?<\/a> Greg Daugherty explores how a country got its name. | Smithsonian Magazine<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Stef Ferrari recommends incredibly earnest novels by Tayari Jones, Rufi Thorpe, Becky Chambers, and more! | Lit Hub Reading Lists \u201cThe collection asks readers to consider what happens when the machinery of occupation turns inward, and what forms of resistance<\/p>\n","protected":false},"author":61,"featured_media":276843,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[45236],"tags":[],"class_list":["post-276835","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-lit-hub-daily"],"jetpack_shortlink":"https:\/\/wp.me\/p5rKFr-1a15","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/hdlhd.jpg","_links":{"self":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/276835","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/users\/61"}],"replies":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/comments?post=276835"}],"version-history":[{"count":0,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/276835\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media\/276843"}],"wp:attachment":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media?parent=276835"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/categories?post=276835"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/tags?post=276835"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":276786,"date":"2026-09-10T05:10:56","date_gmt":"2026-09-10T09:10:56","guid":{"rendered":"https:\/\/lithub.com\/?p=276786"},"modified":"2026-09-10T06:02:11","modified_gmt":"2026-09-10T10:02:11","slug":"my-partner-refuses-to-read-or-even-talk-about-books-should-we-break-up","status":"publish","type":"post","link":"https:\/\/lithub.com\/my-partner-refuses-to-read-or-even-talk-about-books-should-we-break-up\/","title":{"rendered":"My Partner Refuses to Read or Even TALK About Books? Should We Break Up?"},"content":{"rendered":"<p>Hello, hello, hello!<\/p>\n<p>Welcome back to another star-studded installment of everyone\u2019s favorite alcohol-soaked advice column, <em>Am I the Literary Asshole?<\/em> It\u2019s truly the gift that keeps on giving (and giving, and giving, and giving). I\u2019m your host, Kristen Arnett, and since we\u2019re coming in hot off the holiday weekend, why not keep the good vibes flowing? Turn that frown upside down and turn that three-day weekend into a full week of fun.<\/p>\n<p>And nothing says fun quite like a spicy margarita, am I right? Little bit of lime, little bit of salt\u2014it\u2019s basically a health drink, chock full of essential vitamins and electrolytes.<\/p>\n<p>I\u2019ll pour us a couple and we\u2019ll jump right on over to our first caller of the day:<\/p>\n<p><strong>1) How do I know I\u2019m on the right track with my writing? I mean, are the things I\u2019m writing worth publishing? How do I silence those inner voices?<\/strong><\/p>\n<p>Oh wow! Thank goodness for this margarita. This is a very large question for such a small and humble (and drunk and comedic) literary advice column.<\/p>\n<p>There are many ways to answer this, of course. The \u201cright track\u201d can mean any number of things. It\u2019s all according to what exactly you\u2019re looking to get out of your writing. You\u2019ve provided two additional questions as a form of follow up: how do you know the writing is worth publishing and how do you silence your inner critic? And while both of those are valuable things to consider, it\u2019s important to note that these three things don\u2019t always have to sit together.<\/p>\n<p>Knowing that you\u2019re \u201con the right track\u201d with your writing could mean that you\u2019re making art that feels exciting and fresh. It might mean building on the writing you\u2019ve already done, honing your craft. It\u2019s even possible that it could be directly related to how you feel about yourself as a writer and as a creator. When applied to the secondary, is it \u201cworth publishing,\u201d I have to admit that\u2019s a lot harder to answer. It\u2019s thinking less about your own personal viewpoint with regard to what you make, and instead looks outward, requiring an understanding of how other people might view your work. It also assumes an idea about value that\u2019s intrinsically pointed toward worth with regard to consumption.<\/p>\n<p>See what I mean? We need another margarita (or three).<\/p>\n<p>All this is to say that there\u2019s no way for me to know, personally, whether you\u2019re on the right track. I especially can\u2019t answer if your work is commercially viable re: publication! But what I <i>can<\/i> say is that we are without a doubt our own harshest critics. The way to silence your mean inner faultfinder is to spend time making work that you care about. There\u2019s always going to be that voice that tells us that we\u2019re doing things wrong, or that the work could be better. But at the end of the day? If we\u2019re writing the things that bring us pleasure, then that\u2019s all that really matters.<\/p>\n<p>Does that mean that the work will inevitably get published? I can\u2019t answer that. But what I can tell you is that you\u2019ll care a lot less about that aspect of this trifecta if you feel a solid sense of confidence in what you\u2019re actually making. We can\u2019t control a lot of things when it comes to the literary world\u2014especially how other people perceive our art, and how they might choose to engage with it\u2014but we can control how we manage our own feelings.<\/p>\n<p>If you love what you\u2019re doing, and you feel that you can see yourself continuing onward and upward? Friend, you\u2019re on the right path. Trust yourself.<\/p>\n<p>The thing about a margarita is that they always taste better after a second round. Let\u2019s cheers to that and take a look at our next question:<\/p>\n<p><strong>2) Hi Dad!<\/strong><\/p>\n<p><strong>My issue isn\u2019t necessarily me being an a**hole, but possibly someone else in my life being one?<\/strong><\/p>\n<p><strong>I\u2019ve been with my partner for almost eight years. We are highly compatible in every way, except for the fact that they don\u2019t read. By that I mean that they don\u2019t like to read *for fun*. They just don\u2019t like it very much. At all. A big part of my life is reading. It\u2019s important to me. Whenever I try to talk with them about anything having to do with books, they tune out or just change the subject. They claim it\u2019s boring. We can talk about anything else, but on this one topic it\u2019s a no-go. I hate it, because I love them, and I really want to talk about it with them!<\/strong><\/p>\n<p>Oh yikes! This is a tricky one.<\/p>\n<p>Mostly it\u2019s tricky because if they told you they didn\u2019t like reading back when you first started dating, then you already knew they weren\u2019t ever gonna be someone who\u2019d share this (important) part of your life. Does that suck? For sure! But they never hid this from you. It\u2019s not a surprise.<\/p>\n<p>If they don\u2019t like reading, they don\u2019t like reading. That\u2019s the long and the short of it.<\/p>\n<p>I mean, you could always try out talking about different kinds of books. Different genres, maybe, or even different formats\u2014it\u2019s completely possible they might be someone who likes listening to audiobooks. Maybe they\u2019ll be up for talking about a book that\u2019s also been adapted into a TV show or a feature film.<\/p>\n<p>But it\u2019s also completely possible they\u2019ll never be someone who wants to talk to you about books. And if you wanna stay with them, you\u2019ll have to learn to deal with that.<\/p>\n<p>Getting into a relationship with someone and expecting them to change who they are isn\u2019t reasonable or rational. If you\u2019ve got other things you share and you enjoy talking about all of that with them, that\u2019s wonderful. I say focus on that stuff and share your love of reading with the other people in your life.<\/p>\n<p>But if you\u2019re looking to have a romantic partner that shares this particular interest with you? It\u2019s totally possible you\u2019ll need to swan dive right back into the dating pool in order to find it.<\/p>\n<p>Answering relationship questions! Shocking. Okay, time for our last question and our last margarita (and boy, do I need it):<\/p>\n<p><strong>3) My agent recently gave me feedback on my current WIP. Most of the advice is practical and helpful, but there is one thing she said that I\u2019m not sure about: she doesn\u2019t like my main character. Now, she doesn\u2019t come right out and say they\u2019re unlikable, but she did mention that readers would have a hard time relating to this character and their choices. Is this really something I need to focus on in order to sell my book?\u00a0\u00a0<\/strong><\/p>\n<p>This is yet another question that will genuinely take some puzzling out!<\/p>\n<p>I don\u2019t know your agent, I don\u2019t know you, and I don\u2019t know your work. This means I\u2019m pretty limited in terms of what kind of advice I can hand out here.<\/p>\n<p>If you\u2019ve been with your agent for a while, then I\u2019m going to assume that you have a good working relationship. That means you trust what your agent tells you with regard to your body of work. They should have an innate understanding when it comes to how you write and what matters to you. If you feel like they\u2019re an overall good fit (and from your letter, it seems as though you usually do feel that way), then you have to go in with an assumption that they have your best interests at heart.<\/p>\n<p>Did your agent <i>actually<\/i> say that they didn\u2019t like your main character? Or are they pointing out places in the text where you might need to sit and puzzle out character motivations? It\u2019s possible there\u2019s a lack of clarity when it comes to how this character is sitting on the page and inside of scenes. It\u2019s completely possible they\u2019re trying to help you address these issues; not trying to hate on the actual character. It\u2019s very likely that there\u2019s something missing.<\/p>\n<p>I\u2019d follow up with them and ask for more clarity on this particular point. That\u2019s part of why we have agents, right? Having all those hard conversations that inevitably make our work better. Like with most things in life, communication is key. I think once you talk this through, you\u2019ll get to the root of what\u2019s actually been said. And then you\u2019ll have a better understanding about how to proceed with your relationship AND your edits.<\/p>\n<p>Good luck out there.<\/p>\n<p>And good luck to all of you! Because guess what? That\u2019s all the time we have for today! Join me next time when I answer more of your questions (please send <a href=\"https:\/\/docs.google.com\/forms\/d\/1jHmmgpPyWwy1D_ZUmaW6Z0IvWZKOLdLIU01Sa_EzZGY\/edit\">them right on over<\/a>) and also hopefully have a drink with a little less sodium (went heavy on the rim, yowza).<\/p>\n<p><em>Salty,<\/em><br \/>\n<em>Dad<\/em><\/p>\n<p style=\"text-align: center;\">__________________________<\/p>\n<p style=\"text-align: center;\">Are you worried you\u2019re the literary asshole? Ask Kristen via email at <a href=\"mailto:AskKristen@lithub.com\">AskKristen@lithub.com<\/a>, or <a href=\"https:\/\/docs.google.com\/forms\/d\/1jHmmgpPyWwy1D_ZUmaW6Z0IvWZKOLdLIU01Sa_EzZGY\/edit\">anonymously here.<\/a><\/p>\n<p><a href=\"https:\/\/docs.google.com\/forms\/d\/1jHmmgpPyWwy1D_ZUmaW6Z0IvWZKOLdLIU01Sa_EzZGY\/edit\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"232342\" data-permalink=\"https:\/\/lithub.com\/am-i-the-literary-asshle-judging-your-bad-bookish-behavior\/am-l-the-literary-asshole-1\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2024\/01\/AM-l-THE-LITERARY-ASSHOLE.jpg\" data-orig-size=\"548,546\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;Jonny Diamond&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;AM l THE LITERARY ASSHOLE? - 1&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"AM l THE LITERARY ASSHOLE? &amp;#8211; 1\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2024\/01\/AM-l-THE-LITERARY-ASSHOLE.jpg\" class=\"aligncenter wp-image-232342\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2024\/01\/AM-l-THE-LITERARY-ASSHOLE.jpg\" alt=\"\" width=\"165\" height=\"164\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2024\/01\/AM-l-THE-LITERARY-ASSHOLE.jpg 548w, https:\/\/lithub.com\/wp-content\/uploads\/2024\/01\/AM-l-THE-LITERARY-ASSHOLE-300x300.jpg 300w, https:\/\/lithub.com\/wp-content\/uploads\/2024\/01\/AM-l-THE-LITERARY-ASSHOLE-150x150.jpg 150w, https:\/\/lithub.com\/wp-content\/uploads\/2024\/01\/AM-l-THE-LITERARY-ASSHOLE-60x60.jpg 60w, https:\/\/lithub.com\/wp-content\/uploads\/2024\/01\/AM-l-THE-LITERARY-ASSHOLE-109x109.jpg 109w, https:\/\/lithub.com\/wp-content\/uploads\/2024\/01\/AM-l-THE-LITERARY-ASSHOLE-100x100.jpg 100w, https:\/\/lithub.com\/wp-content\/uploads\/2024\/01\/AM-l-THE-LITERARY-ASSHOLE-50x50.jpg 50w\" sizes=\"auto, (max-width: 165px) 100vw, 165px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Hello, hello, hello! Welcome back to another star-studded installment of everyone\u2019s favorite alcohol-soaked advice column, Am I the Literary Asshole? It\u2019s truly the gift that keeps on giving (and giving, and giving, and giving). I\u2019m your host, Kristen Arnett, and<\/p>\n","protected":false},"author":1764,"featured_media":276867,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[43071,43069,6,43070],"tags":[5602,7758,92580,61184,28771,4026,168,9636,96363,1341],"class_list":["post-276786","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-craft-and-advice","category-craftandcriticism","category-features","category-literary-criticism","tag-advice","tag-agents","tag-am-i-the-literary-asshole","tag-feedback","tag-kristen-arnett","tag-publishing","tag-reading","tag-relationships","tag-unlikable-characters","tag-writing"],"jetpack_shortlink":"https:\/\/wp.me\/p5rKFr-1a0i","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/drake-hates-books.jpg","_links":{"self":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/276786","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/users\/1764"}],"replies":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/comments?post=276786"}],"version-history":[{"count":0,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/276786\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media\/276867"}],"wp:attachment":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media?parent=276786"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/categories?post=276786"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/tags?post=276786"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":276809,"date":"2026-09-10T05:09:09","date_gmt":"2026-09-10T09:09:09","guid":{"rendered":"https:\/\/lithub.com\/?p=276809"},"modified":"2026-09-10T06:33:28","modified_gmt":"2026-09-10T10:33:28","slug":"5-book-reviews-you-need-to-read-this-week-9-10-2026","status":"publish","type":"post","link":"https:\/\/lithub.com\/5-book-reviews-you-need-to-read-this-week-9-10-2026\/","title":{"rendered":"5 Book Reviews You Need to Read This Week"},"content":{"rendered":"<p>Our mixum-gatherum of magnificent reviews this week includes Emma Alpern on Emma Cline\u2019s\u00a0<em>Switzy<\/em>, T.M. Brown on Danny McBride\u2019s <em>Thrilling Tales of Modern Men<\/em>, Sara Collins on Sebastian Barry\u2019s\u00a0<em>The Newer World<\/em>, Joy Williams on Lance Richardson\u2019s\u00a0<em>True Nature<\/em>, and Tembe Denton-Hurst on Marlon James\u2019s <em>The Disappearers<\/em>.<\/p>\n<p style=\"text-align: center;\">Brought to you by\u00a0<a href=\"https:\/\/bookmarks.reviews\/\" target=\"_blank\" rel=\"noopener noreferrer\">Book Marks<\/a>, Lit Hub\u2019s home for book reviews.<\/p>\n<p style=\"text-align: center;\">*<\/p>\n<p><a href=\"https:\/\/bookshop.org\/a\/40\/9780593595244\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-136929 size-medium aligncenter\" src=\"https:\/\/s26162.pcdn.co\/wp-content\/uploads\/sites\/2\/2026\/08\/e8b00ffc7979b73630caf92e5b645bc1-199x300.gif\" sizes=\"auto, (max-width: 199px) 100vw, 199px\" srcset=\"https:\/\/s26162.pcdn.co\/wp-content\/uploads\/sites\/2\/2026\/08\/e8b00ffc7979b73630caf92e5b645bc1-199x300.gif 199w, https:\/\/s26162.pcdn.co\/wp-content\/uploads\/sites\/2\/2026\/08\/e8b00ffc7979b73630caf92e5b645bc1-33x50.gif 33w, https:\/\/s26162.pcdn.co\/wp-content\/uploads\/sites\/2\/2026\/08\/e8b00ffc7979b73630caf92e5b645bc1.gif 430w\" alt=\"Switzy Cover\" width=\"199\" height=\"300\" data-attachment-id=\"136929\" data-permalink=\"https:\/\/bookmarks.reviews\/bookmark\/switzy\/switzy-cover\/\" data-orig-file=\"https:\/\/s26162.pcdn.co\/wp-content\/uploads\/sites\/2\/2026\/08\/e8b00ffc7979b73630caf92e5b645bc1.gif\" data-orig-size=\"430,648\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"Switzy Cover\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/s26162.pcdn.co\/wp-content\/uploads\/sites\/2\/2026\/08\/e8b00ffc7979b73630caf92e5b645bc1.gif\" \/><\/a><\/p>\n<p>\u201c<em>Switzy<\/em>\u00a0is Cline\u2019s big swing, already longlisted for the Booker Prize. At times, it\u2019s sentimental, unfolding with a sense of its own importance. It\u2019s also odder and more buoyant than you might think with a narrative voice pieced together from David\u2019s Alzheimer\u2019s-inflected thoughts. When he\u2019s tired, they mumble and loop. Song lyrics, phrases, and stray words bob in and out like visitors stopping by for a last laugh or scare.<\/p>\n<div>\n<p>As in this year\u2019s other notable book about dementia, Ben Lerner\u2019s\u00a0<em>Transcription,<\/em>\u00a0the fritzing out of David\u2019s memory seems primarily like a language disorder. There are puns, misreadings, nicknames given to people whose names he can\u2019t remember or prefers not to. (The liaison, Anna Gould, becomes Ghoul; a black-car driver is called Meatball.) There are snippets from\u00a0<em>Moby-Dick<\/em>\u00a0and\u00a0<em>The Sound of Music,<\/em>\u00a0a nauseous memory of the Stanley Steemer man who used to soak David\u2019s carpets with a toxic cleaning agent that squelched around his bare feet (\u2018Suck, suck, suck\u2019). The result can read like a puzzle, but it\u2019s rarely clever or cutesy. Instead, Cline\u2026is implying that this is just what a mind does when it\u2019s thrown into isolation: a soothing sort of wordplay with the materials it has at hand, all of a person\u2019s lexical rubble shifting around one final time.<\/p>\n<p>\u2026<\/p>\n<p>\u201cIn\u00a0<em>Switzy,<\/em>\u00a0Cline\u2019s tendency to let her plots roam around a flat surface rather than run up hills works in her favor. \u2018I find myself really resisting a neat narrative arc,\u2019 she said in a\u00a0<em>Paris Review<\/em>\u00a0interview in 2020. \u2018I think the best you can hope for is resonance, or a slow circling-around of a moment or an emotion. It\u2019s so much more ambient and diffuse, and a lot less concrete.\u2019 Her books have lurid central set pieces\u2014<em>The Girls<\/em>\u00a0and\u00a0<em>The Guest,<\/em>\u00a0respectively, are about a fictionalized version of the Manson Family and a scammer vamping her way through the Hamptons\u2014but Cline often lets the action go slack, making her a strangely withholding, even dour, literary-thriller writer. In\u00a0<em>Switzy,\u00a0<\/em>about a person realizing, with shame, how little human contact he\u2019s actually had, that approach finally coheres. She\u2019s a stronger writer on the sentence level here, and most important, she has found a character who rewards her impulse to write in loops.<\/p>\n<div>\n<p>Every now and then, the novel expands to a bigger view of things. David is not alone in losing his mind in the internet era: \u2018Now there were a million mental jaunts available to you in every moment, consciousness in a constant state of fracture.\u2019 Maybe, he thinks, that\u2019s why no one noticed when he started to drift away. But unlike\u00a0<em>Transcription<\/em>\u00a0or George Saunders\u2019s\u00a0<em>Vigil,\u00a0<\/em>the year\u2019s other novel about a rich old man on his way to the underworld, this book doesn\u2019t try to diagnose our collective ills. What\u2019s left is something smaller, more tense and tender: an old song, Cody\u2019s watchful presence, one last wag of the eyebrows.\u201d<\/p>\n<p style=\"text-align: right;\">\u2013Emma Alpern on Emma Cline\u2019s\u00a0<a href=\"https:\/\/bookshop.org\/a\/40\/9780593595244\" target=\"_blank\" rel=\"noopener\"><strong><em>Switzy<\/em><\/strong><\/a>\u00a0(<a href=\"https:\/\/www.vulture.com\/article\/emma-cline-switzy-book-review.html\" target=\"_blank\" rel=\"noopener\"><em>Vulture<\/em><\/a>)<\/p>\n<p><a href=\"https:\/\/bookshop.org\/a\/40\/9780593594759\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-136985 size-medium aligncenter\" src=\"https:\/\/s26162.pcdn.co\/wp-content\/uploads\/sites\/2\/2026\/09\/Thrilling-Tales-of-Modern-Men-200x300.jpg\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" srcset=\"https:\/\/s26162.pcdn.co\/wp-content\/uploads\/sites\/2\/2026\/09\/Thrilling-Tales-of-Modern-Men-200x300.jpg 200w, https:\/\/s26162.pcdn.co\/wp-content\/uploads\/sites\/2\/2026\/09\/Thrilling-Tales-of-Modern-Men-33x50.jpg 33w, https:\/\/s26162.pcdn.co\/wp-content\/uploads\/sites\/2\/2026\/09\/Thrilling-Tales-of-Modern-Men.jpg 300w\" alt=\"Thrilling Tales of Modern Men\" width=\"200\" height=\"300\" data-attachment-id=\"136985\" data-permalink=\"https:\/\/bookmarks.reviews\/?attachment_id=136985\" data-orig-file=\"https:\/\/s26162.pcdn.co\/wp-content\/uploads\/sites\/2\/2026\/09\/Thrilling-Tales-of-Modern-Men.jpg\" data-orig-size=\"300,450\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"Thrilling Tales of Modern Men\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/s26162.pcdn.co\/wp-content\/uploads\/sites\/2\/2026\/09\/Thrilling-Tales-of-Modern-Men.jpg\" \/><\/a><\/p>\n<p>\u201cMcBride\u2019s stories aren\u2019t misandrist per se, but they do poke fun at male woes, in a way that is neither flippant nor overly serious. \u2018The Institute of Men,\u2019 a fable-like story and a standout in the book, is told from the perspective of Mitchie, a balding forty-two-year-old who undergoes an experimental treatment to get his hair and swagger back. The process is marked by varying affronts, but Mitchie presses on, basking in the compliments of co-workers and the attention of a love interest, until it all goes terribly wrong. Like much of the collection, \u2018Institute\u2019 is an \u2018if only\u2019 story, in which the protagonist nurses a fatal flaw that prevents him from being fulfilled\u2014if only I were braver (\u2018The Book Burner\u2019), if only I were younger (\u2018Dad\u2019s Way\u2019), if only I wasn\u2019t losing my hair (\u2018Institute\u2019). One is briefly reminded of Ernest Hemingway\u2019s 1927 short story collection,\u00a0<em>Men Without Women<\/em>, which springs from a single prompt: If only there were no women.<\/p>\n<p>\u2026<\/p>\n<p>\u201cA strain of envy, in particular, runs through\u00a0<em>Thrilling Tales<\/em>. In an interview in June, McBride told the\u00a0<em>Times\u2019<\/em>\u00a0David Marchese that jealousy is \u2018one of those flaws that says so much about someone because it shows what\u2019s important to them and how they look at themselves and feel like they\u2019re not complete.\u2019 The darker corners of the internet are all too eager to offer men a compelling list of reasons for why their lives are unfulfilling, as well as an echo chamber full of the similarly aggrieved. McBride, like all good satirists, cranks up the volume of those resentments and insecurities, in the process revealing a new way to see the world.<\/p>\n<p>\u2026<\/p>\n<p>\u201cMcBride was born in south Georgia before eventually moving to Virginia as a child, and many of his stories are set between those two points of the American coastal South. He writes in a sort of thespian-bro argot, spiking locker-room jokes with rococo word choices like a frat-house Faulkner. When Greg explains his plans to become a professional magician to his friends while they\u2019re cruising the marsh in a fishing boat, he gets irritated by a suggestion that he\u2019d be an article of cheap entertainment for children. \u2018No, I won\u2019t be doing kids\u2019 fucking birthday parties. Jesus. I\u2019m doing real magician stuff. Things of spectacle and scope,\u2019 he says.<\/p>\n<p>\u2026<\/p>\n<p>\u201cMcBride\u2019s work as an author and actor injects something refreshing into the discussion. Instead of reinforcing the implicit misogyny of masculine self-pity\u2014men\u2019s plight is someone\u2019s fault, and women are a natural antagonist\u2014he encourages guys to loosen up a bit and even laugh at themselves. He doesn\u2019t think that position is at odds with a modern notion of masculinity; nor is he unsympathetic to listless guys who may be struggling to make sense of their place in the world . . . Books like McBride\u2019s\u00a0<em>Thrilling Tales<\/em>, then, might be a solution to the seemingly eternal masculine struggle\u2014or at least a more likely one than endlessly handwringing over men\u2019s troubles in this country, whether writing in magazines or speaking on panels.\u201d<\/p>\n<p style=\"text-align: right;\">\u2013T.M. Brown on Danny McBride\u2019s <a href=\"https:\/\/bookshop.org\/a\/40\/9780593594759\" target=\"_blank\" rel=\"noopener\"><strong><em>Thrilling Tales of Modern Men<\/em><\/strong><\/a>\u00a0(<a href=\"https:\/\/www.newyorker.com\/books\/page-turner\/danny-mcbrides-solution-to-the-masculinity-crisis\" target=\"_blank\" rel=\"noopener\"><em>The New Yorker<\/em><\/a>)<\/p>\n<p><a href=\"https:\/\/bookshop.org\/a\/40\/9780593654613\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-136972 size-medium aligncenter\" src=\"https:\/\/s26162.pcdn.co\/wp-content\/uploads\/sites\/2\/2026\/09\/The-Newer-World-199x300.jpg\" sizes=\"auto, (max-width: 199px) 100vw, 199px\" srcset=\"https:\/\/s26162.pcdn.co\/wp-content\/uploads\/sites\/2\/2026\/09\/The-Newer-World-199x300.jpg 199w, https:\/\/s26162.pcdn.co\/wp-content\/uploads\/sites\/2\/2026\/09\/The-Newer-World-33x50.jpg 33w, https:\/\/s26162.pcdn.co\/wp-content\/uploads\/sites\/2\/2026\/09\/The-Newer-World.jpg 298w\" alt=\"\" width=\"199\" height=\"300\" data-attachment-id=\"136972\" data-permalink=\"https:\/\/bookmarks.reviews\/?attachment_id=136972\" data-orig-file=\"https:\/\/s26162.pcdn.co\/wp-content\/uploads\/sites\/2\/2026\/09\/The-Newer-World.jpg\" data-orig-size=\"298,450\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"The Newer World\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/s26162.pcdn.co\/wp-content\/uploads\/sites\/2\/2026\/09\/The-Newer-World.jpg\" \/><\/a><\/p>\n<p>\u201c\u2018But is not the story as good as the truth?\u2019 asks Tennyson Bouguereau, the narrator of Sebastian Barry\u2019s\u00a0<em>The Newer World<\/em>. Tennyson, a formerly enslaved man in post-civil war America, recounts his life story in ways that call to mind the age-old debate about whether it\u2019s better to get our history from novelists or historians. While historians might argue that there is no contest, the question hints knowingly at the novelist\u2019s counter-argument. It sent me searching for a line from Barry\u2019s 2008 Costa-award winning novel,\u00a0<em>The Secret Scripture<\/em>, in which the narrator describes history as &#8216;a fabulous arrangement of surmises and guesses held up as a banner against the assault of withering truth.&#8217;<\/p>\n<p class=\"dcr-1s160rg\">In her Reith Lectures, Hilary Mantel suggested that history is \u2018what\u2019s left in the sieve when the centuries have run through it,\u2019 but I tend to think of it as more of a butterfly net. Historians chase after and capture the things they deem significant. They leave things out, often deliberately. Barry\u2019s entire body of work is a prime example of fiction\u2019s ability to fill history\u2019s gaps, merging personal tragedies with national ones in ways that (dare I say) demonstrate the supremacy of the form\u2014especially for those of us descended from people for whom history never cared one whit.<\/p>\n<p>\u2026<\/p>\n<p>\u201cThis passing of the storytelling baton\u2014an Irish refugee ceding the floor to a Native American woman, who then does the same in favour of a formerly enslaved man\u2014feels as urgently contemporary as the best historical fiction always does, relevant to \u2018the writer\u2019s now,\u2019 to borrow John Fowles\u2019s phrase. So too does the description of a postbellum Tennessee landscape in which the Confederates may have been defeated but their ideologies are still virulently alive: \u2018All their intent was to shove us back into the hog pen and put the hasp on tight as they could, against any further straying.\u2019<\/p>\n<\/div>\n<\/div>\n<p>\u2026<\/p>\n<p>\u201cThe thing I like best about a Barry novel is how he gives a voice to the \u2018nothing people\u2019 of history. It\u2019s like pulling up a rocking chair on a shaded porch and listening as the narrator, usually in retrospective mode, attempts to reckon with what they did and what was done to them. It\u2019s an astonishing effect, especially when you consider the near-miracles Barry performs with language. In his hands it attains registers that can only be described as soaring; a vertiginous high wire of prose.<\/p>\n<p>\u2026<\/p>\n<p>\u201cPutting this kind of arresting language into the mouths of \u2018nothing people\u2019 makes it impossible to overlook them, as if only in fiction can they be given their due. And there is also a compelling point in using language from the poetic realm to reveal rather than cloak atrocities, its rhythms building to an unrelenting lyricism, a juggernaut that gains power precisely because it is not just set alongside brutality but entwined with it . . . I can think of no other writer who could, as Barry does, describe blood and chaos in language that reaches for such a high register, as if at the same time invoking paradise, in an attempt to answer that question. I can also think of few whose natural writerly empathy, evidenced by such an impressive body of work, pre-empts the otherwise inevitable discussion about cultural appropriation. Any writer has the right to imagine any point of view, but few truly earn it.\u201d<\/p>\n<p style=\"text-align: right;\">\u2013Sara Collins on Sebastian Barry\u2019s\u00a0<a href=\"https:\/\/bookshop.org\/a\/40\/9780593654613\" target=\"_blank\" rel=\"noopener\"><strong><em>The Newer World<\/em><\/strong><\/a>\u00a0(<a href=\"https:\/\/www.theguardian.com\/books\/2026\/sep\/08\/the-newer-world-by-sebastian-barry-review-a-near-miracle-of-storytelling\" target=\"_blank\" rel=\"noopener\"><em>The Guardian<\/em><\/a>)<\/p>\n<footer class=\"dcr-1s160rg\">\n<p class=\"dcr-1s160rg\"><a href=\"https:\/\/bookshop.org\/a\/40\/9781524748319\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-134758 size-medium aligncenter\" src=\"https:\/\/s26162.pcdn.co\/wp-content\/uploads\/sites\/2\/2025\/10\/d815365bc5b282019ea3be5cad84b650-200x300.gif\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" srcset=\"https:\/\/s26162.pcdn.co\/wp-content\/uploads\/sites\/2\/2025\/10\/d815365bc5b282019ea3be5cad84b650-200x300.gif 200w, https:\/\/s26162.pcdn.co\/wp-content\/uploads\/sites\/2\/2025\/10\/d815365bc5b282019ea3be5cad84b650-33x50.gif 33w, https:\/\/s26162.pcdn.co\/wp-content\/uploads\/sites\/2\/2025\/10\/d815365bc5b282019ea3be5cad84b650.gif 432w\" alt=\"True Nature: The Pilgrimage of Peter Matthiessen Cover\" width=\"200\" height=\"300\" data-attachment-id=\"134758\" data-permalink=\"https:\/\/bookmarks.reviews\/bookmark\/true-nature-the-pilgrimage-of-peter-matthiessen\/true-nature-the-pilgrimage-of-peter-matthiessen-cover\/\" data-orig-file=\"https:\/\/s26162.pcdn.co\/wp-content\/uploads\/sites\/2\/2025\/10\/d815365bc5b282019ea3be5cad84b650.gif\" data-orig-size=\"432,648\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"True Nature: The Pilgrimage of Peter Matthiessen Cover\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/s26162.pcdn.co\/wp-content\/uploads\/sites\/2\/2025\/10\/d815365bc5b282019ea3be5cad84b650.gif\" \/><\/a><\/p>\n<p>\u201cMatthiessen was charismatic, fearless, selfish, and unfaithful in the extreme to those who loved him. He was not an exceptional novelist; he was too methodical, too controlled in his vision. Nor was he an obvious adept of the Buddhism he practiced half his life; he was too ambitious, too narcissistic. But he was incredibly focused, and grew to possess considerable spiritual discipline. Yet after he descended from his arduous and purifying trek into the Himalayas that gifted him with\u00a0<i>The Snow Leopard<\/i>, after his many moments of transport and enlightenment, in a squalid mountainside village he pissed on a chained dog that was barking at him, and his delight in the animal\u2019s useless rage gave him \u2018the greatest peace and satisfaction.\u2019 On the eve of returning home, after having wanted to \u2018go lightly into the light and silence of the Himalaya, without ambition of attainment,\u2019 he felt he had perversely emerged as something \u2018mutilated, murderous: I am in a fury of dark energies.\u2019<\/p>\n<p>\u2026<\/p>\n<p>\u201cWhen Matthiessen was thirty-one he wrote his great<i>\u00a0<\/i>threnody,\u00a0<i>Wildlife in America<\/i>. It was published in 1959, three years before Rachel Carson\u2019s\u00a0<i>Silent Spring<\/i>. Originally the book was to be titled\u00a0<i>Lost Americans<\/i>, and it was the encyclopedic account of our relationship with wildlife and the country\u2019s land and water\u2014a history of waste, greed, mismanagement, and slaughter. It was the most moving and possibly most influential of any book he wrote, though the Audubon Society, even then primly thwarting its own relevance, withheld endorsement because it did not show the organization \u201cin the proper light.\u201d\u00a0<i>Wildlife in America<\/i>\u00a0and\u00a0<i>Silent Spring<\/i>\u00a0were the two pillars of a golden age of conservation and environmentalism in the United States, an age long past with the degradation of the Environmental Protection Agency and the opening of the pristine wilderness of the Arctic National Wildlife Refuge to drilling and extraction.<\/p>\n<p>\u2026<\/p>\n<p>\u201cMy admiration for Lance Richardson\u2019s\u00a0<i>True Nature<\/i>\u00a0is deep. It\u2019s a classic of biographical art and arc that captures the antithetical aspects of its restless subject\u2019s actions and character while never losing sight of his literary achievements. My admiration for Matthiessen has wobbled a bit but is still essentially grateful. Yet he increasingly scorned his greatest attribute as a writer\u2014a keen attentiveness to the natural world. That he could not channel his consuming study of isolate mindfulness into the more generous articulations of the form he so revered\u2014the Novel\u2014had not occurred to him.\u201d<\/p>\n<p style=\"text-align: right;\">\u2013Joy Williams on Lance Richardson\u2019s\u00a0<a href=\"https:\/\/bookshop.org\/a\/40\/9781524748319\" target=\"_blank\" rel=\"noopener\"><em><strong>True Nature: The Pilgrimage of Peter Matthiessen<\/strong><\/em><\/a>\u00a0(<a href=\"https:\/\/www.nybooks.com\/articles\/2026\/09\/24\/a-fury-of-dark-energies-peter-matthiessen-true-nature\/\" target=\"_blank\" rel=\"noopener\"><em>The New York Review of Books<\/em><\/a>)<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-136842 aligncenter\" src=\"https:\/\/s26162.pcdn.co\/wp-content\/uploads\/sites\/2\/2026\/08\/44782eca7910cbb372efc07f64591cfd-197x300.gif\" sizes=\"auto, (max-width: 197px) 100vw, 197px\" srcset=\"https:\/\/s26162.pcdn.co\/wp-content\/uploads\/sites\/2\/2026\/08\/44782eca7910cbb372efc07f64591cfd-197x300.gif 197w, https:\/\/s26162.pcdn.co\/wp-content\/uploads\/sites\/2\/2026\/08\/44782eca7910cbb372efc07f64591cfd-33x50.gif 33w, https:\/\/s26162.pcdn.co\/wp-content\/uploads\/sites\/2\/2026\/08\/44782eca7910cbb372efc07f64591cfd.gif 426w\" alt=\"The Disappearers Cover\" width=\"197\" height=\"300\" data-attachment-id=\"136842\" data-permalink=\"https:\/\/bookmarks.reviews\/bookmark\/the-disappearers\/the-disappearers-cover\/\" data-orig-file=\"https:\/\/s26162.pcdn.co\/wp-content\/uploads\/sites\/2\/2026\/08\/44782eca7910cbb372efc07f64591cfd.gif\" data-orig-size=\"426,648\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"The Disappearers Cover\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/s26162.pcdn.co\/wp-content\/uploads\/sites\/2\/2026\/08\/44782eca7910cbb372efc07f64591cfd.gif\" \/><\/p>\n<p>\u201cIn early copies of the novel sent out to reviewers, James writes that though not all of the events happened, all of them are true. This makes\u00a0<em>The Disappearers\u00a0<\/em>both a work of fiction and an act of critical fabulation, a term coined by Saidiya Hartman that describes the act of using narrative to \u2018reckon with the precarious lives which are visible only in the moment of their disappearance.\u2019 In her essay \u2018Venus In Two Acts,\u2019 she describes the process of using the archive of slave narratives to create a work where there is silence, lending humanity to people thought of as otherwise disposable. James undertakes a similar act.<\/p>\n<p>\u2026<\/p>\n<p>\u201cJames resists catharsis, edging the reader until the very end. What comes then isn\u2019t relief or a release but a promise that these characters and their circumstances will remain sticky in your mind. It\u2019s very Toni Morrison of him, which is perhaps what James intended. The book takes cues from both<em>\u00a0Song of Solomon<\/em>\u00a0and\u00a0<em>Sula<\/em>\u2014a revenge side plot in\u00a0<em>Song<\/em>\u00a0takes center stage and devolves in a Shakespearean fashion. Then there\u2019s\u00a0<em>Sula,\u00a0<\/em>whose ending James borrows, tweaking the circumstances but cribbing the emotional beats.<\/p>\n<div>\n<p>A rave in the New York\u00a0<em>Times<\/em>\u00a0review\u00a0<a href=\"https:\/\/archive.ph\/o\/r0GB1\/https:\/\/www.nytimes.com\/2026\/08\/30\/books\/review\/the-disappearers-marlon-james.html\" target=\"_blank\" rel=\"noopener\">called<\/a>\u00a0<em>The Disappearers<\/em>\u00a0a masterpiece and possibly the novel of the century. It is without question an excellent book, one that grapples deftly with the stakes of living a full life in a country that would prefer you dead and openly sanctions it, but I don\u2019t want to risk fetishizing it by solely situating it in the Western canon.\u00a0<em>The Disappearers\u00a0<\/em>is most exciting to me when I think of it as a provocation to Jamaican audiences\u2014both those of us living in the country and abroad. It asks us to consider our culture\u2019s capacity for violence and erasure, for seeing an entire population as undeserving of equal rights. As I write this, there are still buggery laws in Jamaica and very little protection for LGBTQ+ citizens. Strides have certainly been made, but we are a ways from widespread public acceptance. In a recent interview with\u00a0<a href=\"https:\/\/archive.ph\/o\/r0GB1\/https:\/\/www.harpersbazaar.com\/culture\/art-books-music\/a73570370\/marlon-james-the-disappearers\/\" target=\"_blank\" rel=\"noopener\"><em>Harper\u2019s Bazaar<\/em><\/a>, James commented on the country\u2019s evolution. \u2018Right now, in Jamaica, I\u2019m seeing gangsters in skintight jeans who only dance with each other, and I\u2019m old enough to remember when wearing that shit could have gotten you beaten to death. But notice that the person carrying the burden of that memory is me.\u2019 I like to think of\u00a0<em>The Disappearers\u00a0<\/em>as a sharp reminder to never forget.\u201d<\/p>\n<p style=\"text-align: right;\">\u2013Tembe Denton-Hurst on Marlon James\u2019s <a href=\"https:\/\/bookshop.org\/a\/40\/9780593717202\" target=\"_blank\" rel=\"noopener\"><strong><em>The Disappearers<\/em><\/strong><\/a>\u00a0(<a href=\"https:\/\/www.vulture.com\/article\/review-marlon-james-book-the-disappearers.html\" target=\"_blank\" rel=\"noopener\"><em>Vulture<\/em><\/a>)<\/p>\n<\/div>\n<\/footer>\n","protected":false},"excerpt":{"rendered":"<p>Our mixum-gatherum of magnificent reviews this week includes Emma Alpern on Emma Cline\u2019s\u00a0Switzy, T.M. Brown on Danny McBride\u2019s Thrilling Tales of Modern Men, Sara Collins on Sebastian Barry\u2019s\u00a0The Newer World, Joy Williams on Lance Richardson\u2019s\u00a0True Nature, and Tembe Denton-Hurst on<\/p>\n","protected":false},"author":873,"featured_media":276811,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[43069,6,43070,43135],"tags":[15654,13821,110853,13738,45927,763,23633],"class_list":["post-276809","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-craftandcriticism","category-features","category-literary-criticism","category-readinglists","tag-book-marks","tag-book-reviews","tag-danny-mcbride","tag-emma-cline","tag-lance-richardson","tag-marlon-james","tag-sebastian-barry"],"jetpack_shortlink":"https:\/\/wp.me\/p5rKFr-1a0F","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/Thrilling-Tales.jpg","_links":{"self":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/276809","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/users\/873"}],"replies":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/comments?post=276809"}],"version-history":[{"count":0,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/276809\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media\/276811"}],"wp:attachment":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media?parent=276809"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/categories?post=276809"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/tags?post=276809"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":276513,"date":"2026-09-10T05:08:08","date_gmt":"2026-09-10T09:08:08","guid":{"rendered":"https:\/\/lithub.com\/?p=276513"},"modified":"2026-09-07T20:43:51","modified_gmt":"2026-09-08T00:43:51","slug":"neither-bone-nor-stone-why-the-us-constitution-was-meant-to-be-amended","status":"publish","type":"post","link":"https:\/\/lithub.com\/neither-bone-nor-stone-why-the-us-constitution-was-meant-to-be-amended\/","title":{"rendered":"Neither Bone Nor Stone: Why the US Constitution Was Meant to be Amended"},"content":{"rendered":"<blockquote>\n<p style=\"text-align: center;\">\u201cThe people have an indubitable, unalienable, and indefeasible right to reform or change their government, whenever it be found adverse or inadequate to the purposes of its institution.\u201d<br \/>\n\u2013James Madison, failed First Amendment to the US Constitution introduced into Congress, 1789<br \/>\n*<\/p>\n<\/blockquote>\n<p><em>We the People.<\/em> The Constitution of the United States is made of things that are born, live, thrive, decay, and die: insects, animals, plants, ideas. <em>In order to form a more perfect Union.<\/em> Each of its elements began, long ago, in the loamy earth, hatching and creeping or slipping, slick and squealing, from the womb of the mind. <em>Establish justice, insure domestic tranquility.<\/em> The text is written on parchment made from sheep, fleeced, their hides soaked in lime, stretched and dried. <em>Provide for the common defense.<\/em> The ink came from the buds of oak leaves, swollen to the size of musket balls by the eggs of wasps. <em>Promote the general welfare.<\/em> Its words were shaped by quills fashioned from the feathers of molting geese. <em>Secure the blessings of liberty.<\/em> Its lofty, momentous ideas came from the minds of men, long since dead, and from the books they read. <em>To ourselves and our posterity.<\/em> Of the nearly two hundred written constitutions, the Constitution of the United States\u2014\u00adthe most influential constitution in the world\u2014\u00adis also among the oldest, a relic, as brittle as bone, as hard as stone. <em>Do ordain and establish.<\/em><\/p>\n<p>But the U.S. Constitution is neither bone nor stone. It is an explosion of ideas. Parchment decays and ink fades, but ideas endure; they also change. The Constitution attempted to solve ancient problems having to do not only with the people and their rulers, the structure of government, and the nature of rights, but also with the knowability and endurance of law. Ingeniously, it accounted for the passage of time.<\/p>\n<p class=\"pullquote\">The U.S. Constitution is neither bone nor stone. It is an explosion of ideas. Parchment decays and ink fades, but ideas endure; they also change.<\/p>\n<p>The U.S. Constitution was intended to be amended. \u201cThe whole purpose of the Constitution,\u201d Supreme Court justice Antonin Scalia once said, \u201cis to prevent a future society from doing whatsoever it wants to do.\u201d\u200a This is not true. One of the Constitution\u2019s founding purposes was to prevent change. Another was to allow for change without violence. Amendment is so essential to the American constitutional tradition, so methodical and so entire a conception of endurance through adaptation, that it can best be described as a philosophy.<\/p>\n<p>This book, a history of the Constitution, argues that the philosophy of amendment is foundational to modern constitutionalism. Amendment is also a constitution\u2019s mechanism for the prevention of insurrection. This book aims to chronicle the origins of amendment, to identify the conditions under which amendment is possible, to examine why the practice of amendment has been abandoned, and to reckon with the question of whether the Constitution can endure without it.<\/p>\n<p><strong>A government of laws and not of men<br \/>\n<\/strong>Every ordered society is governed by a set of core rules, customs, and principles. This is true for every species that lives in a structured community: a pack of wolves or a pod of whales, a hive of honeybees or a colony of ants, a herd of deer or a flock of geese, a clan of elephants or a tribe of apes and even a forest of trees. Only humans devise constitutions. Devising constitutions, or fundamental laws, is so elemental to human society that the collective noun might be a constitution of humans.<\/p>\n<p>Since long before the keeping of records, humans erected governments, codified laws, anointed rulers, imposed or banned religious practices, federated or severed states, claimed territory, and established sovereignty. Once writing was invented, rulers of ancient human societies began recording laws, etching them into clay and stone in the hope that they would last, binding one generation to the next. The Sumerian Code of Ur-\u00adNammu, the oldest surviving written law, was carved into sunbaked clay tablets four thousand years ago. It declared that the king had \u201cbanished malediction, violence and strife\u201d from the land. Three hundred years later the Code of the Babylonian king Hammurabi was etched into an eight-\u00adfoot-\u00adtall slab of black stone, weighing four tons, declaring Hammurabi anointed by God \u201cto bring about the rule of righteousness in the land, to destroy the wicked and the evil-\u00addoers; so that the strong should not harm the weak.\u201d Sometime around 1300 BCE, Yahweh, the Hebrew god, issued ten commandments to the prophet Moses, according to the Book of Deuteronomy, \u201cand he wrote them in two tables of stone.\u201d Ancient Chinese written law dates to the Zhou Dynasty in the sixth century BCE, inked onto ji\u01cend\u00fa, strips of bamboo.<\/p>\n<p>Laws govern people; constitutions govern governments. Nearly all constitutions are assemblages, as an eighteenth-\u00adcentury English political philosopher once explained, gatherings together \u201cof institutions and customs, derived from certain fixed principles of reason, directed to certain fixed objects of publick good.\u201d The idea that the object of a constitution is the common good dates to antiquity. When Aristotle wrote <em>Politics<\/em> around 350 BCE, forming its letters by pressing a pen made of reed upon papyrus made from the soaked and woven pith of the stalks of a sedge that grew on the bank of a river, he divided constitutions into those \u201cwhich aim at the common advantage\u201d and \u201care correct and just\u201d and \u201cthose which aim only at the advantage of the rulers\u201d and \u201care deviant and unjust.\u201d\u200a Most were unjust.<\/p>\n<p>Many legal instruments combine the constituting of governments with the assigning of territory and the proclaiming of laws. Whether to call these records constitutions is debatable; some are more like treaties; others are more like criminal codes. The prophet Muhammad drew up the now-\u00adlost \u1e62a\u1e25\u012bfa in 622 CE, establishing a pact between certain Muslims and the Jews of Medina. Sometimes scholars translate the Arabic word s.ah.\u0131\u00affa as \u201cscripture,\u201d sometimes as \u201cconstitution.\u201d In 1215 CE, outside London, King John of England signed a parchment made of sheepskin known as the Magna Carta, the great charter, guaranteeing his noblemen \u201call the liberties written out below, to have and to keep for them and their heirs.\u201d Meant to last, it was almost immediately annulled, even though later generations of English politicians liked to call it England\u2019s \u201cancient constitution.\u201d<\/p>\n<p>Other ancient constitutions have lasted longer. About 1450 CE, Dekanawidah, the Great Peacemaker, and delegates from the Five Nations of the Iroquois, or Haudenosaunee\u2014\u00adSeneca, Cayuga, Oneida, Onondaga, and Mohawk\u2014\u00adadopted an agreement known as the Gayanashagowa or Great Law of Peace and often referred to as a constitution, which they recorded on wampum, a light and dark pattern of shells strung together. It begins, \u201cI plant the Tree of Great Peace.\u201d\u200a It was meant to grow, root and branch.<\/p>\n<p class=\"pullquote\">Committing a constitution to writing offers stability&#8230;but it also presents a problem: how is a government established by a written constitution to be altered except by its destruction?<\/p>\n<p>The revolutionary idea that the ruled rather than the rulers decide the rules emerged only haltingly. In 1765 Catherine the Great, the Empress of Russia, began drafting the Nakaz, or constitution, to proclaim her sovereignty and guarantee her subjects liberty and equality. To consider it, she called for an assembly of 564 elected representatives\u2014\u00adelected by everyone, including women and peasants, with fifty-\u00adfour seats allotted for Muslims\u2014\u00adto meet in Moscow in 1767. The course of human events turned upside down in 1776\u2014\u00adthe ruled became their own rulers\u2014\u00adwhen the United States declared independence and stated what Thomas Jefferson described as self-\u00adevident truths: \u201cthat all men are created equal, that they are endowed by their Creator with certain unalienable Rights, that among these are Life, Liberty and the pursuit of Happiness.\u2014\u00adThat to secure these rights, Governments are instituted among Men, deriving their just powers from the consent of the governed,\u2014\u00adThat whenever any Form of Government becomes destructive of these ends, it is the Right of the People to alter or to abolish it.\u201d Four years later the people of the Commonwealth of Massachusetts ratified a new constitution, written by John Adams, whose aim, as Adams wrote, was to establish \u201ca government of laws and not of men.\u201d\u200a They wrote that constitution down, ink on parchment. It is still in force: it is the law. It also still exists, in a museum in Boston, sealed in a double-\u00adpaned bulletproof glass case filled with a mix of argon and helium gas to preserve it from the forces of decay: water and oxygen and sunlight.<\/p>\n<p>All written constitutions contain unwritten elements, as invisible as those glass-\u00adboxed gases. \u201cThe sacred rights of mankind are not to be rummaged for, among old parchments, or musty records,\u201d Alexander Hamilton advised seekers in 1775. \u201cThey are written, as with a sunbeam, in the whole volume of human nature.\u201d A written constitution\u2019s power comes not from the words themselves but from the life breathed into it, or what Montesquieu called \u201cthe spirit of laws,\u201d ethereal and even enchanted. James Madison warned that early state constitutions\u2014\u00adthe first was written in 1776\u2014\u00adoffered little more than \u201cparchment barriers\u201d to those who would seek to defy them. \u201cThe Constitution of a country is not the paper or parchment upon which the compact is written,\u201d John Quincy Adams agreed. \u201cIt is the system of fundamental laws, by which the people have consented to be governed, which is always supposed to be impressed upon the mind of every individual, and of which the written and printed copies are nothing more than the evidence.\u201d<\/p>\n<p>All the same, a written constitution is a different creature from an unwritten one. Committing a constitution to writing offers stability, a form of endurance akin to inheritance, but it also presents a problem: how is a government established by a written constitution to be altered except by its destruction?<\/p>\n<p><strong>Amend your ways<br \/>\n<\/strong>The U.S. Constitution drew from ancient ideas, but it was also something new and truly revolutionary, an eighteenth-\u00adcentury invention: a body of fundamental law drafted and ratified by representatives of an invented polity\u2014\u00ada constituency\u2014\u00adknown as the People, binding them to their government by an act of consent. It was meant to transcend ordinary law by establishing fundamental principles, structures, powers, and rights. Printed, copied, and circulated among an extraordinarily literate population, the Constitution executed a covenant and allowed, too, for the exertion of power over vast distances. The U.S. Constitution is not a list of commandments, like the Code of Hammurabi or the laws Moses found etched on tablets, engraved in stone, a monument. Nor is it a form of scripture.<\/p>\n<p>Unlike all of these, but very much like the Massachusetts Constitution of 1780, which has been amended more than a hundred times, it was meant to be revised, updated, and improved. The eighteenth century was an age not only of revolution and empire but also of enlightenment animated by the idea of progress\u2014\u00adpolitical, scientific, economic, technological, and moral. By far the most radical innovation of the U.S. Constitution, and of state constitutions, was the provision they made for their own repair and improvement by the people themselves, to the end it may be a government of laws and not of men.<\/p>\n<p>This mechanism for improvement is called amendment. In English, the verb amend goes back to about the twelfth century, when it meant to correct a fault; to repair an omission; to fix what\u2019s broken; or to improve in a moral sense: to make something better. The word shares a root, four of its five letters, and almost the entirety of its meaning, with the verb mend. (Both words came to Middle English by way of the Old French verb amender.)<\/p>\n<p style=\"text-align: center;\">_______________________________<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"276514\" data-permalink=\"https:\/\/lithub.com\/neither-bone-nor-stone-why-the-us-constitution-was-meant-to-be-amended\/we-the-people-6\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/we-the-people.jpg\" data-orig-size=\"600,921\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"we the people\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/we-the-people.jpg\" class=\"alignnone size-medium wp-image-276514\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/we-the-people-195x300.jpg\" alt=\"\" width=\"195\" height=\"300\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/we-the-people-195x300.jpg 195w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/we-the-people-39x60.jpg 39w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/we-the-people-33x50.jpg 33w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/we-the-people.jpg 600w\" sizes=\"auto, (max-width: 195px) 100vw, 195px\" \/><\/p>\n<p style=\"text-align: center;\"><em>Excerpted from <\/em><a href=\"https:\/\/bookshop.org\/a\/132\/9781631496080\">We the People: A History of the U.S. Constitution<\/a> <em>by Jill Lepore<\/em><em>. Copyright \u00a9 2025 by Jill Lepore. Used with permission of the publisher, Liveright Publishing Corporation, a division of W. W. Norton &amp; Company, Inc. All rights reserved.<\/em> We the People <em>has been shortlisted for the 2026 Cundill History Prize.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u201cThe people have an indubitable, unalienable, and indefeasible right to reform or change their government, whenever it be found adverse or inadequate to the purposes of its institution.\u201d \u2013James Madison, failed First Amendment to the US Constitution introduced into Congress,<\/p>\n","protected":false},"author":1564,"featured_media":276517,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[6,43101,43092,43095],"tags":[111978,13038,60417,98280,13302,47173,24887,12598,105267],"class_list":["post-276513","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-features","category-history","category-newsandculture","category-politics","tag-2026-cundill-history-prize","tag-american-history","tag-cundill-history-prize","tag-governance","tag-jill-lepore","tag-us-constitution","tag-us-government","tag-w-w-norton-and-company","tag-we-the-people-a-history-of-the-u-s-constitution","story-type-cundill-history-prize"],"jetpack_shortlink":"https:\/\/wp.me\/p5rKFr-19VT","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/constitution.png","_links":{"self":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/276513","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/users\/1564"}],"replies":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/comments?post=276513"}],"version-history":[{"count":0,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/276513\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media\/276517"}],"wp:attachment":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media?parent=276513"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/categories?post=276513"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/tags?post=276513"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":276553,"date":"2026-09-10T05:07:53","date_gmt":"2026-09-10T09:07:53","guid":{"rendered":"https:\/\/lithub.com\/?p=276553"},"modified":"2026-09-10T07:39:49","modified_gmt":"2026-09-10T11:39:49","slug":"how-i-learned-to-love-my-dog-by-observing-his-behavior","status":"publish","type":"post","link":"https:\/\/lithub.com\/how-i-learned-to-love-my-dog-by-observing-his-behavior\/","title":{"rendered":"How I Learned to Love My Dog By Observing His Behavior"},"content":{"rendered":"<p>It was Sunday, a week since Freddie had arrived. He and I had just gone for a walk in the park near my apartment, our second of the day. In the park, old people sat around tables playing mahjong, and children swarmed the playgrounds. Forty-five minutes later, when we got home, I sat down on the couch, my shoes still on. Freddie jumped up beside me and stood to put two feet on my shoulder, tail wagging, watching. He yawned, producing a breath cloud of warm stink.<\/p>\n<p>We\u2019d been together all weekend, usually no more than three feet apart. I didn\u2019t know what he wanted. I felt the weight of his expectancy in the air. I gave him one of his chewy treats, and he was occupied with that for a few minutes. Then he was back, wet nose on my cheek. It was only one PM, and I\u2019d reached the end of what I knew to do with him: walk him, make sure he eliminated, feed him, let him do the one play activity he\u2019d shown he could do. How did dogs spend their time?<\/p>\n<p>Normally, by this time on a Sunday, I would have opened my computer and become absorbed for several hours in something joyless and not very useful, such as opening emails and marking them as unread again. But today there was Freddie, snuffling in my ear and staring at me. I turned and made eye contact with him, and his tail started wagging. I grew more uneasy. I was accountable, not alone, and I needed to do something more.<\/p>\n<p class=\"pullquote\">I realized, almost nothing about him. About how and why he did the things he did, what created or extinguished his responses to the world around him.<\/p>\n<p>As a way of quelling the uncertainty, I went to my desk and found a notebook. On its cover I wrote \u201cFreddie Log\u201d in black pen and then on the first page began to list the events of the week. In doing so, I saw that I had done very little that didn\u2019t involve the dog. I\u2019d canceled plans, left events early, and skipped meals, appointments, work tasks, and other basic things that I couldn\u2019t do with the dog, like grocery shopping. I was shocked to see, too, that I had spent nearly five hundred dollars on supplies (toys, food, treats, beds, items at the pet store that promised to resolve the separation anxiety, like pheromone sprays, calming blankets, toys that emitted the sound of a heartbeat\u2014none of which had), all on my credit card, all without thinking about it or having planned to.<\/p>\n<p>I hadn\u2019t learned anything about how to manage his attention and energy. I knew, I realized, almost nothing about him. About how and why he did the things he did, what created or extinguished his responses to the world around him. I felt suddenly confronted by the fact that there was another being in my home, that he was dependent on me to understand him, and that my actions, and what I knew and understood, would determine his experience of life.<\/p>\n<p>*<\/p>\n<p>In Charles Darwin\u2019s <i>On the Origin of Species, <\/i>published in 1859, there\u2019s a chapter on what he called \u201cinstinct,\u201d or the \u201cnatural\u201d behavior of animals, which considers behavior as part of the theory of evolution, with its principles of heredity, fecundity, and variability. Before Darwin, much biological observation was done according to a taxonomy created by the Swedish botanist Carl Linnaeus, which organized species according to the hierarchical order in which they had been created by God. Animal behavior wasn\u2019t really a formal subject of scientific inquiry at the time, but with Darwin, we learned to look at life as a series of natural processes subject to change rather than as arbitrarily granted and fixed forms. His writing opened a new set of possibilities for thinking about what animals <i>did, <\/i>and why.<\/p>\n<p>In Europe, in the early twentieth century, a field of science called ethology coalesced around the Darwinian idea of \u201cnatural\u201d behavior. Early ethologists worked by going to an animal\u2019s habitat, because that was where the animal and its behavior evolved. These observations would then be used to create an ethogram\u2014an inventory of typical behaviors performed by the animal, broken down into classifications: standing, foraging, digging, bathing, and so on. These units allowed for measurements like frequency and duration. Ethologists eschewed artificial settings like laboratories, and all the many hours of watching the animal in its natural habitat and creating detailed catalogs didn\u2019t necessarily culminate in what we think of as the more traditional pursuits of science, things like forming hypotheses and conducting experiments to test them. For early ethologists, pure observation and description were worthy on their own.<\/p>\n<p>When, later, I began reading the sometimes eccentric, sometimes outdated, and sometimes very sensitively prescient works of early European ethologists like Konrad Lorenz and Niko Tinbergen, I recognized the descriptive inventory-making approach as a way to demystify the world and detach it from Creationism from an unlikely source: <i>The Gate of Angels, <\/i>a novel by Penelope Fitzgerald set in 1912, around the same time that the early ethologists were working.<\/p>\n<p>The novel pretends to be a love story, but it\u2019s really a story about metaphysics, belief, and the limitations of both science and religion in explaining the things that happen in life. Early in the novel, Fred Fairly, one of the protagonists and a young physicist who holds a fellowship at Cambridge, is preparing to tell his father, a clergyman, that he is no longer a Christian. After a few years of training as a scientist, Fred is ready to dedicate his life to the study of nature and matter. He is done with the spiritual, and with the \u201ccomforting unseen presences\u201d of God. From now on, he plans to use only the handrail of material reality: Fred has become \u201ca man with a mind cleared and perpetually being recleared (because there was a constant need for that) of any idea that could not be tested through physical experience.\u201d<\/p>\n<p>Religion and God depend on mystery, Fred wants his father to understand, and on keeping things unexplained. What\u2019s more useful in understanding the world is a straightforward accounting of it\u2014a kind of double-entry inventory of its characteristics.<\/p>\n<p>\u201cYou see the resemblances between things and the continuity of one idea from another, and gradually, through many lifetimes, everything becomes explained,\u201d Fred says.<\/p>\n<p>The true meaning of a thing, Fred insists, is nothing more than what we can see and detect; our job is not to obscure it or to assign it to another world, but just to give it an account. \u201cWhat is completely described,\u201d he observes, \u201cis completely explained.\u201d<\/p>\n<p class=\"pullquote\">To be curious about something, to observe without goal or agenda, appeared to me as the possibility for a deep kind of understanding and a direct kind of love.<\/p>\n<p>Darwinian ideas, and the many scientific inquiries that came from them, including ethology, had to replace the idea of an all-causing God, and the idea that things existed just because. The radical implication was that something like behavior, something that can be described, <i>could <\/i>be explained. Ethologists differed from their predecessors, who often looked at animals as instruments of God, and therefore beyond true explanation, and also from many of their colleagues and successors, for whom animal behavior was seen as a conduit to the study of humans\u2014classical ethologists were interested in describing animal behavior for its own sake. To believe in natural and physical processes as things with internal and consistent logic means that, through description, we can arrive at an explanation of the thing in and of itself. To stare at something for hours on end was a basis for understanding.<\/p>\n<p>Konrad Lorenz wrote about behavior as a taxonomic character\u2014a diagnostic tool that reveals one\u2019s place in the world. In a standard ethogram, a cat\u2019s stalk and pounce is classified as \u201chunting\u201d when in the presence of prey, but as \u201cplay\u201d when performed by a juvenile with a conspecific\u2014the ethogram ascribes a purpose to the action, and reveals the way the cat conducts its life and interacts with others. As a taxonomic character, the relationship between behavior and other elements of life is made clear. An accurate description can illuminate other, interlocking parts of the world.<\/p>\n<p>When a male three-spined stickleback, a small, spiky seawater fish studied by Niko Tinbergen, leads a female to his nest by swimming in a zigzag pattern like a sort of courtship dance, she enters and spawns; the dance goes under \u201creproductive behavior,\u201d and we have given ourselves a way to look at it and think about it\u2014and to understand it. The setting, time of year, temperature and conditions of water, and circumstances of the nest are drawn into the definition of behavior. Through the ethogram, behavior is made part of a system organized by natural forces, which gives it meaning. It\u2019s through description that the nature of things is revealed.<\/p>\n<p>On that Sunday, as Freddie and I sat together in the living room, he watched me and I watched him back. He began making a low, plaintive sound in his throat. Suddenly, he stopped, turned his head to the window, and contracted the muscles at the base of his ears to make them stand up, listening. After three or four seconds, he looked away and started up the plaintive sound again.<\/p>\n<p>I did nothing, waiting\u2014I wasn\u2019t entirely sure what to do. But I did sense a new possibility as I held the notebook. Nothing he did was not of interest to me, because what I needed to do was to learn what he was. To be curious about something, to observe without goal or agenda, appeared to me as the possibility for a deep kind of understanding and a direct kind of love. If I watched and waited, open to what Freddie could show me, <i>something <\/i>would become clear.<\/p>\n<p style=\"text-align: center;\">_______________________________<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"276554\" data-permalink=\"https:\/\/lithub.com\/how-i-learned-to-love-my-dog-by-observing-his-behavior\/living-with-freddie\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/living-with-freddie.jpeg\" data-orig-size=\"298,450\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"living with freddie\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/living-with-freddie.jpeg\" class=\"alignnone size-medium wp-image-276554\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/living-with-freddie-199x300.jpeg\" alt=\"\" width=\"199\" height=\"300\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/living-with-freddie-199x300.jpeg 199w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/living-with-freddie-40x60.jpeg 40w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/living-with-freddie-33x50.jpeg 33w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/living-with-freddie.jpeg 298w\" sizes=\"auto, (max-width: 199px) 100vw, 199px\" \/><\/p>\n<p style=\"text-align: center;\"><em>Excerpted from <\/em><a href=\"https:\/\/bookshop.org\/a\/132\/9780593449493\">Living with Freddie: How a Dog Taught Me to Be Human<\/a><em> by Anna Heyward. Copyright \u00a9 2026 by Anna Heyward. Available from Random House, a division of Penguin Random House, LLC. All rights reserved. No part of this excerpt may be reproduced or reprinted without permission in writing from the publisher.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>It was Sunday, a week since Freddie had arrived. He and I had just gone for a walk in the park near my apartment, our second of the day. In the park, old people sat around tables playing mahjong, and<\/p>\n","protected":false},"author":31926,"featured_media":276618,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[6,43103,43092,43444],"tags":[81823,19672,5742,7616,112131,16228,7609,10879],"class_list":["post-276553","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-features","category-memoir","category-newsandculture","category-science","tag-animal-behavior","tag-anna-heyward","tag-biology","tag-dogs","tag-living-with-freddie-how-a-dog-taught-me-to-be-human","tag-penguin-random-house","tag-pets","tag-random-house","story-type-on-our-pets"],"jetpack_shortlink":"https:\/\/wp.me\/p5rKFr-19Wx","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/dogs.jpg","_links":{"self":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/276553","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/users\/31926"}],"replies":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/comments?post=276553"}],"version-history":[{"count":0,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/276553\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media\/276618"}],"wp:attachment":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media?parent=276553"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/categories?post=276553"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/tags?post=276553"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":276518,"date":"2026-09-10T05:07:45","date_gmt":"2026-09-10T09:07:45","guid":{"rendered":"https:\/\/lithub.com\/?p=276518"},"modified":"2026-09-07T20:38:21","modified_gmt":"2026-09-08T00:38:21","slug":"beauty-in-ambiguity-on-marian-andersons-lifelong-love-for-schubert","status":"publish","type":"post","link":"https:\/\/lithub.com\/beauty-in-ambiguity-on-marian-andersons-lifelong-love-for-schubert\/","title":{"rendered":"Beauty in Ambiguity: On Marian Anderson\u2019s Lifelong Love For Schubert"},"content":{"rendered":"<p>When you\u2019re young, or not so young, and strongly drawn to a genre of music, a certain composer, a particular piece, it\u2019s often hard to explain why, even to yourself. This may be especially true of music unfamiliar to you. Music works powerfully on a subliminal level. Sometimes we prefer to keep it that way and not try to account for how it speaks to us.<\/p>\n<p>So it was with Marian Anderson\u2019s lifelong love of Schubert\u2019s songs. She was never very clear about what gripped her, starting from the epiphany she had as a young teenager when she heard Roland Hayes sing Schubert songs in a recital at her church; though she understood not a word of the German texts, she was transfixed. Some fifteen years later, her determination to study Schubert lieder with expert teachers was in large part what impelled her to go to Europe.<\/p>\n<p>During the prime years of her career, while widely acknowledged as an exceptional Schubert singer with impeccable German diction, Anderson still avoided expounding on the music. When selecting songs for a recital program, she later explained, she always looked first to Schubert, \u201cthe composer I love best,\u201d who wrote \u201chundreds of them,\u201d each \u201cmore beautiful than the last.\u201d But she left it at that and seldom said more. Schubert\u2019s songs, she noted, \u201cwere rewarding for pianist and singer.\u201d How so?<\/p>\n<p>Beyond Schubert, Marian Anderson from early on was captivated by classical music altogether, which set her apart from family members with limited exposure to it. This was also true for me. Though I grew up in a comfortable Long Island suburb, nobody in my family had any real appreciation of classical music until I came along and discovered it on my own, especially after I started taking piano lessons at eight years old, not through my parents\u2019 suggestion, but at my own insistence. I had no idea what drew me. But it was immediate and powerful.<\/p>\n<p class=\"pullquote\">Anderson affirms something she demonstrated in practice throughout her career\u2014that no songs by Schubert or Brahms are more sublime and profound than Negro spirituals.<\/p>\n<p>During childhood days as a member of her church choir, Anderson was deeply affected by the music they sang, mostly familiar hymns and spirituals, but also, on occasion, classical choral works, including selections from Handel\u2019s <i>Messiah<\/i>, and a showpiece movement from Rossini\u2019s <i>Stabat Mater <\/i>for which Marian was sometimes tapped to sing the solo. Her response, like mine, seems to have been immediate and powerful.<\/p>\n<p>A centuries-long apparatus within the field has enveloped classical music in a mystique of superiority, presenting it as universal and timeless, the highest music, transcending nationality, race, and belief systems. And in later years, when Anderson tried to describe the genre to which she had devoted herself, which was not often, she could come off like someone who had bought into this mystique.<\/p>\n<p>During her first trips to Europe, it struck her that audiences there were more musically educated than those at home and took music \u201cmore seriously,\u201d she said in a 1945 interview. \u201cWhen one is serious by nature, one is moved by serious things,\u201d she explained; in a way \u201clight songs are a form of flattery\u201d that \u201cserve to put one in a pleasant frame of mind.\u201d But, Anderson noted, there had been a great change in the musical taste of American audiences during the last twenty years. \u201cThis was evident to anyone who sang for our boys in the Army or for the war workers in factories,\u201d she said. \u201cIt would have seemed perfectly natural had they demanded the lighter songs. Instead, it was not unusual to find them requesting Brahms and Schubert.\u201d<\/p>\n<p>We should not read too much into Anderson\u2019s characterization of certain songs as \u201clighter.\u201d She was thinking of very popular fare and songs that appealed to the \u201cbobbysoxer\u201d crowd, as she put it. Anderson came to know and admire Duke Ellington and found a friend in Alberta Hunter when they overlapped in London. She was no classical music snob. Still, she used some questionable terms during this interview. \u201cMany radio programs could provide music of a higher type and find more listeners,\u201d Anderson said, but \u201ctoo often those in charge feel that the programs must be brought \u2018down\u2019 rather than \u2018up\u2019 to the public.\u201d<\/p>\n<p>To be fair, in using words like \u201chigher\u201d and \u201cup\u201d she probably just meant that art songs and classical music might initially strike many listeners as more challenging and \u201cserious.\u201d Yet, if programming were directed \u201cup,\u201d the public would respond and come to love this music too. And, she added: \u201cI do not have to tell you that I dearly love the Negro spirituals. They are the unburdenings of the sorrows of an entire race which, finding scant happiness on earth, turns to the future for its joys.\u201d Once again with these words Anderson affirms something she demonstrated in practice throughout her career\u2014that no songs by Schubert or Brahms are more sublime and profound than Negro spirituals.<\/p>\n<p>I cannot imagine that Anderson experienced Schubert songs and other \u201chigher\u201d German lieder as superior or transcendent. More likely she was hooked by the subliminal stirrings and emotional undertow of the music. Somehow, beneath the surface of some cheerful Schubert song, anxiety and sadness seem to be churning. That dichotomy surely reflected, consciously or not on Schubert\u2019s part, the circumstances of his life and contradictions of his character.<\/p>\n<p>Short, bespectacled, a little chubby, and craving fellowship, Schubert was beloved by a circle of male friends who thought they had an unheralded genius in their midst. But he struggled with his career, harbored doubts and torments, and died miserably at thirty-one. Young Marian Anderson may have been responding to these tensions in the music. Rather than deterring her, the ambiguities made her want to hear and know more.<\/p>\n<p>Anderson had been steeped in musical ambiguity through the Negro spirituals she grew up with. Ambiguity, subtext, double meanings, and metaphor course through all of them. \u201cDeep River, Lord, I want to cross over into campground,\u201d Anderson sang when she made her very first studio recording, expressing a longing for and certainty that a \u201cgospel feast\u201d awaits in the \u201cpromised land\u201d where \u201call is peace.\u201d The aching reality of life for oppressed Black people is never explicitly referred to. But it was no gospel feast.<\/p>\n<p>\u201cSometimes I Feel Like a Motherless Child,\u201d a spiritual Anderson sang throughout her life, has ambiguity written into the rising two-note motif that begins the melody, with the syllable \u201csome\u201d coming on the downbeat, and \u201ctimes\u201d slightly drawn out. In Anderson\u2019s 1951 recording, she emphasizes this crucial detail, singing \u201cSOME-times.\u201d<\/p>\n<p>This inflection suggests that there are times when she <i>doesn\u2019t <\/i>feel like a motherless child. Though, sadly, Anderson became a fatherless child, she had a mother who adored her. But any singer of this spiritual must metaphorically convey what it feels like to be motherless, rootless, unprotected, vulnerable. The teenage Anderson must have felt this way when she was peremptorily denied an application form to a music school in Philadelphia, or, many years later, when the Daughters of the American Revolution barred her from its stage in Washington, D.C., a Black artist who had performed before presidents and kings in world capitals.<\/p>\n<p>Looking back, similarly vague perceptions of ambiguity and pain were probably what captivated me about Schubert\u2019s songs when I was a teenager. I think it was the summer before my senior year in high school when, at the urging of my piano teacher, I bought a two-disc recording of Schubert\u2019s song cycle <i>Die sch\u00f6ne M\u00fcllerin <\/i>(The Beautiful Maid of the Mill), performed by the German baritone Dietrich Fischer-Dieskau and the English pianist Gerald Moore. At the time I was a burgeoning pianist who intended to major in music in college, so I was familiar with lots of classical repertory. But not this seminal Schubert work. Nor, really, with German lieder.<\/p>\n<p class=\"pullquote\">Was hearing Roland Hayes and, in time, other inspiring artists sing Schubert, Brahms, and Schumann songs like being beckoned by a musical brook to trust her instincts and follow its unlikely path?<\/p>\n<p>Of course, many classical pieces I loved at the time were rich with ambiguities, like Beethoven\u2019s searching, majestic, and sometimes impish Fourth Piano Concerto, and Stravinsky\u2019s austerely spiritual Symphony of Psalms. But that summer, listening to the recording of this Schubert song cycle alone in the finished basement of our home, I was utterly hooked and couldn\u2019t understand why. I had taken a year of badly taught high school German and, of course, the album included the German texts\u2014a set of twenty poems by Wilhelm M\u00fcller\u2014with English translations. So, I got the gist of the story the poems related, each one the first-person words and reflections of a restless young man, though crucial details are purposely vague.<\/p>\n<p>A journeyman miller is wandering the countryside looking to pick up work. He hears a gurgling brook, which seems to be beckoning him, and heads to it. Like some nature boy, he speaks to the brook, which directs him, or so he thinks, to a beguiling mill amid a forest grove, where he secures a job from the head miller. The young man promptly develops a crush on the miller\u2019s lovely daughter, though he fears she is beyond him, a mere journeyman. He begins to think that his feelings are reciprocated, which sends him into bursts of delirious joy. But his doubts linger, and he soon realizes that she is infatuated with a dashing hunter dressed in green, the very color of a ribbon he had given to the maiden. His fury devolves into despair and depression. In the last song, he asks his friendly brook to give him rest beneath its waters and sing a lullaby as he dies. Does he act on this? It\u2019s left unclear.<\/p>\n<p>Though I found the miller\u2019s sorry tale richly romantic, it was Schubert\u2019s music, and the way it melded with the words, that pulled me in, right from the seemingly high-spirited opening song, \u201cDas Wandern.\u201d \u201cTo wander is the miller\u2019s delight,\u201d the young man sings, adding that it\u2019s a poor miller who doesn\u2019t know the rewards of wandering. He likens himself to the brook, always on the move, day and night. This strophic song in five verses conveys the journeyman\u2019s joyfulness through a jaunty, tuneful vocal line over a steadily striding piano accompaniment. The music is bustling and hearty, though too much so. The heartiness verges on bluster. Does the miller really thrive on wandering? What\u2019s he wandering from?<\/p>\n<p>Sure enough, ambiguity permeates the second song, which is titled with a question: \u201cWohin?\u201d (Where To?) These subtle ambiguities are realized beautifully by Marian Anderson in a splendid 1945 recording of \u201cWohin?\u201d with the pianist Franz Rupp. <i>Die sch\u00f6ne M\u00fcllerin <\/i>was conceived for a male voice and the protagonist is a young man, so Anderson would not have contemplated performing the complete cycle. But two of its songs became staples of her repertory, especially this one.<\/p>\n<p>Though he doesn\u2019t know what overcame him, as the miller relates in \u201cWohin?,\u201d he heard a babbling brook and felt compelled to go to it. The piano part gurgles like the waters with a rippling right-hand figure in sextuplets. The vocal line is tender, yet insistent and questioning. Anderson draws upon the lighter, luminous components of her voice to suggest this young man\u2019s intrigued yet confused state. Her singing is melting and vulnerable yet charged with expectation. In crucial moments the music fleetingly becomes mysterious, even ominous, with minor-key harmonies and a twisting vocal turn doubled by the bass line of the piano part. Only in these passages does Anderson summon her deep, rich contralto tones, though just a touch\u2014at the moment when the miller confides his befuddlement to the brook and asks, \u201cIs this, then, my path?\u201d He wonders if it may not be babbling waters speaking to him, but river nymphs (or darker natural forces?) singing and dancing below the surface. Well, \u201clet them sing,\u201d he says, and he will follow cheerfully (\u201cfr\u00f6hlich nach\u201d), he claims. But he doesn\u2019t seem too cheerful in Anderson\u2019s account, as the piano part trails off while the vocal line lingers quizzically with a soft sustained tone on the word \u201cnach.\u201d<\/p>\n<p>Though the recording was made during Anderson\u2019s mature prime, it\u2019s easy to imagine that this song spoke to the adolescent Marian. Was hearing Roland Hayes and, in time, other inspiring artists sing Schubert, Brahms, and Schumann songs like being beckoned by a musical brook to trust her instincts and follow its unlikely path?<\/p>\n<p>The other song from <i>Die sch\u00f6ne M\u00fcllerin <\/i>that Anderson made her own, the seventh from the cycle, was \u201cUngeduld\u201d (Impatience). Our protagonist has been crippled with doubts about the miller\u2019s daughter and prone to emotional highs and lows. But in this song he is riding an exuberant, manic high, burning with passion, convinced he has found the love of his life. He wants to carve the news upon every tree, sow it in every flower bed, whisper it in every field. The vocal line unfolds in breathless bursts of sputtered words and clipped melodic phrases, backed up by a piano part with unceasing rhythmic triplets and bouncing chords. Each of the four verses ends with a full-voiced declaration, \u201cDein ist mein Herz\u201d (\u201cMy heart is yours\u201d), with emphatic high notes on the word \u201cDein.\u201d<\/p>\n<p>Yet it\u2019s clear, not just from the text but from Schubert\u2019s music, that the miller has yet to speak these words directly to his beloved. Instead, he calls upon intermediaries, like a starling he wants to train to sing his words at her window. Is he flushed with love or becoming delusional?<\/p>\n<p style=\"text-align: center;\">_______________________________<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"276519\" data-permalink=\"https:\/\/lithub.com\/beauty-in-ambiguity-on-marian-andersons-lifelong-love-for-schubert\/9780593652671-m\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/9780593652671.m.jpg\" data-orig-size=\"619,941\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"9780593652671.m\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/9780593652671.m.jpg\" class=\"alignnone size-medium wp-image-276519\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/9780593652671.m-197x300.jpg\" alt=\"\" width=\"197\" height=\"300\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/9780593652671.m-197x300.jpg 197w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/9780593652671.m-39x60.jpg 39w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/9780593652671.m-33x50.jpg 33w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/9780593652671.m.jpg 619w\" sizes=\"auto, (max-width: 197px) 100vw, 197px\" \/><\/p>\n<p style=\"text-align: center;\"><em>From<\/em> <a href=\"https:\/\/bookshop.org\/a\/132\/9780593652671\">Voice of a Century: The Life and Artistry of Marian Anderson<\/a> <em>by Anthony Tommasini. Published by Penguin Press, an imprint of Penguin Random House LLC. Copyright \u00a9 2026 by Anthony Tommasini.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>When you\u2019re young, or not so young, and strongly drawn to a genre of music, a certain composer, a particular piece, it\u2019s often hard to explain why, even to yourself. This may be especially true of music unfamiliar to you.<\/p>\n","protected":false},"author":31920,"featured_media":276729,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[43102,6,43094,43092],"tags":[112121,21996,51574,12810,11682,2408,39238,16228,5336,112120],"class_list":["post-276518","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-biography","category-features","category-music","category-newsandculture","tag-anthony-tommasini","tag-classical-music","tag-marian-anderson","tag-music-criticism","tag-musicians","tag-penguin-press","tag-penguin-publishing-group","tag-penguin-random-house","tag-schubert","tag-voice-of-a-century-the-life-and-artistry-of-marian-anderson","story-type-music-criticism"],"jetpack_shortlink":"https:\/\/wp.me\/p5rKFr-19VY","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/marian-anderson.jpg","_links":{"self":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/276518","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/users\/31920"}],"replies":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/comments?post=276518"}],"version-history":[{"count":0,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/276518\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media\/276729"}],"wp:attachment":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media?parent=276518"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/categories?post=276518"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/tags?post=276518"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":276824,"date":"2026-09-10T05:07:17","date_gmt":"2026-09-10T09:07:17","guid":{"rendered":"https:\/\/lithub.com\/?p=276824"},"modified":"2026-09-10T05:53:58","modified_gmt":"2026-09-10T09:53:58","slug":"heres-the-cover-for-american-occupation-a-powerful-document-of-minnesotas-resistance-to-ice","status":"publish","type":"post","link":"https:\/\/lithub.com\/heres-the-cover-for-american-occupation-a-powerful-document-of-minnesotas-resistance-to-ice\/","title":{"rendered":"Here\u2019s the Cover For <em>American Occupation<\/em>, a Powerful Document of Minnesota\u2019s Resistance to ICE"},"content":{"rendered":"<p><span style=\"font-weight: 400;\">Two days after Alex Pretti was murdered by federal ICE agents in Minneapolis, on January 24, 2026, we<\/span><span style=\"font-weight: 400;\"> published a \u201cLetter From Minnesota\u201d from the poet Dobby Gibson. <a href=\"https:\/\/lithub.com\/letter-from-minnesota-can-you-hear-us-america\/\">As I wrote at the time<\/a> of the federal government\u2019s violent occupation of the Twin Cities:<\/span><\/p>\n<p style=\"padding-left: 40px;\">Children and their families have been separated, schools have been targeted, and two US citizens\u2014<a href=\"https:\/\/lithub.com\/renee-nicole-good-murdered-by-ice-was-a-prize-winning-poet-heres-that-poem\/\">Renee Good<\/a>\u00a0and\u00a0<a class=\"external\" href=\"https:\/\/abcnews.go.com\/US\/alex-pretti-icu-nurse-killed-federal-agent-minneapolis\/story?id=129525591\" target=\"_blank\" rel=\"noopener\">Alex Pretti<\/a>\u2014have been murdered in the street. Over the next few weeks we\u2019ll be publishing letters from Minnesotans\u2014novelists, journalists, poets, memoirists\u2014that they might share their experiences, as both witness and warning, of American authoritarianism.<\/p>\n<p><span style=\"font-weight: 400;\">That first letter turned into forty-four, in <a href=\"https:\/\/lithub.com\/tag\/letter-from-minnesota\/\">a series<\/a> that would run until February 20. These letters have now been collected\u2014along with a dozen new contributions\u2014in <a href=\"https:\/\/www.upress.umn.edu\/9781517923310\/american-occupation\/\"><em>American Occupation<\/em><\/a>, an anthology to be published by the University of Minnesota Press on January 26, 2027, edited by myself and Twin Cities poet Su Hwang. We\u2019re very proud to reveal the cover, below, designed by <a href=\"https:\/\/bycrisis.com\/covers\/\">Jeff Clark<\/a>.<\/span><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"276855\" data-permalink=\"https:\/\/lithub.com\/heres-the-cover-for-american-occupation-a-powerful-document-of-minnesotas-resistance-to-ice\/layout-1-35\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/American-Occupation.jpg\" data-orig-size=\"667,1000\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;Jeff Clark&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;Layout 1&quot;,&quot;orientation&quot;:&quot;1&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"American Occupation\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/American-Occupation.jpg\" class=\"aligncenter size-full wp-image-276855\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/American-Occupation.jpg\" alt=\"American Occupation\" width=\"667\" height=\"1000\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/American-Occupation.jpg 667w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/American-Occupation-200x300.jpg 200w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/American-Occupation-40x60.jpg 40w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/American-Occupation-33x50.jpg 33w\" sizes=\"auto, (max-width: 667px) 100vw, 667px\" \/><\/p>\n<p><span style=\"font-weight: 400;\">As the press release notes:<\/span><\/p>\n<p style=\"padding-left: 40px;\"><i><span style=\"font-weight: 400;\">American Occupation<\/span><\/i><span style=\"font-weight: 400;\"> documents an extraordinary outpouring of literary witness while the memory and consequences of Operation Metro Surge continue to reverberate in communities across the country. <\/span><span style=\"font-weight: 400;\">More than a record of a single moment, <\/span><i><span style=\"font-weight: 400;\">American Occupation<\/span><\/i><span style=\"font-weight: 400;\"> places Operation Metro Surge in conversation with the longer history of American expansion, imperialism, borders, and the US government\u2019s abuse of power against its own civilians. The collection asks readers to consider what happens when the machinery of occupation turns inward, and what forms of resistance become possible when ordinary people refuse to accept terror as normal.<\/span><\/p>\n<p style=\"text-align: center;\">________________________________________________<\/p>\n<h5 style=\"text-align: center;\"><strong><em>AMERICAN OCCUPATION<\/em><br \/>\nCONTRIBUTORS<\/strong><\/h5>\n<p><span style=\"font-weight: 400;\">Angela Ajayi \u2022 Anonymous \u2022 Charles Baxter \u2022 Victoria Blanco \u2022 Jennifer Eli Bowen \u2022 Katherine Packert Burke \u2022 Zeke Caligiuri \u2022 David Aiona Chang \u2022 Dana Chiueh \u2022 Heid E. Erdrich \u2022 Nick Estes \u2022 Nimo Farah \u2022 V.V. Ganeshananthan \u2022 Shannon Gibney \u2022 Dobby Gibson \u2022 Sarah Green \u2022 Molly Beth Griffin \u2022 Dara Moskowitz Grumdahl \u2022 Marian Hassan \u2022 Hedgiee \u2022 Laurie Hertzel \u2022 Carolyn Holbrook \u2022 Siri Hustvedt \u2022 \u0110enise H\u1ea1nh Hu\u1ef3nh \u2022 Andrea Jenkins \u2022 Michael Kleber-Diggs \u2022 Ed Bok Lee \u2022 Josina Manu Maltzman \u2022 Will McGrath \u2022 Jim Moore \u2022 David Mura \u2022 Nia Navarro \u2022 Sahra Noor \u2022 Kara Olson \u2022 Peter Pearson \u2022 Angela Pelster \u2022 Bao Phi \u2022 Kaia Preus \u2022 Susan Raffo \u2022 Marcie Rendon \u2022 Kate Romero and Gustavo Romero \u2022 Sean Sherman \u2022 Sun Yung Shin \u2022 Gabriela Spears-Rico \u2022 Michael Torres \u2022 Kawai Strong Washburn \u2022 Sana Wazwaz \u2022 chaun webster \u2022 Diane Wilson \u2022 A.E. Wynter \u2022 Kao Kalia Yang \u2022 Ahmed Ismail Yusuf \u2022 Michelle Zamanian.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Two days after Alex Pretti was murdered by federal ICE agents in Minneapolis, on January 24, 2026, we published a \u201cLetter From Minnesota\u201d from the poet Dobby Gibson. As I wrote at the time of the federal government\u2019s violent occupation<\/p>\n","protected":false},"author":3,"featured_media":276857,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[43099,6,43095],"tags":[112238,8040,9957,9585,7584,275,128,5210,57106,762,41565],"class_list":["post-276824","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-design-newsandculture","category-features","category-politics","tag-american-occupation","tag-authoritarianism","tag-cover-reveal","tag-dhs","tag-ice","tag-jonny-diamond","tag-minneapolis","tag-minnesota","tag-su-hwang","tag-twin-cities","tag-university-of-minnesota-press"],"jetpack_shortlink":"https:\/\/wp.me\/p5rKFr-1a0U","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/Your-paragraph-text.jpg","_links":{"self":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/276824","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/comments?post=276824"}],"version-history":[{"count":0,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/276824\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media\/276857"}],"wp:attachment":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media?parent=276824"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/categories?post=276824"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/tags?post=276824"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":276538,"date":"2026-09-10T05:06:31","date_gmt":"2026-09-10T09:06:31","guid":{"rendered":"https:\/\/lithub.com\/?p=276538"},"modified":"2026-09-10T06:03:23","modified_gmt":"2026-09-10T10:03:23","slug":"nine-novels-that-make-an-art-of-earnestness","status":"publish","type":"post","link":"https:\/\/lithub.com\/nine-novels-that-make-an-art-of-earnestness\/","title":{"rendered":"Nine Novels That Make an Art of Earnestness"},"content":{"rendered":"<p>Bennie Bosley, the protagonist of my new queer YA holiday romance, <i>Pining for You<\/i>, is living for Christmas magic and Grand Gesture Romance the way Tiny Tim once did for that goose\u2014and I love that for her. But I did worry those qualities would make her a pariah in an Antihero culture bought into the idea that cynicism and irony are key ingredients to complexity.<\/p>\n<p>But while there are plenty of hills I can do without dying on, I\u2019m happy to get comfortable up here on Mount Earnest and stand by my own beliefs\u2014that sincerity doesn\u2019t mean toothless storytelling; that a hopeful protagonist invites high drama and big questions; that refusing to be bitter or performative is a reason for readers to read on\u2014and when they do, they\u2019ll be rewarded.<\/p>\n<p>Fortunately, I\u2019m in good company up here, and on the shoulders of giants\u2014not to mention a hobbit, a pro wrestler, and a robot. And the following books represent a rich range of literary earnestness.<\/p>\n<p style=\"text-align: center;\">*<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"276539\" data-permalink=\"https:\/\/lithub.com\/nine-novels-that-make-an-art-of-earnestness\/a-gentleman-in-moscow\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/a-gentleman-in-moscow.jpg\" data-orig-size=\"600,921\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"a gentleman in moscow\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/a-gentleman-in-moscow.jpg\" class=\"alignnone size-medium wp-image-276539 aligncenter\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/a-gentleman-in-moscow-195x300.jpg\" alt=\"\" width=\"195\" height=\"300\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/a-gentleman-in-moscow-195x300.jpg 195w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/a-gentleman-in-moscow-39x60.jpg 39w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/a-gentleman-in-moscow-33x50.jpg 33w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/a-gentleman-in-moscow.jpg 600w\" sizes=\"auto, (max-width: 195px) 100vw, 195px\" \/><\/p>\n<p style=\"text-align: center;\"><strong>Amor Towles, <a href=\"https:\/\/lithub.com\/wp-admin\/user-edit.php?user_id=31923&amp;wp_http_referer=%2Fwp-admin%2Fuser-new.php\"><i>A Gentleman in Moscow<\/i><\/a><\/strong><\/p>\n<p><i>Earnestness as dignity.<\/i><\/p>\n<p>We meet Count Rostov as he commences a criminal sentence. The punishment\u2014confinement to the Metropol Hotel\u2014is designed to strip him of status and luxuries, and one imagines, to cause him to buckle and break. He does neither. Instead, he quietly chooses his act of resistance\u2014to remain unchanged. He arranges his room into a thinking man\u2019s sanctuary. He observes the rituals of food and wine even now, when there\u2019s no one to impress. Eventually, he approaches the job of waiting tables with the same pride as tying a cravat. By demanding dignity for and of himself,\u00a0 he preserves his personhood, but he also extends that dignity to those around him. Over the course of the decades we spend with the Count, his commitment to curiosity, civility, elegance, and beauty is sustained, and in turn, sustains him.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"276540\" data-permalink=\"https:\/\/lithub.com\/nine-novels-that-make-an-art-of-earnestness\/kin-3\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/kin.jpeg\" data-orig-size=\"600,913\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"kin\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/kin.jpeg\" class=\"alignnone size-medium wp-image-276540 aligncenter\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/kin-197x300.jpeg\" alt=\"\" width=\"197\" height=\"300\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/kin-197x300.jpeg 197w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/kin-39x60.jpeg 39w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/kin-33x50.jpeg 33w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/kin.jpeg 600w\" sizes=\"auto, (max-width: 197px) 100vw, 197px\" \/><\/p>\n<p style=\"text-align: center;\"><strong>Tayari Jones, <a href=\"https:\/\/bookshop.org\/p\/books\/kin-oprah-s-book-club-a-novel-tayari-jones\/b39cfc2eee0fdadf?ean=9780525659181&amp;bkshp-astro=t\"><i>Kin<\/i><\/a><\/strong><\/p>\n<p><i>Earnestness as grace.<\/i><\/p>\n<p>Annie exudes earnestness in the face of repeated, profound personal devastation. Abandoned by her mother as a child, she spends her life possessed by the hope of finding her again. She doesn\u2019t naively believe her mother is perfect; she\u2019s driven instead by her determination to understand. And because she doesn&#8217;t have the means to avoid reality or live in some dream world, Annie\u2019s decisions\u2014to hold a place for the benefit of the doubt, to choose openness and curiosity, to seek the capacity for love in others along the way\u2014is even more powerful. The grace she has adopted in her hopefulness regarding her mother is extended to others in her life as well: when Lulabelle is prickly and puts Annie off, Annie refuses to give up on her, too\u2014and in the safety of her earnest grace, they loosen and lighten in subtle, heartrending ways.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"276541\" data-permalink=\"https:\/\/lithub.com\/nine-novels-that-make-an-art-of-earnestness\/olga-dies-dreaming-2\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/olga-dies-dreaming.jpg\" data-orig-size=\"600,921\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"olga dies dreaming\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/olga-dies-dreaming.jpg\" class=\"alignnone size-medium wp-image-276541 aligncenter\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/olga-dies-dreaming-195x300.jpg\" alt=\"\" width=\"195\" height=\"300\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/olga-dies-dreaming-195x300.jpg 195w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/olga-dies-dreaming-39x60.jpg 39w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/olga-dies-dreaming-33x50.jpg 33w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/olga-dies-dreaming.jpg 600w\" sizes=\"auto, (max-width: 195px) 100vw, 195px\" \/><\/p>\n<p style=\"text-align: center;\"><strong>Xochitl Gonzalez, <a href=\"https:\/\/bookshop.org\/p\/books\/olga-dies-dreaming-a-novel-xochitl-gonzalez\/fe93a879dd776fd7?ean=9781250786180&amp;bkshp-astro=t\"><i>Olga Dies Dreaming<\/i><\/a><\/strong><\/p>\n<p><i>Earnestness as authenticity.<\/i><\/p>\n<p>At the start of the story, Olga runs a luxury wedding planning business that might signal success. But Olga discovers she\u2019s searching for more. As she interrogates this internal restlessness she also questions the world around her, and into focus comes a troubling throughline: artifice. Wedding clients perform love instead of living it; her brother, a congressman, disguises his LGBTQ identity to make his political one more palatable; the gentrifiers of her neighborhood trumpet their changes as progress. Most looming is her mother\u2019s abandonment, wrapped up in righteous revolution. Throughout the journey, these realizations clarify what Olga really dreams of\u2014people who say what they mean and mean what they say.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"276542\" data-permalink=\"https:\/\/lithub.com\/nine-novels-that-make-an-art-of-earnestness\/tomorrow-3\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/tomorrow-3.jpeg\" data-orig-size=\"600,925\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"tomorrow 3\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/tomorrow-3.jpeg\" class=\"alignnone size-medium wp-image-276542 aligncenter\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/tomorrow-3-195x300.jpeg\" alt=\"\" width=\"195\" height=\"300\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/tomorrow-3-195x300.jpeg 195w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/tomorrow-3-39x60.jpeg 39w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/tomorrow-3-32x50.jpeg 32w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/tomorrow-3.jpeg 600w\" sizes=\"auto, (max-width: 195px) 100vw, 195px\" \/><\/p>\n<p style=\"text-align: center;\"><strong>Gabrielle Zevin, <a href=\"https:\/\/bookshop.org\/p\/books\/tomorrow-and-tomorrow-and-tomorrow-gabrielle-zevin\/2338d0ae999f188c?ean=9780593466490&amp;bkshp-astro=t\"><i>Tomorrow, and Tomorrow, and Tomorrow<\/i><\/a><\/strong><\/p>\n<p><i>Earnestness as presence.<\/i><\/p>\n<p>\u201cFriendship\u2026is kind of like having a Tamagotchi.\u201d When a friend of Sam\u2019s is struggling with depression and he doesn\u2019t think she wants him around, Marx knows he needs to convert his original advice (\u201cIt isn\u2019t about you. Just show up every day to check in with her.\u201d) into code Sam understands. Marx does show up every day, but he never treats his friends like Tamagotchi\u2014there is no one size fits all in his programming. He understands what motivates or stresses them, and meets them exactly where they are with exactly what they need. Marx isn\u2019t the hero of this book, but his superpower may be the most potent\u2014a capacity to amplify our protagonists, slyly slipping them the cheat codes for every challenge, wanting only to watch them level up.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"276543\" data-permalink=\"https:\/\/lithub.com\/nine-novels-that-make-an-art-of-earnestness\/margos-got-money-troubles\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/margos-got-money-troubles.jpeg\" data-orig-size=\"600,903\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"margo&amp;#8217;s got money troubles\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/margos-got-money-troubles.jpeg\" class=\"alignnone size-medium wp-image-276543 aligncenter\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/margos-got-money-troubles-199x300.jpeg\" alt=\"\" width=\"199\" height=\"300\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/margos-got-money-troubles-199x300.jpeg 199w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/margos-got-money-troubles-40x60.jpeg 40w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/margos-got-money-troubles-33x50.jpeg 33w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/margos-got-money-troubles.jpeg 600w\" sizes=\"auto, (max-width: 199px) 100vw, 199px\" \/><\/p>\n<p style=\"text-align: center;\"><strong>Rufi Thorpe, <a href=\"https:\/\/bookshop.org\/p\/books\/margo-s-got-money-troubles-a-novel-rufi-thorpe\/a4e97ab4032801bc?ean=9780063356597&amp;bkshp-astro=t\"><i>Margo\u2019s Got Money Troubles<\/i><\/a><\/strong><\/p>\n<p><i>Earnestness as a repeat performance.<\/i><\/p>\n<p>A drug addict, professional wrestler, and absent father, Jinx doesn\u2019t initially sit comfortably on Mount Earnest. But although he wasn\u2019t around for much of Margo\u2019s life, now that he\u2019s made the decision to be a part of it, he\u2019s unwavering. And while his fatherly advice is, well, unconventional (and usually of the wrestling variety), it lands because he isn\u2019t dispensing from some father-of-the-year handbook, he\u2019s <i>always<\/i> talking to Margo. And he always shows up in Margo\u2019s corner, supporting her with choices that would be cause for coronaries among most fathers. Jinx proves you don\u2019t have to be perfect, moneyed, or so-called educated to be an ideal father and grandfather, and that even when it feels like the final bell has rung, there\u2019s still time to show up.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"276544\" data-permalink=\"https:\/\/lithub.com\/nine-novels-that-make-an-art-of-earnestness\/psalm-for-the-wild-built\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/psalm-for-the-wild-built.jpeg\" data-orig-size=\"600,960\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"psalm for the wild built\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/psalm-for-the-wild-built.jpeg\" class=\"alignnone size-medium wp-image-276544 aligncenter\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/psalm-for-the-wild-built-188x300.jpeg\" alt=\"\" width=\"188\" height=\"300\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/psalm-for-the-wild-built-188x300.jpeg 188w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/psalm-for-the-wild-built-38x60.jpeg 38w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/psalm-for-the-wild-built-31x50.jpeg 31w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/psalm-for-the-wild-built.jpeg 600w\" sizes=\"auto, (max-width: 188px) 100vw, 188px\" \/><\/p>\n<p style=\"text-align: center;\"><strong>Becky Chambers, <a href=\"https:\/\/bookshop.org\/p\/books\/a-psalm-for-the-wild-built-a-monk-and-robot-book-becky-chambers\/7e547df9c0fbb699?ean=9781250236210&amp;bkshp-astro=t\"><i>A Psalm for the Wild-Built<\/i><\/a><\/strong><br \/>\n<i><\/i><\/p>\n<p><i>Earnestness as being all-ears.<\/i><\/p>\n<p>A blunt question launches this book: \u201cWhat do people need?\u201d Throughout this story, Becky Chambers presents existential questions like this, but also asks us to do something much more radical: listen. Dex and Mosscap\u2019s dialogue shows us that the path to understanding, compassion, and true connection isn\u2019t just being curious and paying attention to the details of another\u2019s lived experience, but the <i>feelings<\/i> of it. And when these characters finish their conversation, you too feel inspired to seek the wonder only found by listening not only with your ears, but your heart.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"276545\" data-permalink=\"https:\/\/lithub.com\/nine-novels-that-make-an-art-of-earnestness\/lotr-4\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/lotr.jpg\" data-orig-size=\"600,800\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"lotr\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/lotr.jpg\" class=\"alignnone size-medium wp-image-276545 aligncenter\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/lotr-225x300.jpg\" alt=\"\" width=\"225\" height=\"300\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/lotr-225x300.jpg 225w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/lotr-45x60.jpg 45w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/lotr-38x50.jpg 38w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/lotr.jpg 600w\" sizes=\"auto, (max-width: 225px) 100vw, 225px\" \/><\/p>\n<p style=\"text-align: center;\"><strong>J.R.R. Tolkien, <a href=\"https:\/\/bookshop.org\/p\/books\/j-r-r-tolkien-4-book-boxed-set-the-hobbit-and-the-lord-of-the-rings-the-hobbit-the-fellowship-of-the-ring-the-two-towers-the-return-of-the-king-j-r-r\/90db9db2089e563a?ean=9780345538376&amp;bkshp-astro=t\"><em>The Lord of the Rings<\/em><\/a><\/strong><\/p>\n<p><i>Earnestness as extraordinary.<\/i><\/p>\n<p>In good times, Sam\u2019s earnestness presents in modest ways: an appreciation for small things (and small potatoes), natural beauty, and his grandest dream of all\u2014to win Rosie\u2019s heart. But when the Orcs come sniffing, those same qualities transform him from fun-loving hobbit to fierce protector. His extraordinary resilience to the One Ring is possible because what Sam wants most in life isn\u2019t power\u2014it\u2019s the pursuit of simple pleasures and ordinary joys. For Sam, friendship beats lordship, kept promises are more precious than gold, and there is no greater kingdom than the one he calls home.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"276546\" data-permalink=\"https:\/\/lithub.com\/nine-novels-that-make-an-art-of-earnestness\/whistler-3\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/whistler.jpeg\" data-orig-size=\"600,910\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"whistler\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/whistler.jpeg\" class=\"alignnone size-medium wp-image-276546 aligncenter\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/whistler-198x300.jpeg\" alt=\"\" width=\"198\" height=\"300\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/whistler-198x300.jpeg 198w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/whistler-40x60.jpeg 40w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/whistler-33x50.jpeg 33w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/whistler.jpeg 600w\" sizes=\"auto, (max-width: 198px) 100vw, 198px\" \/><\/p>\n<p style=\"text-align: center;\"><strong>Ann Patchett, <a href=\"https:\/\/bookshop.org\/p\/books\/whistler-ann-patchett\/fd9d5add8c4ffcad?ean=9780063511637&amp;bkshp-astro=t\"><i>Whistler<\/i><\/a><\/strong><\/p>\n<p><i>Earnestness as devotion.<\/i><\/p>\n<p>Queer stories (including my own) often make a big deal of found families. To many in the LGBTQ+ community, the notion of unconditional love might as well be a fairy tale; meaningful relationships must be worked for, maintained, and protected\u2014and as such, are rarely taken for granted. On paper, Daphne and Eddie\u2019s relationship was brief and lacked the connective tissue (DNA, legal documents) that might otherwise legitimize it. After four decades without contact, it is also ancient history. But once reunited, Eddie introduces Daphne as his daughter proudly and without irony. He includes her in his life without questioning where or how she belongs. He is unpretentiously affectionate. Because what even <i>is<\/i> time when a connection was true? Eddie demonstrates what you don\u2019t need to be queer to appreciate: it is devotion, not biology, that makes a family.<\/p>\n<p style=\"text-align: center;\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"276547\" data-permalink=\"https:\/\/lithub.com\/nine-novels-that-make-an-art-of-earnestness\/price-of-salt\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/price-of-salt.jpg\" data-orig-size=\"274,400\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"price of salt\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/price-of-salt.jpg\" class=\"alignnone size-medium wp-image-276547\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/price-of-salt-206x300.jpg\" alt=\"\" width=\"206\" height=\"300\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/price-of-salt-206x300.jpg 206w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/price-of-salt-41x60.jpg 41w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/price-of-salt-34x50.jpg 34w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/price-of-salt.jpg 274w\" sizes=\"auto, (max-width: 206px) 100vw, 206px\" \/><\/p>\n<p style=\"text-align: center;\"><strong>Patricia Highsmith, <a href=\"https:\/\/bookshop.org\/p\/books\/the-price-of-salt-or-carol-patricia-highsmith\/48c4d3e2cc004943?ean=9780393325997&amp;bkshp-astro=t\"><i>The Price of Salt<\/i><\/a><\/strong><\/p>\n<p><i>Earnestness as instinct.<\/i><\/p>\n<p>In many ways, Therese is the picture of earnestness (right down to her appearance in Rooney Mara\u2019s film portrayal\u2014her eyes wider than the rims of Carol\u2019s martini glasses). And when we meet her, she seems utterly beguiled by the world around her, as if just about anything might pique her curiosity. But something about Therese keeps her following the breadcrumbs Carol sets down. Her own desires are complicated, mystical even to Therese herself, and yet, she doesn\u2019t dismiss them. Interestingly, she isn\u2019t guided by hope\u2014that would require knowing what she was hoping for. Instead, her feelings beckon and she follows, trusting where they lead without overanalysis\u2014until instinct becomes choice.<\/p>\n<p class=\"p1\" style=\"text-align: center;\">__________________________________<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"276548\" data-permalink=\"https:\/\/lithub.com\/nine-novels-that-make-an-art-of-earnestness\/pining-for-you\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/pining-for-you.jpg\" data-orig-size=\"598,900\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;1&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"pining for you\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/pining-for-you.jpg\" class=\"alignnone size-medium wp-image-276548 aligncenter\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/pining-for-you-199x300.jpg\" alt=\"\" width=\"199\" height=\"300\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/pining-for-you-199x300.jpg 199w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/pining-for-you-40x60.jpg 40w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/pining-for-you-33x50.jpg 33w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/pining-for-you.jpg 598w\" sizes=\"auto, (max-width: 199px) 100vw, 199px\" \/><\/p>\n<p style=\"text-align: center;\"><a href=\"https:\/\/bookshop.org\/a\/1688\/9798347107414\">Pining For You<\/a>\u00a0<em>by Stef Ferrari is available from Simon and Schuster&#8217;s Books for Young Readers.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Bennie Bosley, the protagonist of my new queer YA holiday romance, Pining for You, is living for Christmas magic and Grand Gesture Romance the way Tiny Tim once did for that goose\u2014and I love that for her. But I did<\/p>\n","protected":false},"author":31924,"featured_media":276550,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[43071,43069,11,43092,43135],"tags":[19340,71275,19341,1863,25422,410,24069,108540,95841,74730,2474,112129,13534,112130,665,38409,7560,79775,110248,74731],"class_list":["post-276538","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-craft-and-advice","category-craftandcriticism","category-fullwidth-slider","category-newsandculture","category-readinglists","tag-a-gentleman-in-moscow","tag-a-psalm-for-the-wild-built","tag-amor-towles","tag-ann-patchett","tag-becky-chambers","tag-gabrielle-zevin","tag-j-r-r-tolkien","tag-kin","tag-margos-got-money-troubles","tag-olga-dies-dreaming","tag-patricia-highsmith","tag-pining-for-you","tag-rufi-thorpe","tag-stef-ferrari","tag-tayari-jones","tag-the-lord-of-the-rings","tag-the-price-of-salt","tag-tomorrow-and-tomorrow-and-tomorrow","tag-whistler","tag-xochitl-gonzalez"],"jetpack_shortlink":"https:\/\/wp.me\/p5rKFr-19Wi","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/lithub.com\/wp-content\/uploads\/2026\/09\/earnest-books.png","_links":{"self":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/276538","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/users\/31924"}],"replies":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/comments?post=276538"}],"version-history":[{"count":0,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/276538\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media\/276550"}],"wp:attachment":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media?parent=276538"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/categories?post=276538"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/tags?post=276538"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}},{"id":276827,"date":"2026-09-10T04:56:43","date_gmt":"2026-09-10T08:56:43","guid":{"rendered":"https:\/\/lithub.com\/?p=276827"},"modified":"2026-09-10T05:58:31","modified_gmt":"2026-09-10T09:58:31","slug":"the-independent-press-top-40-bestsellers-fiction-34","status":"publish","type":"post","link":"https:\/\/lithub.com\/the-independent-press-top-40-bestsellers-fiction-34\/","title":{"rendered":"The Independent Press Top 40 Bestsellers: Fiction"},"content":{"rendered":"<p>Here are this week\u2019s <a href=\"https:\/\/www.indiepubs.org\/top40\">Independent Press Top 40 Bestsellers<\/a> for fiction, based on sales in hundreds of independent bookstores nationwide, generously provided by the <a href=\"https:\/\/www.bookweb.org\/\">American Booksellers Association.<\/a> Compiled, designed, and distributed by <a href=\"https:\/\/www.indiepubs.org\/\">The Independent Publishers Caucus<\/a>.<\/p>\n<p>*<\/p>\n<p>1. <a href=\"https:\/\/bookshop.org\/a\/40\/9781954118812\"><em>The Calamity Club<\/em><\/a> by Kathryn Stockett (Spiegel &amp; Grau)<br \/>\n2. <a href=\"https:\/\/bookshop.org\/a\/132\/9780393356250\"><em>The Odyssey<\/em><\/a> by Homer, Emily Wilson (Transl.) (W.W. Norton)<br \/>\n3. <a href=\"https:\/\/bookshop.org\/a\/132\/9781945492600\"><em>I Who Have Never Known Men<\/em><\/a> by Jacqueline Harpman (Transit Books)<br \/>\n4. <a href=\"https:\/\/bookshop.org\/a\/40\/9781646223695\"><em>The Birthing Tree<\/em><\/a> by Amanda Peters (Catapult)<br \/>\n5. <a href=\"https:\/\/bookshop.org\/a\/132\/9780802167194\"><em>The Poison Daughter<\/em><\/a> by Sheila Masterson (Slowburn)<br \/>\n6. <a href=\"https:\/\/bookshop.org\/a\/132\/9780802167194\"><em>John of John<\/em><\/a> by Douglas Stuart (Grove Press)<br \/>\n7. <a href=\"https:\/\/bookshop.org\/a\/40\/9780998063614\" target=\"_blank\" rel=\"noopener\"><em>The Unselected Journals of Emma M. Lion: Vol. 1<\/em><\/a> by Beth Brower (Rhysdon Press)<br \/>\n<span class=\"s1\">8. <a href=\"https:\/\/bookshop.org\/a\/132\/9780802165176\"><em>Heart the Lover<\/em><\/a> by Lily King (Grove Press)<br \/>\n9. <a href=\"https:\/\/bookshop.org\/a\/40\/9780998063621\" target=\"_blank\" rel=\"noopener\"><em>The Unselected Journals of Emma M. Lion: Vol. 2<\/em><\/a> by Beth Brower (Rhysdon Press)<\/span><br \/>\n10. <a href=\"https:\/\/bookshop.org\/a\/40\/9781590171998\"><em>Stoner<\/em><\/a> by John Williams (NYRB Classics)<br \/>\n11. <span class=\"s1\"><a href=\"https:\/\/bookshop.org\/a\/40\/9780811238397\"><em>On the Calculation of Volume (Book I)<\/em><\/a> by Solvej Balle, Barbara J. Haveland (Transl.) (New Directions)<br \/>\n12. <a href=\"https:\/\/bookshop.org\/a\/40\/9780998063621\" target=\"_blank\" rel=\"noopener\"><em>The Unselected Journals of Emma M. Lion: Vol. 3<\/em><\/a> by Beth Brower (Rhysdon Press)<br \/>\n<\/span>13. <a href=\"https:\/\/bookshop.org\/a\/40\/9781644453155\"><em>Taiwan Travelogue: A Novel<\/em><\/a> by Shuang-zi Yang (Graywolf Press)<br \/>\n<span class=\"s1\">14. <a href=\"https:\/\/bookshop.org\/a\/132\/9780802158741\"><em>Small Things Like These<\/em><\/a> by Claire Keegan (Grove Press)<br \/>\n15. <a href=\"https:\/\/bookshop.org\/a\/40\/9798989923014\"><em>I See You&#8217;ve Called in Dead<\/em><\/a> by John Kenney (Zibby Publishing)<br \/>\n<\/span><span class=\"s1\">16. <a href=\"https:\/\/bookshop.org\/a\/40\/9781566897358\"><em>Helen of Nowhere<\/em><\/a> by Makenna Goodman (Coffee House Press)<br \/>\n<\/span><span class=\"s1\">17. <a href=\"https:\/\/bookshop.org\/a\/40\/9780998063621\" target=\"_blank\" rel=\"noopener\"><em>The Unselected Journals of Emma M. Lion: Vol. 4<\/em><\/a> by Beth Brower (Rhysdon Press)<br \/>\n18. <a href=\"https:\/\/bookshop.org\/a\/40\/9780802166470\"><em>The True True Story of Raja the Gullible (and His Mother)<\/em><\/a> by Rabih Alameddine (Grove)<br \/>\n19. <a href=\"https:\/\/bookshop.org\/a\/40\/9781567927948\"><em>Sipsworth<\/em><\/a> by Simon Van Booy (David R. Godine Publisher)<br \/>\n<\/span>20. <span class=\"s1\"><a href=\"https:\/\/bookshop.org\/a\/40\/9781638932239\"><em>Lights Out<\/em><\/a> (Into Darkness Series #1) by Navessa Allen (Slowburn)<br \/>\n21. <a href=\"https:\/\/bookshop.org\/a\/132\/9780802148544\"><em>Writers &amp; Lovers<\/em><\/a> by Lily King (Grove Press)<br \/>\n22. <a href=\"https:\/\/bookshop.org\/a\/40\/9798347042159\"><em>The Nudge<\/em><\/a> by Joseph Fink (Podium Publishing)<br \/>\n<\/span><span class=\"s1\">23. <a href=\"https:\/\/bookshop.org\/a\/40\/9780998063621\" target=\"_blank\" rel=\"noopener\"><em>The Unselected Journals of Emma M. Lion: Vol. 5<\/em><\/a> by Beth Brower (Rhysdon Press)<br \/>\n24. <a href=\"https:\/\/bookshop.org\/a\/40\/9780807083697\"><em>Kindred<\/em><\/a> by Octavia E. Butler (Beacon Press)<br \/>\n<\/span>25. <span class=\"s1\"><a href=\"https:\/\/bookshop.org\/a\/40\/9780998063621\" target=\"_blank\" rel=\"noopener\"><em>The Unselected Journals of Emma M. Lion: Vol. 6<\/em><\/a> by Beth Brower (Rhysdon Press)<br \/>\n<\/span>26. <span class=\"s1\"><a href=\"https:\/\/bookshop.org\/a\/132\/9781954118966\"><em>Culpability<\/em><\/a> by Bruce Holsinger (Spiegel &amp; Grau)<br \/>\n<\/span>27. <span class=\"s1\"><a href=\"https:\/\/bookshop.org\/a\/132\/9781609450786\"><em>My Brilliant Friend<\/em><\/a> by Elena Ferrante (Europa Editions)<br \/>\n28. <a href=\"https:\/\/bookshop.org\/a\/40\/9781324097785\"><em>Victorian Psycho: A Novel<\/em><\/a> by Virginia Feito (Liveright)<br \/>\n<\/span>29. <a href=\"https:\/\/bookshop.org\/a\/40\/9781805680369\"><em>The Eye of Goliath<\/em><\/a> by Diego Muzzio (Pushkin Press)<br \/>\n30. <span class=\"s1\"><a href=\"https:\/\/bookshop.org\/a\/132\/9780802160140\"><em>Foster<\/em><\/a> by Claire Keegan (Grove Press)<br \/>\n<\/span>31. <span class=\"s1\"><a href=\"https:\/\/bookshop.org\/a\/132\/9781646222384\"><em>The Berry Pickers<\/em><\/a> by Amanda Peters (Catapult)<\/span><br \/>\n32. <a href=\"https:\/\/bookshop.org\/a\/40\/9798890920461\"><em>Stitched<\/em><\/a> by Eli McCann (Torrey House Press)<br \/>\n33. <a href=\"https:\/\/bookshop.org\/a\/40\/9781645661245\"><em>The Eyes Are the Best Part: Deluxe Limited Edition<\/em><\/a> by Monika Kim (Erewhon)<br \/>\n34. <a href=\"https:\/\/bookshop.org\/a\/40\/9781638931607\"><em>Monstrilio: A Novel<\/em><\/a> by Gerardo S\u00e1mano C\u00f3rdova (Zando)<br \/>\n35. <span class=\"s1\"><a href=\"https:\/\/bookshop.org\/a\/40\/9781805332121\"><em>Carmilla, Deluxe Edition: The Dark Sapphic Romance that Inspired Dracula<\/em><\/a> by Sheridan Le Fanu (Pushkin Press)<br \/>\n<\/span>36. <span class=\"s1\"><a href=\"https:\/\/bookshop.org\/a\/40\/9780393356687\"><em>The Overstory<\/em><\/a> by Richard Powers (W.W. Norton)<br \/>\n<\/span>37. <span class=\"s1\"><a href=\"https:\/\/bookshop.org\/a\/40\/9798893380583\"><em>We Were Forbidden<\/em><\/a> by Jacqueline Harpman (Transit)<br \/>\n<\/span>38. <a href=\"https:\/\/bookshop.org\/a\/40\/9781638933403\"><em>The Butcher Legacy: A Dr. Wren Muller Novel<\/em><\/a> by Alaina Urquhart (Zando)<br \/>\n39. <span class=\"s1\"><a href=\"https:\/\/bookshop.org\/a\/40\/9780811234825\" target=\"_blank\" rel=\"noopener\"><em>The Employees<\/em><\/a> by Olga Ravn (New Directions)<br \/>\n<\/span>40. <a href=\"https:\/\/bookshop.org\/a\/40\/9781638932277\"><em>Game On<\/em><\/a> by Navessa Allen (Slowburn)<\/p>\n<p style=\"text-align: center;\">_________________________________________<\/p>\n<p><a href=\"https:\/\/www.indiepubs.org\/top40\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"265820\" data-permalink=\"https:\/\/lithub.com\/the-independent-press-top-40-bestsellers-fiction\/untitled-design-1-468\/\" data-orig-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/01\/Untitled-design-2-1.jpg\" data-orig-size=\"824,476\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;Jonny Diamond&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;Untitled design - 1&quot;,&quot;orientation&quot;:&quot;1&quot;}\" data-image-title=\"Untitled design &amp;#8211; 1\" data-image-description=\"\" data-image-caption=\"\" data-large-file=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/01\/Untitled-design-2-1.jpg\" class=\"aligncenter wp-image-265820\" src=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/01\/Untitled-design-2-1.jpg\" alt=\"\" width=\"194\" height=\"112\" srcset=\"https:\/\/lithub.com\/wp-content\/uploads\/2026\/01\/Untitled-design-2-1.jpg 824w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/01\/Untitled-design-2-1-300x173.jpg 300w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/01\/Untitled-design-2-1-768x444.jpg 768w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/01\/Untitled-design-2-1-60x35.jpg 60w, https:\/\/lithub.com\/wp-content\/uploads\/2026\/01\/Untitled-design-2-1-50x29.jpg 50w\" sizes=\"auto, (max-width: 194px) 100vw, 194px\" \/><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Here are this week\u2019s Independent Press Top 40 Bestsellers for fiction, based on sales in hundreds of independent bookstores nationwide, generously provided by the American Booksellers Association. Compiled, designed, and distributed by The Independent Publishers Caucus. * 1. The Calamity<\/p>\n","protected":false},"author":74,"featured_media":269719,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"om_disable_all_campaigns":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_feature_clip_id":0,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[43069,6,43070,43135],"tags":[187,27380,108921,111025],"class_list":["post-276827","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-craftandcriticism","category-features","category-literary-criticism","category-readinglists","tag-fiction","tag-independent","tag-independent-press","tag-the-independent-press-top-40-bestsellers-fiction"],"jetpack_shortlink":"https:\/\/wp.me\/p5rKFr-1a0X","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack_featured_media_url":"https:\/\/lithub.com\/wp-content\/uploads\/2026\/04\/fiction-scaled.jpg","_links":{"self":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/276827","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/users\/74"}],"replies":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/comments?post=276827"}],"version-history":[{"count":0,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/posts\/276827\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media\/269719"}],"wp:attachment":[{"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/media?parent=276827"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/categories?post=276827"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/lithub.com\/wp-json\/wp\/v2\/tags?post=276827"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}]