Part of Graywolf Press' "The Art Of" writing craft series. At once a personal account of Danticat's mother dying from cancer and a deeply considered reckoning with the ways that other writers have approached death in their own work.
... the way she engages her subject makes this a book almost everyone can appreciate ... A strength of Danticat's book is the way she moves back and forth between her life and literary texts, using one to understand the other and vice versa ... In The Art of Death, Danticat writes clearly and judiciously about a subject that is challenging for both writers and people to face directly. Her range and grasp of literary references is wide and powerful; she certainly turned me on to books I didn't know before, such as Chitra Banerjee Divakaruni's One Amazing Thing. The final prayer she wrote in Manman's voice may bring both tears and laughter to anyone who has lost a mother.
Like John Updike, Danticat writes beautifully about fellow writers, dissecting their magic and technique with a reader’s passion and a craftsman’s appraising eye ... At times, Danticat’s references to books by other writers proliferate so rapidly that the reader can feel like a student cramming for finals in a seminar on the Literature of Death and Grief...Such passages obviously lack the intimacy of the sections of this book devoted to Danticat’s mother, but the reader gradually comes to understand why the author is circling around and around an almost unbearable loss: As a grieving daughter, she wants to understand how others have grappled with this essential fact of human existence; and as a writer she wants to learn how to use language to try to express the inexpressible, to use her art to mourn.
Danticat’s writerly skill is evident in her use of everyday imagery as a contrast to the magnitude of what is taking place... Ostensibly a guide for writers and readers, The Art of Death, much like the author’s prayer, feels like an offering, a study born of devotion. Part essay, part memoir, part elegy, the book has numerous obsessions — lingual, mortal, and parental — that come together to compelling effect ... Whenever possible Danticat offers histories and anecdotes, recollections and analyses of her subjects, and in one case, when she reaches the limits of her research with the death of a central character in Taiye Selasi’s Ghana Must Go, we are treated to excerpts of her correspondence with the author ...Edwidge Danticat’s The Art of Death offers counterpoint, consolation, and a means of creation to readers and writers alike.