...if The Woman in the WindowThe Woman in the Window is first-rate entertainment that is finally a moving portrait of a woman fighting to preserve her sanity ... With The Woman in the Window he has not only captured, sympathetically, the interior life of a depressed person, but also written a riveting thriller that will keep you guessing to the very last sentence.
Finn has carefully paced Anna’s internal narrative and intricately woven interactions (real or imagined?) and added a diabolical dimension that makes this story even more intense than Hitchcock’s Rear Window. And when the catalyst for Anna’s condition is ultimately revealed, it is far more traumatic than a broken leg. An astounding debut from a truly talented writer, perfect for fans in search of more like Gone Girl and The Girl on the Train.
Mallory also clearly knows a lot about the more diabolical elements in Hitchcock movies. And he hasn’t been shy, as Finn, about plugging them into his plot ... All of this is very familiar, to the point where The Woman in the Window starts off feeling ordinary. It reads too much like another knockoff while the author sets up his very basic story elements ... Once the book gets going, it excels at planting misconceptions everywhere. You cannot trust anything you read ... A book that’s as devious as this novel will delight anyone who’s been disappointed too often ... How well does it all hold up, once Finn’s cards have been fully played? Pretty well, but there are problems. An enormous surprise meant to arrive more than two-thirds of the way through the book was guessable even by me — a terrible guesser — almost from the start. One character has huge credibility problems. And the writing is serviceable, sometimes bordering on strange ... Finn knows commerce but he also knows the classics, old and new. He truly aspires to write in their tradition.