...[an] intricate, riveting story collection ... Beach’s characters are governed by violent forces, yet their inner lives are textured by tender questions about self-judgment, regret, and finding grace in a landscape that is at once bleak and beautiful ... In the tradition of Breece D’J Pancake, Alan Heathcock, and Kyle Minor, Beach employs deliberate, achingly spare language to delve into the darker corners of human experience. The resulting atmospheric tension is as much a testament to Beach’s talent as it is effectively unnerving.
It is difficult to guess how these stories end or to classify them as funny or sad, uplifting or depressing, smart or silly, etc. The truth is that each of these stories is all of those things and much more ... The way that Beach has used his remarkable, clear voice to fully render weather and architecture and nature, has made it at once invisible and yet so striking.
In recent years, Scandinavian literature has become synonymous with thrillers. The pervasive cool detachment that cloaks those novels is deftly applied to Jensen Beach’s collection of short stories ... It seems a disservice to classify this skillful collection as one of interconnected stories. Rather, characters appear, recede, then resurface throughout the book.